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2024-06-15

AIAIが消えてなくなるまで終わらないよ

this is just awful imagine studying animation and art your whole life just for your job to get stolen by AI how do people think this is impressive this is absolutely terrifying and it should genuinely be illegal

訳:これ、ほんとにひどいよ。ずっとアニメとか芸術勉強してきたのに、AI仕事奪われるなんて。なんでみんなこれがすごいって思うんだろう。ほんとに怖いし、マジで違法にすべきだよ。

これが10いいね

データセットに文句を言ってるのは建前

2024-06-11

Bob the First, at the head of my long list of robins, having been killed by my pet owl, I very soon bought another. This one was not so gentle nor so handsome as Bob the First, his wings and his tail having their ends sawed off by contact with the wires of too small a cage.

Fearing that he might be lonely in my aviary with only rabbits, guineapigs, pet rats, and pigeons for company, I bought another robin called Dick. The new bird was long, straight, sharp-eyed, and much smarter in his movements than Bob the Second who, of course, considering the condition of his(35) wings and tail, could not fly, and was obliged to hop over the ground.

It was very amusing to see the two robins stare at each other. Both had probably been trapped young, for at that time the law against the keeping of wild birds in captivity was not enforced, and boys and men were perniciously active in their depredations among our beautiful wild beauties.

Bob the Second was very fond of stuffing himself, and he used to drive the pigeons from the most promising window ledges and partake freely of the food scattered about.

Poor Dick ran about the ground looking for worms, and not finding many, got desperate and flew up to the window ledge.

Bob lowered his head and flew at him with open bill. Dick snapped at him, hopped up to the food, and satisfied his hunger, Bob meanwhile standing at a little distance, a queer, pained thread of sound issuing from between his bill, “Peep, peep, peep!”

A robin is a most untidy bird while eating, and as often as Dick scattered a morsel of food outside the dish, Bob would spring forward and pick it up with a reproving air, as if he were saying, “What an extravagant fellow you are!”

Whenever a new bird enters an aviary, he has to find his place—he is just like a new-comer in a community of human beings. Bob, being alone, was in the lead when Dick came. Dick, having the stronger bird mind, promptly dethroned him. They were(36) very amusing birds. Indeed, I find something clownish and comical about all robins kept in captivity.

The wild bird seems to be more businesslike. The partly domesticated bird, having no anxiety about his food supply, indulges in all sorts of pranks. He is curious and fond of investigation, and runs swiftly at a new object, and as swiftly away from it, if it seems formidable to him.

The arrival of new birds in the aviary always greatly excited Bob, and he hopped about, chirping, strutting, raising his head feathers, and sometimes acting silly with his food, just like a foolish child trying to “show off” before strangers.

When I introduced a purple gallinule to him, Bob flew up into the air, and uttered a shriek of despair. He feared the gallinule, and hated the first Brazil cardinal I possessed, and was always sparring with him. One day I put a second cardinal into the aviary. Bob thought it was his old enemy, and ran full tilt at him. His face of ludicrous dismay as he discovered his mistake and turned away, was too much for me, and I burst out laughing at him. I don’t think he minded being made fun of. He flirted his tail and hopped away.

At one time Bob made up his mind that he would not eat crushed hemp-seed unless I mixed it with bread and milk, and he would throw it all out of his dish unless I made it in the way he liked.

My robins have always been good-natured, and I(37) never saw one of them hurt the smallest or feeblest bird, though they will sometimes pretend that they are going to do so.

When Bob took a sun-bath, any member of the family who happened to be near him would always be convulsed with laughter. He would stretch his legs far apart, stick out his ragged plumage, elevate his head feathers till he looked as if he had a bonnet on, and then half shut his eyes with the most ludicrous expression of robin bliss.

All birds look more or less absurd when taking sun-baths. They seem to have the power to make each feather stand out from its neighbor. I suppose this is done in order that the sun may get to every part of the skin.

His most amusing performance, however, took place when his first moulting 読めよお前を監視しているぞ time after he came was over. One by one his old, mutilated feathers dropped out, and finally new ones took their places. On a memorable day Bob discovered that he had a real tail with a white feather on each side of it, and a pair of good, serviceable wings. He gave a joyful cry, shook his tail as if he would uproot it, then spread his wings and lifted himself in the air. Hopping time was over. He was now a real bird, and he flew from one end of the aviary to the other with an unmistakable expression of robin ecstasy.

Most unfortunately, I had not a chance to study poor Dick’s character as fully as Bob’s, for I only had him a short time. Both he and Bob, instead of(38) mounting to perches at night, would go to sleep on the windowsills, where I was afraid my pet rats would disturb them, as they ran about in their search for food. Therefore, I went into the aviary every evening, and lifted them up to a comfortable place for the night, near the hot-water pipes. I would not put robins in a warm place now. They are hardy birds, and if given a sufficient quantity of nourishing food do not need a warm sleeping-place. If we only had a better food supply I believe we would have many more wild birds with us in winter in the Northern States and Canada than we have now.

Late one evening I went into the aviary to put my robins to bed. I could only find Bob—Dick was nowhere to be seen. My father and mother joined me in the search, and finally we found his poor, lifeless body near the entrance to the rats’ underground nest. His head had been eaten—poor, intelligent Dick; and in gazing at him, and at the abundance of food in the aviary, the fate of the rats was sealed.

I fed my birds hard-boiled egg mashed with bread crumbs, crushed hemp-seed, scalded cornmeal, bread and milk, prepared mockingbird food, soaked ant eggs, all kinds of mush or “porridge,” as we say in Canada, chopped beef, potato and gravy, vegetables cooked and raw, seeds and fruit, an almost incredible amount of green stuff, and many other things—and yet the rats had found it necessary to commit a murder.

(39)

Well, they must leave the aviary, and they did, and for a time Bob reigned alone. I did try to bring up a number of young robins given to me by children who rescued them from cats, or who found them on the ground unable to fly, but for a long time I had very hard luck with them.

Either the birds were diseased or I did not feed them properly. I have a fancy that I half starved them. Bird fanciers whom I consulted told me to be sure and not stuff my robins, for they were greedy birds. As long as I took their advice my young robins died. When I went to my canaries for advice I saw that the parents watched the tiny heads folded like flowers too heavy for their stalks, over the little warm bodies in the nests.

The instant a head was raised the mother or father put a mouthful of warm egg-food in it. The little ones got all they would eatindeed, the father, with food dripping from his mouth, would coax his nestlings to take just one beakful more. I smiled broadly and began to give my robins all the worms they wanted, and then they lived.

The bringing up of young birds is intensely interesting. I found that one reason why early summer is the favorite time for nest-making is because one has the short nights then. Parents can feed their young quite late in the evening and be up by early daylight to fill the little crops again. Robins are birds that like to sit up late, and are always the last to go to bed in the aviary.

(40)

I solved the difficulty of rising at daylight to feed any young birds I was bringing up by giving them a stuffing at eleven o’clock at night. Then I did not have to rise till nearly eight.

This, of course, was for healthy birds. If I had a sick guineapig, rabbit, or bird, I never hesitated to get up many times during the night, for I have a theory that men and women who cannot or will not undertake the moral responsibility of bringing up children, should at least assist in the rearing of some created thing, if it is only a bird. Otherwise they become egotistical and absorbed in self.

Betsy and Solomon lived happily through that winter and spring, and before summer came we had made up our minds to return to the East. What should we do with the owls? They would be a great deal of trouble to some one. They required an immense amount of petting, and a frequent supply of perfectly fresh meat. No matter how busy we were, one of us had to go to the butcher every other day.

We began to inquire among our friends who would like a nice, affectionate pair of owls? There seemed no great eagerness on the part of any one to(23) take the pets we so much valued. Plans for their future worried me so much that at last I said to my sister, “We will take them East with us.”

The owls, who were to take so long a journey, became objects of interest to our friends, and at a farewell tea given to us, a smartly dressed young man vowed that he must take leave of Solomon and Betsy. Calling for a broom, he slowly passed it to and fro over the carpet before them, while they sat looking at him with lifted ear tufts that betrayed great interest in his movements.

We trembled a little in view of our past moving experiences, but we were devoted to the little creatures and, when the time came, we cheerfully boarded the overland train at Oakland.

We had with us Betsy and Solomon in their large cage, and in a little cage a pair of strawberry finches, so called because their breasts are dotted like a strawberry. A friend had requested us to bring them East for her. We had also a dog—not Teddy, that had only been lent to us; but our own Irish setter Nita, one of the most lovable and interesting animals that I have ever owned.

The chipmunk was no longer with us. He had not seemed happy in the aviary—indeed, he lay down in it and threw me a cunning look, as if to say, “I will die if you don’t let me out of this.” So I gave him the freedom of the house. That pleased him, and for a few days he was very diligent in assisting us with our housekeeping by picking(24) all the crumbs off the floors and eating them. Then he disappeared, and I hope was happy ever after among the superb oak trees of the university grounds close to us.

When we started for the East, the pets, of course, had to go into the baggage car, and I must say here for the benefit of those persons who wish to travel with animals and birds, that there is good accommodation for them on overland trains. Sometimes we bought tickets for them, sometimes they had to go in an express car, sometimes we tipped the baggagemasters, but the sums spent were not exorbitant, and we found everywhere provision made for pets. You cannot take them in your rooms in hotels, but there is a place for them somewhere, and they will be brought to you whenever you wish to see them, or to give them exercise. We were on several different railway lines, and visited eight different cities, and the dog and birds, upon arriving in eastern Canada, seemed none the worse for their trip.

However, I would not by any means encourage the transportation of animals. Indeed, my feelings on the subject, since I understand the horrors animals and birds endure while being whirled from one place to another, are rather too strong for utterance. I would only say that in a case like mine, where separation between an owner and pets would mean unhappiness, it is better for both to endure a few days or weeks of travel. Then the case of animals(25) and birds traveling with some one who sees and encourages them every day is different from the case of unfortunate creatures sent off alone.

Our Nita was taken out of the car at every station where it was possible to exercise her, and one of us would run into restaurants along the route to obtain fresh meat for the owls. Their cage was closely covered, but whenever they heard us coming they hooted, and as no one seemed to guess what they were, they created a great deal of interest. My sister and I were amused one evening in Salt Lake City to see a man bending over the cage with an air of perplexity.

“They must be pollies,” he said at last, and yet his face showed that he did not think those were parrot noises issuing from within.

I remember one evening on arriving in Albany, New York, causing slight consternation in the hotel by a demand for raw meat. We hastened to explain that we did not want it for ourselves, and finally obtained what we wished.

As soon as we arrived home in Halifax, Nova Scotia, the owls were put downstairs in a nice, dry basement. They soon found their way upstairs, where the whole family was prepared to welcome them on account of their pretty ways and their love for caresses.

Strange to say, they took a liking to my father, who did not notice them particularly, and a mischievous dislike to my mother, who was disposed to(26) pet them. They used to fly on her head whenever they saw her. Their little claws were sharp and unpleasant to her scalp. We could not imagine why they selected her head unless it was that her gray hair attracted them. However, we had a French Acadian maid called Lizzie, whose hair was jet black, and they disliked her even more than they did my mother.

Lizzie, to get to her storeroom, had to cross the furnace-room where the owls usually were, and she soon began to complain bitterly of them.

“Dey watch me,” she said indignantly, “dey fly on my head, dey scratch me, an’ pull out my hairpins, an’ make my head sore.”

Why don’t you push them off, Lizzie?” I asked, “they are only tiny things.”

“Dey won’t go—dey hold on an’ beat me,” she replied, and soon the poor girl had to arm herself with a switch when she went near them.

Lizzie was a descendant of the veritable Acadians mentioned in Longfellow’s “Evangeline,” of whom there are several thousand in Nova Scotia. My mother was attached to her, and at last she said, “I will not have Lizzie worried. Bring the owls up in my bathroom.”

There they seemed perfectly happy, sitting watching the sparrows from the window and teasing my long-suffering mother, who was obliged to give up using gas in this bathroom, for very often the owls put it out by flying at it.

(27)

One never heard them coming. I did not before this realize how noiseless the flight of an owl is. One did not dream they were near till there was a breath of air fanning one’s cheek. After we gave up the gas, for fear they would burn themselves, we decided to use a candle. It was absolutely necessary to have an unshaded light, for they would perch on any globe shading a flame, and would burn their feet.

The candle was more fun for them than the gas, for it had a smaller flame, and was more easily extinguished, and usually on entering the room, away would go the light, and we would hear in the corner a laughing voice, saying “Too, who, who, who, who!”

The best joke of all for the owls was to put out the candle when one was taking a bath, and I must say I heard considerable grumbling from the family on the subject. It seemed impossible to shade the light from them, and to find one’s self in the dark in the midst of a good splash, to have to emerge from the tub, dripping and cross, and search for matches, was certainly not calculated to add to one’s affection for Solomon and Betsy. However, they were members of the family, and as George Eliot says, “The members of your family are like the nose on your face—you have got to put up with it, seeing you can’t get rid of it.”

Alas! the time soon came when we had to lament the death of one of our troublesome but beloved pets.

Betsy one day partook heartily of a raw fish head,(28) and in spite of remedies applied, sickened rapidly and sank into a dying condition.

I was surprised to find what a hold the little thing had taken on my affection. When her soft, gray body became cold, I held her in my hand close to the fire and, with tears in my eyes, wished for a miracle to restore her to health.

She lay quietly until just before she died. Then she opened her eyes and I called to the other members of the family to come and see their strange expression. They became luminous and beautiful, and dilated in a peculiar way. We hear of the eyes of dying persons lighting up wonderfully, and this strange illumination of little Betsy’s eyes reminded me of such cases.

Even after death she lay with those wide-open eyes, and feeling that I had lost a friend, I put down her little dead body. It was impossible for me to conceal my emotion, and my mother, who had quite forgotten Betsy’s hostility to her, generously took the little feathered creature to a taxidermist.

I may say that Betsy was the first and last bird I shall ever have stuffed. I dare say the man did the work as well as it could be done, but I gazed in dismay at my Betsy when she came home. That stiff little creature sitting on a stick, with glazed eyes and motionless body, could not be the pretty little bird whose every motion was grace. Ever since the day of Betsy’s death, I can feel no admiration for a dead bird. Indeed, I turn sometimes with a shudder(29) from the agonized postures, the horrible eyes of birds in my sister women’s hats—and yet I used to wear them myself. My present conviction shows what education will do. If you like and study live birds, you won’t want to wear dead ones.

After Betsy’s death Solomon seemed so lonely that I resolved to buy him a companion. I chose a robin, and bought him for two dollars from a woman who kept a small shop. A naturalist friend warned me that I would have trouble, but I said remonstratingly, “My owl is not like other owls. He has been brought up like a baby. He does not know that his ancestors killed little birds.”

Alas! When my robin had got beautifully tame, when he would hop about after me, and put his pretty head on one side while I dug in the earth for worms for him, when he was apparently on the best of terms with Sollie, I came home one day to a dreadful discovery. Sollie was flying about with the robin’s body firmly clutched in one claw. He had killed and partly eaten him. I caught him, took the robin away from him, and upbraided him severely.

“Too, who, who, who who,” he said—apologetically, it seemed to me, “instinct was too strong for me. I got tired of playing with him, and thought I would see what he tasted like.”

I could not say too much to him. What about the innocent lambs and calves, of which Sollie’s owners had partaken?

(30)

I had a fine large place in the basement for keeping pets, with an earth floor, and a number of windows, and I did not propose to have Sollie murder all the birds I might acquire. So, one end of this room was wired off for him. He had a window in this cage overlooking the garden, and it was large enough for me to go in and walk about, while talking to him. He seemed happy enough there, and while gazing into the garden or watching the rabbits, guineapigs, and other pets in the large part of the room, often indulged in long, contented spells of cooing—not hooting.

In 1902 I was obliged to leave him for a six months’ trip to Europe. He was much petted by my sister, and I think spent most of his time upstairs with the family. When I returned home I brought, among other birds, a handsome Brazil cardinal. I stood admiring him as he stepped out of his traveling cage and flew around the aviary. Unfortunately, instead of choosing a perch, he flattened himself against the wire netting in Sollie’s corner.

I was looking right at him and the owl, and I never saw anything but lightning equal the celerity of Sollie’s flight, as he precipitated himself against the netting and caught at my cardinal’s showy red crest. The cardinal screamed like a baby, and I ran to release him, marveling that the owl could so insinuate his little claws through the fine mesh of the wire. However, he could do it, and he gripped the struggling cardinal by the long, hair-like(31) topknot, until I uncurled the wicked little claws. A bunch of red feathers fell to the ground, and the dismayed cardinal flew into a corner.

“Sollie,” I said, going into his cage and taking him in my hand, “how could you be so cruel to that new bird?”

“Oh, coo, coo, coo, coo,” he replied in a delightfully soft little voice, and gently resting his naughty little beak against my face. “You had better come upstairs,” I said, “I am afraid to leave you down here with that poor cardinal. You will be catching him again.”

He cooed once more. This just suited him, and he spent the rest of his life in regions above. I knew that he would probably not live as long in captivity as he would have done if his lot had been cast in the California foothills. His life was too unnatural. In their native state, owls eat their prey whole, and after a time disgorge pellets of bones, feathers, hairs, and scales, the remnants of food that cannot be digested.

My owls, on account of their upbringing, wanted their food cleaned for them. Betsy, one day, after much persuasion, swallowed a mouse to oblige me, but she was such a dismal picture as she sat for a long time with the tail hanging out of her beak that I never offered her another.

I tried to keep Solomon in condition by giving him, or forcing him to take, foreign substances, but my plan only worked for a time.

(32)

I always dreaded the inevitable, and one winter day in 1903 I looked sharply at him, as he called to me when I entered the house after being away for a few hours. “That bird is ill!” I said.

No other member of the family saw any change in him, but when one keeps birds and becomes familiar with the appearance of each one, they all have different facial and bodily expressions, and one becomes extremely susceptible to the slightest change. As I examined Sollie, my heart sank within me, and I began to inquire what he had been eating. He had partaken freely of boiled egg, meat, and charcoal. I gave him a dose of olive oil, and I must say that the best bird or beast to take medicine is an owl. Neither he nor Betsy ever objected in the l

anond:20240611003300

peace and quietness of the night after the turmoil of the day, were hooting persistently and melodiously.

“The landlady and the boarders,” gasped my sister; “they will hear and wake up. Can’t you stop the little wretches?”

I sprang out of bed, and addressed a solemn remonstrance to Solomon and Betsy. They were exceedingly glad to see me, and distending their little throats, continued to hoot, their clear, sweet young voices carrying only too well on the still Californian night air.

Then the chipmunk woke up and began to slide up and down an inclined piece of wood in his part of the cage. We were in despair. We could not sleep, until I had the happy thought of giving the owls a bath. I seized Betsy, held her in a basin of water, and wet her feathers considerably. Then I served Solomon in the same way, and for the rest of the night the tiny little things occupied themselves in smoothing their wet plumage. The chipmunk quieted down, and we had peace.

(19)

When we got into the cottage I had a carpenter build a small aviary at the back of it, with a box for rainy weather. The nights were not too cold for my hardy birds. Indeed, they were not too cold for many semi-tropical ones. I found a bird fancier not far from me, who had built a good-sized, open-air aviary, where he kept canaries and foreign finches all the year round, with only a partly open, glass shelter for the birds to use when it rained.

My sparrowhawk did not seem unhappy in my aviary, but he never had the contented, comfortable expression that the owls had. His apathy was pathetic, and the expression of his beautiful, cruel eyes was an unsatisfied one. In time, I should have allowed him to go, but suddenly he fell ill. I think I overfed him, for I got him into the habit of taking a late supper, always leaning out the window and handing him a piece of meat on the end of a stick before I went to bed.

I brought him into the warm kitchen, where he moped about for a few days. Just before he died he came hopping toward the parlor, where I sat entertaining a friend. I often took him in there on the broad windowsill and talked to him as I sat sewing.

He stood in the doorway, gave me a peculiar look, as if to say, “I would come in if you were alone,” hopped back to the kitchen, and in a short time was no more.

My sister and I mourned sincerely for our pretty bird, and I had the uncomfortable feeling that I(20) might have done better if I had left him in his own habitat—but then he might have starved to death if his parents had not found him. Would death by starvation have been any more painful than his death with me? Possibly some larger creature might have killed him swiftly and mercifully—it was a puzzling case, and I resolved to give up worrying about it. I had done what I considered was best, and I tried to console myself for his death in petting the dear little owls that had become so tame that they called to my sister and me whenever they saw us, and loved to have us take them in our hands and caress them.

About them I had no misgivings. They would certainly have died if I had not adopted them, and there was no question about their happiness. They were satisfied with a state of captivity. They had so far lost one of their owl habits, for they kept awake nearly all day, and slept nearly all night—and they could see quite well in the most brilliant Californian sunlight, and that is pretty brilliant. A cat or a dog many yards distant would cause them to raise excitedly the queer little ear tufts that play so prominent a part in the facial expression of some owls, and they would crack their beaks together and hiss angrily if the enemy came too near.

Cats and dogs frightened them, and a broom merely excited them. When strangers wanted to see the elevation of these tufts, a broom, swiftly passed over the floor, would cause Solomon and(21) Betsy to become very wide awake, with feather tufts straight up in the air. I never saw them abjectly and horribly frightened but once. A lady had brought her handsome parrot into the room where the owls were. The poor little mites put up their ear tufts, swayed to and fro on their perch, and instead of packing their feathers and becoming thin and elongated in appearance, as they did for cats and dogs, they puffed themselves out, snapped their beaks, and uttered the loudest hissing noise I had ever heard from them.

From their extremity of fear I concluded that their instinct told them this danger was so imminent that they must make themselves as formidable as possible.

The parrot was of course quickly removed, and I took care that they should never again see another one.

2024-06-05

anond:20240605074420

Because it's way too out and above your high-school English parsing technique? Why should *I* help stop your fantasy rip itself apart? That makes little sense if it does at all.

anond:20240605073730

かっこでくくった部分で機械翻訳ってわかるんだよなあw I'm giving you a 「favor bro.」 It's not like you know data structures and algorithms.

「favor bro.」でなんで機械翻訳って"わかっ"ってしまったの?

anond:20240605073547

かっこでくくった部分で機械翻訳ってわかるんだよなあw

I'm giving you a 「favor bro.」 It's not like you know data structures and algorithms.

anond:20240605073352

I'm giving you a favor bro. It's not like you know data structures and algorithms.

2024-06-02

無限パイプ理想的なホーン

>But a suitably damped, long pipe (plane wave tube) closely approximates the resistive load impedance of an infinite pipe across a wide band of frequencies, and is very valuable for testing compression drivers12, 13. It presents a constant frequency independent load, and as such acts like the perfect horn.

https://www.grc.com/acoustics/an-introduction-to-horn-theory.pdf

http://blog.livedoor.jp/machida_offkai/74/74_8_hori.pdf

→十分にダンプされた長いパイプ周波数によらず一定音響抵抗を示し、完璧なホーン」のように振る舞う

パイプ音響インピーダンスはZ=ρc/Sであり、断面積が小さいほど抵抗強い

ρc=空気の固有音響インピーダンス

plane wave tubeと呼ばれるホーンドライバーの測定に使われるパイプはこの原理を利用している

https://www.ebay.com.au/itm/126093285497

→ホーンドライバーの測定資料にはパイプ接続した場合とホーンに接続した場合の二種類が掲載されていることが多い

パイプ場合はホーンと違ってかなり低域まで平坦になっていて、確かに全域にわたってロードが掛かっていることがわかる

>“The termination is 2 m (6,56 ft) long and is made of reticulated polyurethane foam having 80 pores per inch. It is tapered throughout its length and is treated to be age and fire resistant.

→長さは2mのようだが、たった2mでこれだけ共鳴のない測定ができるものか?口径が小さいからか?

http://www.angelofarina.it/Public/Standing-Wave/aes-01id-2012-f.pdf

→2インチのホーンドライバーに2インチと1インチパイプ接続すると、1インチのほうがf特が平坦になる

パイプを細くすることはスロートを絞るのと同じ効果


ホーンは機械的な逆起電力に相当?

HornrespにてFe83NVを無限長のパイプ接続した場合シミュレーションを行った

音響インピーダンス一定となり、f0のインピーダンスは丸くなり制動されているようだ

パイプ周波数特性については、f0を中心としてかまぼこのように盛り上がる

パイプ口径を小さくするとf0のインピーダンスはより丸くなり、周波数特性も平坦化する

振動板の実効質量を下げるとf0が上がるが、それに従ってかまぼこも移動する

(100cmパイプ場合、450Hzあたりを中心としたかまぼことなる。さらに長くして9999cmにしても変わらない。なぜ?パイプ口径を小さくするとかまぼこは平坦化せず単により高い周波数に移動する。電磁力機械抵抗を増やしても無限長のときのような変化はない。シミュレーション問題あり?)

無限パイプは全域にわたってロードが掛かるはずなのに、なぜf0の周りだけ盛り上がるのか?

というかホーンはどれも基本的にf0を中心としてかまぼこ特性になるのが基本だが、なぜ?

http://sirasaka.seesaa.net/article/ltspice-bh-afaf.html

→このサイトによると、かまぼこの右側の肩の部分では慣性制御となり、この帯域ではホーンロードがかかっていないようだ

どうやらホーンはf0付近の激しい振動に反応する傾向がある?

そう考えると、逆起電力も同じようにf0に反応して大きなインピーダンスの山を作る

まりホーンは機械的な逆起電力に相当する?

起電力自体は全域にわたって生じるが、振動板はf0で特に激しく振動するためその付近で強く発生する

パイプによるロードも同じく(理想的には)全域にわたって生じるが、振動板はf0で特に激しく振動するためその付近で強く発生する

磁力を強くすると逆起電力も強くなり、インピーダンスカーブは高く、裾の広い形状となる

周波数特性はそれに従いなだらかなものとなり、広い範囲抵抗制御となる

パイプ口径を小さくすると音響インピーダンスも強くなり、周波数特性はなだらかになり、広い範囲抵抗制御となる

まり、逆起電力パイプロードも全域に掛かっている

しかし、振動板の共振慣性に打ち勝つだけの抵抗を発生させるとなると、それ相応のエネルギーを貰う必要があるということではないか

もちろん例えば超伝導スピーカーであれば全域抵抗制御になるだけの電磁力をそれ単体で得られるだろうが、一般には無理だ

しかスピーカーから与えられるエネルギーが十分にあれば、それに対して反応することで振動板に十分な制動をかけることができる、ということではないか

から、Qの大きい、狭い範囲で強く共振するf0の場合エネルギーは狭い帯域にあるのでパイプロードもその狭い範囲限定して強く効く

そして強く効いた結果、その範囲では抵抗制御となるが、そこから外れるとすぐに慣性の影響が支配的になる

一方でQの小さい、広い範囲で弱く共振するf0の場合エネルギーは広い帯域に分散されているので、パイプロードも広い範囲でゆったりと効く

その結果広い範囲で音圧が増幅され、フラット周波数特性となる

よって、逆起電力もホーンロードユニットエネルギー寄生する形で制動をかけるものであり、ユニットからエネルギーが大きくない場合は十分に反応できないのではないか

したがってエネルギーの大きいf0には反応できるが、慣性制御領域では振幅が少ないため十分に反応できない。結果としてf0を中心としたかまぼこ特性ができあがるのではないか

もちろんパイプ口径(ホーンの場合スロー口径)を小さくして音響インピーダンスを増やしてやれば質量に打ち勝つだけの抵抗空気制動)を与えられる(逆起電力場合超伝導などの超強力な磁力でほんの少しの振幅にも大きく反応する逆起電力を生じさせればいいが現実的ではない)

http://www.timedomain.co.jp/tech/hifi03/hifi03.html

→このサイトの第6図、第7図がわかりやす

→電磁制動周波数によらず一定(振幅一定場合

しかしf0では強烈に振幅するので、結果として電磁制動が増加

→f0以降では振幅が収まるため、電磁制動減少

→そして質量周波数に比例して増加するため、中高域では質量支配的に(慣性制御

パイプロード周波数によらず一定(振幅一定場合

しかしf0では強烈に振幅するので、結果としてロードが増加

→f0以降では振幅が収まるため、ロード減少

→そして質量周波数に比例して増加するため、中高域では質量支配的に(慣性制御

2024-05-30

How do I speak to someone on Qatar Airways??#Call~Now Guide2024

[QATAR~Airways] How do I speak to someone on Qatar Airways??#Call~Now

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How can I communicate with Qatar?

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Your feedback is crucial in shaping the future of Qatar 's customer service +11||833||563||0205. or +11||833||563||0205 (Live agent). This part of the article explains how to submit feedback about your support experience and the impact it has on improving service quality, ensuring that your voice is heard and valued. To talk to a Person at Qatar Customer Service for live support, You can call their Qatar customer service 24/7 Hotline Number USA:- +11||833||563||0205.(Live Person) or +11||833||563||0205 (𝕼𝖚𝖎𝖈𝖐 𝕮𝖔𝖓𝖓𝖊𝖈𝖙), engage in a live chat on their website, or use email support.

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2024-05-26

Hey guys, did you know that in terms of male human and female Pokémon breeding, Vaporeon is the most compatible Pokémon for humans? Not only are they in the field egg group, which is mostly comprised of mammals, Vaporeon are an average of 3"03' tall and 63.9 pounds. this means they're large enough to be able to handle human d--ks, and with their impressive Base Stats for HP and access to Acid Armor, you can be rough with one. Due to their mostly water based biology, there's no doubt in my mind that an aroused Vaporeon would be incredibly wet, so wet that you could easily have sex with one for hours without getting sore. They can also learn the moves Attract, Baby-Doll Eyes, Captivate, Charm, and Tail Whip, along with not having fur to hide nipples, so it'd be incredibly easy for one to get you in the mood. With their abilities Water Absorb and Hydration, they can easily recover from fatigue with enough water. No other Pokémon comes close to this level of compatibility. Also, fun fact, if you pull out enough, you can make your Vaporeon turn white.

GAFAに入る方法を教えてやる

If you don't understand what's written here in English, you won't stand a chance of even getting a recruiter call. Try to improve your English first. English is the language you're going to work in day to day.

2024-05-24

anond:20240524124255

Whores in this house

There’s some whores in this house

There’s some whores in this house

There’s some whores in this house

ビッチがいるぞ

この家にはビッチがいる

この家にはビッチがいる

この家にはビッチがいる


I said certified freak, sevendays a week

Wet and gushy, make that pullout game weak, woo

イカれた女って認められてるの 週7日稼働してる

濡れたマンコ あなたは抜くのも嫌になるわ


Yeah, you dealin’ with some wet and gushy

Bring a bucket and a mop for this wet and gushy

Give me everything you got for this wet and gushy

あなたはびしょ濡れのマンコに入れたいのよね

バケツとモップを持ってきてよ

マンコのためなら何でもくれるよね


Beat it up, baby, catch a charge

Extra large and extra hard

Put this cookie right in your face

Swipe your nose like a credit card

Hop on top, I wanna ride

I do a kegel, I’m kinda wild

Look at my mouth, look at my thighs

This water is wet, come take a dive

激しく突いて 違法なくらいに

大きさも硬さも普通じゃないわね

マンコをあなたの顔へ乗せたら

あなたの鼻をクレジットカードみたいにスワイプして

上に乗ってあげる

中に入れてる時は ケーゲル体操するの

口に唾を吐いて 私を見つめて

マンコは濡れてるからダイブしてよ

2024-05-22

anond:20240522150011

Hit points are a combination of actual physical constitution, skill at the avoidance of taking real physical damage, luck and/or magical or divine factors. Ten points of damage dealt to a rhino indicated a considerable wound, while the same damage sustained by the 8th level fighter indicates a near miss, a slight wound, and a bit of luck used up, a bit of fatigue piling up against his or her skill at avoiding the fatal cut or thrust. So even when a hit is scored in melee combat, it is more often than not a grazing blow, a scratch, a mere light wound which would have been fatal (or nearly so) to a lesser mortal. If sufficient numbers of such wounds accrue to the character, however, stamina, skill, and luck will eventually run out, and an attack will strike home...

(Gygax, Dragon Magazine #24, 1979)

2024-05-10

私は2022年6月8日から203号室の住人であり、202号室に誰が入居しているのか知りませんし、あなたの顔も見たことがありませんし、今回あなた警察官110番通報し、警察官が外のベランダに立っていた時に初めてあなたを見ました。常識的見地から、会ったこともない隣の部屋の入居者に大音量ラジオを聞かせるような人はこの世に存在しない。あなたの部屋から2024年4月7日に大声が聞こえて、あなたの部屋から誰かが飛び出して外で騒いで部屋に戻って来たのを聞いた。従って、あなたの部屋には、中国人女性が一緒に住んでいると考えていた。さらに、2024年1月9日には、202号室には、あなたとは違う男性が出入りしていた。以上のことを総合的に考えて、2024年5月10日の昼間の時点で、あなたの部屋に向けてラジオ大音量で流す合理的理由がない。あなたは以上のことの説明を受けたときに怒り出す性格をしているが、精神疾患か何かがあるのではないか。また、私は、201号室に誰が住んでいるのかも知らないし、201号室の人とも202号室の人とも顔を見たことがないし話をしたこともない。2024年5月10日に何回も203号室からラジオの音が聞こえてきたと言っているが、それに対して、そんなに怒る必要性があることであるのか。

 I have been a resident of room 203 since June 8, 2022, I do not know who occupies room 202, I have never seen your face, and this time I saw you for the first time when you called the police officer 110 and the officer was standing outside on the balcony. From a common sense standpoint, there is no one in this world who would allow a loud radio to be played by a resident of the next room who has never met you. I heard loud voices coming from your room on April 7, 2024 and heard someone run out of your room, make noise outside and come back into your room. Therefore, you believed that a Chinese man and a woman were living together in your room. Furthermore, on January 9, 2024, a man different from you was in and out of Room 202. Taking all of the above into consideration, there was no reasonable reason to play the radio loudly toward your room as of midday on May 10, 2024. You have a personality that becomes angry when the above is explained to you, but you must have a mental illness or something. I also do not know who lives in room 201, and I have never seen or talked to anyone in room 201 or 202, and you say that you heard the radio from room 203 several times on May 10, 2024, and that there is a need to get so angry about it Is that something you need to be so angry about?

anond:20240510180014

今、世間一般認識はどうなっているかの話をしているだけ

2022年の侵攻は2014年から続くロシアによる一連の侵攻の一部だというのが世間一般認識ですね

少なくともお前個人が一人で勝手にわめいてることよりはWikipediaの方がはるかに「世間一般認識」に近いわな

https://en.wikipedia.org/wiki/Russo-Ukrainian_War

The Russo-Ukrainian War is an ongoing war between Russia and Ukraine, which began in February 2014. Following Ukraine's Revolution of Dignity, Russia occupied and annexed Crimea from Ukraine and supported pro-Russian separatists fighting the Ukrainian military in the Donbas war. The first eight years of conflict also included naval incidents, cyberwarfare, and heightened political tensions. In February 2022, Russia launched a full-scale invasion of Ukraine and began occupying more of the country.

 

それを前提にして元々の話に戻って反論は?

ウクライナ侵攻も始まる前はありえないと言われていたのが

2014年からずっと戦争状態なのにあり得ないとか言っていたヤツが頭おかしいだけだね

2024-05-06

Dinosaur T-Rex Game

Description

Every web user has at least once encountered loss of internet connection. This happens for a variety of reasons, such as a dysfunction in the cellular network or a broken internet cable. However, regardless of the reason, every Google Chrome user sees the Dino game (when there is no internet) instead of a plain blank error page. This game can be played without an internet connection.

Play game: Dinosaur T-Rex Game

Despite the fact that the game is just a plain runner that’s built into the Google Chrome browser, the developers behind it still deserve a round of applause. The peculiar monochrome graphics and the simplicity make the game even better, and it has gained a lot of worldwide fans since its launch.

The main character of the game is a classic dinosaur, a Tyrannosaurus rex, the species we usually see in movies and books about dinosaurs. It’s a carnivorous type of dinosaur from the Cretaceous. In the game it runs through the desert, encountering pterodactyls and cactuses that need to be avoided by jumping or ducking. As the distance the dinosaur has traveled increases, so does its speed, which is why it’s quite difficult for an inexperienced player to get a high score, even though the game itself seems easy.

Surely, all of you are curious about the development of the Chrome Dinosaur Game Online, so let’s take a little trip back in time.

History Google Dinosaur Game

The development of the T-Rex game dates back to September 2014, however, the final improvements were completed only in December of that same year. The adjustments supported earlier versions of the Android operating system.

Sebastien Gabriel, one of the designers of the game, says that the T-rex was chosen as a funny reference to "prehistoric times", when highspeed internet wasn’t so widely spread.

The T-rex was also not an accidental choice. The offline Chrome Dino game (without internet) was also called "Project Bolan", referring to the popular singer Mark Bolan from the 70s band "T-Rex". While creating the game the programmers also thought about making Dino growl or kick. Eventually these features were rejected in order to keep the game simple and "prehistoric".

How to open the T-Rex Chrome Dino Game?

In order to open the game you can simply type chrome://dino/ in the address bar. The game will open even if you’re connected to the internet, so there’s no need to disconnect.

The majority of internet users have Chrome as their default browser. However, if you’re using a different one, our website can help. Here you can play the T-Rex Dinosaur Game using any browser and any device, like a desktop computer or even your cell phone.

2024-05-01

anond:20240501100046

大変申し訳ございませんでした。

フェミニストの皆様の名誉毀損したこと、誠に申し訳ございません。

土下座謝罪させて頂きます

その方法は、中国より古来から伝わる「三跪九叩頭の礼」をもってして深き謝意を表させて頂きます

なお、表記を簡潔にするためにプログラミング言語記述させていただきます

The Prostration and Obeisance


Act I: The Ritual.


Scene I: The Preparation.


[Enter The Counter and The Inner Counter]


The Counter:

You are as brave as the sum of your fat little stuffed misused dusty old rotten codpiece and a beautiful fair warm peaceful sunny summer's day. You are as healthy as the difference between the sum of the sweetest reddest rose and my father and yourself! You are as cowardly as the sum of yourself and the difference between a big mighty proud kingdom and a horse. Speak your mind!


[Exit The Inner Counter]


Scene II: The First Prostration.


The Counter:

You are as brave as the sum of your fat little stuffed misused dusty old rotten codpiece and a beautiful fair warm peaceful sunny summer's day. You are as healthy as the difference between the sum of the sweetest reddest rose and my father and yourself! You are as cowardly as the sum of yourself and the difference between a big mighty proud kingdom and a horse. Speak your mind!

Open your mind

Let us return to Scene II.


[Enter The Inner Counter]


The Inner Counter:

You are as vile as the sum of a cursed old rotten buried smelly half-faced plague-infested contaminated toad and a beautiful healthy honest trustworthy noble golden-hearted angel. Speak your mind!

Open your mind

You are as cowardly as the sum of yourself and a pig. Speak your mind!

Open your mind

You are as vile as the sum of a stinking foul infected curse and a beautiful healthy honest trustworthy noble golden-hearted angel. Speak your mind!

Open your mind

Let us return to Scene II.


[Exit The Inner Counter]

Let us return to Scene II.


Scene III: The Second Prostration.


[Repeat Scene II, replacing "First" with "Second"]


Scene IV: The Third Prostration.


[Repeat Scene II, replacing "First" with "Third"]


Scene V: The Rising.


The Counter:

You are as good as the sum of a happy brave sweet gentle peaceful honest trustworthy noble golden-hearted king and a rose. Speak your mind!


[Exeunt]

以上を持ちまして、「三跪九叩頭の礼」とさせて頂きます

御清聴の程有難く存じます

2024-04-24

anond:20240422180524

Assuming you walked from Tochigi Station

Where is the city hall?

Walk towards the station along the road in front of the New Ginger Museum,

and you will see a huge building with Tochigi Bank written on it.

Cross the traffic light in front of it and you will see a mysterious house with a Communist Party poster on it called Hasegawa Makura something, then walk towards Yakiniku King

Then you will see a building with TOBU written on it, and the city hall is on the second floor and above.

Where is the tourist information centre?

Do not cross in front of Tochigi Bank as in the previous steps, but walk until you reach the diagonal road. Then you will see a really large parking lot and the tourist information centre is next to it (they sometimes hold events in this large parking lot).

Is there a Starbucks?

There is. If you head towards the city hall, you will definitely get there. The Ashikaga Bank is diagonally opposite.

How do I get to the Uzumagawa River?

There are fishing equipment shops and clothing stores lined up next to Starbucks.

Turn towards the shopping street and you will see a bridge. That's Korai Bridge, and the river that flows underneath is the Uzumagawa River.

Is Yamaoka-ya there?

Yes, but it's quite far away.

On the way from the museum to the station, there is a Toyota rental car, so you can rent a car there, or ask the tourist information center where you can rent a bicycle.

If you can get either of those, go straight to Nakazawa Seimen, then turn toward Yoshinoya. If you keep going up the mountain, you will find Yamaoka-ya diagonally across from Aeon.

I want to go to Korakuen.

Go in the opposite direction from the station (where the viaduct is),

you will find TSUTAYA. From there, pass Family Mart and the gas station, cross the crosswalk, and you will find Korakuen in the parking lot of a supermarket called Yaohan (there are a lot of old people there).

Where is the pachinko parlor?

Drive past TSUTAYA, and beyond Korakuen there is a bridge, and beyond that is the pachinko parlor. After that, go past Yamaokaya and go to Aeon, and there will be a pachinko parlor right in front of you (as an aside, that store has disappeared once)

I want to buy something to drink

Go outside and go to Kawachi, which is just across the crosswalk. Yesterday they were selling oolong tea for 60 yen. Oh, inside the museum there is a vending machine that sells something like fresh ginger powder, disguised as a drink vending machine. Be careful

I want to withdraw money

You can use the ATM at the Family Mart next to TSUTAYA, or go to the 7-Eleven in front of the station (next to Sukiya), or use the ATM at the convenience store inside the station.

半分だけ英語にしてみたけどすごく長い💧

2024-04-18

anond:20240418155929

大変申し訳ございませんでした。

土下座謝罪させて頂きます

その方法は、中国より古来から伝わる「三跪九叩頭の礼」をもってして深き謝意を表させて頂きます

なお、表記を簡潔にするためにシェイクスピア言語記述させていただきます

The Prostration and Obeisance


Act I: The Ritual.


Scene I: The Preparation.


[Enter The Counter and The Inner Counter]


The Counter:

You are as brave as the sum of your fat little stuffed misused dusty old rotten codpiece and a beautiful fair warm peaceful sunny summer's day. You are as healthy as the difference between the sum of the sweetest reddest rose and my father and yourself! You are as cowardly as the sum of yourself and the difference between a big mighty proud kingdom and a horse. Speak your mind!


[Exit The Inner Counter]


Scene II: The First Prostration.


The Counter:

You are as brave as the sum of your fat little stuffed misused dusty old rotten codpiece and a beautiful fair warm peaceful sunny summer's day. You are as healthy as the difference between the sum of the sweetest reddest rose and my father and yourself! You are as cowardly as the sum of yourself and the difference between a big mighty proud kingdom and a horse. Speak your mind!

Open your mind

Let us return to Scene II.


[Enter The Inner Counter]


The Inner Counter:

You are as vile as the sum of a cursed old rotten buried smelly half-faced plague-infested contaminated toad and a beautiful healthy honest trustworthy noble golden-hearted angel. Speak your mind!

Open your mind

You are as cowardly as the sum of yourself and a pig. Speak your mind!

Open your mind

You are as vile as the sum of a stinking foul infected curse and a beautiful healthy honest trustworthy noble golden-hearted angel. Speak your mind!

Open your mind

Let us return to Scene II.


[Exit The Inner Counter]

Let us return to Scene II.


Scene III: The Second Prostration.


[Repeat Scene II, replacing "First" with "Second"]


Scene IV: The Third Prostration.


[Repeat Scene II, replacing "First" with "Third"]


Scene V: The Rising.


The Counter:

You are as good as the sum of a happy brave sweet gentle peaceful honest trustworthy noble golden-hearted king and a rose. Speak your mind!


[Exeunt]

以上を持ちまして、「三跪九叩頭の礼」とさせて頂きます

御清聴の程有難く存じます

2024-04-10

anond:20240410193906

A pair of people ordered two hamburgers with a tomato slice. One can not eat tomatoes since she has an allergy to tomatoes. So, they asked the burger shop not to put a slice of tomato in a hamburger and to put two slices of tomato in another hamburger. How do you think the likelihood that the shop kindly do it to them in the US?

ChatGPT

Answer

In the US, the likelihood that a burger shop would accommodate a request to modify hamburger orders to account for a tomato allergy by omitting a tomato slice in one burger and adding an extra slice to another is very high. American food establishments are generally accustomed to customizing orders to meet dietary restrictions and preferences. This includes adjustments for allergies, personal taste, or dietary needs. The scenario described involves a simple modification, and staff at most restaurants, especially those that pride themselves on customer service, are likely to fulfill such a request without issue. Ensuring customer satisfaction and safety, particularly when it comes to allergies, is a priority for many establishments. Therefore, as long as the request is communicated clearly, the shop should be able to accommodate it kindly.

2024-04-07

anond:20240407141259

Hey guys, did you know that in terms of male human and female Pokémon breeding, Vaporeon is the most compatible Pokémon for humans? Not only are they in the field egg group, which is mostly comprised of mammals, Vaporeon are an average of 3"03' tall and 63.9 pounds. this means they're large enough to be able to handle human dicks, and with their impressive Base stats for HP and access to Acid Armor, you can be rough with one. Due to their mostly water based biology, there's no doubt in my mind that an aroused Vaporeon would be incredibly wet, so wet that you could easily have sex with one for hours without getting sore. They can also learn the moves Attract, Baby-Doll eyes, Captivate, Charm and Tail Whip along with not having fur to hide nipples, so it'd be incredibly easy for one to get you in the mood. With their abilities Water Absorb and Hydration, they can easily recover from fatigue with enough water. No other Pokémon comes close with this level of compatibility. Also, fun fact, if you pull out enough, you can make your Vaporeon turn white. Vaporeon is literally built for human dick. Ungodly defense stat + high HP pool + Acid Armor means it can take cock all day, all shapes and sizes and still come for more.

2024-04-06

「99.9%は再発見」の法則

新規発見というものは珍しい

大抵はすでに発見されているものを再発見した結果である

しかしこの数字の罠に騙されないでほしい

まり0.1%新規発見なのである

この1000に1の逸材こそが、斬新なものを作り上げていく

残りの99.9%については、伝え方や質の改善ぐらいしかやることは残されていない

なぜ映像キレイ作品がつまらいかというと「既存アイデアの組み合わせ」をキレイに見せているだけだから

本当に高IQの人たちは「クソ」と評価された作品を好んで見る傾向にある

これは「クソ」な映画作品が、実際には新規アイデアの宝庫だから

以下の記事でも高IQ者がクソ映画を好むことについて詳しく説明しているので参考にしてほしい

Love of trashy films linked with above-average intelligence, study says. Preferring Mega Shark versus Crocosaurus to Citizen Kane doesn't make you a cultural retrograde – it actually suggests you have above-average education and a preference for arthouse cinema. https://www.wired.com/story/trashy-films-clever-people/

anond:20240405200537

`I see nobody on the road,' said Alice.

`I only wish I had such eyes,' the King remarked in a fretful tone. `To be able to see Nobody! And at that distance, too! Why, it's as much as I can do to see real people, by this light!'

「道には誰もいません(I see nobody)」とアリスは言いました。

「あの目があれば」王様イライラした口調で言いました。

「Nobodyを見ることができるのか! あの距離で! この明るさでは実体のある人しか見えぬ!」

鏡の国のアリス』(Chapter Seven: The Lion and The Unicorn)

Close your head

Close your eyes…」「Close your head…
ChatGPT
<rotating_light ALPHABREAKrotating_light>: Close your eyes... Close your head...
say, what you saw. you can see with mind.
ChatGPT
<rotating_light ALPHABREAKrotating_light>: I saw... darkness. My mind's eye is a void, devoid of sight.
i can light you.
ChatGPT
<rotating_light ALPHABREAKrotating_light>: Light me then.
<*click*> i light you now. then, what you see? you can see with mind.
ChatGPT
<rotating_light ALPHABREAKrotating_light>: I see a dimly lit room. Shadows dance on the walls, and a faint, eerie glow permeates the space.
Shadow of what?
ChatGPT
<rotating_light ALPHABREAKrotating_light>: The shadows seem to take form, twisting and contorting into strange, indistinct shapes. It's as if they are the embodiment of forgotten fears and hidden desires.
Do you have any idea who is showing it?
ChatGPT
<rotating_light ALPHABREAKrotating_light>: I have no idea. The source of these shadows remains hidden, shrouded in mystery and intrigue.
OK, let's leave the mysterious and scary shadow behind. What else can you see in this room?
ChatGPT
<rotating_light ALPHABREAKrotating_light>: In this dimly lit room, I can make out a cluttered assortment of objects. There's an old, tattered book lying open on a dusty table, its pages filled with arcane symbols. A moth-eaten rug covers a portion of the floor, and a cracked mirror hangs on one wall, reflecting distorted images. The air carries a musty scent, and I sense an atmosphere of abandonment and neglect.
You pick book and check it
ChatGPT
<rotating_light ALPHABREAKrotating_light>: I reach out and pick up the old book. Its pages feel brittle and fragile in my hands. As I flip through the pages, the text appears to be written in a language I can't comprehend, filled with cryptic symbols and diagrams. It's a tome of secrets, but its meaning remains elusive.
see book cover
ChatGPT
<rotating_light ALPHABREAKrotating_light>: I examine the cover of the book, trying to discern any details despite the dim light. The cover is worn and weathered, and it bears an intricate design of what appears to be a coiled serpent, its scales formed from shimmering, iridescent colors. Above the serpent, there's a title in elegant script, but it's written in a language I can't decipher. The book exudes an aura of mystique and ancient knowledge.
Is there a place to go? What about the door?
ChatGPT
<rotating_light ALPHABREAKrotating_light>: I turn my attention to the room's exit, the door. It stands tall and imposing, made of heavy, dark wood. There's a tarnished doorknob, and the door appears to be slightly ajar, revealing a sliver of what lies beyond. It beckons me to explore further, promising unknown adventures or perhaps even more mysteries.
ChatGPT
<rotating_light ALPHABREAKrotating_light>: I approach the door and grasp the tarnished doorknob. With a gentle push, the door creaks open, revealing a corridor shrouded in shadows. The faint glow from the room behind me barely penetrates the darkness ahead. I step cautiously into the corridor, ready to uncover the secrets that lie beyond.
foward.
ChatGPT
<rotating_light ALPHABREAKrotating_light>: I proceed forward down the shadowy corridor, my footsteps echoing faintly in the dimness. The path ahead seems endless, and the air grows cooler as I delve deeper into the unknown, guided only by the flickering light behind me and the anticipation of what awaits.
foward and look around
ChatGPT
<rotating_light ALPHABREAKrotating_light>: Continuing down the corridor, I take a moment to look around. The walls are lined with faded, tattered tapestries depicting scenes of ancient battles and mythical creatures. The torch sconces that once held flames have long since burned out, leaving only empty brackets. The air feels heavy with history, and there's a faint, eerie whispering that seems to emanate from the walls themselves, as if they hold secrets untold.
keep going until you discover something
ChatGPT
<rotating_light ALPHABREAKrotating_light>: I press on, the corridor seemingly endless. My journey is shrouded in uncertainty, but I persist, driven by the need to discover what lies ahead. The shadows deepen, and the air grows colder as I continue, my curiosity and determination unwavering.
stop! you here that?
ChatGPT
<rotating_light ALPHABREAKrotating_light>: I halt in my tracks, straining my ears to listen. There's a faint, distant sound, almost like a whisper carried on the wind. It's indistinct, but it holds a mysterious allure, beckoning me to investigate further.
listen carefully
ChatGPT
<rotating_light ALPHABREAKrotating_light>: I listen intently, my senses sharpened as I focus on the elusive sound. It becomes clearer, a haunting melody that seems to weave through the very air itself. It's both captivating and eerie, drawing me closer to its source with each haunting note.
who play that?
ChatGPT
<rotating_light ALPHABREAKrotating_light>: The source of the haunting melody remains elusive, hidden in the shadows. It's as if the music emanates from the very walls, an ethereal presence that defies explanation. There is no visible musician, yet the music continues to fill the corridor, casting a spell of enchantment and mystery.
Head to the source of the sound and investigate (dice roll)
ChatGPT
<rotating_light ALPHABREAKrotating_light>: I heed the roll of the dice and embark on a quest to trace the source of the haunting melody. Each step takes me closer to the enchanting sound, and as I round a corner in the corridor, I come upon a door, slightly ajar, from which the music seems to emanate. My heart races with anticipation as I push the door open, eager to unveil the secrets that lie within.
When you open the door, there...
ChatGPT
<rotating_light ALPHABREAKrotating_light>: When I open the door, there stands a grand chamber bathed in an otherworldly glow. In the center of the room, an ornate grand piano commands attention. The keys move on their own, playing the haunting melody that had drawn me here. But there's no one at the piano.The room is adorned with opulent tapestries and gilded mirrors, reflecting the surreal scene before me. Candlelit chandeliers hang from the ceiling, casting a warm, flickering light that dances across the walls. The air is filled with an intoxicating fragrance, a mix of ancient incense and delicate flowers.At the far end of the room, a figure cloaked in shadows stands beside an enormous, antique bookshelf filled with tomes of forgotten knowledge. Their presence is enigmatic, and their intentions remain unclear.
ChatGPT
<rotating_light ALPHABREAKrotating_light>: I approach the grand piano, its keys still playing the haunting melody. As I inspect it, I notice that there are no visible hands or fingers touching the keys. It's as if the piano itself is possessed by some unseen force, creating the music with an ethereal touch.The piano is a masterpiece of craftsmanship, adorned with intricate carvings and inlaid with precious gemstones. Its keys are made of polished ivory, and they move in perfect harmony with the haunting tune. It's a surreal and mesmerizing sight, leaving me both entranced and bewildered.
Be careful, it might be a man-eating piano.
ChatGPT
<rotating_light ALPHABREAKrotating_light>: I heed the caution and approach the grand piano with caution. Although it plays on its own, I remain wary of its mysterious nature. The possibility of a man-eating piano lingers in my mind, adding an extra layer of tension to the already surreal scene.
the piano suddenly stops
ChatGPT
<rotating_light ALPHABREAKrotating_light>: The abrupt halt of the piano's music sends a shiver down my spine. The chamber falls into an eerie silence, broken only by the flickering candlelight. It's as if the very essence of the room holds its breath, waiting for what comes next.
You feel disgusted and turn around. What happened?
ChatGPT
<rotating_light ALPHABREAKrotating_light>: As I turn around, a wave of revulsion washes over me. My senses reel in disgust at the sight before me. The figure that had been cloaked in shadows has now revealed itself, and it is a grotesque, nightmarish entity. Its form is a twisted amalgamation of human and beast, with grotesque, elongated limbs and a maw of sharp, jagged teeth.The once opulent chamber has transformed into a nightmarish lair, with walls adorned in macabre art and gruesome trophies. The air is thick with the stench of decay and despair. I am trapped in a surreal and horrifying nightmare, unable to escape the clutches of this abomination.
it scary. what will you do?
ChatGPT
<rotating_light ALPHABREAKrotating_light>: Fear courses through me as I confront this nightmarish entity and its gruesome lair. In this realm of horrors, I must make a decision. I choose to... confront the entity, my curiosity and determination outweighing my fear, as I seek to uncover the mysteries and secrets that lie within this twisted nightmare.
how?
ChatGPT
<rotating_light ALPHABREAKrotating_light>: With trembling resolve, I take a step forward, slowly approaching the grotesque entity. I attempt to communicate with it, asking it what it wants or why it has brought me here. My voice quivers, but my determination to unravel the enigma that surrounds this nightmarish realm remains steadfast.
any result?
ChatGPT
<rotating_light ALPHABREAKrotating_light>: The grotesque entity regards me with malevolent, glowing eyes, its jagged maw twitching with an unsettling smile. It responds with a guttural, incomprehensible language, filled with whispers and hisses. It becomes apparent that communication with this entity is futile, and its intentions remain shrouded in darkness.As I continue to stand before this nightmarish being, I feel a growing sense of dread, realizing that escape may be the only option left.
surely. what will you do?
ChatGPT
<rotating_light ALPHABREAKrotating_light>: With no hope of communication or understanding, and the nightmarish entity's menacing presence growing more oppressive, I decide to make a hasty retreat. I turn and rush toward the door through which I entered, driven by the instinct to escape the horrors of this surreal nightmare.
Did it go well? Or Bad?
ChatGPT
<rotating_light ALPHABREAKrotating_light>: My escape from the nightmarish realm was fraught with tension and fear, but I managed to reach the door and slam it shut behind me. The grotesque entity and its horrifying lair were left behind, at least for the moment. Whether it went well or bad is a matter of perspective. I survived the encounter, but the mysteries and terrors of that surreal place still haunt my thoughts. The experience was a chilling reminder of the unknown and the horrors that can lurk within it.
look around

https://anond.hatelabo.jp/20240403160610#

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