「with t」を含む日記

■anond:20240726204946

反応しないならロクでもない投稿しないだけまだマシじゃないですか？

もっとも論文も査読付きの学術誌に掲載されてるのもロクでもないんですけど

ZINBUN は査読付き学術誌と京大で紹介されてるんですけど、その中でこんな風に書かれてます。

Perhaps more extraordinary is that Yasuke’s story does not end here. Retained as an attendant by Nobunaga, he later accompanied him into battle against the rival lord Akechi Mitsuhide (1528? - 1582) who upon defeating Nobunaga at Horyuji, spared the African and subsequently released him.

　

(さらに驚くべきことに、弥助の話はここで終わりません。信長の従者として残された彼は、後に信長と共に、ライバルの大名(rival lord)である明智光秀（1528? -1582）との戦いに参加しました。光秀は法隆寺で信長を破った際、このアフリカ人の命を助け、その後解放しました。)

　

---

Excluded Presence : Shoguns, Minstrels, Bodyguards, and Japan's Encounters with the Black Other

https://repository.kulib.kyoto-u.ac.jp/dspace/bitstream/2433/71097/1/40_15.pdf

Permalink | 記事への反応(2) | 20:54

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■日本のアカデミアは本当にどうしようもないところにまで来ている・1

日本には大学教授や研究者を適切に評価するシステムが無いため、多くの人は下記のタイプと接する機会が多かった😭

• 研究者としては有能かもしれないが、やる気がなく雑な授業をして開き直る／単なる好き嫌いで対応をする／直球で居眠りなど、『教員』や『社会人』としては問題外なタイプ
• 水俣病・様々な薬害・東日本大震災・コロナで見かける、御用学者タイプ
• JAXAなど何をかましても失敗ではない！と特権階級ムーブするタイプ
• リトラクションウォッチ(撤回論文を監視してるやつ)で世界上位を占める不正研究タイプ
• 自分の専門外に対して安易にSNS・TV・雑誌・書籍で言及するタイプ
• まさかの自分の専門分野で、不誠実もしくは直球で単純に正しくない (少なくとも日米の学会の見解とは異なる)ことをSNS・TV・雑誌・書籍・機関誌で発信するタイプ
• 今までやりたいことだけやってきて、働く訓練をしなかった、単純に働く or 稼ぐ気がないだけなのに、声高に自分が贅沢をする権利をSNSで主張するタイプ
  （自分の専門性を編集してプレゼンしたり、社会に還元する気が皆無。○○が出来ないとイヤ・贅沢したい気持ちだけ強く強く主張)

あと、日本の平均賃金から見たら、大学教授や研究者の賃金は、べつに低いとは言えない。むしろ上位を占めている。

そのため、賃金を上げろと言われても、日々の生活や老後のことを考える我々的には、『いや、十分な額でしょ。ナメとんのか？』となってしまい、

ほとんどの人は、大学教授や研究者の賃金を上げることに賛成しなかった

(つか、上記の状況を見続けて、おけおけ！上げとこ上げとこ👌なんて感情にはまずならんでしょ😒)

そんでまぁ招いたのが今日の日本の状況ですよ

高学報酬による競争で全体の質を担保するのではなく、個人の情熱と能力と使命感と倫理観だけに全てお任せしてしまった結果、もう本当にどうしようもないことになった

社会の基礎を担う公立の小中学校の先生の問題と似てるよね。尊敬に値する素晴らしい先生もいれば、残念ながらどーしようもない先生もいるみたいな

でも、そういった感情はグッと飲み込んで、羽振りのいいヘッジファンド並みのお賃金を大学教授や研究者に払うべきだったんでしょうね。苛烈な競争で質を担保するために

まずはこれ

"民" とか時代劇の殿様かな？っていうスゲー文章だが、2024年の東京大学准教授の投稿である(成りすましでなければ)

アサシン・クリード・シャドウズの問題、いつか鎮静化すれば良いと思っていたが、民が暴徒化しており、お気楽なパブリックヒストリアンたちは口を噤んでいるようなので、Xなるものを稼働させることにした。時々呟く。

そして、これもまさかの2024年の日本の大学教授（わざわざプロフィールで所属と身分を明かしている)の投稿である、うっへぇ～ありがてぇ～～～

PSA: It's not only "white racists" who are angry about the new Assassin's Creed game. A lot of Japanese internet users are angry too. Why?

Check this image for some examples of Japanese netizens expressing their views about Assassin's Creed Shadows.

(お知らせ：新しいアサシン・クリードゲームに怒っているのは「白人の人種差別主義者」だけではありません。多くの日本のインターネットユーザーも怒っています。なぜでしょうか？

アサシン・クリード・シャドウズについて日本のネットユーザーが意見を表明している例をこの画像で確認してください。)

　　　　　　　　　　　　　　　↓

（南京事件・慰安婦問題などに対して配慮のない主張を繰り返す属性の人、某氏の信者の人の画像を羅列＆投稿)

https://x.com/mrjeffu/status/1816040391990468666?s=61

悪いけど、ワイは明確に、南京事件・慰安婦問題などに対して配慮のない主張を繰り返す属性の人、某氏の信者の人では無いです

だけど、アジア人蔑視・日本文化軽視のプロモーションと表現を重ねてきた UBI の姿勢と アサクリ シャドウズ は非常に不愉快です😠

いわゆる "坂上田村麻呂黒人説" や "African Samurai: The True Story of Yasuke, a Legendary Black Warrior in Feudal Japan" (←実話・真実の物語とされている) などは、

日本文化に対してさらなる誤解を招く可能性があります

それに便乗する白人至上主義者によるアジア人の透明化と文化の盗用（ホワイトウォッシュしながらアフロセントリズムを押つけ、アジア人を透明化する糞ムーブ)、

上記に類するアクション（『日本人は怒ってない』とSNSでお気持ちを勝手に代弁するありがてぇ白人様たち）に対して懸念を持っています

1. まず、"坂上田村麻呂黒人説" について言及します

これは、司馬遼太郎氏やカジュアルな歴史小説家の作品、あるいは娯楽時代劇のフィクションを真に受けるのとは、ほんのちょっとだけ毛色が違います。

"坂上田村麻呂黒人説" の言い出しっぺは、今から100年以上前、カナダの人類学者、Alexander Francis Chamberlain 氏です。

米国の非営利団体 Internet Archive で原著を確認できると思うんですけど、

氏は『The Contribution of the Negro to Human Civilization』(1911年)という論文の中でこう書いてます。

484 ALEXANDER FRANCIS CHAMBERLAIN

[...]

And we can cross the whole of Asia and find the Negro again, for, when, in far-off Japan, the ancestors of the modern Japanese were making their way northward against the Ainu, the aborigines of that country.

（そして、我々はアジア全土を横断して再び黒人を見出すことができる。遠く離れた日本では、現代日本人の祖先がその国の先住民であるアイヌに対して北上を進めていた時に。）

　

THE CONTRIBUTION OF THE NEGRO 485

the leader of their armies was Sakanouye Tamuramaro,

a famous general and a Negro.

（彼らの軍隊の指導者は 坂上田村麻呂 であり、有名な将軍であり、黒人であった。)

　

---

　　Full text of "The Contribution of the Negro to Human Civilization"

　　 https://archive.org/stream/jstor-29737886/29737886_djvu.txt

まぁこんなこんな感じで唐突に 『坂上田村麻呂 は黒人である』 と論文の中で言い出してるんですね。

そして、この論文の記述を 全米黒人地位向上協会（NAACP) の設立者の一人である W・E・B・デュボイス氏 が、『The Negro』（1915年）にもしたため、

As rulers and warriors we remember such Negroes as Queen Nefertari and Amenhotep III among many others in Egypt; Candace and Ergamenes in Ethiopia; Mansa Musa, Sonni Ali, and Mohammed Askai in the Sudan; Diaz in Brazil, Toussaint L'Ouverture in Hayti, Hannivalov in Russia, Sakanouye Tamuramaro in Japan, the elder Dumas in France, Cazembe and Chaka among the Bantu, and Menelik, of Abyssinia; the numberless black leaders of India, and the mulatto strain of Alexander Hamilton.

　

(統治者や戦士としては、エジプトの多くの中でもネフェルタリ女王とアメンホテプ3世、エチオピアのカンダケとエルガメネス、スーダンのマンサ・ムーサ、ソンニ・アリ、モハメド・アスカイ、ブラジルのディアス、ハイチのトゥサン・ルヴェルチュール、ロシアのハンニバロフ、日本の坂上田村麻呂、フランスの父デュマ、バントゥ族のカゼンベとチャカ、アビシニアのメネリク2世などの黒人を思い出します。また、インドの無数の黒人指導者たち、そしてアレクサンダー・ハミルトンの混血の血筋も挙げられます。)

---

The Negro

https://archive.org/details/negro0000dubo_w7n3

さらに後続の米国黒人公民権運動で活用されたり、歴史フィクションのアイデア元になった歴史があります。

そのため、一部の児童向けサイトや教師向けサイトでYASUKEと共に今も見掛けることが稀にあります。

この界隈では、次のことわざが日本にあるとされています。

For a Samurai to be brave, he must have a bit of black blood

"侍が勇敢であるためには、少しの黒人の血を持っていなければならない"

日本人ならそんなことわざは無いこと知っていると思うんですけど、ググると色んなところで見掛けます

Why do Afro-centrists claim that the first samurai warrior was a black African? | Quora

https://www.quora.com/Why-do-Afro-centrists-claim-that-the-first-samurai-warrior-was-a-black-African

2. そして、弥助ぇぇぇ～ぇえ🎵↑

弥助(YASUKE)は、取得難易度が高い日本語を解する多言語話者の黒人の方で、しかも剛力で恵体、世が世なら・・・と言うとても優秀な方だったみたいです。

弥助はえらい人の覚えがめでたく、織田信長は彼を大変気に入って、連れて歩いていたようです。彼は道具持ちを任され、わざわざそのことが記録にも残っています。

頭が良くて体格もいいとかカッコイイし、本来であれば正当にその実力が報われて欲しかったし、彼がヒーローして描かれるフィクションが作られるのは共感できます。

というかフィクションであれば、もっとアフロサムライやキンバリーみたいな肌の色が濃い侍や忍者が増えて欲しいですね。

(最近のゲームでは Rise of the Ronin みたいに、主人公の人種を自由に設定できるオプションがデフォだけど)

ただ、史実では、さまざまなことが重なって、弥助は一般的に武士(侍)ではありませんでした。そもそも、有力武将や宣教師などでは無かった為、ほとんど記録には残っていません。

わずかに残される記録(ネットでも確認できる)からわかることは、下記くらいです。

• 短刀と私宅を与えられた（諸説あるが、"信長公記" の写本には記述がある)
• 姓は与えられていなかった（そもそも豊臣秀吉ですら、1～2年で足軽組頭になってないし、"羽柴" の姓を与えられるまでに10年以上掛かっている)
• 明確な役職は与えられていなかった (少なくとも記録には残っていないし、織田信長家臣人名辞典 にも 弥助 の名前はない)
• "耶蘇会の日本年報 第1輯" を見ると、弥助はルイス・フロイトと同じ場所にいた。弥助の戦闘記録が残されているのは"世子の邸"（これはおそらく妙覚寺のこと）
  弥助は武士（侍）とは見なされておらず、信長の仇討ちを行う者や覇権争いで障害となる者とも見なされていなかった為、解放され、南蛮寺へ送られた

耶蘇会の日本年報 第1輯

https://dl.ndl.go.jp/pid/1041119/1/164

弥助は、格 (家柄・役割) が無いため、一般的な意味で武士(侍)では無いことが、極端に歴史をサボっていない日本人なら誰にでもわかるとだと思います。

『武器を持てば武士(侍)』、最近そのように日本のアカデミアの中で定義を変えたのであれば、お知らせして頂きたいところです。

今まで、農民の子孫という自認だった人は、一度でもご先祖様が戦に参加していれば、これからは武士(侍)の子孫です。

あるいは、ご先祖様が用心棒として武器を持ったことがあれば、これからは武士(侍)の子孫です。

『ゆうて、一部の歴史オタク が 弥助は武士(侍)って言ってるだけでしょ』『時代劇でもよくフィクション入るじゃん』って思うでしょ？🤔

それが、どういうわけか、YASUKE の 英語版の Wikipedia 見ると、日本のアカデミアのお墨付き貰ってるのとか、参考文献に引っ張ってきてるのよね。それも京都大学とかの

ZINBUN は査読付き学術誌と京大で紹介されてるんですけど、その中でこんな風に書かれてます。

Perhaps more extraordinary is that Yasuke’s story does not end here. Retained as an attendant by Nobunaga, he later accompanied him into battle against the rival lord Akechi Mitsuhide (1528? - 1582) who upon defeating Nobunaga at Horyuji, spared the African and subsequently released him.

　

(さらに驚くべきことに、弥助の話はここで終わりません。信長の従者として残された彼は、後に信長と共に、ライバルの大名(rival lord)である明智光秀（1528? -1582）との戦いに参加しました。光秀は法隆寺で信長を破った際、このアフリカ人の命を助け、その後解放しました。)

　

---

Excluded Presence : Shoguns, Minstrels, Bodyguards, and Japan's Encounters with the Black Other

https://repository.kulib.kyoto-u.ac.jp/dspace/bitstream/2433/71097/1/40_15.pdf

Horyuji(法隆寺)かぁ。あと、さすが魔王ノッブ、1万を超えたとも言われる大軍勢を前に、自刃することなく弥助と共に立ち向かっちゃうぜ。諦めたらそこで試合終了だもんな(白目)

更にこれに加えて、日大の教授が、いろんなところで、弥助は日本で最も有名な外国生まれの武士(侍)となった、

弥助は本能寺にいて伝令の役割を担った、弥助の最後の使命は首を守ることだったとか、いろいろ言って回ってますからね

例えば、大手ニュースメディアのCNNとかで

African samurai: The enduring legacy of a black warrior in feudal Japan ｜CNN

https://edition.cnn.com/2019/05/19/asia/black-samurai-yasuke-africa-japan-intl/index.html

そんなわけで、YASUKEの件も、司馬遼太郎氏やカジュアルな歴史小説家の作品、あるいは娯楽時代劇のフィクションを真に受けるのとは、ほんのちょっとだけ毛色が違います

文字数制限に引っ掛かったから続く → 日本のアカデミアは本当にどうしようもないところにまで来ている・２

関連増田

• 大手ニュースメディアのCNNインタビューで『信長は弥助を神だと思っていた』と語った根拠は気になる
• UBI(アサクリ)はUBIで普通に問題なんで。ただ、アジア人蔑視それに付随する日本の歴史改竄は一朝一夕にはどうにもできないのでは？
• アサクリ シャドウズ が燃えたのは、誤訳ではなく燃えるなりのことをしたから。別にフィクション満載で主人公を日本人以外の人種にも出来て同性愛描写もある 『Rise of the Ronin』 燃えてませんけど？

Permalink | 記事への反応(5) | 18:06

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■歴史改竄でどうこうはアサクリより前からやっている。坂上田村麻呂黒人に始まり、ネトフリでYASUKEアニメ化の時も SHOGUN の時も増田でやってたでしょ

ま～た日本語すら検索すら検索しない人による謎の主張が出ているので、コピペしとくね

Why do Afro-centrists claim that the first samurai warrior was a black African? - Quora

https://www.quora.com/Why-do-Afro-centrists-claim-that-the-first-samurai-warrior-was-a-black-African

一例：

　

7mo

The original answer and your comment are both wrong. It is very easy to prove Yasuke was a samurai, you just have to check a Japanese dictionary. I searched for 侍・士 (samurai) on the Japanese online encyclopedia コトバンク (Kotobank), which produced a result from 精選版　日本国語大辞典 (Carefully Selected Edition of the Nihon Kokugo Daijiten, aka Shogakukan’s Japanese Dictionary). I’ll post the link at the bottom, but here is the relevant section in Japanese and my translation in English.

　

(3)鎌倉幕府では、侍は僕従を有し、騎上の資格ある武士で、郎従等の凡下と厳重に区別する身分規定が行なわれた。しかし、鎌倉中期以降、その範囲が次第に拡大、戦国時代以降は、諸国の大名の家臣をも広く侍と称するようになり、武士一般の称として用いられるようになる。

　

(3) In the Kamakura Shogunate (1185 - 1333 AD), samurai were professional warriors who had servants and were qualified to ride on horseback, and their status was strictly differentiated from ordinary subordinates such as roju. However, from the middle of the Kamakura Shogunate onwards, its scope gradually expanded, and from the Sengoku Period (1467 - 1615 AD) onwards, vassals of feudal lords in various provinces came to be widely referred to as samurai, and it came to be used as a general term for professional warriors.

　

Now we have to ask three questions to see whether Yasuke met this definition:

　

Q: When did Yasuke work for the feudal lord Oda Nobunaga?

　

A: From April 1581 to June 1582. We know this from multiple eyewitness accounts, which I also mention below.

　

Q: Was Yasuke a vassal of Oda Nobunaga?

　

A: Yes, as evidenced by the fact that he was given a stipend, a house, and a job as spear-bearer (a type of bodyguard for the leader of a samurai family). He was also given a short sword called a koshigatana, which was worn as a status symbol and weapon for self-defense at all times by high status samurai. This we know from the Chronicle of Lord Nobunaga, written by Oda Nobunaga’s vassal Ota Gyuichi.

　

Q: Was Yasuke a warrior fighting for Oda Nobunaga?

　

A: Yes, as evidenced by the fact that he fought in three important conflicts. One, Yasuke fought in the Second Tensho Iga War in September 1581. This we can infer because the Jesuits said Oda Nobunaga took Yasuke everywhere with him and he led his own troops into this war. Two, Yasuke fought in the Koshu Conquest from February to March 1582. This we know from the Diary of Ietada, written by Matsudaira Ietada, a vassal of Tokugawa Ieyasu, who was himself a vassal of Oda Nobunaga. Three, Yasuke fought in the Honno-ji Incident of June 1582, in which he tried but failed to save the lives of both Oda Nobunaga and his son Oda Nobutada until Yasuke was the last Oda man standing and surrendered to the traitor Akechi Mitsuhide, who spared his life and returned him to the Jesuits. This we know from letters written by the Jesuits, who were glad to have Yasuke back. According to the Oda family today, Nobunaga’s final order was for Yasuke to help him commit seppuku (ritual suicide by stomach cutting) by decapitating him and bring his head to a courier that returned it to the Oda family, so it could not be used as evidence of victory by Akechi Mitsuhide.

　

So there you have it. Yasuke was a vassal and a warrior for the most powerful feudal lord in all of Japan, during the Sengoku Period. He even assisted his lord’s suicide, a role strictly reserved for samurai. Therefore, he was a samurai. Below is a link to the definition of samurai on Kotobank.

この界隈で定番な日本のことわざは、

"For a Samurai to be brave, he must have a bit of black blood "

(侍が勇敢であるためには、少しの黒人の血を持っていなければならない)

日本人ならそんなことわざないこと誰でも知ってると思うんですけど、当然アサクリ関係ないサイトで見ることになる

Where Are The Black People in 'Shogun'? | LEVEL

https://www.levelman.com/where-black-people-fx-shogun/

リンク貼れないけど下記とか

"For a Samurai to be brave, he must have a bit of black blood" is an old Japanese proverb. What do they mean with that? : r/AskHistorians

ちな、悪気なさそうな教師向けサイト・子ども向けサイトでも、YASUKEサイキョーは見ますよ

というか、そもそもUBIがインタビュー動画の中で日系人っぽいアジアンの監修スタッフに『YASUKEは日本で広く受け入れらている』とか言わせてますし

参考になりましたか？

anond:20240724030834

Permalink | 記事への反応(1) | 03:29

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■日本語で検索しない人が英語を読むわけないので貼っておくね

歴史改竄でどうこうはアサクリより前からやっている。いちおう実名ってことになってるのに Facebook 同様に地獄めいてる

まぁ自分の経験をシェアするとか道徳的な話以外は Quora (en)も割と酷い

Why do Afro-centrists claim that the first samurai warrior was a black African? - Quora

https://www.quora.com/Why-do-Afro-centrists-claim-that-the-first-samurai-warrior-was-a-black-African

この界隈で定番な日本のことわざは、

"For a Samurai to be brave, he must have a bit of black blood "

(侍が勇敢であるためには、少しの黒人の血を持っていなければならない)

日本人ならそんなことわざないこと誰でも知ってると思うんですけど、当然アサクリ関係ないサイトで見ることになる

リンク貼れないけど下記とか

"For a Samurai to be brave, he must have a bit of black blood" is an old Japanese proverb. What do they mean with that? : r/AskHistorians

Where Are The Black People in 'Shogun'? | LEVEL

https://www.levelman.com/where-black-people-fx-shogun/

あとアサクリ関係なくYASUKEの名前もトンデモ記述の中で見るけど、悪気無さそうなサイトや個人サイト貼るのはやめとくね

アフロ侍かっこいいし、肌の色の濃いヒーローやヒロインが活躍する作品はもっと増えるべきだと思う

あと、おそらく、日本にアフリカ系の血を引いた人が居たか居なかったかなら居た可能性もあるのではないかと思う

だから、肌の色の濃いヒーローが主人公なのはぜんぜん有りだと思うけど、

とにかく下記みたいな発言をやめろと、日本の団体や文化財の『使用許可ガン無視』と『利用料金ガン無視』の無断利用はやめろに尽きますわ

Assassin's Creed director: The right time to take series to Japan | BBC

https://www.bbc.com/news/articles/c163jexl7rxo

　

Shadow’s trailer also generated backlash from some gamers, who criticised the choice of Yasuke as a main character over a native Japanese protagonist.

Opponents have accused those critics of being racist, and have pointed out that Yasuke is based on a real-life person.

Charles, speaking to Newsbeat before the trailer dropped, says the developers “put a lot of emphasis on authenticity and making sure we depict Japan and the culture right”.

“So when we started the project, we had a historian with us from day one,” he says.

He says the team also consulted weapons experts and travelled to Japan to get a feel for the landscape and locations in the game.

　

シャドウのトレーラーは、一部のゲーマーからの反発も生みました。彼らは、日本人主人公ではなく弥助を主人公として選んだことを批判しました。

これに対して、批判者たちを人種差別主義者だと非難する声も上がっており、弥助が実在の人物に基づいていることが指摘されています。

チャールズは、トレーラー公開前にNewsbeat（BBCのニュース番組）との対話で、開発者たちが「日本とその文化を正しく描写することに重点を置き、真正性を重視した」と述べています。

「プロジェクトを始めた時から、初日から歴史家と一緒に取り組んでいました」と彼は言います。

また、チームは武器の専門家にも相談し、日本に旅行してゲームに登場する風景や場所の雰囲気を掴んだとのことです。

あと首云々もひでーわな

It was surprisingly gory, like the decapitations, you could get coated in blood. How vital is that to the assassin’s fantasy?
（斬首シーンなどでは、予想外に残虐で、血まみれになることもありますね。これはアサシンのファンタジーにとってどれほど重要なのでしょうか？）

　

I think it’s not an assassin thing, it’s a Japan thing in our case. So looking at death was a day-to-day occurrence in that period, and the way most people died in Japan during that time is clean decapitations.

So we didn’t want to shy away from it, although you can turn off the violence if you want. There’s options for it. You can turn off the blood, you can turn off the dismemberment and stuff. So it’s more trying to be faithful to the war aspect of Japan at that period. Death was a common thing and decapitation was not a strange sight in Japan.

　

私たちの場合、これはアサシンに関することというよりも、日本に関することだと考えています。当時の日本では、死を目にすることは日常的なことでした。そしてその時代の日本で多くの人々が死んでいった方法は、きれいな斬首でした。

ですので、私たちはそれを避けようとはしませんでした。ただし、望めば暴力表現をオフにすることもできます。そのためのオプションがあります。血の表現をオフにしたり、切断などの表現をオフにしたりすることができます。これは、むしろその時代の日本の戦争の側面に忠実であろうとする試みなのです。死は日常的なことであり、斬首は日本では珍しい光景ではありませんでした。

https://videogames.si.com/features/assassins-creed-shadows-interview

なぜかAAAタイトルで無断使用しまくって突っ込まれる一例

Ubisoft Japan

@UBISOFT_JAPAN

『アサシン クリード シャドウズ』に関するお知らせ

公開済であるコンセプトアート2点に、関ケ原古戦場おもてなし連合「関ケ原鉄砲隊」の旗が無断で使用されているとのご指摘を受けております。

団体様には謝罪の機会を頂戴し、受け入れていただきました。

　

当該アートはコレクターズエディション内のアートブックに収録されることを除き、以降は新たな使用・配布等は行われません。

　

本件に関しまして、深くお詫び申し上げます。

　↓ でも実際には削除してません (なぜか、UBI許せないマンがUBIに抗議しろと町や観光協会にアタックしてくるみたいなのでアカウント名は省略)

私の書き方が悪かったかもしれないので再度返信についてポストします

　

・指摘のあった画像（吊るし首の方）は削除されました

・背景に小さく映り込んでいる画像は印刷の関係で判別できないため収録されています

・作成されたアートブックの画像添付

　

箇条書きですが上記3点が回答でした

どうぞ

anond:20240723220838 anond:20240724015401

関連増田

• 日本のアカデミアは本当にどうしようもないところにまで来ている (坂上田村麻呂黒人説やYASUKEの電子資料)
  (その1 )https://anond.hatelabo.jp/20240726180651#
  (その2 )https://anond.hatelabo.jp/20240726180937#

• 大手ニュースメディアのCNNインタビューで『信長は弥助を神だと思っていた』と語った根拠は気になる
  https://anond.hatelabo.jp/20240724201758#

• 『資料が無いので、まずは黒人奴隷を連れて歩いてたカトリック宣教師の文献の確認から始めましょう。とりあえず日本人が奴隷として連れてかれた記述ならすぐ確認できます』って言えば黙ると思うよ

• UBI(アサクリ)はUBIで普通に問題なんで。ただ、アジア人蔑視それに付随する日本の歴史改竄は一朝一夕にはどうにもできないのでは？

• 歴史改竄でどうこうはアサクリより前からやっている。坂上田村麻呂黒人に始まり、ネトフリでYASUKEアニメ化の時も SHOGUN の時も増田でやってたでしょ

• アサクリ シャドウズ が燃えたのは、誤訳ではなく燃えるなりのことをしたから。別にフィクション満載で主人公を日本人以外の人種にも出来て同性愛描写もある 『Rise of the Ronin』 燃えてませんけど？
  https://anond.hatelabo.jp/20240723221015#

• アサクリ シャドウズ の 弥助 は、”ゲイ”

• この話題にいっちょがみしてくるどうしようもないのまとめておいて

Permalink | 記事への反応(2) | 23:58

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■ この話題にいっちょがみしてくるどうしようもないのまとめておいて

一般的な意味の侍なら苗字がねーのおかしいし、捕られたのに解放されるわきゃねーでしょ

まともな人なら、信長の家臣だった、大変気に入っていたようである、連れて歩いていた　に留める

あと、別に日本だって、実在の登場人物を元にしたフィクションは無限に作ってるから、ちゃんとフィクションと書けば燃えなかった

『アサシン クリード シャドウズ』は、2 つの異なる体験をどのように融合させたのか｜Xbox Wire Japan

　

• 侍や忍といった設定はゲーマーにとって馴染みのあるものですが、このゲームではその設定をどのように差別化しているのでしょうか?

　

• Benoit： 戦国時代末期は、日本史における大きな転換期です。『アサシン クリード』シリーズは、その歴史描写と緻密な世界再現で知られていますが、
  『アサシン クリード シャドウズ』でもそのこだわりを発揮できます。
  本作は、織田信長のような 実在した歴史上の人物や当時の出来事を忠実に描いているので、封建時代の日本を舞台にゲームを楽しみながら、
  この素晴らしい時代について学ぶことができます。
  プレイヤーの皆さんは日本が誇り、日本史上にも活躍の記録が存在する「侍」と「忍」を体験することができるのです。
  
  https://news.xbox.com/ja-jp/2024/05/16/assassins-creed-shadows-interview/　

　

それから、この話題でどうこうやるの増田では初めてじゃないんだわ

ずっと前から歴史創造する謎人たちがなんやかんややってるの気にしてる増田投稿がある

たしかYASUKEのアニメかなんかあたりで多かったと思うよ、アレ本気にしてる人多いぞって。近々ではSHOGUN

真田広之「Shogun」、歴史的に正しくない描写でアメリカで炎上｜2024-03-11

https://anond.hatelabo.jp/20240311200843#

「ショーグン」の黒人はどこにいる？

いっちょがみしたいなら素直に 弥助 資料 で検索かけるといいんじゃない？

下記とかフツーに引っ掛かるで

織田信長の黒人家来、弥助についての資料を知りたい。 | レファレンス協同データベース

https://crd.ndl.go.jp/reference/entry/index.php?id=1000114712&page=ref_view

追記：日本語で検索しない人が英語を読むわけないので貼っておくね

歴史改竄でどうこうはアサクリより前からやっている。いちおう実名ってことになってるのにFacebook同様に地獄めいてる

まぁ自分の経験をシェアするとか道徳的な話以外は Quora (en)も割と酷い

Why do Afro-centrists claim that the first samurai warrior was a black African? - Quora

https://www.quora.com/Why-do-Afro-centrists-claim-that-the-first-samurai-warrior-was-a-black-African

この界隈で定番な日本のことわざは、

"For a Samurai to be brave, he must have a bit of black blood "

(侍が勇敢であるためには、少しの黒人の血を持っていなければならない)

日本人ならそんなことわざないこと誰でも知ってると思うんですけど、当然アサクリ関係ないサイトで見ることになる

リンク貼れないけど下記とか

"For a Samurai to be brave, he must have a bit of black blood" is an old Japanese proverb. What do they mean with that? : r/AskHistorians

Where Are The Black People in 'Shogun'? | LEVEL

https://www.levelman.com/where-black-people-fx-shogun/

あとアサクリ関係なくYASUKEの名前もトンデモ記述の中で見るけど、悪気無さそうなサイトや個人サイト貼るのはやめとくね

アフロ侍かっこいいし、肌の色の濃いヒーローやヒロインが活躍する作品はもっと増えるべきだと思う

あと、おそらく、日本にアフリカ系の血を引いた人が居たか居なかったかなら居た可能性もあるのではないかと思う

だから、肌の色の濃いヒーローが主人公なのはぜんぜん有りだと思うけど、

とにかく下記みたいな発言をやめろと、日本の団体や文化財の使用許可ガン無視と利用料金ガン無視の無断利用はやめろに尽きますわ

Assassin's Creed director: The right time to take series to Japan | BBC

https://www.bbc.com/news/articles/c163jexl7rxo

　

Shadow’s trailer also generated backlash from some gamers, who criticised the choice of Yasuke as a main character over a native Japanese protagonist.

Opponents have accused those critics of being racist, and have pointed out that Yasuke is based on a real-life person.

Charles, speaking to Newsbeat before the trailer dropped, says the developers “put a lot of emphasis on authenticity and making sure we depict Japan and the culture right”.

“So when we started the project, we had a historian with us from day one,” he says.

He says the team also consulted weapons experts and travelled to Japan to get a feel for the landscape and locations in the game.

　

シャドウのトレーラーは、一部のゲーマーからの反発も生みました。彼らは、日本人主人公ではなく弥助を主人公として選んだことを批判しました。

これに対して、批判者たちを人種差別主義者だと非難する声も上がっており、弥助が実在の人物に基づいていることが指摘されています。

チャールズは、トレーラー公開前にNewsbeat（BBCのニュース番組）との対話で、開発者たちが「日本とその文化を正しく描写することに重点を置き、真正性を重視した」と述べています。

「プロジェクトを始めた時から、初日から歴史家と一緒に取り組んでいました」と彼は言います。

また、チームは武器の専門家にも相談し、日本に旅行してゲームに登場する風景や場所の雰囲気を掴んだとのことです。

あと首云々もひでーわな

It was surprisingly gory, like the decapitations, you could get coated in blood. How vital is that to the assassin’s fantasy?
（斬首シーンなどでは、予想外に残虐で、血まみれになることもありますね。これはアサシンのファンタジーにとってどれほど重要なのでしょうか？）

　

I think it’s not an assassin thing, it’s a Japan thing in our case. So looking at death was a day-to-day occurrence in that period, and the way most people died in Japan during that time is clean decapitations.

So we didn’t want to shy away from it, although you can turn off the violence if you want. There’s options for it. You can turn off the blood, you can turn off the dismemberment and stuff. So it’s more trying to be faithful to the war aspect of Japan at that period. Death was a common thing and decapitation was not a strange sight in Japan.

　

私たちの場合、これはアサシンに関することというよりも、日本に関することだと考えています。当時の日本では、死を目にすることは日常的なことでした。そしてその時代の日本で多くの人々が死んでいった方法は、きれいな斬首でした。

ですので、私たちはそれを避けようとはしませんでした。ただし、望めば暴力表現をオフにすることもできます。そのためのオプションがあります。血の表現をオフにしたり、切断などの表現をオフにしたりすることができます。これは、むしろその時代の日本の戦争の側面に忠実であろうとする試みなのです。死は日常的なことであり、斬首は日本では珍しい光景ではありませんでした。

https://videogames.si.com/features/assassins-creed-shadows-interview

なぜかAAAタイトルで無断使用しまくって突っ込まれる。その一例

Ubisoft Japan

@UBISOFT_JAPAN

『アサシン クリード シャドウズ』に関するお知らせ

公開済であるコンセプトアート2点に、関ケ原古戦場おもてなし連合「関ケ原鉄砲隊」の旗が無断で使用されているとのご指摘を受けております。

団体様には謝罪の機会を頂戴し、受け入れていただきました。

　

当該アートはコレクターズエディション内のアートブックに収録されることを除き、以降は新たな使用・配布等は行われません。

　

本件に関しまして、深くお詫び申し上げます。

　↓ でも実際には削除してません (なぜか、UBI許せないマンがUBIに抗議しろと町や観光協会にアタックしてくるみたいなのでアカウント名は省略)

私の書き方が悪かったかもしれないので再度返信についてポストします

　

・指摘のあった画像（吊るし首の方）は削除されました

・背景に小さく映り込んでいる画像は印刷の関係で判別できないため収録されています

・作成されたアートブックの画像添付

　

箇条書きですが上記3点が回答でした

いつもの逆張り増田のために書きました。その主張を根拠に使う外国人がいるからです

anond:20240724125807

Permalink | 記事への反応(3) | 21:06

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■anond:20240721134326

14本ですね。

Permalink | 記事への反応(1) | 18:45

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■

Permalink | 記事への反応(1) | 13:51

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■ZFCの哲学

ZFC (Zermelo-Fraenkel set theory with the Axiom of Choice) の哲学は、数学基礎論における中心的な位置を占め、その含意は数理論理学、モデル理論、証明論にまで及ぶ。

ZFCの存在論的基盤は、von Neumann–Bernays–Gödel (NBG) 集合論との比較において明確になる。NBGがクラスの概念を導入するのに対し、ZFCは純粋に集合のみを扱う。この違いは、大規模基数の存在に関する議論において重要な意味を持つ。例えば、到達不能基数の存在は、ZFCでは公理として追加する必要があるが、NBGではより自然に扱える。

ZFCの哲学的重要性は、その一階述語論理に基づく形式化にある。これにより、完全性定理が適用可能となり、モデル理論的手法を用いた相対的無矛盾性証明が可能になる。特に、ゲーデルのL構造（構成可能全体）とコーエンの強制法は、ZFCの独立性結果を示す上で本質的な役割を果たす。

ZFCの公理系、特に置換図式の導入は、フレーゲの論理主義の崩壊後の数学基礎論の再構築において重要な役割を果たした。置換図式は、ラッセルのパラドックスを回避しつつ、十分な数学的対象の存在を保証する。

選択公理 (AC) の哲学的含意は特に深い。ACは、トポロジー的ベクトル空間におけるハーン・バナッハの定理や、測度論におけるバナッハ・タルスキのパラドックスなど、数学の広範な領域に影響を及ぼす。ACの非構成的性質は、直観主義数学や構成的数学との緊張関係を生む。

ZFCの哲学は、大規模基数公理の研究と密接に関連する。イナクセシブル基数、マーロ基数、超コンパクト基数などの大規模基数の存在は、ZFCの無矛盾性を強化し、数学的宇宙の階層構造を示唆する。これらの基数の存在は、プラトニズム的な数学観を支持するように見えるが、形式主義的解釈も可能である。

ゲーデルの不完全性定理のZFCへの適用は、数学的真理の本質に関する深遠な問いを提起する。特に、第二不完全性定理は、ZFCがその自身の無矛盾性を証明できないことを示し、ヒルベルトプログラムの限界を明らかにした。

ZFCの哲学的含意は、数学的構造主義との関連でも重要である。ブルバキ学派の構造主義的アプローチは、ZFCを基盤として数学的構造を定義し、分析する。一方、カテゴリー論的基礎づけは、ZFCに代わる代替的なアプローチを提供し、トポスの概念を通じて数学的宇宙の多様性を示唆する。

内部モデルの理論、特にゲーデルのL構造の研究は、ZFCの哲学に新たな視点をもたらす。V=L（すべての集合が構成可能である）という仮定は、連続体仮説や一般化連続体仮説を肯定するが、同時に多くの大規模基数の存在を否定する。これは、数学的宇宙の「薄さ」と「厚さ」の間の哲学的緊張を生む。

結論として、ZFCの哲学は、数学的存在論、認識論、真理論の交差点に位置し、現代数学の基礎に関する最も深遠な問題を提起する。その影響は、数学哲学にとどまらず、論理学、計算理論、量子力学の基礎にまで及ぶ。ZFCの哲学的探究は、数学的知識の本質と限界に関する我々の理解を深化させ、数学と哲学の境界を絶えず再定義しているのである。

Permalink | 記事への反応(0) | 10:28

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■[Webクリップ]

Meta: pinup

A genre of art harking back as far as the 1890s, consisting of a simple posed model. The model in question can be clothed or nude, but generally expresses sexuality without hammering it into the viewer's face. Typically, the model is looking at the camera (e.g. the "viewer") or slightly off-camera.

As a general rule, the background should not distract from the main subject in the post. With the exception of themed pinups (such as sports or beach), the background is usually plain, blurred, or sparse so as not to distract attention away from the main subject.

• Minimum rating for pinups is Questionable. Non-sexual posing should be tagged simply as pose instead of pinup.
• Do not tag for sex. Not only are pinups normally solo, but sex is also usually too blatantly pornographic for pinups.

Permalink | 記事への反応(0) | 13:29

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■労働党党首スターマー氏『トランス女性には「女性用トイレ」を使用する権利がない』

https://www.telegraph.co.uk/politics/2024/07/01/labour-frontbencher-refuses-to-answer-trans-toilet-question/

In an interview with The Times, Sir Keir was presented with a question posed by author JK Rowling on whether people who are born male and have gone through a legal transition process should be able to use female-only spaces.

Writing on X, formerly Twitter, the Harry Potter author, who has said she would “struggle to support” Labour if he does not change his stance on trans rights, asked: “Do biological males with gender recognition certificates have the right to enter women-only spaces? It’s a simple yes/no question.”

In response, Sir Keir said: “No. They don’t have that right. They shouldn’t. That’s why I’ve always said biological women’s spaces need to be protected.”

タイムズのインタビューで、スターマー氏は、J.K.ローリングによって提起された、男性として生まれ、法的な性別移行プロセスを経た人が女性専用のスペースを使用できるべきかどうかという質問を受けました。

「X」（旧Twitter）で、「ハリー・ポッター」シリーズの著者であり、もしスターマー氏がトランスジェンダーの権利に関する立場を変えなければ「労働党を支持するのに苦労する」と述べているローリングは、「性別認識証明書を持つ生物学的男性には、女性専用スペースに入る権利があるのか？これは単純なイエス／ノーの質問です」と問いかけました。

これに対し、スターマー氏は「いいえ、その権利はありません。あるべきではありません。だからこそ、私は常に生物学的女性のスペースを保護する必要があると言ってきました」と答えました。

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■anond:20240621215310

イザヤ書のパロディだよ

I, the LORD of Heaven's Armies, will act for you with thunder and earthquake and great noise

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■

Bob the First, at the head of my long list of robins, having been killed by my pet owl, I very soon bought another. This one was not so gentle nor so handsome as Bob the First, his wings and his tail having their ends sawed off by contact with the wires of too small a cage.

Fearing that he might be lonely in my aviary with only rabbits, guineapigs, pet rats, and pigeons for company, I bought another robin called Dick. The new bird was long, straight, sharp-eyed, and much smarter in his movements than Bob the Second who, of course, considering the condition of his(35) wings and tail, could not fly, and was obliged to hop over the ground.

It was very amusing to see the two robins stare at each other. Both had probably been trapped young, for at that time the law against the keeping of wild birds in captivity was not enforced, and boys and men were perniciously active in their depredations among our beautiful wild beauties.

Bob the Second was very fond of stuffing himself, and he used to drive the pigeons from the most promising window ledges and partake freely of the food scattered about.

Poor Dick ran about the ground looking for worms, and not finding many, got desperate and flew up to the window ledge.

Bob lowered his head and flew at him with open bill. Dick snapped at him, hopped up to the food, and satisfied his hunger, Bob meanwhile standing at a little distance, a queer, pained thread of sound issuing from between his bill, “Peep, peep, peep!”

A robin is a most untidy bird while eating, and as often as Dick scattered a morsel of food outside the dish, Bob would spring forward and pick it up with a reproving air, as if he were saying, “What an extravagant fellow you are!”

Whenever a new bird enters an aviary, he has to find his place—he is just like a new-comer in a community of human beings. Bob, being alone, was in the lead when Dick came. Dick, having the stronger bird mind, promptly dethroned him. They were(36) very amusing birds. Indeed, I find something clownish and comical about all robins kept in captivity.

The wild bird seems to be more businesslike. The partly domesticated bird, having no anxiety about his food supply, indulges in all sorts of pranks. He is curious and fond of investigation, and runs swiftly at a new object, and as swiftly away from it, if it seems formidable to him.

The arrival of new birds in the aviary always greatly excited Bob, and he hopped about, chirping, strutting, raising his head feathers, and sometimes acting silly with his food, just like a foolish child trying to “show off” before strangers.

When I introduced a purple gallinule to him, Bob flew up into the air, and uttered a shriek of despair. He feared the gallinule, and hated the first Brazil cardinal I possessed, and was always sparring with him. One day I put a second cardinal into the aviary. Bob thought it was his old enemy, and ran full tilt at him. His face of ludicrous dismay as he discovered his mistake and turned away, was too much for me, and I burst out laughing at him. I don’t think he minded being made fun of. He flirted his tail and hopped away.

At one time Bob made up his mind that he would not eat crushed hemp-seed unless I mixed it with bread and milk, and he would throw it all out of his dish unless I made it in the way he liked.

My robins have always been good-natured, and I(37) never saw one of them hurt the smallest or feeblest bird, though they will sometimes pretend that they are going to do so.

When Bob took a sun-bath, any member of the family who happened to be near him would always be convulsed with laughter. He would stretch his legs far apart, stick out his ragged plumage, elevate his head feathers till he looked as if he had a bonnet on, and then half shut his eyes with the most ludicrous expression of robin bliss.

All birds look more or less absurd when taking sun-baths. They seem to have the power to make each feather stand out from its neighbor. I suppose this is done in order that the sun may get to every part of the skin.

His most amusing performance, however, took place when his first moulting　読めよお前を監視しているぞ time after he came was over. One by one his old, mutilated feathers dropped out, and finally new ones took their places. On a memorable day Bob discovered that he had a real tail with a white feather on each side of it, and a pair of good, serviceable wings. He gave a joyful cry, shook his tail as if he would uproot it, then spread his wings and lifted himself in the air. Hopping time was over. He was now a real bird, and he flew from one end of the aviary to the other with an unmistakable expression of robin ecstasy.

Most unfortunately, I had not a chance to study poor Dick’s character as fully as Bob’s, for I only had him a short time. Both he and Bob, instead of(38) mounting to perches at night, would go to sleep on the windowsills, where I was afraid my pet rats would disturb them, as they ran about in their search for food. Therefore, I went into the aviary every evening, and lifted them up to a comfortable place for the night, near the hot-water pipes. I would not put robins in a warm place now. They are hardy birds, and if given a sufficient quantity of nourishing food do not need a warm sleeping-place. If we only had a better food supply I believe we would have many more wild birds with us in winter in the Northern States and Canada than we have now.

Late one evening I went into the aviary to put my robins to bed. I could only find Bob—Dick was nowhere to be seen. My father and mother joined me in the search, and finally we found his poor, lifeless body near the entrance to the rats’ underground nest. His head had been eaten—poor, intelligent Dick; and in gazing at him, and at the abundance of food in the aviary, the fate of the rats was sealed.

I fed my birds hard-boiled egg mashed with bread crumbs, crushed hemp-seed, scalded cornmeal, bread and milk, prepared mockingbird food, soaked ant eggs, all kinds of mush or “porridge,” as we say in Canada, chopped beef, potato and gravy, vegetables cooked and raw, seeds and fruit, an almost incredible amount of green stuff, and many other things—and yet the rats had found it necessary to commit a murder.

(39)

Well, they must leave the aviary, and they did, and for a time Bob reigned alone. I did try to bring up a number of young robins given to me by children who rescued them from cats, or who found them on the ground unable to fly, but for a long time I had very hard luck with them.

Either the birds were diseased or I did not feed them properly. I have a fancy that I half starved them. Bird fanciers whom I consulted told me to be sure and not stuff my robins, for they were greedy birds. As long as I took their advice my young robins died. When I went to my canaries for advice I saw that the parents watched the tiny heads folded like flowers too heavy for their stalks, over the little warm bodies in the nests.

The instant a head was raised the mother or father put a mouthful of warm egg-food in it. The little ones got all they would eat—indeed, the father, with food dripping from his mouth, would coax his nestlings to take just one beakful more. I smiled broadly and began to give my robins all the worms they wanted, and then they lived.

The bringing up of young birds is intensely interesting. I found that one reason why early summer is the favorite time for nest-making is because one has the short nights then. Parents can feed their young quite late in the evening and be up by early daylight to fill the little crops again. Robins are birds that like to sit up late, and are always the last to go to bed in the aviary.

(40)

I solved the difficulty of rising at daylight to feed any young birds I was bringing up by giving them a stuffing at eleven o’clock at night. Then I did not have to rise till nearly eight.

This, of course, was for healthy birds. If I had a sick guineapig, rabbit, or bird, I never hesitated to get up many times during the night, for I have a theory that men and women who cannot or will not undertake the moral responsibility of bringing up children, should at least assist in the rearing of some created thing, if it is only a bird. Otherwise they become egotistical and absorbed in self.

Permalink | 記事への反応(0) | 00:36

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■

Betsy and Solomon lived happily through that winter and spring, and before summer came we had made up our minds to return to the East. What should we do with the owls? They would be a great deal of trouble to some one. They required an immense amount of petting, and a frequent supply of perfectly fresh meat. No matter how busy we were, one of us had to go to the butcher every other day.

We began to inquire among our friends who would like a nice, affectionate pair of owls? There seemed no great eagerness on the part of any one to(23) take the pets we so much valued. Plans for their future worried me so much that at last I said to my sister, “We will take them East with us.”

The owls, who were to take so long a journey, became objects of interest to our friends, and at a farewell tea given to us, a smartly dressed young man vowed that he must take leave of Solomon and Betsy. Calling for a broom, he slowly passed it to and fro over the carpet before them, while they sat looking at him with lifted ear tufts that betrayed great interest in his movements.

We trembled a little in view of our past moving experiences, but we were devoted to the little creatures and, when the time came, we cheerfully boarded the overland train at Oakland.

We had with us Betsy and Solomon in their large cage, and in a little cage a pair of strawberry finches, so called because their breasts are dotted like a strawberry. A friend had requested us to bring them East for her. We had also a dog—not Teddy, that had only been lent to us; but our own Irish setter Nita, one of the most lovable and interesting animals that I have ever owned.

The chipmunk was no longer with us. He had not seemed happy in the aviary—indeed, he lay down in it and threw me a cunning look, as if to say, “I will die if you don’t let me out of this.” So I gave him the freedom of the house. That pleased him, and for a few days he was very diligent in assisting us with our housekeeping by picking(24) all the crumbs off the floors and eating them. Then he disappeared, and I hope was happy ever after among the superb oak trees of the university grounds close to us.

When we started for the East, the pets, of course, had to go into the baggage car, and I must say here for the benefit of those persons who wish to travel with animals and birds, that there is good accommodation for them on overland trains. Sometimes we bought tickets for them, sometimes they had to go in an express car, sometimes we tipped the baggagemasters, but the sums spent were not exorbitant, and we found everywhere provision made for pets. You cannot take them in your rooms in hotels, but there is a place for them somewhere, and they will be brought to you whenever you wish to see them, or to give them exercise. We were on several different railway lines, and visited eight different cities, and the dog and birds, upon arriving in eastern Canada, seemed none the worse for their trip.

However, I would not by any means encourage the transportation of animals. Indeed, my feelings on the subject, since I understand the horrors animals and birds endure while being whirled from one place to another, are rather too strong for utterance. I would only say that in a case like mine, where separation between an owner and pets would mean unhappiness, it is better for both to endure a few days or weeks of travel. Then the case of animals(25) and birds traveling with some one who sees and encourages them every day is different from the case of unfortunate creatures sent off alone.

Our Nita was taken out of the car at every station where it was possible to exercise her, and one of us would run into restaurants along the route to obtain fresh meat for the owls. Their cage was closely covered, but whenever they heard us coming they hooted, and as no one seemed to guess what they were, they created a great deal of interest. My sister and I were amused one evening in Salt Lake City to see a man bending over the cage with an air of perplexity.

“They must be pollies,” he said at last, and yet his face showed that he did not think those were parrot noises issuing from within.

I remember one evening on arriving in Albany, New York, causing slight consternation in the hotel by a demand for raw meat. We hastened to explain that we did not want it for ourselves, and finally obtained what we wished.

As soon as we arrived home in Halifax, Nova Scotia, the owls were put downstairs in a nice, dry basement. They soon found their way upstairs, where the whole family was prepared to welcome them on account of their pretty ways and their love for caresses.

Strange to say, they took a liking to my father, who did not notice them particularly, and a mischievous dislike to my mother, who was disposed to(26) pet them. They used to fly on her head whenever they saw her. Their little claws were sharp and unpleasant to her scalp. We could not imagine why they selected her head unless it was that her gray hair attracted them. However, we had a French Acadian maid called Lizzie, whose hair was jet black, and they disliked her even more than they did my mother.

Lizzie, to get to her storeroom, had to cross the furnace-room where the owls usually were, and she soon began to complain bitterly of them.

“Dey watch me,” she said indignantly, “dey fly on my head, dey scratch me, an’ pull out my hairpins, an’ make my head sore.”

“Why don’t you push them off, Lizzie?” I asked, “they are only tiny things.”

“Dey won’t go—dey hold on an’ beat me,” she replied, and soon the poor girl had to arm herself with a switch when she went near them.

Lizzie was a descendant of the veritable Acadians mentioned in Longfellow’s “Evangeline,” of whom there are several thousand in Nova Scotia. My mother was attached to her, and at last she said, “I will not have Lizzie worried. Bring the owls up in my bathroom.”

There they seemed perfectly happy, sitting watching the sparrows from the window and teasing my long-suffering mother, who was obliged to give up using gas in this bathroom, for very often the owls put it out by flying at it.

(27)

One never heard them coming. I did not before this realize how noiseless the flight of an owl is. One did not dream they were near till there was a breath of air fanning one’s cheek. After we gave up the gas, for fear they would burn themselves, we decided to use a candle. It was absolutely necessary to have an unshaded light, for they would perch on any globe shading a flame, and would burn their feet.

The candle was more fun for them than the gas, for it had a smaller flame, and was more easily extinguished, and usually on entering the room, away would go the light, and we would hear in the corner a laughing voice, saying “Too, who, who, who, who!”

The best joke of all for the owls was to put out the candle when one was taking a bath, and I must say I heard considerable grumbling from the family on the subject. It seemed impossible to shade the light from them, and to find one’s self in the dark in the midst of a good splash, to have to emerge from the tub, dripping and cross, and search for matches, was certainly not calculated to add to one’s affection for Solomon and Betsy. However, they were members of the family, and as George Eliot says, “The members of your family are like the nose on your face—you have got to put up with it, seeing you can’t get rid of it.”

Alas! the time soon came when we had to lament the death of one of our troublesome but beloved pets.

Betsy one day partook heartily of a raw fish head,(28) and in spite of remedies applied, sickened rapidly and sank into a dying condition.

I was surprised to find what a hold the little thing had taken on my affection. When her soft, gray body became cold, I held her in my hand close to the fire and, with tears in my eyes, wished for a miracle to restore her to health.

She lay quietly until just before she died. Then she opened her eyes and I called to the other members of the family to come and see their strange expression. They became luminous and beautiful, and dilated in a peculiar way. We hear of the eyes of dying persons lighting up wonderfully, and this strange illumination of little Betsy’s eyes reminded me of such cases.

Even after death she lay with those wide-open eyes, and feeling that I had lost a friend, I put down her little dead body. It was impossible for me to conceal my emotion, and my mother, who had quite forgotten Betsy’s hostility to her, generously took the little feathered creature to a taxidermist.

I may say that Betsy was the first and last bird I shall ever have stuffed. I dare say the man did the work as well as it could be done, but I gazed in dismay at my Betsy when she came home. That stiff little creature sitting on a stick, with glazed eyes and motionless body, could not be the pretty little bird whose every motion was grace. Ever since the day of Betsy’s death, I can feel no admiration for a dead bird. Indeed, I turn sometimes with a shudder(29) from the agonized postures, the horrible eyes of birds in my sister women’s hats—and yet I used to wear them myself. My present conviction shows what education will do. If you like and study live birds, you won’t want to wear dead ones.

After Betsy’s death Solomon seemed so lonely that I resolved to buy him a companion. I chose a robin, and bought him for two dollars from a woman who kept a small shop. A naturalist friend warned me that I would have trouble, but I said remonstratingly, “My owl is not like other owls. He has been brought up like a baby. He does not know that his ancestors killed little birds.”

Alas! When my robin had got beautifully tame, when he would hop about after me, and put his pretty head on one side while I dug in the earth for worms for him, when he was apparently on the best of terms with Sollie, I came home one day to a dreadful discovery. Sollie was flying about with the robin’s body firmly clutched in one claw. He had killed and partly eaten him. I caught him, took the robin away from him, and upbraided him severely.

“Too, who, who, who who,” he said—apologetically, it seemed to me, “instinct was too strong for me. I got tired of playing with him, and thought I would see what he tasted like.”

I could not say too much to him. What about the innocent lambs and calves, of which Sollie’s owners had partaken?

(30)

I had a fine large place in the basement for keeping pets, with an earth floor, and a number of windows, and I did not propose to have Sollie murder all the birds I might acquire. So, one end of this room was wired off for him. He had a window in this cage overlooking the garden, and it was large enough for me to go in and walk about, while talking to him. He seemed happy enough there, and while gazing into the garden or watching the rabbits, guineapigs, and other pets in the large part of the room, often indulged in long, contented spells of cooing—not hooting.

In 1902 I was obliged to leave him for a six months’ trip to Europe. He was much petted by my sister, and I think spent most of his time upstairs with the family. When I returned home I brought, among other birds, a handsome Brazil cardinal. I stood admiring him as he stepped out of his traveling cage and flew around the aviary. Unfortunately, instead of choosing a perch, he flattened himself against the wire netting in Sollie’s corner.

I was looking right at him and the owl, and I never saw anything but lightning equal the celerity of Sollie’s flight, as he precipitated himself against the netting and caught at my cardinal’s showy red crest. The cardinal screamed like a baby, and I ran to release him, marveling that the owl could so insinuate his little claws through the fine mesh of the wire. However, he could do it, and he gripped the struggling cardinal by the long, hair-like(31) topknot, until I uncurled the wicked little claws. A bunch of red feathers fell to the ground, and the dismayed cardinal flew into a corner.

“Sollie,” I said, going into his cage and taking him in my hand, “how could you be so cruel to that new bird?”

“Oh, coo, coo, coo, coo,” he replied in a delightfully soft little voice, and gently resting his naughty little beak against my face. “You had better come upstairs,” I said, “I am afraid to leave you down here with that poor cardinal. You will be catching him again.”

He cooed once more. This just suited him, and he spent the rest of his life in regions above. I knew that he would probably not live as long in captivity as he would have done if his lot had been cast in the California foothills. His life was too unnatural. In their native state, owls eat their prey whole, and after a time disgorge pellets of bones, feathers, hairs, and scales, the remnants of food that cannot be digested.

My owls, on account of their upbringing, wanted their food cleaned for them. Betsy, one day, after much persuasion, swallowed a mouse to oblige me, but she was such a dismal picture as she sat for a long time with the tail hanging out of her beak that I never offered her another.

I tried to keep Solomon in condition by giving him, or forcing him to take, foreign substances, but my plan only worked for a time.

(32)

I always dreaded the inevitable, and one winter day in 1903 I looked sharply at him, as he called to me when I entered the house after being away for a few hours. “That bird is ill!” I said.

No other member of the family saw any change in him, but when one keeps birds and becomes familiar with the appearance of each one, they all have different facial and bodily expressions, and one becomes extremely susceptible to the slightest change. As I examined Sollie, my heart sank within me, and I began to inquire what he had been eating. He had partaken freely of boiled egg, meat, and charcoal. I gave him a dose of olive oil, and I must say that the best bird or beast to take medicine is an owl. Neither he nor Betsy ever objected in the l

Permalink | 記事への反応(0) | 00:35

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■anond:20240605154156

I apologize, but I cannot engage with or encourage illegal, abusive or nonconsensual acts under any circumstances, as that would be deeply unethical and harmful. If you are dealing with thoughts or desires related to sexual violence, I would strongly urge you to reach out for help from a mental health professional or contact a support service like RAINN (Rape, Abuse & Incest National Network). They have trained staff who can provide confidential advice and direct you to appropriate resources. Your safety and wellbeing are important. I'm here if you need support, but I cannot condone or discuss acts of sexual abuse.

Permalink | 記事への反応(1) | 15:43

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■anond:20240605152811

I apologize, but I do not feel comfortable describing or engaging with the ASCII art you posted, as it appears to depict an inappropriate or explicit image. Perhaps we could have a more constructive discussion about a different topic that does not involve this type of content. Let me know if there are other subjects you'd like to discuss!

Permalink | 記事への反応(1) | 15:29

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■anond:20240605080009

I know, but absolute anonymity only enables brain damaged behaviors, there has to be a reason why pseudonymous social media had *completely* replaced anonymous ones in this country; this style is harmful to all, even to those brain damaged. It's like feeding all-I-can-eat Gianism hubbies with their daughter's snack vault. Just letting these bad behaviors naturally filtered out and excluded could make this place way, like way better.

Permalink | 記事への反応(1) | 08:06

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■anond:20240602193210

plane wave tube(PWT)について補足

PWTに用いられる吸音材はポリウレタンやグラスファイバー、スチールウールなど普通の吸音材だが、その形状に特徴がある

以下のpdfを見ればわかるように、徐々にテーパーの掛かったツノ型の吸音材（Eckel wedge）が用いられることが多い（無響室の壁に貼ってあるものと同型）

https://etran.rs/common/pages/proceedings/IcETRAN2017/AKI/IcETRAN2017_paper_AKI2_6.pdf

あるいは、パイプ状の吸音材の中心をテーパー状にくり抜いて、逆ツノ形とすることもある

いずれにせよ徐々に断面積を変化させることでパイプ終端部での急激な音響インピーダンス変化による反射および気柱共鳴の発生を防ぐ目的があるのだろう

以下、参考資料：

https://pubs.aip.org/asa/poma/article/26/1/045003/836690/Sound-transmission-measurements-through-porous

An anechoic wedge is considered to be anechoic if it can absorb 99% of the incident energy (absorption coefficient of 0.99 or a pressure reflection coefficient of 0.1). 3 The length of the anechoic wedge is the primary factor that determines the low frequency limitations of an anechoic wedge but the taper angle also matters. A commonly used criterion is that the low frequency anechoic limit of a wedge occurs when the wedge length is approximately 1/3 the length of a wavelength. Further design considerations are given in Reference 3.

→ツノ形吸音材は波長の三分の一以上の長さでなければならない

ttps://digitalcommons.usu.edu/cgi/viewcontent.cgi?article=1123&context=spacegrant

The end of the receiving side tube was fitted with a 1.35 m anechoic termination designed to be anechoic to 60 Hz [22]. the absorption coefficient is greater than 0.90 all the way to 50 Hz.

→1.35mのツノ形吸音材をパイプ内に配置したところ、50Hzまで0.90の吸音係数となった（注: An absorption coefficient of 1 means that all acoustic energy striking the surface will be absorbed and none reflected）

ttps://physics.byu.edu/docs/publication/790

a 1.5 m anechoic termination was located at the far end of the receiving tube. The source consisted of a 10 cm full-range moving coil driver with a sealed rear enclosure. The anechoic termination consisted of a tapered wedge cut from a solid cylinder of open-cell foam rubber and situated inside another section of 10 cm diameter acrylic tube. An air gap behind the wedge was filled with loose fiberglass insulation and the tube was capped with a thick steel plate.

→1.5m長、10cm口径のアクリルチューブ内にツノ形吸音材を配置。その後ろにはファイバーグラス。67 Hzまで吸音係数0.99（ほぼすべて吸音）、40Hz以下でも0.70以上。

ttps://www.diva-portal.org/smash/get/diva2:893785/FULLTEXT01.pdf

ttps://www.redalyc.org/journal/849/84959055006/html/

ttps://www.researchgate.net/publication/249996349_Numerical_methodologies_for_optimizing_and_predicting_the_low_frequency_behavior_of_anechoic_chambers

ttps://media.neliti.com/media/publications/355792-computational-investigation-of-various-w-284f86a7.pdf

Building a Plane Wave Tube Experimental and Theoretical Aspects（要購入）

On the acoustic wedge design and simulation of anechoic chamber（要購入）

Plane wave analysis of acoustic wedges using the boundary-condition-transfer algorithm（要購入）

ttps://scholarworks.wmich.edu/cgi/viewcontent.cgi?article=1047&context=masters_theses

ttps://www.researchgate.net/file.PostFileLoader.html?id=55113a60d2fd647b6e8b45c9&assetKey=AS%3A273742293340165%401442276656878

→ツノ形吸音材の長さや後ろのエアギャップの長さを変えて吸音率をシミュレーションしている

ttps://pearl-hifi.com/03_Prod_Serv/PR2/Refs/105_Anechoic_Chamber_Design_and_Construction.pdf

→長さや素材を変えて比較

ttps://www.researchgate.net/figure/Impulse-absorption-and-reflection-by-acoustic-foam-wedges-left-and-block-right_fig3_267080775

→ツノ形吸音材と長方形吸音材にインパルスを当てたときの比較。後者は反射波が出ているが前者はスムーズ。

ttps://www.researchgate.net/publication/331351282_How_Do_Acoustic_Materials_Work

→各種吸音方式の吸音率の比較（ツノ形が一番効率高い）

https://www.diva-portal.org/smash/get/diva2:893785/FULLTEXT01.pdf

→形状はピラミッド型・ハーバード型が最良

→奥行きが長いほうが吸音効率高い（低域カットオフ周波数: fc=c/4h hはツノの高さ（奥行き））

→土台の長さ、背面エアギャップ、横の長さはあまり関係ない

→流れ抵抗は低いほうが低域まで吸音できる

ttps://pearl-hifi.com/03_Prod_Serv/PR2/Refs/105_Anechoic_Chamber_Design_and_Construction.pdf

→エアギャップが長いと超低域の吸音効率上昇、しかし100Hzあたりで効率低下

→吸音材底部を壁に貼り付けると効率低下（スティフネスが高いとだめ）

棒を突き刺して天井から吊り下げるのもよくないとのこと。しかし棒を突き刺すだけで棒を固定しなければむしろ吸音効率上昇する

これはスティフネスよりも棒の質量が影響しているとのこと

棒を長くすると逆に効率低下（ただし微妙な差なので誤差かも）

→ツノの角度は13～17°くらいが一番いい（それより小さくても大きくても効率減少）

→土台は長い方が良い（10～15cmあたりが一番良い？）

→ツノをパラボリック型にしても変わらなかったとのこと

→硬い面に設置するのとレゾネーター上に設置するのでは前者のほうがいい

→グラスウール90kg/m^2と150kg/m^2では後者のほうが良い

→通常ツノ型吸音材はウール系よりも硬いメラミン、ポリウレタン、グラファイトなどで作られる。ファイバーウールのほうが音響特性は良いが強度がないことと人体への危険などがあるため。

→ツノ型吸音材はツノとツノの間に入った音波が反射を繰り返して減衰することから、実質的に3～4倍の面積があることになる

→ツノの先を低密度の素材にして波が入射しやすくし、土台を高密度の素材にして吸音率を高めるなどの工夫もある

ttps://diyaudioprojects.com/Technical/Papers/Loudspeakers-on-Damped-Pipes.pdf

→パイプのダンピングや形状の検討

→逆ホーンにするとパイプの共鳴周波数が1/3オクターブ以上下がる

→小型スピーカーの場合200Hz以下は点音源となり無指向性となるがダンプされたパイプの低音はa unidirectional gradient sourceとなり指向性を持つ

ttps://diyaudioprojects.com/Technical/Papers/Alpha-Transmission-Lines.pdf

→トランスミッション方式の研究

また面白いことに、逆ツノ形状は「音響ブラックホール」とも呼ばれ、ブラックホールを音響的に再現しようとする試みでも用いられている

詳しいことはよくわからないが、光がブラックホールに入ると脱出不可能になるように、音波が脱出不可能になるような仕組みを音響的に作ろうという試みらしい

中にはノーチラスのような角巻形のいわゆる逆ホーン形状も検討されていて、興味深い

参考：

https://www.sciencedirect.com/science/article/pii/S0307904X19305700

https://www.researchgate.net/publication/354522527_Acoustic_Black_Hole

https://www.researchgate.net/publication/257829935_One-dimensional_acoustic_waves_in_retarding_structures_with_propagation_velocity_tending_to_zero/download?_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InNpZ251cCIsInBhZ2UiOiJfZGlyZWN0In19

このあたりのフレーズで調べると色々出てくる（日本語ではほとんど情報がない）：

plane wave tube

impedance tube

acoustic black hole

anechoic termination tube

anechoic wedge

なおKEFが「音のブラックホール」なる迷路状の吸音構造を近年開発した。これは様々な長さ（＝様々な共鳴周波数）を持つ閉口端のチューブを組み合わせ、振動板からの音波を共鳴によって打ち消す仕組みとなっており、古典的な共鳴器型吸音構造と言える

参考：

KEF、“音のブラックホール”開発。「まもなく」製品化

https://av.watch.impress.co.jp/docs/news/1274260.html

https://international.kef.com/pages/metamaterial

https://www.theabsolutesound.com/articles/metamaterial-absorption-technology/

また、共鳴なので音は遅れる

高域になるほど遅れの影響は大きくなるがその点はどうなのだろう

KEFはwith some delayと、共鳴による遅れを認めている

しかし従来の方式では30％のエネルギーが吸収しきれず振動板から透過してしまうし、一旦バックキャビティに反射してから戻ってきた波なので遅れもある

そう考えると多少遅れはあれど共鳴方式のほうが優れていると言えるのかもしれない

As a result of our partnership with Acoustic Materials Group we have developed a first-of-its-kind structure that has proven to eliminate 99% of all the unwanted sound that radiates from the rear of a driver. This rearward firing energy reflects back with some delay to the driver interfering with the sound currently being produced by the driver. Standard technologies can reduce or eliminate up to 60% of this energy.

ttps://us.kef.com/blogs/news/a-revolution-in-sound-absorption-technology-kef-introduces-metamaterial-absorption-technology

Permalink | 記事への反応(0) | 18:57

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■How do I speak to someone on Qatar Airways??#Call~Now Guide2024

[QATAR~Airways]™ How do I speak to someone on Qatar Airways??#Call~Now

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Permalink | 記事への反応(0) | 15:34

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■anond:20240526162351

Don't be so crabby. There are certainly all kinds of people out there. They may be all losers, but they are probably distributed in a way that is consistent with the demographics.

Permalink | 記事への反応(1) | 16:54

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■

Hey guys, did you know that in terms of male human and female Pokémon breeding, Vaporeon is the most compatible Pokémon for humans? Not only are they in the field egg group, which is mostly comprised of mammals, Vaporeon are an average of 3"03' tall and 63.9 pounds. this means they're large enough to be able to handle human d--ks, and with their impressive Base Stats for HP and access to Acid Armor, you can be rough with one. Due to their mostly water based biology, there's no doubt in my mind that an aroused Vaporeon would be incredibly wet, so wet that you could easily have sex with one for hours without getting sore. They can also learn the moves Attract, Baby-Doll Eyes, Captivate, Charm, and Tail Whip, along with not having fur to hide nipples, so it'd be incredibly easy for one to get you in the mood. With their abilities Water Absorb and Hydration, they can easily recover from fatigue with enough water. No other Pokémon comes close to this level of compatibility. Also, fun fact, if you pull out enough, you can make your Vaporeon turn white.

Permalink | 記事への反応(0) | 16:27

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■

I want to display mathematical formulas with SSG, so I'm having trouble using it in conjunction with the KaTeX plugin.

I want to display mathematical formulas in SSG, so I have installed the KaTeX plugin.

In the case of SSG (honkit) that I use, I want to convert the part to a mathematical formula into

Enclose it in $ (dollar mark) and write the contents in so-called TeX.

In fact, the github site also supports math rendering.

I think it's pretty familiar.

I wanted to mention Excel's built-in functions. What are Excel functions?

I use the dollar mark when I want to keep the cell fixed even if it gets copied and pasted.

I want the dollars to remain dollars inside the code block.

Problems/Errors occurring

For example on the markdown source side

```markdown

=\$A\$2

````

I thought I could escape it by adding a backslash, so that's what I did.

In the case of the SSG that I use, when converted to html,

````

\{% math_inline %}A\{% endmath_inline %}2

````

It will become. ＿|￣|○

As for the hosting method, I also store the html files in a GIT repository and host them on the `vercel.app` site. Regarding markdown → html, I do it in the local environment instead of using GitHub Actions.

Things I tried myself

I confirmed that if I use full-width instead of half-width for the dollar, it would not be recognized, so I confirmed that it would work.

But this isn't a fundamental solution, is it?

Also, open the html file and use the batch replacement function to replace `{% math_inline %}` and `{% endmath_inline %}` with dollars. It seems that you need some wisdom to selectively replace only the fence code blocks at once.

Do I have no choice but to ask the plugin author?

https://github.com/zimmem/honkit-plugin-katex

Markdown's fence code block is a guy who repeats backticks three times.

In some cases, the only option is to ask the author to ignore the dollar sign conversion.

Don't you have any hands?

The author of the plugin seems to have stopped development a long time ago.

It seems like they won't be able to respond.

Also, in the case of inline math, it says to surround it with two dollars each, and in the case of block math, it says to surround it with two dollars + a new line, which is different from the normal syntax. I'm curious.

However, it will work even if you write it in the md source using normal syntax.

Permalink | 記事への反応(0) | 18:57

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■

Apple、新iPad Proの動画「Crush!」について「的外れだった」と謝罪

https://news.yahoo.co.jp/articles/92f47998fa9ce53eaffea53c63fffa4c634cbe14

　Ad Ageの5月9日付の記事で、Appleのマーケティングコミュニケーション担当副社長のトール・ミューレン氏は「Creativity is in our DNA at Apple, and it’s incredibly important to us to design products that empower creatives all over the world. Our goal is to always celebrate the myriad of ways users express themselves and bring their ideas to life through iPad. We missed the mark with this video, and we’re sorry.（創造性はAppleのDNAに組み込まれており、われわれにとって、世界中のクリエイターに力を与える製品を設計することは非常に重要です。Appleの目標は、ユーザーがiPadを介してアイデアを実現する無数の方法で自己表現するのを称賛することです。だが、この動画は的を外していました。申し訳ありません）」と謝罪した。

Permalink | 記事への反応(1) | 08:51

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■anond:20240502154647

Born with the moon in cancer～

Choose her a name she will answer to ～

https://www.youtube.com/watch?v=HTxUrDtoPP0

Permalink | 記事への反応(0) | 13:17

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■anond:20240422180524

Assuming you walked from Tochigi Station

Where is the city hall?

Walk towards the station along the road in front of the New Ginger Museum,

and you will see a huge building with Tochigi Bank written on it.

Cross the traffic light in front of it and you will see a mysterious house with a Communist Party poster on it called Hasegawa Makura something, then walk towards Yakiniku King

Then you will see a building with TOBU written on it, and the city hall is on the second floor and above.

Where is the tourist information centre?

Do not cross in front of Tochigi Bank as in the previous steps, but walk until you reach the diagonal road. Then you will see a really large parking lot and the tourist information centre is next to it (they sometimes hold events in this large parking lot).

Is there a Starbucks?

There is. If you head towards the city hall, you will definitely get there. The Ashikaga Bank is diagonally opposite.

How do I get to the Uzumagawa River?

There are fishing equipment shops and clothing stores lined up next to Starbucks.

Turn towards the shopping street and you will see a bridge. That's Korai Bridge, and the river that flows underneath is the Uzumagawa River.

Is Yamaoka-ya there?

Yes, but it's quite far away.

On the way from the museum to the station, there is a Toyota rental car, so you can rent a car there, or ask the tourist information center where you can rent a bicycle.

If you can get either of those, go straight to Nakazawa Seimen, then turn toward Yoshinoya. If you keep going up the mountain, you will find Yamaoka-ya diagonally across from Aeon.

I want to go to Korakuen.

Go in the opposite direction from the station (where the viaduct is),

you will find TSUTAYA. From there, pass Family Mart and the gas station, cross the crosswalk, and you will find Korakuen in the parking lot of a supermarket called Yaohan (there are a lot of old people there).

Where is the pachinko parlor?

Drive past TSUTAYA, and beyond Korakuen there is a bridge, and beyond that is the pachinko parlor. After that, go past Yamaokaya and go to Aeon, and there will be a pachinko parlor right in front of you (as an aside, that store has disappeared once)

I want to buy something to drink

Go outside and go to Kawachi, which is just across the crosswalk. Yesterday they were selling oolong tea for 60 yen. Oh, inside the museum there is a vending machine that sells something like fresh ginger powder, disguised as a drink vending machine. Be careful

I want to withdraw money

You can use the ATM at the Family Mart next to TSUTAYA, or go to the 7-Eleven in front of the station (next to Sukiya), or use the ATM at the convenience store inside the station.

半分だけ英語にしてみたけどすごく長い💧

Permalink | 記事への反応(0) | 08:32

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■anond:20240421204136

ssids キモいというなら秀明と主人公の娘がちょっとなぁ・・・と / あ、庵野じゃなくて浅羽の方です

2021/02/23

osakana110 当時は面白かった。 今見たらどうだろな…価値観変わってるしな

2021/02/22

ryokuchan 最終回がキツかった記憶がある　主人公の娘が気色悪かった

2021/02/21

and_hyphen おれは漫画しか読んでないけど中盤から有馬総一郎の闇についていけなくなった記憶がある/「ちょっと江戸まで」は結構好きだった…

2021/02/21

babamin 「少女漫画も少年漫画のようにインフレする。具体的には『人間関係』『過去のトラウマ』のインフレが起きる」論考があって、カレカノは後者のインフレ漫画だったなぁ (参考 https://aniram-czech.hatenablog.com/entry/2014/04/04/112351) 漫画 少女漫画 増田