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はてなキーワード: noseとは

2023-12-31

anond:20231230140436

米国ラッパー「イェーイェー私のオマンコはびしょ濡れ。オマンオマンコ」→大ヒット4億再生

https://www.youtube.com/watch?v=hsm4poTWjMs

歌詞

Whores in this house

There’s some whores in this house

There’s some whores in this house

There’s some whores in this house

ビッチがいるぞ

この家にはビッチがいる

この家にはビッチがいる

この家にはビッチがいる

I said certified freak, sevendays a week

Wet and gushy, make that pullout game weak, woo

イカれた女って認められてるの 週7日稼働してる

濡れたマンコ あなたは抜くのも嫌になるわ

Yeah, you dealin’ with some wet and gushy

Bring a bucket and a mop for this wet and gushy

Give me everything you got for this wet and gushy

あなたはびしょ濡れのマンコに入れたいのよね

バケツとモップを持ってきてよ

マンコのためなら何でもくれるよね

Beat it up, baby, catch a charge

Extra large and extra hard

Put this cookie right in your face

Swipe your nose like a credit card

Hop on top, I wanna ride

I do a kegel, I’m kinda wild

Look at my mouth, look at my thighs

This water is wet, come take a dive

激しく突いて 違法なくらいに

大きさも硬さも普通じゃないわね

マンコをあなたの顔へ乗せたら

あなたの鼻をクレジットカードみたいにスワイプして

上に乗ってあげる

中に入れてる時は ケーゲル体操するの

口に唾を吐いて 私を見つめて

マンコは濡れてるからダイブしてよ

2023-11-21

ChatGPTに犬の絵を描いてもらった

彼の中で犬と言う存在がどのように抽象化されているのか伺えて

なかなかおもちろいわね

import matplotlib.pyplot as plt
import numpy as np
# Correcting the inversion of the y-axis to ensure the dog is drawn in the correct orientation.

def draw_dog_correct_orientation():
    # Points for the dog's head
    head_top = np.array([[0.3, 0.55], [0.35, 0.45], [0.45, 0.42], [0.55, 0.42], [0.65, 0.45], [0.7, 0.55]])
    head_bottom = np.array([[0.7, 0.6], [0.68, 0.65], [0.5, 0.7], [0.32, 0.65], [0.3, 0.6], [0.3, 0.55]])

    # Points for the dog's body
    body_top = np.array([[0.5, 0.7], [0.5, 0.75], [0.7, 0.8], [0.72, 0.85], [0.74, 0.9]])
    body_bottom = np.array([[0.74, 0.9], [0.7, 0.95], [0.4, 0.95], [0.36, 0.9], [0.34, 0.85], [0.36, 0.8], [0.5, 0.75]])

    # Points for the dog's tail
    tail = np.array([[0.34, 0.85], [0.2, 0.9]])

    # Points for the dog's ears
    right_ear = np.array([[0.65, 0.45], [0.78, 0.42], [0.78, 0.38], [0.65, 0.35]])
    left_ear = np.array([[0.35, 0.45], [0.22, 0.42], [0.22, 0.38], [0.35, 0.35]])

    # Create a new figure
    plt.figure(figsize=(6.4, 4.8))  # 640x480 pixels

    # Draw the dog's head
    plt.plot(np.append(head_top[:, 0], head_bottom[:, 0]), np.append(head_top[:, 1], head_bottom[:, 1]), 'k-', linewidth=1)  # Head

    # Draw the dog's body
    plt.plot(body_top[:, 0], body_top[:, 1], 'k-', linewidth=1)  # Body top
    plt.plot(body_bottom[:, 0], body_bottom[:, 1], 'k-', linewidth=1)  # Body bottom

    # Draw the dog's tail
    plt.plot(tail[:, 0], tail[:, 1], 'k-', linewidth=1)  # Tail

    # Draw the dog's ears
    plt.plot(right_ear[:, 0], right_ear[:, 1], 'k-', linewidth=1)  # Right ear
    plt.plot(left_ear[:, 0], left_ear[:, 1], 'k-', linewidth=1)  # Left ear

    # Draw the eyes
    plt.plot([0.45, 0.45], [0.53, 0.53], 'ko')  # Left eye
    plt.plot([0.55, 0.55], [0.53, 0.53], 'ko')  # Right eye

    # Draw the nose
    plt.plot([0.5, 0.5], [0.6, 0.6], 'ko')  # Nose

    # Configure the plot
    plt.axis('off')  # No axis
    plt.xlim(0, 1)
    plt.ylim(1, 0)  # Correct the orientation by flipping the y-axis

    # Show the plot
    plt.show()

draw_dog_correct_orientation()

2023-08-02

英訳 about the #Berbenheimer issue

anond:20230801140703

DeepLで勝手英訳をしてみた。

勝手にごめん。元増田が嫌であれば消す。

Various things that really need to be said about the #Berbenheimer issue

 

In a discussion about the case, someone raised an objection to "someone who was not a party to the incident, who was not from Nagasaki, and who was not from Hiroshima, complaining about it. Seeing that opinion made me aware of my position, so I will say what I must say.

 

I was born in Nagasaki and am a third-generation A-bomb survivor.

I say this because I grew up hearing the stories of the A-bomb damage directly from those who suffered from the atomic bombings.

 

I feel that it is unacceptable for someone like me to speak about the A-bomb damage.

However, there are few A-bomb survivors left, so I will speak up.

 

In Nagasaki, children grow up hearing stories about the atomic bombing. We were made to sit in the gymnasium of an elementary school in the middle of summer, where there was not even an air conditioner or a fan, and for nearly an hour we were made to listen to stories about the atomic bombing. It was hard for me anyway.

 

I think it was even more painful for the elderly people who told the stories. But I don't think an elementary school kid could have imagined that. I, too, have forgotten most of the stories I was told. I can only remember one or two at most.

 

Another thing is that at this time of year, pictures of the victims of the atomic bombing are pasted up in the hallways.

In other parts of the country, these are grotesque images that would cause a fuss from the parents who are always nagging about them.

Recently, even the A-bomb museum has become more gentle in its exhibits, and most of the radical and horrifying exhibits that would have traumatized visitors have been removed.

I don't know how elementary schools now teach about the A-bomb damage. But when I was in elementary school, there were photos on display.

 

There was one photo that I just couldn't face as an elementary school student. It was a picture of Taniguchi Sumiteru(谷口稜曄). If you search for it, you can find it. It is a shocking picture, but I would still like you to see it.

I couldn't pass through the hallway where the photo was displayed, so I always took the long way around to another floor to avoid seeing the photo.

My grandfather was under the bomb and went to the burnt ruins of the bomb to look for his sister. I can understand now that he couldn't turn away or go another way.

There would have been a mountain of people still alive and moaning in the ruins of the burnt ruins. There would have been many more who would have died out in agony.

My grandfather walked for miles and miles, towing a rear wheelchair, through the narrow streets of rubble-strewn Nagasaki in search of his sister.

My grandfather was not a child then. But of course there were elementary school children who did the same thing he did. I am not speculating that there were. There were. I heard the story from him, and I still remember it.

A young brother and sister found their father's corpse in the ruins of the fire and burned it themselves. They didn't have enough wood to burn him alive, and when they saw his brain spilling out, they ran away, and that was the last time they ever saw him again.

 

I can never forget that story I heard when I was a kid, and even now it's painful and painful, my hands are shaking and I'm crying.

 

I keep wondering how that old man who ran away from his father's brain was able to expose to the public the unimaginably horrible trauma, the scar that will never heal, even after all these years.

 

Now I think I understand a little.

 

Why I can't help but talk about my grandfather and the old man now, even as I remember my own trauma.

Because this level of suffering is nothing compared to their words being forgotten.

It's nothing compared to the tremendous suffering that once existed that will be forgotten, like my hands shaking, my heart palpitating, my nose running with vertigo, and so on.

 

So maybe it's the same thing.

 

My grandfather, who went through an unimaginable hell, lived to see his grandchildren born, and met his sister's death in the ruins of the fire.

 

In other words, my grandfather was one of the happiest people in the ruins of the fire.

 

My grandfather and that old man were, after all, just people wading in the depths of hell.

 

I think that the suffering that even people who had experienced unimaginable pain could not imagine was lying like pebbles on the ground in Nagasaki 78 years ago, and no one paid any attention to it.

 

Their suffering, which I can't even imagine, is nothing compared to the countless, unimaginable suffering they witnessed, which they pretend never happened.

 

Memories fade inexorably with each passing human mouth. The memories that those people could never allow to be forgotten are almost forgotten.

 

The tremendous suffering of 78 years ago is mostly gone, never to be recounted.

 

Those who suffered the most from the atomic bombing died rotting in the ruins of the fire without being able to tell anyone about it.

 

Many of those who saw it with their own eyes kept their mouths shut and took it with them to their graves. Most of those who spoke a few words are still in their graves.

 

Compared to the words of the old men, my own words are so light. I would rather keep my mouth shut than speak in such light words.

 

But still, someone has to take over. I realize that even my words, which are so light, are only the top of the voices that are left in this world to carry on the story of the atomic bombing.

 

I know how it feels to think that I am the only one. Still, I hope that you will not shut your mouth. I know that I have closed my mouth because I thought I shouldn't talk about it, and that is the result.

 

Sometimes I almost choose to stop imagining the unimaginable suffering and live my life consuming other people's suffering for fun.

I am writing this while I still have some imagination of the suffering of the old people whose voices, faces, and even words I can no longer recall.

2023-08-01

anond:20230801140703

すまん。勝手翻訳した。拡散はどうするかな。redditかに投稿するのがいいのか?

----

I have seen some posts asking if they should talk about "the case" even though they were not involved in it and were not born in Nagasaki or Hiroshima, and I am a bit aware of it, so I have to say what I have to say. I say this because I was born in Nagasaki, am a third generation atomic bomb survivor, and grew up hearing the stories of those who experienced the atomic bombing firsthand. I know it's a little bit too much for me, but I'm going to say this because there are very few survivors left.

In Nagasaki, children grow up hearing stories about the atomic bombing. They were stuffed into sushi for nearly an hour in the gymnasium of an elementary school in the middle of summer, with no air conditioner or fan, and told stories about the atomic bombing. That was a hard time for me. I think it must have been even harder for the old people who told the stories, but there was no way an elementary school kid could imagine such a thing, and I had forgotten most of the stories I had been told for a long time. I have forgotten most of the stories I was told. I can only remember one or two at most. There is one more hard thing. Every year around this time, a row of grotesque images that would drive the PTA crazy in other areas are prominently displayed in the hallways. These days, I hear that the atomic bomb museum has been bleached out and many of the radical and horrifying exhibits that traumatized visitors have been taken down. I don't know if they are still there, but they were there when I was in elementary school.

There was one photo that I just couldn't face when I was in elementary school. It is a picture of Sumiteru Taniguchi. If you search for it, you can find it. It is a shocking picture, but I would like you to take a look at it. I couldn't pass through the hallway where the photo was posted, so I always took the long way around to another floor of the school building to avoid seeing the photo.

Now I'm thinking that my grandfather, who headed into the burnt ruins to look for his sister, couldn't have turned away or taken a different path. There would have been a mountain of people still alive and moaning, not just pictures, and a mountain more who would have given up at the end of their suffering. He walked for miles and miles, towing his handcart through the narrow streets of rubble-strewn Nagasaki in search of his sister. My grandfather was not a child at the time, but of course there were children who did similar things. Not that there wouldn't have been. There were. I heard the story from him, and I still remember it. A young brother and sister found their father's body in the ruins of a fire and they burned it. They didn't have enough wood to burn his body, and when they saw the raw brain that spilled out, they ran away and that was the last time they ever saw him anymore.

I can never forget the story I heard when I was a kid, and even now it is painful and painful, my hands are shaking and I am crying. I keep wondering how the old man who escaped from that father's brain could have been able to unravel the most horrible trauma imaginable and expose it to the public with scars that will never heal.

Now I think I can understand a little.

The reason I can't help but talk about my grandfather and that old man, even if I have to rehash my own trauma, is that this level of suffering is nothing compared to the fact that their words will be forgotten. My hands shaking, my heart palpitating and dizzy, my nose running with tears, it's nothing compared to the tremendous suffering that was once there and will be forgotten.

So maybe it's the same thing.

My grandfather, who went through an unimaginable hell, lived to see his grandchildren born, and met his sister's death in the ruins of the fire. In other words, my grandfather was one of the happiest people in the ruins of the fire. My grandfather and that old man were, after all, just people wading in the depths of hell. I think that the suffering that even people who had experienced unimaginable pain could not imagine was lying like pebbles in Nagasaki 78 years ago, and no one paid any attention to it. Their suffering, which I can't even imagine, is nothing compared to the countless, tremendous suffering they witnessed, which they pretend never happened.

Memories fade inexorably every time people talk about them. The memories that those people could not allow to be forgotten are now largely forgotten; the tremendous suffering of 78 years ago is mostly gone, never to be recounted again. Those who suffered the most from the atomic bombing died rotting in the ruins of the fire, unable to tell anyone about it. Many of those who saw it with their own eyes kept their mouths shut and took it with them to their graves. Most of those who spoke a few words are now under the grave.

Compared to the words of the old men, my own words are so light. I would rather keep my mouth shut than speak in such light words. But still, someone has to take over. I realize that even my words, which are so light, are only the top of the voices that are left in this world to carry on the story of the atomic bombing. I know how it feels to wonder if someone like myself is allowed to speak about this. Still, I hope that you will not shut your mouth. This is the result of our silence.

Sometimes I almost choose to stop imagining the unimaginable suffering and live my life consuming other people's suffering for the fun of it. I am writing this while I still have some imagination of the suffering of the old people whose voices, faces, and even words I can no longer recall.

Translator's note: The original post in Japanese is a response to a post by a Japanese contributor who wondered if he was qualified to speak out on the subject of the A-bomb when he was not from Hiroshima and Nagasaki, but still spoke out about Barbie and the A-bomb. I translated it here because I think it deserves to be read by the world.

2023-01-31

世界に一つだけの鼻

世界に一つだけの鼻

一人一人 違う鼻を持つ

その鼻で息することだけに

一生懸命になればいい

小さい鼻や大きな鼻

一つとして同じものはないか

No. 1にならなくてもいい

もともと特別Only nose

2023-01-04

そういや線虫ががん検査に使えるってもう実用化されてんのかよ

って思ってたらされてた

リンクは貼らないけどN-NOSE検索してくれ

おしっこ送るだけなんで簡単

試しにやってみようと思う

2022-11-04

天狗の鼻はちんこではありません。

Tengu's nose isn't tinko.

2022-09-27

https://anond.hatelabo.jp/20220914223600

日本人女性写真を生成するプロンプトについて私なりに試行錯誤した結果を示します。

画像は4つ以下に貼り付けました。

https://imgur.com/a/x8TOFla

約2週間経過しているため、既に何らかの結論を得られているかもしれませんが、どなたかの参考にでもなれば幸いです。

1.結論

(1)安定させるwordについて

actressを付けると安定すると書かれていましたが、正にその通りだと思います

actressだけでなく、2つの言葉を重ねると表情や顔の作りが安定するように思います

例として

actress×Japanese idol

AKB48 ×Japanese idol

AKB48 × a famous Japanese girl in Instagram

などです。

今回のpromptで、日本人を示す言葉はこの部分くらいだったのですがそれなりに日本人ぽくなっていると思います。(ちなみにAKB48とnogizaka46で素人目に大きな差は出ませんでした。)

また結果(1)と(2)に含まれているAya Kodaのように適当女性名前を入れると結果が安定する傾向も見られました。

(私は適当に、北条政子幸田文など、歴史上の女性名を使ってみましたが特にその名前の方々の特徴が取り入れられている訳ではなさそうです)

結果(3)は特定名前を使わない代わりに、女性らしさが出るかと思ってmuscular arm, cleavage of breasts, detailedなどを入れています

(2)CFG scale

CFG scaleは5~22で振ってみましたが、数値を大きくしすぎると光を強く当てたようなギラついた雰囲気になるようです。

5~7くらいが自然な気がしました。

(なお、自然光を当てた写真にするため、「on the beach」としましたので室内の設定だと異なると思います

(3)Step

STEPは100にしてもそれほど良い結果にならなかったため40~70にしています

2.条件と結果

使用しているツールは、下記のstable-diffusion-webui(by Automatic1111)です。

https://github.com/AUTOMATIC1111/stable-diffusion-webui

なお本稿では以降stable-diffusion-webuiと記載します。

「Restore faces」と「Highres,fix」はONにした状態とし、Samplerは「Euler a」を基本としています

また「Negative prompt」も使用しました。

stable-diffusion-webui(Automatic1111)の機能については下記をご参照ください。

https://github.com/AUTOMATIC1111/stable-diffusion-webui/wiki/Features

美人なんだけどなんか複数人うつってる」みたいな変な写真がたまに出ること(これを解消できるワードが欲しい)

「Highres,fix」がその一助になると思いますのでもしお使いで無ければお試しください。

(1)grid-0015-18523803

◆prompt:

Photo of a young female wearing a T-shirt and jeans, Aya Koda, (((beauty bright eyes))), cute face, Angel face, short hair, small nose, on the beach, ((perfect face)), detailed, photorealistic, cute slight smile, Medium Shot, actress, Japanese idol,

Negative prompt:

ugly, fat, obese, chubby, (((deformed))), [blurry], bad anatomy, disfigured, poorly drawn face, mutation, mutated, (extra_limb), (ugly), (poorly drawn hands), messy drawing, penis, nose, eyes, lips, eyelashes, text, red_eyes, (((nipples))),(skinny), (((underbite))), long jaw, long hair,
Steps: 70, Sampler: Euler a, CFG scale: 6.5, Seed: 18523803, Face restoration: GFPGAN, Size: 576x768, Denoising strength: 0.4
(2)grid-0009-1585211664

◆prompt:

Photo of a young female wearing a T-shirt and jeans, Aya Koda, (((beauty bright eyes))), cute face, Angel face, short hair, small nose, on the beach, ((perfect face)), detailed, photorealistic, cute slight smile, Medium Shot, actress, Japanese idol,

Negative prompt:

ugly, fat, obese, chubby, (((deformed))), [blurry], bad anatomy, disfigured, poorly drawn face, mutation, mutated, (extra_limb), (ugly), (poorly drawn hands), messy drawing, penis, nose, eyes, lips, eyelashes, text, red_eyes, (((nipples))),(skinny), (((underbite))), long jaw, long hair,
Steps: 50, Sampler: Euler a, CFG scale: 16, Seed: 1585211664, Face restoration: GFPGAN, Size: 576x768, Denoising strength: 0.4
(3)grid-0001-3339383866

◆prompt:

portrait of an attractive talent wearing a T-shirt and jeans,  (((beauty bright eyes))), cute face with elegant hairstyle, face to the left, on the beach, ((perfect face)), muscular arm, cleavage of breasts, detailed, intricate, photorealistic, a famous Japanese girl in Instagram, cute slight smile, Medium Shot, akb48, Japanese idol,

Negative prompt:

ugly, fat, obese, chubby, (((deformed))), [blurry], bad anatomy, disfigured, poorly drawn face, mutation, mutated, (extra_limb), (ugly), (poorly drawn hands), messy drawing, penis, nose, eyes, lips, eyelashes, text, red_eyes, (((nipples))),(skinny)
Steps: 55, Sampler: Euler a, CFG scale: 9, Seed: 3339383866, Face restoration: GFPGAN, Size: 576x768, Denoising strength: 0.25
(4)xy_grid-0401-1729711779

※これはsamplerとCFG Scale についての比較用です。

◆prompt:

Photo of a young female wearing a T-shirt and jeans, (((beauty bright eyes))), cute face, Angel face, short hair, small nose, on the beach, ((perfect face)), detailed, photorealistic, cute slight smile, Medium Shot, actress, Japanese idol,

Negative prompt:

ugly, fat, obese, chubby, (((deformed))), [blurry], bad anatomy, disfigured, poorly drawn face, mutation, mutated, (extra_limb), (ugly), (poorly drawn hands), messy drawing, penis, nose, eyes, lips, eyelashes, text, red_eyes, (((nipples))),(skinny), (((underbite))),
Steps: 70, Sampler: Euler a, CFG scale: 5.0, Seed: 1729711779, Face restoration: GFPGAN, Size: 512x768

3.補足・雑感

Negative promptは以下くらいに省略しても問題は無さそうです。

ugly, fat, obese, chubby, (((deformed))), bad anatomy, disfigured, poorly drawn face, mutation, mutated

ただしpromptもNegative promptは、あまりシンプルにし過ぎるとハズレ率が高くなるかもしれません。

またseedを固定してCFG Scaleを変えた方が効果が出るケースも多いような気がしています

結果(3)の「talent」の部分は、適当職業名に変えても成立しました。

例:swimmer、fireman、golfer

4.終わりに

面白い課題を与えていただきありがとうございました。

もう少し早く投稿たかったのですが、色々やっているうちにあっという間に時間が経ってしまいました。

また、日本人(というかモンゴロイド)に多い頬骨が張っていない丸顔を作るのは結構難しいと感じました。

以上

2022-04-13

anond:20220413110249

米国ラッパー「イェーイェー私のオマンコはびしょ濡れ。オマンオマンコ」→大ヒット4億再生

https://www.youtube.com/watch?v=hsm4poTWjMs



歌詞

Whores in this house

There’s some whores in this house

There’s some whores in this house

There’s some whores in this house

ビッチがいるぞ

この家にはビッチがいる

この家にはビッチがいる

この家にはビッチがいる

I said certified freak, sevendays a week

Wet and gushy, make that pullout game weak, woo

イカれた女って認められてるの 週7日稼働してる

濡れたマンコ あなたは抜くのも嫌になるわ

Yeah, you dealin’ with some wet and gushy

Bring a bucket and a mop for this wet and gushy

Give me everything you got for this wet and gushy

あなたはびしょ濡れのマンコに入れたいのよね

バケツとモップを持ってきてよ

マンコのためなら何でもくれるよね

Beat it up, baby, catch a charge

Extra large and extra hard

Put this cookie right in your face

Swipe your nose like a credit card

Hop on top, I wanna ride

I do a kegel, I’m kinda wild

Look at my mouth, look at my thighs

This water is wet, come take a dive

激しく突いて 違法なくらいに

大きさも硬さも普通じゃないわね

マンコをあなたの顔へ乗せたら

あなたの鼻をクレジットカードみたいにスワイプして

上に乗ってあげる

中に入れてる時は ケーゲル体操するの

口に唾を吐いて 私を見つめて

マンコは濡れてるからダイブしてよ

2020-06-14

NOSE レビュー 3/10

操作性 6/10

基本骨子はソウルの丸パクリなため大きく違和感を感じるところはないが、時折謎の硬直が挟まったりする

ビジュアル 4/10

独自アレンジ要素である鼻をいまいち活かしきれない。

鐘を鼻の形にしたり、ボスキャラを👺や🐘といった鼻が特徴的な動物にするなどでなんとかアピールしようとしているが、それによって逆にそうでないボスの無個性さが浮き彫りになっている。

やるなら徹底的に全てを鼻由来にするぐらいことはすべきだったのではないだろうか?

なにより主人公の装備品に鼻の要素が薄すぎるためソウルシリーズの「深淵へと近づくことで少しずつそれと一体化していく」という空気が受け継がれていないのもパロディとして片手落ちだ。

レベルデザイン 4/10

クリアする順番にある程度の自由度があるがそれでもまだまだ縛りがキツいように感じた。

なによりギミックへの誘導具合に若干の甘さがあるように思う。

ソウルシリーズでも「物凄い重要な要素なのに気づきにくいかスルーしてしまう」という部分はあるが、それらをスルーしてもメインストリーはそれなりの苦労を強いられることになりながらもクリア可能である。その絶妙な匙加減が再現できていないように見えた。

ストーリー 0/10

ソウルシリーズのような壮大で悍ましい何かを感じることはなかった。かといって、鼻が重視される世界という馬鹿馬鹿しさに対しての面白おかしさも感じなかった。

ストーリー面については0点というほかない。

ボリューム 評価対象外

頑張ったかどうかという指標としては評価対象にもなりうるが、ゲームとしての出来の良し悪しという点においては評価対象にはならない。

有料ゲームであれば値段に対してそれ相応のボリューム保証されているべきだろうが、フリーゲームはそうではない。

重要なのはゲームのコンセプトとあっているかどうかである

総評 3/10

沢山ステージ作って凄いね。頑張ったんだね。そういう評価の仕方しか出来ない。

まず単純にゲームとして面白くない。

ソウルとライクいう強力な土台があるのでゲームとして遊ぶことは出来るが、ボタンを押して攻撃を当てたり回避していて楽しいかというとそうでもない。

通常の攻防においては明らかにスキだらけな攻撃が来るのを待ち続けてから反撃するだけで、ソウルシリーズのような絶妙な読みあいが起こることもなく単調な作業の繰り返しになりがち。

ステージの敵やギミックの配置が生み出すわからん殺しの要素も大雑把で、単に敵が曲がり角に待ち受けていたり逃げ続けるといつまでも追ってきてトレインになるだけで攻略における彩りが感じられない。

ボス戦においてもそれは変わっておらず敵の攻撃の中に反撃をしやすい物とそうでない物が明確に分けられていてバランスが悪い。

なにより、間をズラす方法としてボスに何もさせず棒立ちさせるという手段を選んでいるのが最悪の一言

短くまとめると、世界観、動き、ビジュアル、それら全てにおいて魂が入っておらず、作者の自己顕示欲を満たすだけのできの悪い操り人形だらけなのが問題点である

スケールを大きくしてとりあえず完成形にたどり着いたことは作り手としては立派だが、まずは小さく完成させることを目指すべきだっただろう。

いっそ最初ボス戦まででいいから、「ダークソウルシリーズ外伝勘違いしかねないほどに思わず熱中して遊べてしまったゲーム」を目指すべきだったのではないだろうか?

30点のゲーム10時間遊ぶのと60点のゲームを5時間遊ぶことの間にある満足度の差はあまりにも大きい。

ゲームには「クリエイターが頑張りを褒めてもらうための手段」としての側面は確かにある。

しかし、多くの人が求めているのは「プレイヤー楽しい時間を過ごすための手段なのだ

多くのゲームはこの2つの要素を内包していて、時には前者の側面が強く光ることもあるにはあるが、その場合はまず、後者の要素が満たされていると多くの人に認められているものだ。

与えるより先にまず与えよ。

その気持ちの有無をフロムに見抜かれてしまったのではないだろうか?

2020-04-10

[][] 海外底辺排斥主義者は底が抜けている

増田日本国民民度は極めて低い。海外の方が低いという極端な印象操作をしようとしている

極端でも何でもないぞ

FBIアジア系アメリカ人に対する憎悪犯罪の増加を警告しているし

既に子どもが刺されている

セレブ田中将大がわざわざ日本に帰ってきたのはコレだよ

[oxygen] Stabbing Of Asian-American Family At Texas Grocery Store Being Investigated As Coronavirus-Related Hate Crime

(コロナウイルス関連のヘイトクライムとして調査されているテキサス食料品店でのアジア系アメリカ人家族傷害事件)

https://www.oxygen.com/crime-news/man-allegedly-knifed-asian-family-in-suspected-hate-crime


テキサス食料品店パンを買い求めていたバウィ・クンを19歳のホセゴメス複数回刺した。

ホセゴメスは、バウィ・クンの2歳と6歳の息子に刃を向け男の子の頭を刺さした。


GoogleAsian American hate crimes coronavirus もしくはCOVID-19 を入れて幾らでも見れるけど、

被害を集め報告するためのサイトも作られていて、日本ドキュメントもあるぞ

[Stop-AAPI-Hate] 日本ドキュメント

(アジア太平洋計画および政策審議会プロジェクトヘイトクライムを追跡する目的で作られた)

https://docs.google.com/forms/d/e/1FAIpQLScJ7reaNSPOJi4cFdsjHpzVxSvhd0BMzQjxgMb1n2KF5vNI3Q/viewform


排斥主義者にとって国なんてどうでもいいからな

彼らが気にするのはアジアであるかどうかだけだ

そして、多くの場合動画のように女性や老人を狙って↓

https://youtu.be/9siwWlAuNGE

つかベイエリアでもNYでも普通にガンガン起きているからな

どんなヘイト肯定はしないが貧しくて学が無ければそういうこともあるのかなってちょっと思えるけど

学があって金もあるのに暴力振るったり、

立場のある人間なのに訴えられたら即アウトな言動取るとか、

海外排斥主義の底は抜けとらん?


日本にそういう人はおらんやろ


アジア系の医師医療関係者患者サービス提供拒否をされたりしているらしいぞ

Dr. Edward Chew, the head of the emergency department at a large Manhattan hospital, is on the front lines of fighting the coronavirus. He said that over the past few weeks, he had noticed people trying to cover their nose and mouth with their shirts when they are near him.


(マンハッタンの大病院救急部の責任者であるDr.エドワード・チューは、コロナウイルスと戦う最前線にいます。彼は、ここ数週間、彼が近くにいるとき、鼻と口をシャツで覆おうとしている人々に気づいたと言いました。)


[The New York Times] Spit On, Yelled At, Attacked: Chinese-Americans Fear for Their Safety

https://www.nytimes.com/2020/03/23/us/chinese-coronavirus-racist-attacks.html


貴方が私を憎んでいても私は貴方に最高の医療を全力で提供します。拒否しないでください』とか言ってたアジア系の医師もいたな


まぁこんな感じです、日本では絶対にないね


ただ、こういうリスクがあった上でも、アメリカの方がいいけどな

差別をするのは国でも人種でも時代でもなくそ個人パーソナリティ問題

一言人間の質の問題

セレブ勝ち組でも恐怖を感じるレベルヘイト一般人が立ち向かえるかは知らんけど

海外で暮らすメリットの方が上回るからなぁ

日本は完全に機能不全だし


anond:20200410114409

anond:20200410115001

2019-09-19

"REVOLUTION WILL NOT BE TELEVISED" by Gil Scott-Heron, 1970


You will not be able to stay home, brother

You will not be able to plug in, turn on and cop out

You will not be able to lose yourself on skag and skip out for beer during commercials

Because the revolution will not be televised.

The revolution will not be televised.

The revolution will not be brought to you by Xerox in 4 parts without commercial interruptions

The revolution will not show you pictures of Nixon blowing a bugle and leading a charge by John Mitchell, General Abrams and Mendel Rivers to eat hog maws confiscated from a Harlem sanctuary

The revolution will not be televised.

The revolution will not be brought to you by the Schaefer Award Theatre and will not star Natalie Woods and Steve McQueen or Bullwinkle and Julia

The revolution will not give your mouth sex appeal

The revolution will not get rid of the nubs

The revolution will not make you look five pounds thinner

Because the revolution will not be televised, brother.

There will be no pictures of you and Willie Mae pushing that shopping cart down the block on the dead run

Or trying to slide that color TV into a stolen ambulance

NBC will not be able predict the winner at 8:32 on reports from 29 districts

The revolution will not be televised.

There will be no pictures of pigs shooting down brothers in the instant replay

There will be no pictures of Whitney Young being run out of Harlem on a rail with brand new process

There will be no slow motion or still life of Roy Wilkens strolling through Watts in a Red, Black and Green liberation jumpsuit that he had been saving for just the proper occasion.

The revolution will not be televised.

Green Acres, The Beverly Hillbillies and Hooterville Junction will no longer be so goddamned relevant

And women will not care if Dick finally screwed Jane on Search for Tomorrow

Because Black people will be in the street looking for a brighter day

The revolution will not be televised.

There will be no highlights on the eleven o'clock news

And no pictures of hairy armed women liberationists and Jackie Onassis blowing her nose

The theme song will not be written by Jim Webb or Francis Scott Keys, nor sung by Glen Campbell, Tom Jones, Johnny Cash or Englebert Humperdink

The revolution will not be televised.

The revolution will not be right back after a message about a white tornado, white lightning, or white people

You will not have to worry about a dove in your bedroom, a tiger in your tank, or the giant in your toilet bowl

The revolution will not go better with Coke

The revolution will not fight the germs that may cause bad breath

The revolution will put you in the driver's seat.

The revolution will not be televised

Will not be televised

Will not be televised

Will not be televised

The revolution will be no re-run, brothers

The revolution will be live.

2019-08-24

anond:20190824134241  クルーグマン嫌われ過ぎワロタ

主にMMT economistsから。(尻馬に乗ってる奴もいるが)

https://twitter.com/paulkrugman/status/1164604703424090112 のリプライ

twitter.com/mtwestra/status/1164778010534244352  おめーもサマーズもMMTから一つ二つアイディアぱくってて乙 Looks like @LHSummers and yourself picked up an idea or two from MMT. Congratulations on finally catching up with reality!

TFW you look down your nose at the economic prowess of a Nobel laureate in economics.  ノーベル賞受賞者の腕前を煽る

Your model was/is/always will be a fraudulent misrepresentation.Retire.     さっさと引退しろウソツキ

Complete snake oil rhetoric... What a hyperbolic & disingenuous numb skull. Or he's intentionally fear mongering.  完璧ガマの油レベルインチキレトリック、誇張、腹黒  大げさな恫喝


@RaulACarrillo (弁護士 lefty lawyer) 

Why can't you and the others just recognize that you were wrong for YEARS while others were consistently right?    他の人が一貫して正しい一方で自分が何年も間違っていたと認識すればいいだけなのにそうできないのはなぜよ?  

This is intellectual gatekeeping and a disservice to the public. A little integrity would be nice.          国民全体に対する害毒でしょ。

This is you. Spring 2011. When it mattered. @DeanBaker13 was right to call you out.                 8年前にディーンイカーに名指しで間違いを指摘されてたじゃん。

@fiat_money

All progress must come from the maintstream”                    ハイハイ進歩は主流派からしか出てこない、出てきちゃいけないっていつものやつね。

shamelessly trying to force decades of heterodox research into a memory hole.      非主流派経済学の何十年もの研究成果に知らんぷりかよ。恥知らずめ。 8年前にフルワイラーに言われわたことを忘れたとは言わせないぞ?


@FadhelKaboub Economics Prof.(Denison university)

Paul, your intellectual dishonesty is mindboggling.                   おめーの知的誠実性の欠如にはめまいがするわ。こっちが30年も言ってたことを「2019年ジャクソンホール」で発見、だと? #恥知らず

@katiecannon2

Umm. I remember when you bashed Stephanie Kelton for saying what you are now saying. Do I need to link to your own words of just a few months ago to spur your memory of your own words of just a few months ago?

                                             おめーが今言ってることはほんの数か月前におめーがバッシングしたケルトンの主張そのものじゃねーか。記憶力に障害あんのか?

2019-05-31

"REVOLUTION WILL NOT BE TELEVISED" by Gil Scott-Heron, 1970

You will not be able to stay home, brother

You will not be able to plug in, turn on and cop out

You will not be able to lose yourself on skag and skip out for beer during commercials

Because the revolution will not be televised.

The revolution will not be televised.

The revolution will not be brought to you by Xerox in 4 parts without commercial interruptions

The revolution will not show you pictures of Nixon blowing a bugle and leading a charge by John Mitchell, General Abrams and Mendel Rivers to eat hog maws confiscated from a Harlem sanctuary

The revolution will not be televised.

The revolution will not be brought to you by the Schaefer Award Theatre and will not star Natalie Woods and Steve McQueen or Bullwinkle and Julia

The revolution will not give your mouth sex appeal

The revolution will not get rid of the nubs

The revolution will not make you look five pounds thinner

Because the revolution will not be televised, brother.

There will be no pictures of you and Willie Mae pushing that shopping cart down the block on the dead run

Or trying to slide that color TV into a stolen ambulance

NBC will not be able predict the winner at 8:32 on reports from 29 districts

The revolution will not be televised.

There will be no pictures of pigs shooting down brothers in the instant replay

There will be no pictures of Whitney Young being run out of Harlem on a rail with brand new process

There will be no slow motion or still life of Roy Wilkens strolling through Watts in a Red, Black and Green liberation jumpsuit that he had been saving for just the proper occasion.

The revolution will not be televised.

Green Acres, The Beverly Hillbillies and Hooterville Junction will no longer be so goddamned relevant

And women will not care if Dick finally screwed Jane on Search for Tomorrow

Because Black people will be in the street looking for a brighter day

The revolution will not be televised.

There will be no highlights on the eleven o'clock news

And no pictures of hairy armed women liberationists and Jackie Onassis blowing her nose

The theme song will not be written by Jim Webb or Francis Scott Keys, nor sung by Glen Campbell, Tom Jones, Johnny Cash or Englebert Humperdink

The revolution will not be televised.

The revolution will not be right back after a message about a white tornado, white lightning, or white people

You will not have to worry about a dove in your bedroom, a tiger in your tank, or the giant in your toilet bowl

The revolution will not go better with Coke

The revolution will not fight the germs that may cause bad breath

The revolution will put you in the driver's seat.

The revolution will not be televised

Will not be televised

Will not be televised

Will not be televised

The revolution will be no re-run, brothers

The revolution will be live.

2019-03-19

[] ポップ・ライフ

“What are you putting in your nose? Is that where all your money goes?”

(鼻の中に何入れているの? それにお金全部使っちゃったの?)

  

ポップ・ライフ(Pop Life)は、米国シンガーソングライタープリンス(Prince)が率いるバンド

プリンス・アンド・ザ・レボリューション(Prince & The Revolution)の楽曲

1985年4月22日リリースアルバムアラウンド・ザ・ワールド・イン・ア・デイ(Around the World in a Day)に収録。

ビルボード総合チャートでは7位に達した。

  

上記歌詞コカインのスニッフィングを指すと言われる。

https://en.wikipedia.org/wiki/Pop_Life_(Prince_song)

http://prince510.blog.fc2.com/blog-entry-121.html

Prince & The Revolution - Pop Life

https://youtu.be/dtZO8J7rXLo

  

ピエール瀧容疑者コカイン使用疑いで逮捕 容疑認める - 毎日新聞

https://mainichi.jp/articles/20190313/k00/00m/040/003000c

2019-02-20

自分にとって都合のよい地方政府お金寄付すると見返りを得られる、"Full shutt nose aid"と呼ばれる制度合法賄賂ではないかという指摘に対して、Sugar官房長官

2017-08-15

魔法少女劇中劇(1/2 魔法少女系)

未完、収まりきらなくなったので分割 anond:20210626005632

魔法少女

田村ゆかりリリカルなのは
クレヨンしんちゃん

参考になった過去のまとめ

2015-05-06

環境志望校が変わるという仮説

環境志望校は変わるという仮説。ピグマリオン効果だろうか。

マーチ関関同立なんだけど、底辺の非進学校出なんだ。

半年真面目に勉強したら受かったタチなのな。

☆☆☆

そして俺には今年大学受験を控える弟がいる。

結構仲が良くて、ちょくちょく勉強を教えたんですわ。

しかし弟はド阿呆だ。高校生で中1レベルの知識もままならなかった。

「なあ背水の陣って何?」「noseってなに?」「1+2x=5って何?」

「Are you play tennis?」…

まあ、こんな発言から分かるようにお察しのレベルなんだ。

☆☆☆

弟が高1の時に、おれが「自分卒業したら働くん?」って軽く話をしたら、

大学行きたい。桃学らへんいけたら万々歳やな」って返ってきましてん。

桃学ってのは摂神追桃一角で、関西ギリギリFランかどうかのところでして。

他の地方だと大東亜帝国とか、名名中日とかが同じレベルなとこかな。

お前大学行くのかよ、とちょっとびっくりしたのをよく覚えてる。

☆☆☆

その後俺が大学合格して、マーチ関関同立なら一年で行けると言い続けた。

もちろん一年というのはこいつのオツムを考慮してのこと。

最初弟は半信半疑だったけど、一年間事あるごとにずっっと言ってきた。

そしたら弟に次第に内面化されて行ったのだろうか、マーチ関関同立を目指して真面目に勉強し始めた。

「あんた何吹き込んだん?!」っておかんが驚いて連絡をよこしたほどだ。

いやずっと一年あれば上位私大行けるって言い続けただけですけど。

英語の疑問詞に苦しみつつも結構頑張っているようなので、応援したいと思う。

から、数年言い続ければ家族や回りの子にも良い影響があるのではないかと思った。

そんなお話

 
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