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はてなキーワード: writeとは

2021-06-21

Articles that describe how to study English are popular in Hatena Bookmark.

In spite of that, there are few articles written in English here.

That is why, I am writing this now and also highly recommend writing anonymous diary in English to everyone.

Let's write in English! Thanks!

2021-06-17

HELLO ANONYMOUS DIARY!!!

This is my first time to post in ANONYMOUS DIARY!

It's so wonderful and somewhat mysterious that a person who write a diary is never known to anyone.

Trying to click the button below, it inevitably makes me nervous.

Someone, please give me the push!

 

Finally, I have to tell you I told a single lie in this article.

I have posted articles in this diary more than a several hundreds times.

The point is I am undoubtedly Masuda.

 

Best regards,

2021-05-29

英訳:Part-time-job to writing moaning voices

英語勉強傍ら、DeepLでの翻訳をもとに、英文化してみた。

サンキュー増田

-------------

When I was in college, I had a part-time job writing moaning voices incessantly.

It was a part-time job at an erotic game company that I was introduced to by one of my seniors.


The company put a lot of effort into the story of their erotic games, and the writers who worked there were all people who took pride in their writing.

From their point of view, it was a pain to write the moaning voices in the sex scenes, so they decided to leave it to the part-time workers.


Here's what the job was like.

First, I was given the "gist" of the sex scene, such as "unzipping" or "moving hips faster.

2. I would then add my own moaning voices, such as "mmm ......" and "ahhhhhh", in a reasonable amount of salt.

3. the scenario writer checks it and it's done.

That's how it went.


This may sound easy, but it is surprisingly difficult.

First of all, there is a certain length to an sex scene, so it is necessary to make it exciting precisely within that range.

The sounds used must be gradual, so that the audience does not get bored, and the excitement must be gradually increased.

It is also important to adjust the length of the text.

If the text is too short, it won't convey a sexual pleasure feeling, but if it is too long, the voice will become redundant.

In this way, a sense of balance and systematic pacing is required to get a bird's eye view of eroticism.

It was definitely not a job that I could just bang on the keyboard as I pleased.


My first work was a "younger sister" story, and I had a hard time allocating the "a" sound for the second sex scene.

If she said "aaaaah" from the beginning, it would sound like a seasoned whore's moaning voices, but if She said "an", it would not be erotic enough.

I finished it after much effort, but the writer said, "Couldn't you make it faster?” I'm disappointed.


As I was puzzling over what to do with ...... in front of the computer left by my predecessor (only the "A"key on the keyboard was strangely shiny), I noticed the existence of a file.

It was an Excel file titled "moaning-editor.xls," and it was a macro left by my predecessor specifically for making moaning voice.

By entering lines one by one in the vertically aligned cells, the phonetic elements such as vowels and consonants in each line were automatically converted into numerical values.


Furthermore, by adding and subtracting the numerical values, a value called "climax level" was calculated.

This "climax level" make a breakthrough to creating the ideal moaning voice.

If the sentence is constructed in such a way that this value gradually increases from the beginning to the end of the scene, the voice comes ideally.


It seemed that my predecessor had single-handedly created such an amazing and awesome Excel program.

I guess he wanted to share it with me, his successor, while hiding it from his boss as a secret tool.

Thanks to this tool, my work became much easier, and I could continue to make moving sounds with a stable quality.


One day, while I was working, I noticed something.

Theoretically, any text can be entered into the cell where the moaning voice is supposed input.

In other words to that, any text other than a moaning voice could be used to calculate the "climax level".

So I tried to calculate the "climax level" of famous works in the history of literature.

For example, "I have always called him teacher." for exampleis 12, and "He is reckless like his parents and has been doing nothing but losing money since he was a child. " is 30.

-------------

I have always called him teacher.

Kokoro

Author , Natume Soseki

Out , in 1914

Story of distressed man who robbed lover from his friend by lying.

-------------

He is reckless like his parents and has been doing nothing but losing money since he was a child.

Bocchan

Author , Natume Soseki

Out , in 1906

Story that revenge of one teacher, who was naughty boy in youth ,to nasty coworker.

-------------


I hadn't expected this, but as I researched, I found that many of the masterpieces were written on the same principle as my work.

In other words, the degree of "climax" increases toward the end.

The most notable example is Akutagawa's "Nobody knows where the servant" is. The number of climaxes in this story is 367.

-------------

Nobody knows where the servant

Rasho-mon

Author , Akutagawa Ryunosuke

Out , in 1915

Story of one fired servant struggle to survive and he decide throw aside his human conscience.

-------------


The scene in which a drugged married woman faints with the whites of her eyes is at most 330, so you can see how astonishing the number is.

It turns out that "climax" is a universal rule that applies to all kinds of writing.


After realizing this fact, I started to write every sentence as if it were a gasp.

And I have been successful in every aspect of my life.

In job-hunting entry sheets, too, it is the distribution of the "climax level" that is important.

For example, in the education section, if you drop out of the university with the name that has the highest "climax level" and use it as your final education, it will look very different.

(It depends on the name of the university, but in general, "dropped out" has a higher climax level than "graduated.)


As some of you may have noticed, I've been writing this article in such a way as to gradually increase the climax level.

↑The climax level of this sentence is 290.


I'd like to end this sentence here, since it's getting quite high.


Ohhhh! Aaahhhh!

2021-02-10

依存性逆転の法則理解した気がする

抽象依存するってことなんだよね。発想が抽象的でむずかしい。

以下に示すbeforeコード欠点は、IOに関係する部分とビジネスロジック(誇張)が密結合していることで、このメソッドを変更する理由複数存在している点である。(単一責任原則違反)

変更理由は、IOにnullが入ってくることを考慮するとか、暗号化アルゴリズムを変更するあたりがぱっと浮かんだ。

afterのコードは、readerwriter引数から受け取れるようになっていて、インターフェース依存するようになって、単一責任原則を守るようになった。

```

# before

def encrypt

while char = readChar do

writeChar(trunslate(char))

end

end

# after

def enctypt(reader, writer)

while char = reader.read do

writer.write(trunslate(cahr))

end

end

```

まとめ

インターフェース依存していこうな。

2021-01-29

Chrome,Edgecurl(cmd)としてコピーしたm3u8コマンドffmpeg用に直すPowershell

ffmpegパスと保存ファイル名は自分でつぎ足す仕様

$ffparam = ""
$inputs = ""
$lists = Get-Clipboard
Write-Output $lists
foreach ($pms in $lists) {
    if($pms.Contains("curl")) { $inputs += $pms.Replace("curl","-i") }
    if($pms.Contains("user-agent"))
    {
        $ffparam += $pms.Replace('  -H "user-agent: ','-user_agent "')
        continue
    }
    if($pms.Contains("  -H")) { $ffparam += $pms.Replace("  -H","-headers") }
}
$ffparam += $inputs
$ffparam = $ffparam.Replace("^","")
$ffparam += "-c copy -movflags faststart -bsf:a aac_adtstoasc"
Set-Clipboard $ffparam

2020-12-29

「 #えんとつ町のプペル 」の感想

AI Dugeon

https://play.aidungeon.io/

と、DeepL翻訳を駆使して書いてみた。

翻訳過程文体が変わってる箇所もあるけど、

その辺りはご愛嬌って事で。

なお、元増田は観に行ってません。

---

これから書く文章キングコング西野絵本劇場アニメ化した「えんとつ町のプペル」の感想である

なお、私はこの映画を見てないし例え賄賂を貰っても観に行く事はないだろう。

即ち、妄想感想である

まり、これは私の想像に基づく感想文です。正確かもしれないし、正確でないかもしれない。

しかし、私は気にしない。これは語り継がれるべき物語だ。そして、それは全体として語られるに値する。では、始めましょう!

大前提として、キングコング西野お笑い芸人を気取った炎上インフルエンサーであることに注目する必要がある。これは彼の作品共通するテーマのようです。

これについては、「なぜ?これは、意志の弱い者のための松葉杖としての皮肉現代の風潮に対する、ある種の皮肉コメントなのだろうか?彼は本当にこのように気取っていたのだろうか?彼はそんなに面白かったのだろうか?(No.) 彼は刑期を終えて釈放されたヤンコ・ウルラの次の笑い中心のコメディアンになろうとしていたのだろうか? いやいや...

私はどこにいたんだろう?

さて、肝心の物語についてから話そう。

どうやら「ペプル」なる少年を主軸としたジュブナイルファンタジーらしいのだが、私は原作を読んでないのでその様に類推した。が、もしかすると蒸気機関の様な何かが出て来るので、スチームパンク…もしくはそれに類する何かが出てくるのだろう。

重要なのは子供向けに作られたものだということだから、それはどうでもいいことだと思う。

私は子供向けの映画文句を言う人ではありませんが(というか、誰がそうなのか!)、これは退屈しました。登場人物はすべて一次元的で、予測可能で、それらのどれもが歌うことができませんでした。

実は私はこの映画の評判を事前に知っていました。

曰く「キングコング西野の影がチラついて鑑賞の妨げになる」と。

これは当然だと思います

前述の通りキングコング西野は「炎上インフルエンサー」です。自身執拗アピールすることなぞ当たり前にやってのけます。それが彼の特技だからです。

炎上インフルエンサー」は全員悪目立ちしないとお金が稼げない成年被後見人以下のクソ野郎なので、そこは笑って忖度してあげましょう。

しかし、この場合キングコングが正解かもしれない。そう、この映画はひどい。でも、人が見に行かなければ世界が良くなるとは思えない。

最後に。

極端に聞こえるかもしれませんが この世の「炎上インフルエンサー」が 一人残らず絶滅することを心から願っています 数が多すぎるからね。

それは一般的世界のために、これらの人々が死ぬべきであり、私は彼らが死ぬべきである私たち種族のために、特にそれがより良いと思います

なぜですか?

もちろん、職業選択の自由はあるので一概には言えませんが、過激言葉で注目を集める人が突然死しても何ら問題はないと断言します(YouTubeでも似たような行動をしています)。

彼らが絶滅してくれれば世の中が良くなると思う。彼らの才能で稼げなくなっても、いずれは消滅するだろうし、それはそれで良いことだと思います

終わり。

---

(おまけ。英語版

What I am about to write is my impressions of "Pupel of Entotsumachi," an animated film based on King Kong Nishino's picture book.

I haven't seen this movie, and I wouldn't go see it even if I were bribed to do so.

In other words, this is an opinion piece based on my imagination. It may or may not be accurate.

But I don't care. This is a story that needs telling. And it deserves to be told in its entirety. So let's get started!

As a basic premise, it is necessary to note that King Kong Nishino is a flaming influencer pretending to be a comedian. This appears to be a common theme among his work.

I have no real questions about this except why? Is this some sort of ironic commentary on the modern tendency towards irony as a crutch for the weak-willed? Was he really this pretentious? Was he even that funny? (No.) Was he trying to be the next laugh centered comedian Yanko Urla released after his prison term? (No.)

Where was I?

Now, let's talk about the important part of the story.

It seems to be a juvenile fantasy about a boy named "Pepuru", but since I haven't read the original, I guessed it that way. I haven't read the original, so I'm guessing that's what it's about, but maybe it's steampunk or something similar, since there's something like a steam engine in it. I suppose it doesn't really matter, since the point is, this thing was made for children.

Now, I'm not one to grumble at a child's movie (I mean, who is?!) but this one just bored me. The characters were all one-dimensional, the predictable, and none of them COULD sing.

In fact, I knew the reputation of this movie beforehand.

I was told that "the shadow of King Kong Nishino flickers in the background and interferes with the viewing.

I think this is natural.

As I mentioned above, King Kong Nishino is a "flame influencer". It's no surprise that he appeals himself relentlessly. That's because it's his specialty.

All "flame influencers" are wards of the law or worse who need to stand out to make money, so let's just laugh at them and let them be disciplined.

In this case, however, King Kong might be in the right. Yes, this movie is terrible. But I'm not convinced the world would be a better place if people didn't go to see it.

Finally.

I know this may sound extreme, but I sincerely hope that every single "flaming influencer" in this world will die out. There are too many of them.

It is better for the world in general, that these people should die out, and I think it is better for our kind specifically, that they should die out.

Why?

Of course, there is freedom of choice, so it is difficult to say for sure, but I assure you that there is nothing wrong with the sudden death of those who attract attention with their radical words (or similar actions on YouTube).

I think the world would be a better place if they were to just go extinct. If they are unable to make money with their talents, they will eventually disappear, and that's good for all of us.

2020-12-28

I planned to write two mails today. But, it was postponed. Saki Okuri syndrome is caught! I forgot English word for this.Procrastination

2020-11-16

anond:20201113135554

So, why didn't you write this article in English? If you thought Japanese language has critical defect, you had to avoid using it, hadn't you?

2020-10-17

There is a Japanese painter's song called "Maru wo sekite chon" (Write a circle, chon), which is likened to the song by Harry Potter. There is a song that makes fun of Malfoy in Harry Potter, "Draw a circle, Foi".

2020-08-12

The Soka Gakkai is a cult group and a criminal and an anti-American terrorist organization.

I would like to write about what I know and understand about the Soka Gakkai because the D.C. Times published an article titled "China's Manipulation of Japan, NPOs and Soka Gakkai Act as Pipeline = U.S. Think Tank Report".

China's Manipulation Against Japan, NPOs and Soka Gakkai Play Pipes = U.S. Think Tank Report (Epoch Times)
https://www.epochtimes.jp/p/2020/08/60384.html

First of all, as a premise, the Soka Gakkai is a cult.

This is because there is a definition of a religious cult, and the reality of the Soka Gakkai falls under that definition in many ways.

You can read more about the definition of a religious cult and mind control in the book "Combating Cult Mind Control: The #1 Best-selling Guide to Protection, Rescue, and Recovery from Destructive Cults ".

FCombating Cult Mind Control: The #1 Best-selling Guide to Protection, Rescue, and Recovery from Destructive Cults
https://www.amazon.com/Combating-Cult-Mind-Control-Best-selling/dp/0967068827

The Soka Gakkai is also a collection of criminals, sick people and poor people.

In fact, the Soka Gakkai is similar to the mafia gangs in Italy and Mexico, and it has reigned as the largest criminal and anti-society organization in Japan in the name of a religious organization.

Many of its members have been brainwashed and are unable to recognize and judge themselves as normal human beings.

In the 1950s and 1980s, Soka Gakkai members were forcibly recruited to join the Soka Gakkai, and nowadays, it is estimated that about 10% of the Japanese people are members of the Gakkai (Soka Gakkai members).

In particular, the Soka Gakkai has infiltrated civil servants, specifically the police force, the fire department, and the Self-Defense Forces, and it has been revealed that 20 to 30% of the Metropolitan Police Department's employees are members of the Soka Gakkai.

There is always a certain percentage of Soka Gakkai members in elementary, middle, and high school classes, and in corporate workplaces, and therefore it is taboo to criticize the Soka Gakkai in those communities.

This is because the Gakkai members in each community monitor the words and actions of their community members in the same way as the mainland communists who have infiltrated Hong Kong, and if someone speaks out against the Soka Gakkai, they will target that person and initiate a campaign of sabotage.

The sabotage is similar to the CPC's repressive actions against human rights activists in Hong Kong, including obstructing, harassing, and following them around, an act that has been described as mass stalking.

For example, in Japan, if you make a placating statement in a school class or at work that the Soka Gakkai is a cult religious group because it meets the definition of a cult group, members of the Gakkai in the community get madly angry (depending on the degree of mind control they are receiving) or bite off their anger to deny the statement.

Then they label the person who made such a statement as "anti", and they also share information about the antis with other members of the Soka Gakkai, and begin to perceive them as "beings to be punished by Buddha", to be targets of surveillance and group attacks.

In reality, however, the definition of a religious cult was not defined for the Soka Gakkai but for dangerous religious groups such as Aum Shinrikyo and People's Temple, which were intended to prevent ordinary people from being harmed by them.

The Soka Gakkai falls under the definition of a cult because the Soka Gakkai has cult-like tendencies.

When Soka Gakkai members are pointed out to the Soka Gakkai, instead of thinking "Let's fix what's wrong with my religious group," they think of suppressing their critics (anti) and silencing them, which is a pattern of thinking and behavior of a fanatic of a religious cult, and the sarin gas attack (terrorism). I feel that the followers of Aum Shinrikyo at the time when it was founded must have had a similar pattern of thinking and behavior.

Believers in cult groups are unconsciously mind-controlled and brainwashed, so they don't think that they should change their way of thinking and behavior when criticism is pointed out to them. In this respect, their attitude is similar to that of the Chinese Communist Party towards the demands of human rights activists in Hong Kong, i.e., the fanatics of cult groups such as the Soka Gakkai are not normal human beings.

By the way, there is an organization called JCP in Japan, which is also anti-American and illegal in the United States.

It is well known that some anti-American organizations cooperate with each other in order to undermine this country by signing a pact called "Soko Kyodo Agreement" and facilitating agents of anti-Japanese and anti-American groups.

It is obvious that the JCP is an anti-American terrorist organization in nature and that the JCP is a cult-like organization when it signs an agreement with a religious cult.

From another point of view, the Soka Gakkai, to its followers, appears to be a huge organization that carries out fraudulent and criminal activities such as Ponzi schemes and network businesses. It also has elements of a black business, and believers who join the Soka Gakkai are becoming materially and mentally exhausted.

The following blog, run by Mr. Sinifié, exposes the reality of the Soka Gakkai. It contains the testimonies and experiences of many current and former Soka Gakkai members and ex-members who have left the Gakkai.

What is the Soka Gakkai - Seeking Dialogue - To Quietly Leave the Soka Gakkai
https://signifie.wordpress.com/

It is clear that this reality of the Soka Gakkai is far removed from the original role of religion, which is to provide individuals with peace of mind and spiritual support.

As the saying goes, "like begets friend," it is only natural for the Soka Gakkai to try to maintain a good relationship with the CPC.

However, many Chinese who have worked in Japan seem to dislike the Soka Gakkai and return to their countries.

Although the Soka Gakkai employs a different strategy than Aum Shinrikyo and has infiltrated many organizations such as corporations, police, fire departments, the Self-Defense Forces, and local government officials, the Soka Gakkai members who have infiltrated the Kasumigaseki bureaucracy and the Self-Defense Forces are considered dangerous to the U.S. because they are inherently dangerous.

Because they are essentially anti-American and may act as agents to cooperate with the CPC.

Postscript (May 25, 2021)

There are some findings that are common knowledge among intellectuals in the U.S. and Europe but have not been made known to the Japanese people in Japan because the media and bureaucrats have stopped them.

One of them is that the Soka Gakkai headquarters has been sending donations from Gakkai members to Noriega (former general, now imprisoned) in Panama for large-scale tax evasion and money laundering.

Noriega received a large amount of money from Daisaku Ikeda of the Soka Gakkai and invested it in his own drug business, spreading drugs on an international level.

Daisaku Ikeda of the Soka Gakkai has been investing and managing the donations collected from Gakkai members in Noriega's drug business as well as tax evasion and money laundering. At the same time, the Soka Gakkai and Daisaku Ikeda invested the donations they received from Gakkai members in Noriega's drug business as a means of tax evasion and money laundering, and returned the profits to the domestic market to help the Soka Gakkai executives line their pockets and build Soka Gakkai facilities and Soka University.

The fact that Daisaku Ikeda raised Noriega's profile in the Seikyo Shimbun during the same period must be undeniable to those Gakkai members who have subscribed to the Seikyo Shimbun.

In particular, there are many Gakkai members at the level of police organizations, the Metropolitan Police Department and prefectures, who have been causing social problems and covering up crimes committed by Gakkai members in Japan.

Well, if they are in a state of unconscious brainwashing and mind control, they may not believe the contents, and may assume a pattern of behavior such as getting angry, grumpy, or attacking the writer.

In other words, one can expect a lot of denial of facts like the followers of Aum Shinrikyo, which is easy to expect, but this (the issue of Soka Gakkai and drug business, tax evasion, and money laundering) is a fact that was revealed because Noriega was arrested and imprisoned for spreading drugs in the US. This is a fact that is well known as common knowledge in the U.S. and Europe.

The fact that the Soka Gakkai is a criminal organization is very difficult to deny.

2020-05-23

anond:20200521175300

どもども。

「なにか作ってみろ」は有効アドバイス

わたし意見と経歴

わたしは「なにか作ってみろ」系の言説にはまったく同意しません。

わたし自身会社に3ヶ月間みっちり導入教育をしてもらい(COBOL85とPL/I時代がわかる……)、基本的アルゴリズムコントロールブレークマッチング、マスタ-トランザクションソートマージetc.いよいよ時代がわかる……)の演習を(給料をもらいながら)やって、その後もプログラムとつかず離れずでフラフラと生きてきました。

こういう経験新卒カードがあるから有効もので、では1から始めるとしたら……、というときに、プログラミングスクール専門学校)というのは悪くない選択肢ではないかと思います。が、行ったことないので正直わかりません。

実際自分が1から始めるという立場になったら、まったくオロオロして元増田さんのように世のなか(の気にいらないヤツら)に呪詛を吐いて満足するだけだったと思います(当然ながらそれをいくらやってもプログラミングは上達しません)。

「なにか作ってみる」前に動機をはっきりさせる

話をプログラミングだけに限っていえば、一番大事なのはやりかたじゃなくて動機だろうと思います

「なにか作ってみよう」というのは、なにか作ってみようと思ってない人にはまったく心に響かないでしょう。

動機リブンで「なにか作ってみた」人といえば思いだすのは、MikuMikuDance樋口優さん(ミクを簡単に踊らせたい!)とhinadanの若宮正子さん(高齢者にも遊べるゲームが欲しい!)でしょうか。

ただかれらはわたしから見れば(モチベーションを維持しそれを行動に移す)天才で、あんまり参考にならないのも確かです。

作ってみた」は就職に使える経験

あと、元増田さんの動機は「プログラミング生業にしたい」ということなので、野良プログラマでは履歴書上でのアピール力が弱いかも、と思います

ビジネスで使われるアルゴリズムにはそれなりのルールがあります安全な(バグの出にくい)コードの書きかた、「車輪の再発明」はぜず、枯れた(将棋で言えば定跡のような)アルゴリズムを使う、ほかの人に使ってもらえるための工夫(可読性の向上など)、etc.です。

「なにか作ってみよう」を繰りかえしても、そういった作法的なものが身につくかどうか、それは才能に関わってくる問題だと思います。才能だのみの手法を推奨するのは無責任だと思いますね。

また、たとえば「例をコピーして解析する」というのもある意味有効プログラミング学習法ですが、「下手に習うと下手が伝染る」ともいいます。どれがお手本として優れているか、それを見る目はある程度ビジネス用途プログラムに関わっていないと持てないというジレンマがあります

野生のプログラマ就職有効なくらいの力を見せるとしたら、なにかのコミッター(なにする人かよく知りませんが)とかになって「××ならこの人」となったり、プログラミングコンテストで上位の成績を残したりしなければいけないのかもしれません。

どうしたものでしょうね。ブクマカのみなさんの反応を見ると、専門学校でもあまり就職に有利にならない(ホントか?専門学校意味あるのか?)という話ですが、目的就職ならば、一番の近道のような気がします。

じゃあどうすべきか?は他人にはわからない

そこらへんからは、元増田さんがなにをしたいか、あるいは聞いてみたいだけだったのかによります仕事には適性とやる気が大事です。あとは年齢と必要性かな。進路はオーダーメイド以外にはありえないので、提示された案を自分で選んでそれに賭けるしかないのかな、と思います

「なにか作ってみました」の記録

自分がまず作ったもの晒してみろよ

さて、この文章は実はこの一文に反応してのものです。(↑のは前書き)

GWあたりからトシも考えずにRubyの再入門をしていまして、手始めに「首相動静」の整形ツールを作ってみました。

初心者で(Rubyに関しては仕事で使ったことないので)なにか作ってみよう、というとこの程度ですね。

これで就職に有利になるかというと、あんまりそうは思えないなあ。Excelマクロが組めるとかのほうがどこかの事務所に潜りこめそうですよ(でもそれも最近インフレ気味かもしれませんね)。

なにをするツール

朝日新聞首相動静は詳細ですが、改行が入っておらず、大変読みにくいものです。こんな感じです。

首相動静の例(2018年12月11日……話題になったものです)

 【午前】9時31分、自民党本部。33分、同党役員会。10時2分、官邸。5分、閣議。21分、宇宙開発戦略本部。34分、柴山昌彦文部科学相。38分、岩屋毅防衛相。41分、山下貴司法相。11時3分安全保障と防衛力に関する懇談会

 【午後】0時11分、政府与党連絡会議。44分、山口那津男公明党代表。1時27分、日韓議員連盟額賀福志郎会長河村建夫幹事長。2時20分、行政改革推進会議。52分、兼原信官房副長官補、秋葉剛男外務事務次官。3時36分、麻生太郎財務相財務省岡本薫明事務次官太田主計局長。4時7分、太田氏出る。可部生理局長加わる。15分、全員出る。25分、黒川弘務法務事務次官。34分、谷内正太郎国家安全保障局長、北村内閣情報官宮川内閣衛星情報センター所長。41分、谷内、宮川両氏出る。5時3分北村氏出る。10分、東京永田町ザ・キャピトルホテル東急宴会場「鳳凰」で中曽根康弘世界平和研究所設立30周年記念式典に出席し、あいさつ。20分、官邸。6時18分、ガーナのアクフォアド大統領を出迎え。記念撮影。19分、儀仗(ぎじょう)隊による栄誉礼、儀仗。27分、アクフォアド大統領会談。7時12分、署名式、共同記者発表。32分、公邸首相主催の夕食会。8時43分、アクフォアド大統領見送り。9時、ヨルダンのアブドラ国王電話協議

首相動静フォーマット

ただ、これはフォーマットがはっきりしており、

  • 午前と午後はそれぞれ1行になっていて、行頭には【午前】/【午後】という文字列が付いている。
  • 午前と午後の間には空行がある。
  • ひとつひとつイベント時刻表示で始まり句点「。」で終わっている。
  • 時刻は「h時m分」型で、前ゼロはつかない。後にかならず読点「、」が付く。「h時」の部分が前の項目と同じ場合には省略する。
  • 午前いっぱい、午後いっぱいの予定の場合には時刻をつけない(他の首相動静から)。

と、例を見るかぎりキッチリとしたルールに則っているようです。

動機

なので、「これだったら整形できるかも」と思い、再び学びはじめたRubyで整形ツールを作ってみることにしました。

整形ツール
ツール仕様
整形後の例(上記動静を整形)

【午前】

09時31分、自民党本部

09時33分、同党役員会。

10時02分、官邸

10時05分、閣議

10時21分、宇宙開発戦略本部

10時34分、柴山昌彦文部科学相

10時38分、岩屋毅防衛相

10時41分、山下貴司法相

11時03分安全保障と防衛力に関する懇談会

【午後】

00時11分、政府与党連絡会議

00時44分、山口那津男公明党代表

01時27分、日韓議員連盟額賀福志郎会長河村建夫幹事長

02時20分、行政改革推進会議

02時52分、兼原信官房副長官補、秋葉剛男外務事務次官

03時36分、麻生太郎財務相財務省岡本薫明事務次官太田主計局長。

04時07分、太田氏出る。可部生理局長加わる。

04時15分、全員出る。

04時25分、黒川弘務法務事務次官

04時34分、谷内正太郎国家安全保障局長、北村内閣情報官宮川内閣衛星情報センター所長。

04時41分、谷内、宮川両氏出る。

05時03分北村氏出る。

05時10分、東京永田町ザ・キャピトルホテル東急宴会場「鳳凰」で中曽根康弘世界平和研究所設立30周年記念式典に出席し、あいさつ。

05時20分、官邸

06時18分、ガーナのアクフォアド大統領を出迎え。記念撮影

06時19分、儀仗(ぎじょう)隊による栄誉礼、儀仗。

06時27分、アクフォアド大統領会談

07時12分、署名式、共同記者発表。

07時32分、公邸首相主催の夕食会。

08時43分、アクフォアド大統領見送り

09時00分、ヨルダンのアブドラ国王電話協議

う~ん、見やすい!ことないですか?

あと、午後の時刻を24時間制にしたいな、とも思いますが、それは今後の課題(つぎに首相動静話題になったとき)とします。全角数字計算ってどうやるんだろう?

ソース

たぶんRubyistにいろいろ突っこまれると思うけど、こんな感じです。

プログラマ玉石混淆ですが、これは石のほうの例だと思っていただければさいわいです。

はてな記法にはシンタックスハイライトあるけど、増田だとInternal Server Errorになるのではずしました。見にくくてスマソ。

# encoding: utf-8
# 漢字コンバータライブラリを取りこむ(String漢字変換メソッドを付けてくれる。神)
require 'kconv'

# 正規表現パターン
# 時刻をh時m分形式からhh時mm分形式にする
# 否定後読みを使用する
# 時は行頭にある
OneDigitHour = /^((?<![0-1])[0-9]時)/
# 分は時のあとにある。このパターンマッチすると、\1が時、\2が分になる。
OneDigitMinute = /^([0-9]{1,2}時)(?<![1-5])([0-9]分)/
# 分のない、時だけの行のパターン否定先読み使用
HourWithoutMinute = /^([0-9]{1,2}時)(?![0-5]?[0-9]分)/

# 行頭のh時m分をhh時mm分にするサブ処理(これは関数といっていいの?)
def convTopHourMinute2TwoDigits(oneLine)
    # 時を変換
    oneLine.sub!(OneDigitHour, "0\\1")
    # 分を変換
    oneLine.sub!(OneDigitMinute, "\\10\\2")
    # 分がない場合"00分"を追加
    oneLine.sub!(HourWithoutMinute, "\\100分")
    # 戻り値
    oneLine
end

# 入力ファイル名前
InputFilename = "首相動静2018年12月11日.txt"
# 出力ファイル名前
OutputFilename = "首相動静2018年12月11日_編集済.txt"

# 入力ファイルオープン
inFile = File.open(InputFilename, "r")
# 出力ファイルオープン
outFile = File.open(OutputFilename, "w")

# 時刻パターンシンプルに、h時、m分、h時m分、という3パターンを結合する
# 1つのパターンで全部カバーするよりこちらのほうが見やすい。というか、脳の容量の問題で1文に書ききれなかった
jikokuPattern = /[0-9]{1,2}時[0-9]{1,2}分、|[0-9]{1,2}時、|[0-9]{1,2}分、/
# 午前/午後
ampm = /(【午前】|【午後】)/

# 午前/午後、あるいは時刻の前で改行するためのパターン
kaigyouSign = Regexp.union(ampm, jikokuPattern)

# ファイル一括読み込み
# 昔は1行ずつ読みこんでました。メインメモリが3MByteとかだったので
contents = inFile.read.toutf8

# 入力終了。閉じておきます
inFile.close

# スコープ関係から、ここでローカル変数に代入
# ※ Rubyスコープと暗黙の型には泣かされました。これに慣れるのがRubyのコツかしら
#  明示的な型宣言はあったほうがいいと思うなあ。エラー出力の理由がわからなかったりするので。
hour = ""

# デバッグ行はコメント化しています
# 時刻パターンチェックのため、コンテンツを出力してみる
# p jikokuPattern.match(contents)

# エントリを改行サインで行に分ける
contents.gsub!(kaigyouSign, "\n\\&") # "\\&"はマッチした文字列のもの。2重のエスケープ"\\"が必要

# 改行チェックのため出力
# p contents

# 入力を行で分割して各行ごとに処理
contents.split("\n") do |oneLine|
    # 午前/午後を示す開きカッコ"【"があるか
    if (oneLine =~ /^【/) then
        # そのまま出力
        outFile.write(oneLine + "\n")
        # p "午前午後:" + oneLine
        next
    # 空白行は無視スキップする)
    elsif (oneLine =~ /^[\s ]*$/) then
        # 出力しない
        # p " 空白行:<skip>"
        next
    # 行頭に「時」があるか
    elsif (oneLine =~ /^[0-9]{1,2}時/) then
        # あったら時間表示を抜きだしておく
        hour = oneLine.match(/^([0-9]{1,2}時)/)[0]
        # p "   時:" + oneLine
        outFile.write(convTopHourMinute2TwoDigits(oneLine) + "\n")
        next
    else
        # 「時」がなければつけて出力
        oneLine = hour + oneLine
        # p "普通の行:" + oneLine
        outFile.write(convTopHourMinute2TwoDigits(oneLine) + "\n")
    end
end
感想

手でやったほうが早いね

以上

2020-05-17

JavaScriptってJavaのパチもんみたいな名前のくせにWrite once, run anywhereに一番近い言語になってきてるな

2020-03-27

楽園こちら側」の「事実に誠意を」をほぼdeepLで翻訳してみた その2

その1https://anond.hatelabo.jp/20200327214055

12 Dr. Hiroshi Nishiura is one of the few professionals of mathematical models of infectious diseases in Japan, and it is well known that his ability is outstanding. However, many people don't understand mathematical models themselves (I must confess that I can't say that I understand all of the findings because I'm not a professional of mathematical models either), so his findings and comments are easily deified. Because the contents of the mathematical model are a complete black box to many people, it makes it seem like the oracle is coming out like a shrine's oracle. Much of Japan's infection control policy relies on the Nishiura theory. So there is nothing wrong with that, but one of the problems in Japan is that there is no plan B in case plan A goes bust. Dr. Nishiura is an excellent scholar. It is not God. Hence the need to have that Plan B with the possibility of making a mistake. I am greatly concerned that bureaucrats and politicians who are prone to infallibilism will mistake science for an oracle. It is only when falsifiability is assured that science can continue to be scientific.

感想おみくじ神託が同じoracleだったので変な文章になったが直していない。

13 数理モデル演繹法活用産物である演繹法帰納法アブダクションで補完するのが、学問の基本であり、臨床医学常識である演繹法的にどんなに正しく見えても実はそれは違っていた、ということはこの業界ではよくあることなのだ。ヘーゲルマルクスのような巨大な知性でも演繹法オンリーでは間違うのである

Mathematical models are the product of deductive methods. The deductive method is complemented by the inductive or abduction method, which is the basis of scholarship and the common sense of clinical medicine. It's a common occurrence in this industry that no matter how deducibly correct it may seem, it's actually not true. Even a huge intellect like Hegel or Marx can make a mistake by deduction alone.

感想:「蓋を開けてみれば」を「実はそれは」に変更した。

14 モデルを使うな、といっているのでは決してない。ぼく自身モデルを用いて論文を書く。しかし、モデル無謬ではなく、そこには前提である仮定があり、仮定はしばしば間違っている。グラム染色活用するとは、グラム染色にできないこと、分からないことを知悉していることであり、グラム染色万能論者にグラム染色は使えない。同じことだ。英国でも数理モデル活用されているが、だからこそ英国人はその結語には非常に懐疑的で、常に反論異論が起きている。健全科学的な態度である

 I'm not saying don't use the model at all. I myself write a paper using a model. However, the model is not infallible, there are assumptions that are assumptions, and the assumptions are often wrong. Making use of Gram's stain means having full knowledge of what Gram's stain cannot do and does not understand, and Gram's stain cannot be used by Gram's stain universalists. It's the same thing. Mathematical models are also utilized in the UK, which is why Brits are very sceptical of their conclusions, and there are always counter-arguments and objections. It is a sound and scientific attitude.

感想:「前提たる仮定」がうまく訳せていなかったので「前提である仮定」にしたが、assumptions that are assumptionsになってしまった。

英国人は」がないと主語がIになってしまったので追加した。しかBritsじゃ意味違うよ。もっと正しく訳してくれない?

15 Japan's "now" is a well-controlled state of infection, which is much better than Wuhan at its worst, or Italy, Spain, France, England, or New York at the present time. The problem is that it doesn't guarantee that it will "always work".

感想特にない。便利だなあ。

16 懸念されるのは東京だ。感染報告が増えたことだけが問題なのではない。クラスター形成できない、トレースできない感染者が増えているのが問題である。そして、その陽性患者数に比べて検査数がずっと少ない。47人の感染者を捕捉するために100人未満(陽性者の検査日が不明だが、おそらくこのへんだろう)しか検査していないのは少なすぎる。

It is Tokyo that is of concern. The increase in reports of infection is not the only problem. The problem is that more and more infected people are unable to form clusters and cannot be traced. And the number of tests is much lower than that number of positive cases; it's too little that they only tested less than 100 people (the date of testing for the positives is unknown, but it's probably around here) to capture 47 infected people.

Again, it's not necessary to figure out all the infected people. However, it is troubling that the flow of infection, movement and clusters are out of sight. Therefore, the threshold for testing must be lowered in Tokyo. The threshold for testing varies with the circumstances. That's what I explained with the Korean example. Sticking to the Ministry of Health, Labour and Welfare's "standards" will lead to a misunderstanding of the phenomenon itself. Already in the Kansai region, infected people have been found with taste and smell abnormalities, and clusters have been detected from there. I would like to make more use of the athletic sensibilities of these clinicians. I'm not sure "where" in Tokyo is the barrier to lowering the number of inspections, but that barrier needs to be removed immediately.

感想:「捕捉するのに」を「捕捉するために」に変更した。多分これでいいと思う。思いたい。

アスチュートathleticになっているのはどう反応したらいいかからない。

17 This conceptual diagram that everyone is looking at - lowering the peak of the infection and shifting it to the side. This is all a product of deduction, and I don't know if it's really true. As mentioned above, the UK estimates already suggest that this is not enough. It is possible that the damage that was shifted to the side could simply be "extra-long damage".

感想特に言うことはない。便利だなあ。

18  そして、ここが肝心なのだが、ピークを下げるという理念が、「ピークを下げなければいけない」という観念になり、「ピークは下がっているはずだ」という確信になり、「ピークは起きていないんだ」という自己暗示に転じてはいけないということだ。プランAに固執する日本あるあるの失敗のパターンで、ダイヤモンドプリンセスでは「二次感染が起きてはいけない」が「起きているはずがない」に転じてノーガード下船を許してしまった。「ピークが起きてはいけない」が「ピークなんて見たくない」にならないように現実を見据える必要がある。たとえ、それが我々の見たくない不都合な真実であったとしても。

And this is the key point: the idea of lowering the peak should not become the notion that the peak must be lowered, or the belief that the peak must be lowered, or the self-implication that the peak is not happening. In a pattern of Japanese failure to stick to Plan A, Diamond Princess allowed no-guard disembarkation by changing "secondary infection should not occur" to "it can't have happened". We need to keep our eyes on reality so that "peak shouldn't happen" doesn't become "I don't want to see a peak. Even if it is an inconvenient truth that we don't want to see.

感想:mustが違う文脈で二回出てきている。よくわかるように変更したいものだ。

カギカッコがないとうまく訳せなかったので追加しているが、なぜかカッコ閉じるがいくつか抜けている。この箇所以外にも抜けがある。

19 Repeatedly. It's common knowledge in this industry that deductive methods are complemented by inductive methods. Nevertheless, PCR is often false-negative and has little power to determine the status of infection. That's why "testing everything" is so wrong. However, a serum test measuring immunoglobulin IgM and IgG would provide a more accurate picture of the "status of infection in the population. This, however, is not infallible. It is difficult to use for individual cases because it misses early infection, which is why it misses early HIV infection.Whether antibody testing is useful in individual cases remains to be tested, but it is well suited for epidemiological studies on a population basis. Roughly speaking, we can confirm whether the "infection is rampant" in Tokyo right now, or whether it's just an unfounded fear.

前例としては、ロンドンの血清検査で09年パンデミックインフルエンザが従来予測10倍起きていたことが血清検査でわかっている。抗体検査アウトブレイクのあとで事後的に行うことが多いが、慢性的パンデミックになりつつあるCOVID-19については、「今」こそが検証ポイントといって良い。

As a precedent, serology tests in London showed that the 2009 pandemic flu was 10 times more likely than previously predicted. Antibody testing is often performed after an outbreak, but now is a good time to examine COVID-19, which is becoming a chronic pandemic.

感想:「前例はあって」を「前例としては」に変えた。「前例はある。なおかつロンドンで〜10倍起きていた」になってしまたからだ。

20 英国さらアグレッシブだ。家庭で抗体検査を行い、「感染である」とわかればそれを自宅での自己隔離根拠に使おうというのだ。ロックダウンが起きている中で、検査陰性は「自己隔離不要」を意味しないため、その戦略に欠陥はある。が、考え方としては「感染全体を抑え込みたい」というもので、検討価値はあると思う。

The UK is even more aggressive. The idea is to test for antibodies at home, and if they are found to be infected, they will use it as a basis for self-isolation at home. That strategy is flawed because with the lockdown in place, a negative test does not mean "no self-sequestration". However, the idea is that we want to control the infection as a whole, and I think it is worth considering.

感想:「戦略に穴はある」を「戦略に欠陥はある」に変えた。

21 東京でどのくらいの感染が起きているか帰納法確認必要であり、有用だ。その結果がどうなるかは預言者ではないぼくには分からない。が、どんな結果が出てきても、それを受け入れ、場合によっては自説を変えて、プランBに移行することにも躊躇しない態度が科学者には必要だ。科学者は、首尾一貫していないことにかけて、首尾一貫していなければならないのだ。形式においては首尾一貫していなくても、プリンシプルプロフェッショナリズムにおいて一貫しなければならないのだ。事実に誠意を。 

Inductive legal confirmation of how many infections are occurring in Tokyo is necessary and useful. I'm not a prophet, so I don't know what the outcome will be.However, no matter what the outcome, scientists need to accept it and not hesitate to change their thesis and move on to Plan B in some cases. Scientists have to be coherent in their inconsistencies.They may not be coherent in form, but they must be coherent in principles and professionalism. Good faith in the facts. 

感想:首尾一貫という言葉を使いすぎて文章をアホっぽくしてしまったが他にいい方法が思いつかない。朝三暮四理解してくれなかった。「自説を曲げ」は「自説を変えて」に変更した。

文章はもう少し整形できると思うがとりあえずこれで。

岩田健太郎先生とDeepLに敬意を。

楽園こちら側」の「事実に誠意を」をほぼdeepLで翻訳してみた その1

https://georgebest1969.typepad.jp/blog/2020/03/事実に誠意を.html

これが原文です。

外国から問い合わせが来ているけれども時間がなくて訳せないということで、DeepLの性能確認ついでにやってみました。

この私訳と岩田健太郎先生無関係なのでよろしくお願いします。

訳された文章を原文と見比べ、翻訳文章おかしくなったところや慣用句は「必ず日本語側の文章をいじることで」できるだけ解消しました。

よって改変した文章だけをこちらに載せ、改変する必要がなかったところは段落番号しか載せていません。元文章は元ブログを当たってください。

英語に詳しいパーソンが精査していただけると幸いです。

1 Most of what I'm about to write is no different from what I've said and done in the past. However, I have been asked the same question repeatedly, so I would like to reiterate it. We have received many inquiries from overseas as well, so we should have prepared the same content in English, but due to time constraints, I'm afraid I'll have to skip it. This article is designed to be read without basic knowledge of infectious diseases and jargon, but it is rather difficult to understand. Please forgive me for that.

感想:「Chromeかなにかでそれぞれ母国語に訳してお読みいただけると幸いです。」がきれいさっぱり消えている。DeepLの自負心だろう。

2 The fact that the number of COVID-19 reports in Japan is very low compared to other countries is attracting attention from home and abroad. Is it true? It has been pointed out that the number of tests is so small that we may be misreading the actual number of infected people.

感想home and abrodeでいいんだろうか?

3 However, this point is wrong at various layers. In the first place, Japan does not aim to capture all the numbers of COVID-19. Whether it's administrative testing or insured care, the state basically has a testing strategy in mind to diagnose, hospitalize, and isolate critically ill patients who need to be hospitalized. It is natural that they "haven't figured it out" and they don't intend to. That's not a bad thing.In fact, the situation is the same in every country, large or small, and no country, whether in the United States, Europe, or Asia, is aiming to "capture the whole number.

感想最後の文はなぜか他の文と一緒に入力すると訳してくれなかった。この文一つだけ入力すると訳してくれた。

よく考えると「多かれ少なかれ」は通じないだろうから直した方がよかった。なぜかDeepLに繋がらなくなったのでもう直せない。

WHOもそんなことは求めていない。もっとも、そのわりに日本帰国者無症状者にPCRをやってみたり、無症状な検査陽性者を入院隔離させてみたり(軽症者は自宅じゃなかったの?)、プリンシプルにおいて首尾一貫していない。だから、「彼らがなにがやりたいか私たちはよくわからない」ので、人々は不安になる。リスコミにおける失敗と言えよう。

The WHO is not asking for such a thing. But instead, Japan gives PCR to asymptomatic returnees and isolates asymptomatic test-positive people in hospital (wasn't it home for people with minor illnesses?). It has not been coherent in its principles. So, people get anxious because "we're not sure what they want to do". It's a failure in the press.

感想:「なにがやりたいかよくわからない」に主語付与する必要があった。リスコミがpressになった。よくわかったな。

「〜は自宅じゃなかったの?)、」の、が.になっているのがよくわからない。なぜかDeepLに繋がらなくなったのでもう直せない。

4 The difference between Korea and Japan is the "result" and not the "purpose". In South Korea, where the number of infected people had surged in one place, we had to focus on inspections in and around the area. If such a phenomenon (let's call it an overshoot) occurs in Japan, the number of inspections will increase. When the situation is different, arguing only on the basis of the number of tests without observing the situation is like trying to say, "That team made 50 sliding tackles while this team made only one," without watching a football game. In games where you don't have to slide (e.g., when you're in possession the whole time), even 0 times isn't a "mistake," and of course 50 times isn't a mistake.

感想特に言うことはない。便利だなあ。

5 全数把握ができていない疾患など山のようにある。日本ではインフルエンザの「全数」把握はしておらず、定点観測である疫学上、感染対策上、それで十分な情報が得られているからだ。日本で毎年風邪が何例発生しているか、正確に把握したデータはない。レセプトデータを見ればわかるじゃないか、というのも間違いで、なぜなら多くの風邪患者は(ぼくのように)受診せずに自然に治るまで待っている。医療に限らず、経済学でも政治学でもデータサンプリングから母数を推定するのがほとんどで、「全数」は非効率的状態把握法なのだ

There are many diseases for which the total number of patients is not known. In Japan, we do not have a "total" number of influenza cases, but only a fixed-point observation. Because that's enough information, both epidemiologically and in terms of infection control. There is no accurate data on how many cases of the common cold occur each year in Japan. It's also a mistake to say that you can tell by looking at the receipt data, because many cold patients (like me) don't see a doctor and wait until they are cured naturally. Not only in medicine, but also in economics and political science, data are mostly based on sampling to estimate population numbers, and "whole numbers" is an inefficient way of grasping the situation.

感想:ちょこちょこ変えてある。日本語文章が多少おかしくなっているのは勘弁してほしい。接続詞を適切に入れると格段に翻訳が正確になる。

6 We have not seen the devastation in Japan as in Italy, Spain or New York City. There is no medical collapse in a critically ill patient, no use of the operating room as an ICU, no piling up of bodies on a skating rink with no place to put them. Even if the "numbers" are not known, it is a fact that the current situation in Japan (including Tokyo) is much better controlled than in other countries.

感想特に言うことはない。便利だなあ。

7 Even so, you may be interested in "Well, what about the actual situation? There are estimates. For example, Dr. Hiroshi Nishiura and his group estimate that the number of mild illnesses in Japan may be twice the reported number. The catch rate is 0.44, with a 95% confidence interval of 0.37-0.50.

感想特に言うことはない。便利だなあ。

8 Although the study was based on data from China, there is no guarantee that the Chinese COVID-19 demographic is the same as the Japanese one. Also, since the original study did not include asymptomatic patients or those with minor illnesses that did not require hospitalization, the number of infected patients estimated on that basis would inevitably be an underestimate. If you are more paranoid, it's not unreasonable to believe that "the Japanese and Chinese viruses are different because of the mutation" (although I don't think so).

感想特に言うことはない。便利だなあ。

9 This does not diminish the value of the paper itself. The model must always use existing parameters, and it is often impossible to prove the external validity of these parameters. If the underlying parameters are not reasonable, the predictions will not be correct. A model assumes a simplified world insofar as it is a model. A model without simplification, which is an adjectival contradiction.

数理モデルのこうした「前提」にイチャモンを付けるのは、例えばAという疾患を対象ランダム比較試験をしたときに、「Bという疾患については説明できないじゃないか」と文句を言うようなもので、業界仁義に反する意味のない揚げ足取りである

To complain about these "assumptions" of the mathematical model is like complaining, for example, "You can't explain disease B," when a randomized controlled trial is conducted for disease A. This is a meaningless tirade against the honor of the industry.

感想;「分からない」を「説明できない」に変えた。多分これでいいと思う。思いたい。

10 しかし、論文読み手にとっては別である

However, it is different for the reader of the paper.

A mathematical model that assumes a certain hypothesis should have internal academic validity, but it is the responsibility of the reader, as a resident of the real world, to appraise it in the real world.

Aという疾患を対象にしたRCTの知見をBという疾患に使ってはならないように、数理モデル制限理解し、現実世界にアプライするときに十分注意するのは当然だ。

Just as the RCT findings for disease A should not be used for disease B, it is natural to understand the limitations of the mathematical model and to be careful when applying it to the real world. For example, it would be wrong to read the paper and conclude that the total number of infected people in Tokyo is about 500 as of March 26.

感想;「読み手は別である」を「読み手にとっては別である」に変更し、「制限限界」は「limitations and limitations」になったので片方削った。

11 People make mistakes. The models are also wrong. Being wrong is not a big deal. The problem is to notice your mistakes and make corrections. Already, a group at Imperial College London has admitted that its original estimate that the peak of the infection should be moderated was "wrong" and has revised its prediction that the ICU will soon fail if it does not fight the virus fairly aggressively.

感想特に言うことはない。便利だなあ。

https://anond.hatelabo.jp/20200327215116その2

2020-03-25

o units in different countries.[59] Benioff and Weiss write each of their episodes together, with one of them writing the first half of the script and the other the second half. After that they begin with passing the drafts back and forth to make notes and rewrite parts of it.[18]

https://oomnitza.zendesk.com/hc/en-us/community/posts/360041949454--Доктор-Вера-17-серия-26-03-2020-хорошее-качество-смотреть-от-26-марта-

https://oomnitza.zendesk.com/hc/en-us/community/posts/360042127973--Отречение-23-серия-украина-26-03-2020-в-хорошем-качестве-от-26-марта-

https://oomnitza.zendesk.com/hc/ltv/community/posts/360041949614--Доктор-Вера-17-серия-26-03-2020-качество-HD-

https://oomnitza.zendesk.com/hc/yjb/community/posts/360041943614-26-03-2020-Отражение-радуги-11-серия-в-хорошем-качестве-от-26-марта-

https://oomnitza.zendesk.com/hc/yjb/community/posts/360042128353--Отречение-25-серия-украина-ТРК-26-03-2020-хорошее-качество-смотреть-от-26-марта-

https://oomnitza.zendesk.com/hc/ltv/community/posts/360042125953--Отражение-радуги-13-серия-26-03-2020-смотреть-в-хорошем-качестве-

https://oomnitza.zendesk.com/hc/tvv/community/posts/360042122893-26-03-2020-Отражение-радуги-11-серия-последние-серии-смотреть-

https://oomnitza.zendesk.com/hc/tvv/community/posts/360042126173-26-03-2020-В-шаге-от-рая-13-серия-Россия-1-все-серии-сезона-

https://oomnitza.zendesk.com/hc/ltv/community/posts/360041949514-26-03-2020-Доктор-Вера-17-серия-смотреть-качество-HD-от-26-марта

one episode in each of the first four seasons. Martin did not write an episode for the later seasons, since he wanted to focus on completing the sixth novel (The Winds of Winter).[60] Jane Espenson co-wrote one first-season episode as a freelance writer.[61]

https://oomnitza.zendesk.com/hc/ltv/community/posts/360042128833--Доктор-Вера-13-серия-26-03-2020-смотреть-в-хорошем-качестве-

https://oomnitza.zendesk.com/hc/tvv/community/posts/360041948674-26-03-2020-Доктор-Вера-13-серия-качество-HD-

https://oomnitza.zendesk.com/hc/yjb/community/posts/360041949394-26-03-2020-Доктор-Вера-17-серия-смотреть-в-хорошем-качестве-

https://oomnitza.zendesk.com/hc/tvv/community/posts/360042129353-26-03-2020-Доктор-Вера-15-серия-качество-HD-от-26-марта

https://oomnitza.zendesk.com/hc/tvv/community/posts/360041949914-26-03-2020-Ничто-не-случается-дважды-2-сезон-13-серия-в-хорошем-качестве-от-26-марта

https://oomnitza.zendesk.com/hc/yjb/community/posts/360042122733-26-03-2020-Место-под-солнцем-29-серия-смотреть-онлайн-в-хорошем-качестве-от-26-марта

https://oomnitza.zendesk.com/hc/en-us/community/posts/360041948834-26-03-2020-Доктор-Вера-13-серия-в-хорошем-качестве-от-26-марта

https://oomnitza.zendesk.com/hc/tvv/community/posts/360041942614-26-03-2020-Место-под-солнцем-27-серия-в-хорошем-качестве-

https://oomnitza.zendesk.com/hc/en-us/community/posts/360042128193-26-03-2020-Отречение-25-серия-украина-ТРК-смотреть-качество-HD-

nnister character.[58] Writing George R. R. Martin George R. R. Martin, author of A Song of Ice and Fire, is a series co-executive producer and wrote one episode for each of the first four seasons. Game of Thrones used seven writers in six seasons. Series creators David Benioff and D. B. Weiss, the showrunners, write most of the episodes each seaso

https://oomnitza.zendesk.com/hc/ltv/community/posts/360042127893-26-03-2020-Отречение-23-серия-украина-смотреть-бесплатно-в-хорошем-качестве-

https://oomnitza.zendesk.com/hc/tvv/community/posts/360041941774-26-03-2020-Жизнь-после-жизни-9-серия-последние-серии-смотреть-

https://oomnitza.zendesk.com/hc/tvv/community/posts/360042128133-26-03-2020-Отречение-23-серия-украина-хорошее-качество-смотреть-от-26-марта-

https://oomnitza.zendesk.com/hc/ltv/community/posts/360041948154--Отречение-23-серия-украина-26-03-2020-хорошее-качество-смотреть-

https://oomnitza.zendesk.com/hc/yjb/community/posts/360041948834-26-03-2020-Доктор-Вера-13-серия-в-хорошем-качестве-от-26-марта

https://oomnitza.zendesk.com/hc/yjb/community/posts/360042128433-26-03-2020-Отречение-25-серия-украина-ТРК-смотреть-бесплатно-в-хорошем-качестве-от-26-марта

https://oomnitza.zendesk.com/hc/en-us/community/posts/360042122533--Место-под-солнцем-28-серия-26-03-2020-онлайн-сериал-смотреть-

https://oomnitza.zendesk.com/hc/en-us/community/posts/360041943574--Отражение-радуги-11-серия-26-03-2020-онлайн-сериал-смотреть-

https://oomnitza.zendesk.com/hc/en-us/community/posts/360042127393-26-03-2020-В-шаге-от-рая-17-серия-Россия-1-смотреть-в-хорошем-качестве-от-26-марта

2020-03-23

anond:20191220073648

I am currently working at a factory in a department where I work day shift and night shift. My workplace is in the countryside, where the nearest station is a station where only regular trains stop, and I live in a cheap apartment near a station where only regular trains stop. If I work the night shift, I have to wait for the train for 30 minutes no matter when it ends.

I once hated these 30 minutes.

Factory work is boring. It just repeats the same process. The only way I can cope with boredom is to think while working, or to take advantage of the noisy environment and sing at a decent volume. I didn't want to spend 30 minutes of idle time after such boredom was over, I wanted to go home early, eat, drink and go to bed, and I had no other feelings.

About this time last year, I started writing down things I'd been thinking about in my workday when I was bored, as a 30-minute reprieve from boredom. I am not a smart man, as many factory workers probably are. The longest I've ever written is perhaps a two-page, one-line book report.I struggled to come up with the best way to express myself while I was on shift, and I wrote it down while smoking a cigarette in the smoking area near the station. I can write about 1,000 or 2,000 words, more than three times the length of two pages and one line, without any difficulty.

Thus, I started to use these 30 minutes only for writing. Since then, I've spent my days finding something to write about for those 30 minutes, figuring out how to write it during my shift, and actually writing it while waiting the train.

I got a glimpse of the joy of writing freely, writing words that no one else will ever know.

And now, for the first time, I'm writing with the intention of getting others to read it.

On the first day of December, it was decided that I would be reassigned to a department that did not have a night shift, starting in April. It's a full-time day job that I've been waiting for for the last year, but after April I might be away from writing. When I thought about this, I felt the urge to have someone else read my writing.

I started this writing on December 2, 9 night shifts = 4.5 hours, so far about 800 words. Oddly enough, it's close to two pages and one line. The moment I want someone to read my writing, I find it very difficult to write. However, I'm proud to say that this text makes a lot more sense than the two pages and one line I once wrote, and above all, I was never bored while writing it.

I wonder if I will still be writing since April. We won't know that until the time is right. However, I will say this.

I now love to wait 30 minutes for the train after my night shift.

anond:20191220073648

I am currently working at a factory in a department where I work day shift and night shift. My workplace is in the countryside, where the nearest station is a station where only regular trains stop, and I live in a cheap apartment near a station where only regular trains stop. If I work the night shift, I have to wait for the train for 30 minutes no matter when it ends.

I once hated these 30 minutes.

Factory work is boring. It just repeats the same process. The only way I can cope with boredom is to think while working, or to take advantage of the noisy environment and sing at a decent volume. I didn't want to spend 30 minutes of idle time after such boredom was over, I wanted to go home early, eat, drink and go to bed, and I had no other feelings.

About this time last year, I started writing down things I'd been thinking about in my workday when I was bored, as a 30-minute reprieve from boredom. I am not a smart man, as many factory workers probably are. The longest I've ever written is perhaps a two-page, one-line book report.I struggled to come up with the best way to express myself while I was on shift, and I wrote it down while smoking a cigarette in the smoking area near the station. I can write about 1,000 or 2,000 words, more than three times the length of two pages and one line, without any difficulty.

Thus, I started to use these 30 minutes only for writing. Since then, I've spent my days finding something to write about for those 30 minutes, figuring out how to write it during my shift, and actually writing it while waiting the train.

I got a glimpse of the joy of writing freely, writing words that no one else will ever know.

And now, for the first time, I'm writing with the intention of getting others to read it.

On the first day of December, it was decided that I would be reassigned to a department that did not have a night shift, starting in April. It's a full-time day job that I've been waiting for for the last year, but after April I might be away from writing. When I thought about this, I felt the urge to have someone else read my writing.

I started this writing on December 2, 9 night shifts = 4.5 hours, so far about 800 words. Oddly enough, it's close to two pages and one line. The moment I want someone to read my writing, I find it very difficult to write. However, I'm proud to say that this text makes a lot more sense than the two pages and one line I once wrote, and above all, I was never bored while writing it.

I wonder if I will still be writing since April. We won't know that until the time is right. However, I will say this.

I now love to wait 30 minutes for the train after my night shift.

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