「the Fa」を含む日記

■anond:20231121055458

There are many passionate and dangerous individuals among the fans and anti-fans of Yuzuru Hanyu.

Permalink | 記事への反応(0) | 08:12

ツイートシェア

■But well, Germany's evaluation has also fallen to the ground.

looking at the Japanese's evaluation of Germany's actions in the Palestinian-Israeli war, there is no trace of what it used to be.

It seems like a distant past that told me to learn from Germany.

The worst is dogmatic behavior like "for the time being, defending Jews leads to reflection on the past"

It's dangerous that the left is surprised by the fact as it is the behavior that Japanese Netoyo has failed to Germany.

Tweets like "German universities support 90% of Israel" are also buzzing.

Don't act in a way that makes Netoyo convincing. Germany.

Permalink | 記事への反応(1) | 20:37

ツイートシェア

■anond:20231026200141

《完全無欠の魂/Souls of the Faultless》→誤訳例を集めている人ですね？

Permalink | 記事への反応(0) | 15:13

ツイートシェア

■ピカソより偉い

Mr.Christian Riese Lassen is the most famous painter, but his face is not well known among the Japanese public, contrary to the fame of his works.

Mr.Christian Riese Lassen is the most famous painter, but his own face is not well known in Japan, contrary to the fame of his works.

Permalink | 記事への反応(0) | 17:35

ツイートシェア

■『万物の黎明』は人類の歴史を誤解している・続きの続きの続きの続き

国家に反対すること

フラナリーやマーカス、スコットらに倣えば、最近まですべての階級社会における中心的な政治闘争は、誰が土地を耕し、誰が食料を手に入れるかをめぐるものだった。グレーバーとウェングローの見方は異なる。彼らにとって中心的な問題は権力であり、中心的な敵は国家である。そのため、彼らはいくつかの点で階級を無視している。これは彼らがアナーキストだからではない。ほとんどのアナーキストは、常に階級と権力を同時に重視することができる。

しかし、『万物の黎明』における省略は重要である。グレーバーとウェングローは、合意的で参加型の集会を支持する議論を推し進めようと躍起になっているように見えるが、そのために私たちに一連の謎を残している。4つの簡単な例を挙げれば、その問題がよくわかるだろう。

著者たちは、都市における国家に先行することが多い、村落における階級格差の拡大には関心がなく、その文献を否定している。また、小王国、領主、爵位にも興味がない。中央集権的な大国家が存在しなければそれでいいのだ。私たちは、複雑な採集民に関する彼らの説明の中に、このような紆余曲折をいくつか見てきた。このようなことは、他の多くの例にも現れている。

インダス

インダス川沿いの古代都市モヘンジョ＝ダロでは、約4万人が階級的不平等も国家もなく暮らしていた。

そして彼らは、ヒンドゥトヴァ派の歴史家たちと同様に、モヘンジョ＝ダロは実際に南アジアのカーストに沿って組織されていたと示唆する。しかし、グレーバーとウェングローは、これは平等主義的なカーストであったと言う。最初は驚かされるが、彼らが言いたいのは、王のいないカーストの不平等は容認できるということである[11]。

ナチェス

彼らは一貫して伝統的な王権の力を最小限に抑えている。ミシシッピ川流域のナチェズ王国がその好例である。グレーバーとウェングローは、太陽王の権力と凶悪な残虐性は彼の村の外には及ばなかったと言う。しかし実際には、ナチェズは白人のプランターに奉仕する奴隷貿易における主要な地域勢力であった[12]。

人間の犠牲

グレーバーとウェングローは、残酷な人身御供の祭りが世界中の初期の州で見られるという重要な事実を正しく強調している。数十人から数百人が生け贄にされ、その多くは戦争捕虜や若い女性、貧しい人々であった。

彼らは当然憤慨している。しかし、これらの生け贄の目的は、敵である他国の人々を恐怖に陥れることであったとも感じている。それとは対照的に、私たちは、流血の主な目的は、流血の実際の聴衆である、残酷な地方国家の臣民を恐怖に陥れることだったと考えている。

実際、このような残酷さが、それぞれの国家の初期の歴史に特徴的なのはそのためだろう。国家の正当性がまだ弱く、恐怖が最も必要とされていた時代である。国家権力が強化されるにつれて、戦乱や敵対は続くものの、壮大な犠牲が消えていくのもそのためだろう。

集会

集会そのものも重要な最後の例である。グレーバーとウェングローは、古代メソポタミアの王国や国家における都市集会の力を極めて正しく指摘している。彼らは、これは王がすべての権力を持っていたわけではないという証拠だと言う。これは正しい。これらの王国で階級闘争が止まっていたと考えるのは、よほどナイーブでなければならないだろう。

しかし、グレイバーとウェングローは飛躍する。彼らは、これらの都市議会は、参加型民主主義を掲げる「占拠せよ！」やその他の社会正義運動の集会に似ていると指摘する。

古代メソポタミアでは、参加型民主主義のいかなる形態についても、これといった証拠はない。しかし、他の階級社会における都市全体や全国的な議会については、膨大な証拠がある。そのどれもが、富裕層や有力な一族によって支配されていた。古代スパルタでは地主が支配していた。ローマの元老院も同様だった。ジョン王や男爵家もそうだった。そしてごく最近まで、ヨーロッパのすべての議会の有権者は富裕層に限られていた。

この近視眼は重要である。他の多くの人々と同様、私たちは王国や国家を、不平等な社会における支配階級がルールを強化し、強制するために集まる方法として理解している。『万物の黎明』では、そのプロセスは目に見えない。

* *

グレーバーとウェングローは怒っている。この怒りには、私たちのようにグローバルな不平等に絶望し、グローバル・エリートの政治を憎み、気候の混乱を恐れる読者を喜ばせるエネルギーがある。

多くの点で、彼らの本は新鮮な風を吹き込んでくれる。そして私たちは、既存のすべての国家に対する敵意を共有している。しかし、今後、気候変動を食い止めるためには、階級と環境の中心的重要性を含む人間の条件に関する理解が必要である。

脚注

[1] Fredrich Engels, 1884, The Origin of the Family, Private Property and the State. The book was revived as a key text by socialist and Marxist feminists in debates about women’s liberation. Pace the 19th century social Darwinism which clearly took a lead from the Old Testament, it is now quite clear that both pastoralism and slash and burn agriculture appeared after, and not before, the advent of settled agriculture.

[2] Franz Boas, The Mind of Primitive Man, 1911; Claudia Ruth Pierpoint, ‘The Measure of America’, 2004; Ned Blackhawk and Isaiah Lorado Wilner, Indigenous Visions: Rediscovering the World of Franz Boas, 2018; Rosemary Lévy, Franz Boas: The Emergence of the Anthropologist, 2019.

[3] Very good examples of this work include Sara Hdry, Mothers and Others: The Evolutionary Origins of Mutual Understanding, 2005; Elizabeth Marshall Thomas, The Old Way, 2001; two articles by Steven Kuhn and Mary Stiner: ‘What’s a Mother To Do’, 2006 and ‘How Hearth and Home Made us Human’, 2019; Loretta Cormier and Sharon Jones, The Domesticated Penis: How Womanhood has Shaped Manhood, 2015; a key paper by Joanna Overing, ‘Men Control Women? The “Catch-22” in the Analysis of Gender’, 1987; two books by Christopher Boehm: Hierarchy in the Forest and the Evolution of Egalitarian Behavior, 1999, and Moral Origins, 2012; every book by the primatologist Frans de Waal; the two chapters by Brian Ferguson in Douglas Fry, ed., War, Peace and Human Nature, 2013; Richard Wrangham, Catching Fire: How Cooking Made Us Human, 2010; and two books by the trans biologist Joan Roughgarden: Evolution’s Rainbow: Diversity, Gender and Sexuality in Nature and People, 2004, and The Genial Gene: Deconstructing Darwinian Selfishness, 2009.

[4] Our favourites among the ethnographies of our near contemporary hunter-gatherers are Marjorie Shostack, Nisa: The Life and Words of a !Kung Woman, 1981; Jean Briggs, Inuit Morality Play: The Emotional Education of a Three-Year-Old, 1998; Phyllis Kaberry, Aboriginal Women: Sacred and Profane, 1938, Karen Endicott and Kirk Endicott: The Headman was a Woman: The Gender Egalitarian Batek of Malaysia, 2008; Richard Lee, The !Kung San: Men, Women and Work in a Foraging Society, 1978; and Colin Turnbull, Wayward Servants: The Two Worlds of the African Pygmies, 1978.

[5] Kent Flannery and Joyce Marcus, The Creation of Inequality: How Our Prehistorical Ancestors Set the Stage for Monarchy, Slavery and Empire, 2012; and James C. Scott, The Art of Not Being Governed: An Anarchist History of Upland South-East Asia, 2009; Scott, Against the Grain: A Deep History of the Earliest States, 2017. Martin Jones, Feast: Why Humans Share Food, 2007, is also very useful.

[6] Edmund Leach had made a similar argument in 1954 in Political Systems of Highland Burma, and radically changed anthropology. For a brilliant ethnography of one group of anti-class hill rebels at the end of the twentieth century, see Shanshan Du, Chopsticks Only Work in Pairs: Gender Unity and Gender Equality Among the Lahu of Southeastern China, 2003. For Scott’s recent extension of his argument to ancient Mesopotamia, see Against the Grain.

[7] This is all succinctly described in Brian Hayden, ‘Transegalitarian Societies on the American Northwest Plateau: Social Dynamics and Cultural/Technological Changes,’ in Orlando Cerasuolo, ed., The Archaeology of Inequality, 2021.

[8] Start with Philip Drucker and Robert Heizer, 1967, To Make My Name Good: A Reexamination of the Southern Kwakiutl Potlatch; and Eric Wolf, Envisioning Power: Ideologies of Dominance and Crisis, 1999, 69-132.

[9] Jeanne Arnold, ‘Credit where Credit is Due: The History of the Chumash Oceangoing Plank Canoe’, 2007; and Lynn Gamble, The Chumash World at European Contact: Power, Trade and Fighting among Complex Hunter-Gatherers, 2011.

[10] On the Calusa, see The Dawn, 150-2; Fernando Santos-Cranero, 2010, Vital Enemies: Slavery, Predation and the Amerindian Political Economy of Life, 2010; and John Hann, Missions to the Calusa, 1991.

[11] Rita Wright, The Ancient Indus: Urbanism, Economy and Society, 2010; and Andrew Robinson, The Indus: Lost Civilizations, 2015.

[12] Robbie Ethridge and Sheri M. Shuck-Hall, Mapping the Mississippian Shatter Zone, 2009; and George Edward Milne, Natchez Country: Indians, Colonists and the Landscape of Race in French Louisiana, 2015.

Permalink | 記事への反応(1) | 14:39

ツイートシェア

■anond:20230831071911

プログレッシブ英和中辞典(第5版)の解説

pride
/práid/


[名]


1 [U][C]（…の）誇り自尊心，プライド≪in，at≫；（…した）満足（感），得意≪to do≫．


take [have, feel] (a) pride in ...
…を誇りにする（◆無冠詞のほうがふつう）


hurt a person's pride
人のプライドを傷つける


feel a glow of pride
胸が膨らむ思いがする


His face is beaming with pride.
彼の顔は得意な気持ちで輝いている



1a [U]〔通例the [one's] ～〕自慢の種．


the pride and joy of the family
家族の自慢の種



2 [U]うぬぼれ思いあがり，高慢，横柄，自負（心）．


in high pride
横柄に


He swallowed his pride and kept quiet.
彼は自負心を抑えてだまっていた


Pride goes [comes] before a fall.
((諺))おごれる者久しからず



3 〔the ～〕（集団・階層で）最良［最上］のもの，精華．


the pride of one's collection
コレクション中でも自慢の品

Permalink | 記事への反応(0) | 21:31

ツイートシェア

■ポルシェの加速が速いのはリアヘビーだから←この誤解ほんとに多い

this is completely false for AWD cars, I don't get why it gets repeated so much.

Ideally you want all 4 wheels to have the same amount of weight over them in an AWD launch, this way each wheel puts power down optimally. Since weight shifts towards the back during acceleration, this means that the ideal weight distribution for launching is somewhat to the front.

The RS3 is a good example of this effect in action, it launches well despite having a meh Haldex-like AWD system. The Hellcat on a prepped surface is another, despite being RWD.

Since the Turbo S is the opposite, it compensates by having way wider rear tyres compared to the front ones (255 front, 315 rear).

So actually the 911 launches well DESPITE the fact that it's rear-heavy, not because of it. It just modulates its power way better than the competition.

The 911's setup instead makes it brake so well, since the same principle as above applies just in the opposite direction.

「これはAWD車にとっては完全に間違いだ。なぜこのような誤解が繰り返されるのか理解できない。

AWDの発進では、4輪すべてに同じ重さがかかるのが理想的で、そうすることで各輪が最適にパワーを発揮する。加速時に重量が後ろに移動するため、発進時の理想的な重量配分はややフロント寄りになる。

RS3はこの効果の良い例で、ハルデックスのようなAWDシステムを搭載しているにもかかわらず、うまく発進する。整地された路面でのヘルキャットも、FRにもかかわらずそうだ。

ターボSはその逆であるため、フロントタイヤに比べてリアタイヤをかなりワイド（フロント255、リア315）にすることで埋め合わせをしている。

つまり、911はリアヘビー「であるにもかかわらず」発進がいいのであって、リアヘビーだから発進がいいのではない。911は競争相手よりもパワーをはるかにうまく伝えている。

逆に、それが911のブレーキが効く要因にもなっている。上と同じ原理が逆方向に適用されるからだ」

Permalink | 記事への反応(0) | 11:50

ツイートシェア

■anond:20230806031852

The fact you speak more definitively in a formal setting, and the fact "going to" is informal (or not) are 2 different things. Cambridge dictionary is correct in that "going to" is used in more informal setting. It's that YOU are reading it wrong. It is not an informal expression. And by the way, some people take being proficient in one language not being in another, but they can actually co-exist. I write more in English than Japanese. Have been for over 10 years.

Permalink | 記事への反応(1) | 03:32

ツイートシェア

■anond:20230805034710

いやいや電車の例でbe going toを使うと堅苦しすぎるとか言ってたじゃん

何しれっと意見変えてんの、投稿消してるし

まず、be going to って口語では be gonna なんて略されるように、けっこう固い表現ですよ。

ござる口調とまではいわないが、たかが車内アナウンスにしゃちほこばってなに頑張ってんだ？ってなっちゃう。

「be going toもまだ文語的」←こういうのもさ、ちゃんとソース示した上で言おうね

ネイティブはbe going toはカジュアルで口語的だとはっきり言ってるから

適当なこと言って初心者を惑わすなよ

Use "will" in writing and "going to" when speaking.

https://english.stackexchange.com/questions/87900/going-to-vs-will

‘Going to’ is less formal / more conversational, and widely used for personal things that are likely to happen in the fairly near future.

https://www.quora.com/Whats-the-difference-between-will-and-to-be-going-to-and-when-should-you-use-one-or-the-other

For most people, "is going to" is just a more casual way to say "will". Since it is more casual, it's not used as much in formal writing, etc. Conversely, "will" often has a more formal sound, and people often prefer "is going to" in casual conversation.

https://ell.stackexchange.com/questions/243476/next-week-she-will-be-vs-next-week-she-is-going-to-be

Permalink | 記事への反応(1) | 04:42

ツイートシェア

■anond:20230801140703

すまん。勝手に翻訳した。拡散はどうするかな。redditとかに投稿するのがいいのか?

----

I have seen some posts asking if they should talk about "the case" even though they were not involved in it and were not born in Nagasaki or Hiroshima, and I am a bit aware of it, so I have to say what I have to say. I say this because I was born in Nagasaki, am a third generation atomic bomb survivor, and grew up hearing the stories of those who experienced the atomic bombing firsthand. I know it's a little bit too much for me, but I'm going to say this because there are very few survivors left.

In Nagasaki, children grow up hearing stories about the atomic bombing. They were stuffed into sushi for nearly an hour in the gymnasium of an elementary school in the middle of summer, with no air conditioner or fan, and told stories about the atomic bombing. That was a hard time for me. I think it must have been even harder for the old people who told the stories, but there was no way an elementary school kid could imagine such a thing, and I had forgotten most of the stories I had been told for a long time. I have forgotten most of the stories I was told. I can only remember one or two at most. There is one more hard thing. Every year around this time, a row of grotesque images that would drive the PTA crazy in other areas are prominently displayed in the hallways. These days, I hear that the atomic bomb museum has been bleached out and many of the radical and horrifying exhibits that traumatized visitors have been taken down. I don't know if they are still there, but they were there when I was in elementary school.

There was one photo that I just couldn't face when I was in elementary school. It is a picture of Sumiteru Taniguchi. If you search for it, you can find it. It is a shocking picture, but I would like you to take a look at it. I couldn't pass through the hallway where the photo was posted, so I always took the long way around to another floor of the school building to avoid seeing the photo.

Now I'm thinking that my grandfather, who headed into the burnt ruins to look for his sister, couldn't have turned away or taken a different path. There would have been a mountain of people still alive and moaning, not just pictures, and a mountain more who would have given up at the end of their suffering. He walked for miles and miles, towing his handcart through the narrow streets of rubble-strewn Nagasaki in search of his sister. My grandfather was not a child at the time, but of course there were children who did similar things. Not that there wouldn't have been. There were. I heard the story from him, and I still remember it. A young brother and sister found their father's body in the ruins of a fire and they burned it. They didn't have enough wood to burn his body, and when they saw the raw brain that spilled out, they ran away and that was the last time they ever saw him anymore.

I can never forget the story I heard when I was a kid, and even now it is painful and painful, my hands are shaking and I am crying. I keep wondering how the old man who escaped from that father's brain could have been able to unravel the most horrible trauma imaginable and expose it to the public with scars that will never heal.

Now I think I can understand a little.

The reason I can't help but talk about my grandfather and that old man, even if I have to rehash my own trauma, is that this level of suffering is nothing compared to the fact that their words will be forgotten. My hands shaking, my heart palpitating and dizzy, my nose running with tears, it's nothing compared to the tremendous suffering that was once there and will be forgotten.

So maybe it's the same thing.

My grandfather, who went through an unimaginable hell, lived to see his grandchildren born, and met his sister's death in the ruins of the fire. In other words, my grandfather was one of the happiest people in the ruins of the fire. My grandfather and that old man were, after all, just people wading in the depths of hell. I think that the suffering that even people who had experienced unimaginable pain could not imagine was lying like pebbles in Nagasaki 78 years ago, and no one paid any attention to it. Their suffering, which I can't even imagine, is nothing compared to the countless, tremendous suffering they witnessed, which they pretend never happened.

Memories fade inexorably every time people talk about them. The memories that those people could not allow to be forgotten are now largely forgotten; the tremendous suffering of 78 years ago is mostly gone, never to be recounted again. Those who suffered the most from the atomic bombing died rotting in the ruins of the fire, unable to tell anyone about it. Many of those who saw it with their own eyes kept their mouths shut and took it with them to their graves. Most of those who spoke a few words are now under the grave.

Compared to the words of the old men, my own words are so light. I would rather keep my mouth shut than speak in such light words. But still, someone has to take over. I realize that even my words, which are so light, are only the top of the voices that are left in this world to carry on the story of the atomic bombing. I know how it feels to wonder if someone like myself is allowed to speak about this. Still, I hope that you will not shut your mouth. This is the result of our silence.

Sometimes I almost choose to stop imagining the unimaginable suffering and live my life consuming other people's suffering for the fun of it. I am writing this while I still have some imagination of the suffering of the old people whose voices, faces, and even words I can no longer recall.

Translator's note: The original post in Japanese is a response to a post by a Japanese contributor who wondered if he was qualified to speak out on the subject of the A-bomb when he was not from Hiroshima and Nagasaki, but still spoke out about Barbie and the A-bomb. I translated it here because I think it deserves to be read by the world.

Permalink | 記事への反応(2) | 23:26

ツイートシェア

■バービーとオッペンハイマー

バービーとオッペンハイマーを合わせた #BARBENHEIMER ハッシュタグについてまとめた

togetter が Hatena のホットエントリに入ってるけど、

問題のある画像と、内容を読めば特に問題ないものが混じってるので翻訳を載せとく。

https://togetter.com/li/2196541

https://twitter.com/MovieMantz/status/1681176592507363328

まず↑については、

Now that I’ve seen #BARBENHEIMER, I highly recommend watching #BARBIE first, then #OPPENHEIMER!

#BARBENHEIMERのハッシュタグを見ちゃったから言っとくけど、まず『バービー』を見てから『オッペンハイマー』を鑑賞することを強くお勧めする。

“Barbie” is really fun, but “Oppenheimer” stays with you —

you don’t wanna be thinking about “Oppenheimer” while watching “Barbie!” (Or maybe you do?)

『バービー』はひたすら楽しいんだけど、『オッペンハイマー』はいつまでも心に残る映画だ。

『バービー』を観てる間も『オッペンハイマー』のことが頭を離れないなんてことになったら嫌でしょ？（気にしない人もいる？）

と述べた上で、例のコラージュ画像です。

これは、心置きなく『バービー』を楽しみたいのに『オッペンハイマー』のことが忘れられなくてダブって見えてしまう図ですよね？

つまり、『オッペンハイマー』を観て、原爆の恐怖、人類の罪が深く心に刻まれて、

『バービー』のようなおバカ映画を観てる最中でさえも、それが頭を離れないという状況…

それって問題ですか？

https://twitter.com/RishiSunak/status/1682812164111728643

あと、英国のスナク首相↑については

The family vote was only ever going one way…

家族で投票すると結果はいつもワンサイドゲーム…

Barbie first it is #Barbenheimer

はい（いつもの通り、妻と娘の要望にしたがって今回も）まずは『バービー』を観るってことで決定

という内容だけど、まずスナク首相は「自分はオッペンハイマーを観て原爆についてじっくり考えたいんだけど…」

という仄めかしをしてるニュアンスを読み取る必要があります。

また、インド系は男尊女卑という偏見が根強くあるという文脈を押さえておくのも有益でしょう。

家族が妻と娘というのがポイントで、「ちゃんと話しあった上で、女性の意見を尊重してますよ」

ということをユーモアを交えて言っている側面もある。

あと、キノコ雲をアフロヘアみたいにコラージュした画像も、

そういう画像を作ったらどうだと提案したのは親父だ。「いいね」をしたら親父と同じ価値観ということになる、

みたいな説明をしてて、「いいね」するなよと仄めかしてる節がある。

それで、逆にみんなが面白がって「いいね」したというか、最初からそれを狙ってた

（押すなよ！絶対に押すなよ！！と言いながら押されるのを待ってるやつ）

のかもしれないけど…

とにかく、不謹慎（親次世代は許容されたかもしれないが今はダメ）なのはわかってるっぽい

ただ、これについてはアウトだと思う。

バービー公式アカウントが「スタイリストの Ken がここにも」的な反応するのは完全にアウト。

無視すべきでした。

Permalink | 記事への反応(0) | 21:43

ツイートシェア

■ 増田をデコる(再放送)

anond:20230722143755 参考にするです ↓▶︎ ww 🐂 ww

▼はてな匿名ダイアリーの標準スタイルシートでデコるバッドノウハウ

https://anond.hatelabo.jp/20100827202157#

　　　い

　　　ろ

　　　と

　　　り

　　　ど

　　　り

　　　！　

●バンダイビジュアル　出典元　https://anond.hatelabo.jp/20210710192249#

● ビッグマスダーはあなたを見ている　出典元　https://anond.hatelabo.jp/20230707225450#

出典元　https://anond.hatelabo.jp/20230915165739#

● やで〜

⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜ 
⬜⬜⬜⬜⬜🟨🟨🟨🟨⬜⬜⬜⬜⬜ 
⬜⬜⬜🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜ 
⬜⬜🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜ 
⬜⬜🟨🟨⬛🟨🟨🟨🟨⬛🟨🟨⬜⬜ 
⬜🟨🟨⬛🟨⬛🟨🟨⬛🟨⬛🟨🟨⬜ 
⬜🟨🟨🟧🟨🟨🟨🟨🟨🟨🟧🟨🟨⬜ 
⬜🟨🟧🟥🟧🟨🟨🟨🟨🟧🟥🟧🟨⬜ 
⬜🟨🟨🟧🟨🟨🟨🟨🟨🟨🟧🟨🟨⬜ 
⬜⬜🟨🟨⬛🟨🟨🟨🟨⬛🟨🟨⬜⬜ 
⬜⬜🟨🟨🟨⬛⬛⬛⬛🟨🟨🟨⬜⬜ 
⬜⬜⬜🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜ 
⬜⬜⬜⬜⬜🟨🟨🟨🟨⬜⬜⬜⬜⬜ 
⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜
　
⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜ 
⬜⬜⬜⬜⬜🟨🟨🟨🟨⬜⬜⬜⬜⬜ 
⬜⬜⬜🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜ 
⬜⬜🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜ 
⬜⬜🟨🟨⬛🟨🟨🟨🟨⬛🟨🟨⬜⬜ 
⬜🟨🟨⬛🟨⬛🟨🟨⬛🟨⬛🟨🟨⬜ 
⬜🟨🟨🟧🟨🟨🟨🟨🟨🟨🟧🟨🟨⬜ 
⬜🟨🟧🟥🟧🟨🟨🟨🟨🟧🟥🟧🟨⬜ 
⬜🟨🟨🟧🟨🟨🟨🟨🟨🟨🟧🟨🟨⬜ 
⬜⬜🟨🟨⬛🟨🟨🟨🟨⬛🟨🟨⬜⬜ 
⬜🟧🟧🟨🟨⬛⬛⬛⬛🟨🟨🟧🟧⬜ 
🟧🟧🟧🟨🟧🟨🟨🟨🟨🟧🟨🟧🟧🟧 
🟧🟧🟧🟧🟧🟨🟨🟨🟨🟧🟧🟧🟧🟧 
⬜🟧🟧🟧🟧⬜⬜⬜⬜🟧🟧🟧🟧⬜

● ピカチュウ

⬜️⬜️⬜️⬜️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜
⬜️⬜️⬜️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜
⬜️⬜️⬜️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜
⬜️⬜️⬜️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬜⬜⬜
⬜️⬜️⬜️⬜️⬛️🟨⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜️🟨🟨⬛️⬜⬜⬜⬜
⬜️⬜️⬜️⬜️🟨🟨🟨⬜⬜⬜⬜⬜⬜⬜⬜🟨🟨🟨🟨⬜⬜⬜⬜
⬜️⬜️⬜️⬜️🟨🟨🟨🟨⬜🟨🟨🟨🟨⬜🟨🟨🟨🟨⬜⬜⬜⬜⬜
⬜️⬜️⬜️⬜️⬜🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜⬜⬜⬜
⬜️⬜️⬜️⬜️⬜🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜⬜⬜⬜
⬜️⬜️⬜️⬜️⬜⬜🟨⬛⬜🟨🟨🟨🟨⬛⬜🟨⬜⬜⬜⬜⬜⬜⬜
⬜️⬜️⬜️⬜️⬜🟨🟨⬛⬛🟨🟨🟨🟨⬛⬛🟨🟨⬜⬜⬜⬜⬜⬜
⬜️⬜️⬜️⬜⬜️🟨🟨🟧🟨🟨🟨🟨🟨🟨🟧🟨🟨⬜⬜⬜⬜⬜⬜
⬜️⬜️⬜️⬜🟨🟨🟧🟥🟧🟨 ⬛ 🟨🟧🟥🟧🟨🟨⬜⬜⬜⬜⬜
⬜⬜️⬜️⬜️🟨🟨🟨🟧🟨⬛⬛⬛⬛🟨🟧🟨🟨🟨⬜⬜⬜⬜⬜
⬜⬜⬜️⬜️⬜️🟨🟨🟨⬛⬛🟨🟨⬛⬛🟨🟨🟨⬜⬜⬜⬜⬜⬜
⬜⬜⬜️⬜️⬜️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜⬜⬜⬜
⬜⬜⬜⬜️⬜️⬜️⬜️🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜⬜⬜⬜⬜⬜
⬜⬜⬜⬜️⬜️⬜⬜️⬜️⬜⬜️🟨🟨⬜️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜
⬜⬜️⬜️⬜⬜️⬜️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜

● 他増田(anond:20210821071232) によるマリオ

　　　　　　　　🍅🍅🍅🍅🍅🍅👴 
　　　　　　　🍅🍅🍅🍅🍅🍅👴👴 
　　　 　　　 🍅🍅🍅🍅🍅🍅🍅🍅🍅🍅🍅 
　　　 　　　 💩💩💩👴👴💩👴👴👴 
　　 　　　 💩👴👴💩👴👴💩💩👴👴👴👴 
　　 　　　 💩👴👴💩💩👴👴👴👴👴👴👴👴 
　　　　 💩💩👴👴💩💩👴👴👴💩👴👴👴👴 
　 　　　💩💩👴👴👴👴👴💩💩💩💩💩💩 
　　　　 💩💩💩👴👴👴👴👴💩💩💩💩💩 
　　　　　　　💩💩👴👴👴👴👴👴👴👴 
　　　　　　　　　　💩💩💩👴👴 
　　　　　 　　　 🍅🍅🍅🍅💩💩🍅　　　 　👴 
　　　　　　　💩💩💩💩🍅🍅💩💩🍅　 👴👴👴 
　 　 　　　💩💩💩💩💩💩🍅🍅💩🍅💩👴👴👴 
　　　　 💩💩💩💩💩💩💩🍅🍅💩💩🍅👴👴👴 
　　　　 💩💩💩💩💩💩💩🍅🍅💩💩🍅💩👴💩 
　　　　 💩💩💩💩💩💩🍅🍅🍅💩💩🍅💩💩 
　　　💩💩💩💩💩💩🍅🍅🍅👴🍅💩👴💩 
　　　💩💩💩💩🍅🍅🍅🍅🍅🍅🍅🍅🍅 
　　　👴👴👴👴👴🍅🍅🍅🍅🍅🍅🍅🍅 
　　　👴👴👴👴👴🍅🍅🍅🍅🍅🍅🍅🍅　　　💩 
　　　👴👴👴👴🍅🍅🍅🍅🍅🍅🍅🍅🍅　 💩💩 
　　　　 👴👴👴🍅🍅🍅🍅🍅🍅🍅💩💩💩💩💩 
　　　 　　　　🍅💩🍅🍅🍅🍅🍅🍅💩💩💩💩💩 
　 　　　　 💩🍅🍅💩🍅🍅🍅🍅🍅💩💩💩💩💩 
　　　💩💩💩🍅🍅🍅💩💩🍅🍅🍅💩💩💩💩💩 
　　　💩💩💩💩🍅🍅🍅🍅 　 　　 💩💩💩💩💩 
　　　💩💩💩💩💩🍅 
　　　　💩💩💩 

出典元　https://www.emojiall.com/en/emoji-art-list/Large-scale

✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨
✨✨✨✨✨✨✨✨✨✨⬛⬛⬛✨✨✨✨✨✨✨ 
✨✨✨✨✨⬛⬛✨✨⬛🟥🟥🟥⬛✨✨✨✨✨✨ 
✨✨✨✨⬛⬜⬜⬛⬛⬛🟥🟥🟥⬜⬛✨✨✨✨✨ 
✨✨✨✨⬛⬜⬜⬜⬜⬜🟥🟥🔴🟥🟥⬛✨✨✨✨ 
✨✨✨⬛⬜⬜⬜⬜⬜⬜⬜⬜🟥🟥🟥⬛✨✨✨✨ 
✨✨✨⬛⬜⬜⬜⬜⬜⬜⬜⬜🟥🟥🟥⬜⬛✨✨✨ 
✨✨⬛⬛⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛⬛⬛✨✨ 
✨✨✨⬛⬜⬛⬜⬜⬜⬜⬜⬛⬜⬜⬜⬜⬛✨✨✨ 
✨✨⬛⬛⬜⬛⬜⬜⬜⬜⬜⬛⬜⬜⬜⬛⬛⬛✨✨ 
✨✨✨⬛⬜⬜⬜⬜⬛⬜⬜⬜⬜⬜⬜⬛✨✨✨✨ 
✨✨✨✨⬛⬜⬜⬜⬜⬜⬜⬜⬜⬛⬛✨✨✨✨✨ 
✨✨✨✨✨⬛⬛⬛⬛⬛⬛⬛⬛✨✨✨✨✨✨✨ 
✨✨✨✨⬛⬜⬛🟥⬜🟥🟥⬜⬜⬛✨✨✨✨✨✨ 
✨✨✨✨✨⬛🟥🟥🟥🟥🟥🟥⬜⬜⬛✨✨✨✨✨ 
✨✨✨✨⬛🟥🟥🟥🟥🟥🟥🟥🟥🟥⬛✨✨✨✨✨ 
✨✨✨✨✨⬛⬜⬜⬛⬜⬜⬜⬛⬛✨✨✨✨✨✨ 
✨✨✨✨✨✨⬛⬛⬛⬛⬛⬛✨✨✨✨✨✨✨✨
✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨

⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛🏻🏻🏻🏻⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛🟦🟦🟦🟦⬛⬛⬛⬛⬛⬛
⬛⬛⬛⬛⬛🟨🟨🟨🟨🟨⬛⬛⬛⬛⬛⬛⬛🏻🏻🏻🏻🏻🏻🏻🏻⬛⬛⬛⬛⬛⬛⬛🟦🟦🟦🟦🟦🟦🟦🟦⬛⬛⬛⬛
⬛⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛⬛⬛🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻⬛⬛⬛⬛⬛🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦⬛⬛⬛
⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻⬛⬛⬛🟦🌫️🌫️🟦🟦🟦🟦🌫️🌫️🟦🟦🟦⬛⬛
⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛🏻🏻🌫️🌫️🏻🏻🏻🏻🌫️🌫️🏻🏻⬛⬛⬛🌫️🌫️🌫️🌫️🟦🟦🌫️🌫️🌫️🌫️🟦🟦⬛⬛
⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛⬛⬛🏻🌫️🌫️🌫️🌫️🏻🏻🌫️🌫️🌫️🌫️🏻⬛⬛⬛🟦🟦🌫️🌫️🟦🟦🟦🟦🌫️🌫️🟦🟦⬛⬛
⬛🟨🟨🟨🟨🟨🟨🟨⬛⬛⬛⬛⬛⬛🏻🏻🌫️🌫️🌫️🌫️🏻🏻🌫️🌫️🌫️🌫️🏻🏻⬛🟦🟦🟦🌫️🌫️🟦🟦🟦🟦🌫️🌫️🟦🟦🟦⬛
⬛🟨🟨🟨🟨⬛⬛⬛⬛⬛⬛⬛⬛⬛🏻🏻🌫️🟦🟦🌫️🏻🏻🌫️🟦🟦🌫️🏻🏻⬛🟦🟦🌫️🌫️🟦🟦🟦🟦🌫️🌫️🟦🟦🟦🟦⬛
⬛🟨🟨🟨🟨🟨🟨🟨⬛⬛⬛⬛⬛⬛🏻🏻🏻🟦🟦🏻🏻🏻🏻🟦🟦🏻🏻🏻⬛🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦⬛
⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛⬛🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻⬛🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦⬛
⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻⬛🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦⬛
⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻⬛🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦⬛
⬛⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛🏻🏻🏻🏻⬛🏻🏻🏻🏻⬛🏻🏻🏻🏻⬛🟦🟦⬛🟦🟦🟦⬛⬛🟦🟦🟦⬛🟦🟦⬛
⬛⬛⬛⬛⬛🟨🟨🟨🟨🟨⬛⬛⬛⬛⬛🏻🏻⬛⬛⬛🏻🏻⬛⬛⬛🏻🏻⬛⬛🟦⬛⬛⬛🟦🟦⬛⬛🟦🟦⬛⬛⬛🟦⬛
⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛

⬜⬛⬛⬛⬜⬜⬜⬜⬜⬜⬜⬜⬛⬛⬛⬜
⬛⬜⬜⬜⬛⬜⬜⬜⬜⬜⬜⬛⬜⬜🌫️⬛
⬛⬜⬜⬜⬛⬜⬜⬜⬜⬜⬜⬛⬜⬜🌫️⬛
⬛⬜⬜⬜⬜⬛⬜⬜⬜⬜⬛⬜⬜🌫️🌫️⬛
⬜⬛⬜⬜⬜⬛⬜⬜⬜⬜⬛⬜🌫️🌫️⬛⬜
⬜⬜⬛⬜⬜⬜⬛⬜⬜⬛⬜🌫️🌫️⬛⬜⬜
⬜⬛🟥⬛⬜⬜⬜⬛⬛⬜🌫️🌫️⬛🟥⬛⬜
⬜⬛🟥🟥⬛⬜⬜⬜⬜🌫️🌫️⬛🟥🌫️⬛⬜
⬛🟥⬜🟥🟥⬛⬜⬜🌫️🌫️⬛🟥🟥🟥🟥⬛
⬛🟥🟥🟥🟥🟥⬛⬛⬛⬛🟥🟥🟥🟥🟥⬛
⬛🟥🟥🟥🟥🟥⬜⬜🟥🟥🟥🟥🟥🟥🟥⬛
⬜⬛🟥🟥🟥🟥⬜⬜🟥🟥🟥🌫️🌫️🟥⬛⬜
⬜⬛⬜⬜🟥🟥🟥🟥🟥🟥🟥🌫️🌫️🟥⬛⬜
⬜⬜⬛⬛🟥🟥🟥🟥🟥🟥🟥🟥⬛⬛⬜⬜
⬜⬜⬜⬜⬛⬛⬛⬛⬛⬛⬛⬛⬜⬜⬜⬜
⬜⬛⬛⬜⬜⬜⬛⬛⬛⬛⬜⬜⬜⬛⬛⬜
⬛🟩🟩⬛⬛⬜⬛🟩⬛⬛⬜⬛⬛🟩⬛⬛
⬛🟩⬛🟩🟩⬛⬛🟩⬛⬛⬛🟩🟩⬛⬛⬛
⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛
⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛
⬜⬛⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬛⬜
⬜⬜⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬜⬜
⬜⬜⬜⬜⬛⬛⬛🟩⬛⬛⬛⬛⬜⬜⬜⬜
⬜⬛⬛⬜⬜⬜⬛🟩⬛⬛⬜⬜⬜⬛⬛⬜
⬛🟩🟩⬛⬛⬛⬛🟩⬛⬛⬜⬛⬛🟩⬛⬛
⬛🟩⬛🟩🟩⬛⬛🟩⬛⬛⬛🟩🟩⬛⬛⬛
⬛🟩⬛⬛⬛⬛⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛
⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛
⬜⬛⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬛⬜
⬜⬜⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬜⬜
⬜⬜⬜⬜⬛⬛⬛🟩⬛⬛⬛⬛⬜⬜⬜⬜
⬜⬜⬜⬜⬜⬜⬜⬛⬛⬜⬜⬜⬜⬜⬜⬜

●ねこです

🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨⬛️⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨⬛️⬜⬜⬜⬜🟧🟥🟧⬜⬜⬜⬜⬛️⬛️⬛️⬜⬜⬜⬜🟧🟥🟧⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨⬛️⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨⬛️⬛️⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨⬛️⬜⬜⬛️⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨⬛️⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨
🟨🟨🟨⬛️⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨
🟨🟨🟨🟨⬛️⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨
🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨
🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨
🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨
🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨
🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬛️⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨

SCP-040-JPは██県の旧██村に放置されていた、井戸小屋です。

特筆すべきはその異常性で、小屋を覗くと対象は「ねこがいた」と動揺します。ねこです。ねこはそこにいました。ずっとまえからそこにいたのに、やっときづいたのですね。

この影響を受けるとイエネコに対する認識が歪められ、画像のような、毛がなく、人間のような目を持った生物に見えてしまいます。しかも、どの方向からでもこちらを見ているように見えるようです。ねこはいます。

更にこの影響を受けた中で対象は常にねこが暗闇にいるように感じ、見張られているような錯覚を覚え、ねこはいます。

この異常性は直接的に視認しなければなりませんが、ねこはいます。

ねこです。また、影響を受けた対象はねこがいると周りに伝えようとし、これを理解した場合、上記と同じ症状を被ります。どのようなワードがトリガーとなるのかは不明ですが、ねこはいます。

ねこはいますが、その情報を伝えるのには、会話、画像、映像、音声、どれでも感染します。ねこはいます。ねこの情報を伝えようとする試みは極めて自然なものを装うため、見抜くことは困難です。

● レインボーおちんぽ　出典元　https://anond.hatelabo.jp/20201011125938#

ぉおおおおおおおちんぽぉぉぉぉぉぉぉ

●使用するフォントを変更する

Okay, okay, I'll try😊

🫠 🫥 😶‍🌫️ 🦠　

The sound of the bells of Gion Monastery echo with the ever – changing nature of all things. The fading hues on the blossoms of the sala tree signify that all that flourishes must fade. The arrogant do not prevail for long, nothing but a spring night’s dream. The mighty in time succumb, dust before the wind.

●ネコと和解する

　2022-07-22

増田をデコる(再放送)

Permalink | 記事への反応(0) | 言及する | 14:59

🐈 ﾈｺと和解する

●特殊記号

ꕥ 𖤣𖥧𖥣𖡡𖥧𖤣 𖦥 𓂃‪𓃱𓈒𓏸 𖦥𖤣𖥧𖥣𖡡𖥧𖤣 ꕥ

𓄿 𓅹 𓅸 𓅿 ‪𓅞 𓅺 𓅟 𓅯 𓎤𓅮

𓃰 𓃒 𓃟 𓃱 𓃗 𓃵 𓃲 𓃜 𓃘 𓃙 𓃥 𓃦 𓃠

𓇼 𓆡 𓆉 𓆛 𓆛𓆜𓆝𓆞𓆟 ‪𓆝

●キマシ

キマシタワーーー 🗼ーーー！ ！ ！ ！ ！ ！ ！

　
　　　　　　　　　　　　　　　　 i
　　　　　　　　　　　　　　　　 ∥
　┏┓　 ┏━━┓┏━┓┏┓　　.曲.　 .┏━━┓┏━━┓　 　 　 　 　 　　 ┏┓┏┓
┏┛┗┓ ┗━┓┃┗━┛┃┃ 　. |x|. 　 .┃┏┓┃┃┏┓┃ 　 　 　 　 　 　　┃┃┃┃
┗┓┏┛　 　┃┃┏━┓┃┃ 　 |.X.| 　 .┃┗┛┃┗┛┃┃┏━━━━━━┓┃┃┃┃
┏┛┗┓ ┏┓┃┃┗━┛┃┃ 冊(ﾟ∀ﾟ)冊 ┃┏┓┃　.　┃┃┃.　　　　　　┃┃┃┃┃
┗┓┏┛ ┃┗┛┃　　┏┛┃ 　 |.X.| 　 .┗┛┃┃　　 ┃┃┗..━━━━━.┛┗┛┗┛
　┃┃　 ┗┓┏┛┏━┛┏┛　 /.X∧,, 　　.…┃┃　 ┏┛┃　　　　　　　　..┏┓┏┓
　┗┛　　 ┗┛　┗━━┛　 ／/冂ヽ＼...　　┗┛ …┗━┛　　　　　　　　 .┗┛┗┛

Permalink | 記事への反応(1) | 14:59

ツイートシェア

■

　　俺、昭和エンペラー以外尊敬してねえから。お前とは対話にならないし一々来るな。

　　　　　What you say or what you are doing is very differenet from the fact that did exsit in Kurobane Prison, so I can't understand what you say, your exsistence itself

is very ugly and unreasonable. Genaral person don't think that you have humanity value. You should die.

Permalink | 記事への反応(0) | 02:38

ツイートシェア

■

　　　以下で言う、見る、というのは、英語で、seeということとする。Considerという単語もよくつかわれるが、哲学でConsiderというときはいきなりそれを考えているし私はちょっと分からないので

　　後回しにする。seeが大事なのは、哲学で頻繁に出てくる、特に、TheoremおよびSolutionはどちらも見るものである。

　（１）一時期は金がゴミになったので、なんでもただで持って行っていいというサービスをしていたような店が大量にあった時代も明らかに見えているが、警察がなかったことにしている

　（２）最近まで関東を中心に、越谷レイクタウンではわいせつ行為、ネットカフェ等でも同様の行為が大量にあったのを誰でも見ているが、知らないふりをしていて卑劣

　（３）岡田克也は食べるものが明らかにゴミなので、レジゴーという、ただで持って行ってもよいというスマホを開発したが、さいたまのブスが邪魔していて意味が成立していない。

　（４）三宅雪子（５４歳）は、あるとかないとかいうことに絶望して自殺したのではなく、子供だから、高齢化に絶望して自殺しただけであることが明らかにseeである。

　（５）３２歳の松本という警察官のゴミがあるとかないなどと言っていていちいちウザい。子供にはそういう価値観が存在しない。

　（６）Everyone can see that Japanese police is devil

　（７）警察官という誰も信じていない宗教団体の警備員が子供に手を出しているという事実を理解できるとしたらお前の頭は終わっている。

　（８）やっくんが、平成２５年１０月５日に山口で自殺したのが、事故ではなく自殺なのは、明らかに、seeである。

　（９）H３０年６月１６日に、警察官が殺害されたため、佐藤の魔法が解除されたのは、The fact that everyone can seeであるが、認めようとしない。

　（１０）　安倍晋三が死んだかどうかは、Nobody knows　　誰もseeしていない。誰も知らない。

　（１１）「ミサイルできた」「地獄みせる」　などと言って業務を妨害している人は明らかに可愛く言っている。

　（１２）大分地裁刑事部のクソ裁判官は強く言わないと必要な判決を出さないし、ヤフーニュースに出せば面白いと思っているカス

　（１３）法科大学院は乱立してどんどんつぶれて今はどうなっているのか分からない。

Permalink | 記事への反応(0) | 04:47

ツイートシェア

■anond:20230618010533

原文

Japan review

Japan review it's been a year since I

moved to Japan and I thought it made

sense to finally rate Japan I will talk

about things I like and the things I

don't like which seems to be the only

two options available if you have

opinions about this country

so sugoi or did you know Japan is

actually really bad it's got a lot of

survival issues okay I will list one

good thing and bad thing and I will not

hold back there's no trash bins

where I'm gonna put my trash

I have to put in my pocket

oh

there's always these generic things that

you hear or yes when we you visit it's

kind of weird but then you realize it's

not a big deal anyway let's start off

with number one reason I like Japan

it feels like a giant playground no I

don't mean in the Logan Paul kind of

sense of doing whatever the hell you

want

but rather there's a infinite things all

right lazy feels like to explore and

experience and I've been here a year now

and I don't think I'm gonna get bored

anytime soon although I am having a

child so I don't know how much more I

have time to experience

but it really feels like a whole new

world and if you visited you can

probably relate to it and I'm glad that

even a year in it still feels incredibly

fresh and I even would say that you

realize that the best part of Japan

aren't the touristy places kind of

obviously but there are so many areas

that I found that I really enjoy

visiting and this is probably more

specific to me but you know Tokyo is

very busy and so many times I just catch

myself surrounded by what feels like

hundreds of people and they have no idea

who I am

everyone is just doing their own thing

and that feels so [ __ ] good

now once it was staring at me no one's

following me no one's being weird you

guys are weird and I'm just kidding I

just love the feeling of being able to

exist in public and uh not worrying

about what everyone else is doing like

I've said this before but I genuinely

enjoy talking to fans or when people

approach me it always makes me happy but

it can be kind of frustrating to always

wanting to just do your own thing and

always be

you know so yeah let's move on to the

bad things of Japan number one reason

Japan is bad it's kind of a heavy

subject and I haven't seen anyone else

really talk about it it's not brought up

very often at least and that is cones

there's too many cones in Japan once you

see it you cannot unsee it they're

everywhere they say oh Japan has so many

vending machines there's like five per

one person no the opposite

there's more cones than people why are

there so many cones I need to know we

got the tall ones we got the small ones

we got the funny ones the cute ones the

sexy ones I do like those I just don't

understand that whoever plays these

cones think I'm just gonna barge through

oh thank God there's cones here

otherwise I had no idea what I was gonna

and I realized the cone history of Japan

stretches centuries okay if you played

Animal Crossing sometimes it's a

Japanese game so sometimes you get these

items right you're like oh that's kind

of weird I don't know exactly what that

is but it's probably something Japanese

and then you get the bamboo thing and

you're like what the hell is that what

am I even gonna do with that and then

you see it in real life here in Japan

you're like holy [ __ ] it's a cone that's

a cone they're everywhere

I feel like they are following me

I'm glad I was able to talk about this

I'm for one and willing to call out

Japan knock it off man no more cones

there's enough cones let me tell you

something even better than cones you may

have noticed new merch finally it's been

forever my mom came over she had

unofficial merge because I literally

have no other merch I've hadn't hadn't

merch I'm sorry Mom so we spruced up the

logo got a cool back design the team

that worked on it really truly

understand how my brand and I think they

did such a good job these pieces look

amazing and I think you guys are gonna

really like them as well these are

available for limited time only so make

sure you order now so excited to finally

have this merch available thanks to

amaze for making this happen we are

gonna have one piece that will stay on

the store so my mom will not buy the

wrong merch but for a limited time that

piece will be available in this color

off-white kind of color it looks really

nice and then after that you can still

get it but not in this color that's

you want this one yeah I get it

so yeah check that out if you're

interested I'm so happy about these

designs and I hope you guys would like

them as well all right reason number two

I like Japan yay when we first announced

that we were gonna move to Japan there

was so many people just saying how bad

Japan is actually did you know Japan is

really bad did you know this I have to

list all these reasons now because

everyone is like thing and then thing

Japan ah so I have to tell them and I

it's actually but one thing in

particular that people said was that old

people really don't like foreigners they

hate them so when I was gonna stop by to

say hi to our neighbors who was a little

older at least some of them I was

terrifying I heard all these stories you

know like what are they gonna do to us

so I had my guard up ready for the worst

and I was met with nothing but kindness

and welcoming and I felt like a total

dick for having this preconceived ideas

thanks to other people

and just a side comment like yes there

are definitely probably people that

don't like foreigners and all that stuff

but I realized I should let my own

experience is dictate how I feel about

certain things maybe that's just

ignoring a problem I don't know it just

feels like it's a bad way to approach

life if you always have a negative

expectation you know it's smiling people

may Smile Back

smiled back

thank you sometimes they don't and

that's okay you know anyway my point

being Japanese people are very in my own

experience

are very nice and friendly the majority

at least and yes even to foreigners I

feel like they are especially nice to

foreigners because they think we're like

a kid lost at Disneyland or something

I just asked for directions I didn't

need you to walk me for half an hour to

this specific place I was going but

thank you I appreciate it a lot of times

I go bouldering alone and there's always

other groups of people being supportive

and yelling like I'm about there like go

you can do it I love it I think it's

great you know or if you're small

talking with people people generally

want to communicate with you and I love

having those moments but of course

there's times where people are like oh

you're a foreigner I don't feel like

even trying

which again it's fine speaking of which

reason I don't like Japan number two

their language

I have lived here for a year and I'm not

fluent in Japanese

I am dumb I am very dumb I remember the

moment we moved here I had studied some

Japanese and I was like

Let's test out this knowledge that I

have acquired let's go I'm just gonna

come in it's gonna be dangerous and you

enter a store for the first time and

they're like

what

what oh

what the classic the most common

experiences that you have aren't

necessarily what you're taught in the

textbook yay I know I think that's the

same for anyone learning a language for

the first time but don't even get me

started on the kanji main what the [ __ ]

is this I feel like Japanese is such a

hard language obviously but I don't

think people realize how hard it is at

least me personally because the more you

learn the more you realize you don't

know [ __ ]

for English speakers Japanese is

considered one of the most difficult

languages and because it's just so

different I listed it as bad because

that was my first kind of experience

with it coming here but the more I

interact with people the more it feels

like I'm unlocking new skills you know

oh I made a phone call for the first

time oh I could ask someone over the

phone I know big deal but it's like oh I

can actually do that or even just having

a small tiny yes shittiest conversation

with a stranger it's still something and

it feels good you start to all of a

sudden understand you know a movie if

you're watching oh I understand actually

what's going on here or I can play games

and kind of get what this they're saying

I have to look up words obviously but to

me all those new experiences that it

unlocks to me is very rewarding even

though it's such a challenge I would

actually now say it's a good thing I

played it on its head it was a good

thing all along but I obviously have a

long [ __ ] way to go

and it just I don't think it will damage

time reason number three I like Japan

this is nothing to do with Japan to say

it's more related to me taking a more

relaxed approach to YouTube for my

entire 20s I did nothing but YouTube

that was my life and that's okay but I

also think it was a little toxic

probably you know if I wasn't making

videos I sure as hell was thinking about

making videos I uploaded videos during

our honeymoon

and it feels really good to finally be

free from it you know and I can discover

other things in life there are other

things in life

a new hobbies and interest that I've

always wanted to do I can do and have so

much fun with it surfing I know I would

love for the longest time and I finally

get to do it and it's so [ __ ] amazing

I love learning new things anything that

isn't necessarily connected to all of

this on the internet and that is

something I'm very very grateful that I

discovered so yeah it's not really Japan

I could have done that anywhere but it's

largely why I enjoyed so much here

reason I don't like Japan number three

this is probably the most trickiest one

and it's the rules what are the rules

Japan has so many rules and it's a bit

conflicting for me to complain about

because a lot of the best stuff about

Japan not the best stuff but a lot of

the reasons why Japan works so well is

because of the rules you know the trains

are always on time things just work in

general it's hard to explain the streets

are clean people aren't loud in public

and so on and these are sort of societal

rules that make it happen more or less

but sometimes There are rules that just

don't make any sense and I have no

problem following rules as long as I

understand the reason for it you know

don't talk on the phone on the train

because it's generally annoying when

other people do that to you A lot of it

is just be thoughtful of other people

it's not just about you and that just

makes it more pleasant for everyone but

one rule is especially which I talked

about before is the fact that because of

kovid I'm not allowed to be in the

delivery room for our baby for more than

two hours that's because of covered

rules it just doesn't make sense to me

and I tell people about this like uh

family and friends and they're always

like well why don't you just ask them or

like why don't you talk to them I'm sure

you can there's got to be somewhere and

it's like no it's Japan okay there are

rules and people follow the rules for

better or worse you know so the more I

time I spend Permalink | 記事への反応(0) | 01:06

ツイートシェア

■増田もカラフルにはできる

　　　い

　　　ろ

　　　と

　　　り

　　　ど

　　　り

　　　！　

●バンダイビジュアル　出典元　https://anond.hatelabo.jp/20210710192249#

● やで〜

⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜ 
⬜⬜⬜⬜⬜🟨🟨🟨🟨⬜⬜⬜⬜⬜ 
⬜⬜⬜🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜ 
⬜⬜🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜ 
⬜⬜🟨🟨⬛🟨🟨🟨🟨⬛🟨🟨⬜⬜ 
⬜🟨🟨⬛🟨⬛🟨🟨⬛🟨⬛🟨🟨⬜ 
⬜🟨🟨🟧🟨🟨🟨🟨🟨🟨🟧🟨🟨⬜ 
⬜🟨🟧🟥🟧🟨🟨🟨🟨🟧🟥🟧🟨⬜ 
⬜🟨🟨🟧🟨🟨🟨🟨🟨🟨🟧🟨🟨⬜ 
⬜⬜🟨🟨⬛🟨🟨🟨🟨⬛🟨🟨⬜⬜ 
⬜⬜🟨🟨🟨⬛⬛⬛⬛🟨🟨🟨⬜⬜ 
⬜⬜⬜🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜ 
⬜⬜⬜⬜⬜🟨🟨🟨🟨⬜⬜⬜⬜⬜ 
⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜
　
⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜ 
⬜⬜⬜⬜⬜🟨🟨🟨🟨⬜⬜⬜⬜⬜ 
⬜⬜⬜🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜ 
⬜⬜🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜ 
⬜⬜🟨🟨⬛🟨🟨🟨🟨⬛🟨🟨⬜⬜ 
⬜🟨🟨⬛🟨⬛🟨🟨⬛🟨⬛🟨🟨⬜ 
⬜🟨🟨🟧🟨🟨🟨🟨🟨🟨🟧🟨🟨⬜ 
⬜🟨🟧🟥🟧🟨🟨🟨🟨🟧🟥🟧🟨⬜ 
⬜🟨🟨🟧🟨🟨🟨🟨🟨🟨🟧🟨🟨⬜ 
⬜⬜🟨🟨⬛🟨🟨🟨🟨⬛🟨🟨⬜⬜ 
⬜🟧🟧🟨🟨⬛⬛⬛⬛🟨🟨🟧🟧⬜ 
🟧🟧🟧🟨🟧🟨🟨🟨🟨🟧🟨🟧🟧🟧 
🟧🟧🟧🟧🟧🟨🟨🟨🟨🟧🟧🟧🟧🟧 
⬜🟧🟧🟧🟧⬜⬜⬜⬜🟧🟧🟧🟧⬜

● ピカチュウ

⬜️⬜️⬜️⬜️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜
⬜️⬜️⬜️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜
⬜️⬜️⬜️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜
⬜️⬜️⬜️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬜⬜⬜
⬜️⬜️⬜️⬜️⬛️🟨⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜️🟨🟨⬛️⬜⬜⬜⬜
⬜️⬜️⬜️⬜️🟨🟨🟨⬜⬜⬜⬜⬜⬜⬜⬜🟨🟨🟨🟨⬜⬜⬜⬜
⬜️⬜️⬜️⬜️🟨🟨🟨🟨⬜🟨🟨🟨🟨⬜🟨🟨🟨🟨⬜⬜⬜⬜⬜
⬜️⬜️⬜️⬜️⬜🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜⬜⬜⬜
⬜️⬜️⬜️⬜️⬜🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜⬜⬜⬜
⬜️⬜️⬜️⬜️⬜⬜🟨⬛⬜🟨🟨🟨🟨⬛⬜🟨⬜⬜⬜⬜⬜⬜⬜
⬜️⬜️⬜️⬜️⬜🟨🟨⬛⬛🟨🟨🟨🟨⬛⬛🟨🟨⬜⬜⬜⬜⬜⬜
⬜️⬜️⬜️⬜⬜️🟨🟨🟧🟨🟨🟨🟨🟨🟨🟧🟨🟨⬜⬜⬜⬜⬜⬜
⬜️⬜️⬜️⬜🟨🟨🟧🟥🟧🟨 ⬛ 🟨🟧🟥🟧🟨🟨⬜⬜⬜⬜⬜
⬜⬜️⬜️⬜️🟨🟨🟨🟧🟨⬛⬛⬛⬛🟨🟧🟨🟨🟨⬜⬜⬜⬜⬜
⬜⬜⬜️⬜️⬜️🟨🟨🟨⬛⬛🟨🟨⬛⬛🟨🟨🟨⬜⬜⬜⬜⬜⬜
⬜⬜⬜️⬜️⬜️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜⬜⬜⬜
⬜⬜⬜⬜️⬜️⬜️⬜️🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜⬜⬜⬜⬜⬜
⬜⬜⬜⬜️⬜️⬜⬜️⬜️⬜⬜️🟨🟨⬜️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜
⬜⬜️⬜️⬜⬜️⬜️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜

● 他増田(anond:20210821071232) によるマリオ

　　　　　　　　🍅🍅🍅🍅🍅🍅👴 
　　　　　　　🍅🍅🍅🍅🍅🍅👴👴 
　　　 　　　 🍅🍅🍅🍅🍅🍅🍅🍅🍅🍅🍅 
　　　 　　　 💩💩💩👴👴💩👴👴👴 
　　 　　　 💩👴👴💩👴👴💩💩👴👴👴👴 
　　 　　　 💩👴👴💩💩👴👴👴👴👴👴👴👴 
　　　　 💩💩👴👴💩💩👴👴👴💩👴👴👴👴 
　 　　　💩💩👴👴👴👴👴💩💩💩💩💩💩 
　　　　 💩💩💩👴👴👴👴👴💩💩💩💩💩 
　　　　　　　💩💩👴👴👴👴👴👴👴👴 
　　　　　　　　　　💩💩💩👴👴 
　　　　　 　　　 🍅🍅🍅🍅💩💩🍅　　　 　👴 
　　　　　　　💩💩💩💩🍅🍅💩💩🍅　 👴👴👴 
　 　 　　　💩💩💩💩💩💩🍅🍅💩🍅💩👴👴👴 
　　　　 💩💩💩💩💩💩💩🍅🍅💩💩🍅👴👴👴 
　　　　 💩💩💩💩💩💩💩🍅🍅💩💩🍅💩👴💩 
　　　　 💩💩💩💩💩💩🍅🍅🍅💩💩🍅💩💩 
　　　💩💩💩💩💩💩🍅🍅🍅👴🍅💩👴💩 
　　　💩💩💩💩🍅🍅🍅🍅🍅🍅🍅🍅🍅 
　　　👴👴👴👴👴🍅🍅🍅🍅🍅🍅🍅🍅 
　　　👴👴👴👴👴🍅🍅🍅🍅🍅🍅🍅🍅　　　💩 
　　　👴👴👴👴🍅🍅🍅🍅🍅🍅🍅🍅🍅　 💩💩 
　　　　 👴👴👴🍅🍅🍅🍅🍅🍅🍅💩💩💩💩💩 
　　　 　　　　🍅💩🍅🍅🍅🍅🍅🍅💩💩💩💩💩 
　 　　　　 💩🍅🍅💩🍅🍅🍅🍅🍅💩💩💩💩💩 
　　　💩💩💩🍅🍅🍅💩💩🍅🍅🍅💩💩💩💩💩 
　　　💩💩💩💩🍅🍅🍅🍅 　 　　 💩💩💩💩💩 
　　　💩💩💩💩💩🍅 
　　　　💩💩💩 

出典元　https://www.emojiall.com/en/emoji-art-list/Large-scale

✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨
✨✨✨✨✨✨✨✨✨✨⬛⬛⬛✨✨✨✨✨✨✨ 
✨✨✨✨✨⬛⬛✨✨⬛🟥🟥🟥⬛✨✨✨✨✨✨ 
✨✨✨✨⬛⬜⬜⬛⬛⬛🟥🟥🟥⬜⬛✨✨✨✨✨ 
✨✨✨✨⬛⬜⬜⬜⬜⬜🟥🟥🔴🟥🟥⬛✨✨✨✨ 
✨✨✨⬛⬜⬜⬜⬜⬜⬜⬜⬜🟥🟥🟥⬛✨✨✨✨ 
✨✨✨⬛⬜⬜⬜⬜⬜⬜⬜⬜🟥🟥🟥⬜⬛✨✨✨ 
✨✨⬛⬛⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛⬛⬛✨✨ 
✨✨✨⬛⬜⬛⬜⬜⬜⬜⬜⬛⬜⬜⬜⬜⬛✨✨✨ 
✨✨⬛⬛⬜⬛⬜⬜⬜⬜⬜⬛⬜⬜⬜⬛⬛⬛✨✨ 
✨✨✨⬛⬜⬜⬜⬜⬛⬜⬜⬜⬜⬜⬜⬛✨✨✨✨ 
✨✨✨✨⬛⬜⬜⬜⬜⬜⬜⬜⬜⬛⬛✨✨✨✨✨ 
✨✨✨✨✨⬛⬛⬛⬛⬛⬛⬛⬛✨✨✨✨✨✨✨ 
✨✨✨✨⬛⬜⬛🟥⬜🟥🟥⬜⬜⬛✨✨✨✨✨✨ 
✨✨✨✨✨⬛🟥🟥🟥🟥🟥🟥⬜⬜⬛✨✨✨✨✨ 
✨✨✨✨⬛🟥🟥🟥🟥🟥🟥🟥🟥🟥⬛✨✨✨✨✨ 
✨✨✨✨✨⬛⬜⬜⬛⬜⬜⬜⬛⬛✨✨✨✨✨✨ 
✨✨✨✨✨✨⬛⬛⬛⬛⬛⬛✨✨✨✨✨✨✨✨
✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨

⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛🏻🏻🏻🏻⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛🟦🟦🟦🟦⬛⬛⬛⬛⬛⬛
⬛⬛⬛⬛⬛🟨🟨🟨🟨🟨⬛⬛⬛⬛⬛⬛⬛🏻🏻🏻🏻🏻🏻🏻🏻⬛⬛⬛⬛⬛⬛⬛🟦🟦🟦🟦🟦🟦🟦🟦⬛⬛⬛⬛
⬛⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛⬛⬛🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻⬛⬛⬛⬛⬛🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦⬛⬛⬛
⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻⬛⬛⬛🟦🌫️🌫️🟦🟦🟦🟦🌫️🌫️🟦🟦🟦⬛⬛
⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛🏻🏻🌫️🌫️🏻🏻🏻🏻🌫️🌫️🏻🏻⬛⬛⬛🌫️🌫️🌫️🌫️🟦🟦🌫️🌫️🌫️🌫️🟦🟦⬛⬛
⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛⬛⬛🏻🌫️🌫️🌫️🌫️🏻🏻🌫️🌫️🌫️🌫️🏻⬛⬛⬛🟦🟦🌫️🌫️🟦🟦🟦🟦🌫️🌫️🟦🟦⬛⬛
⬛🟨🟨🟨🟨🟨🟨🟨⬛⬛⬛⬛⬛⬛🏻🏻🌫️🌫️🌫️🌫️🏻🏻🌫️🌫️🌫️🌫️🏻🏻⬛🟦🟦🟦🌫️🌫️🟦🟦🟦🟦🌫️🌫️🟦🟦🟦⬛
⬛🟨🟨🟨🟨⬛⬛⬛⬛⬛⬛⬛⬛⬛🏻🏻🌫️🟦🟦🌫️🏻🏻🌫️🟦🟦🌫️🏻🏻⬛🟦🟦🌫️🌫️🟦🟦🟦🟦🌫️🌫️🟦🟦🟦🟦⬛
⬛🟨🟨🟨🟨🟨🟨🟨⬛⬛⬛⬛⬛⬛🏻🏻🏻🟦🟦🏻🏻🏻🏻🟦🟦🏻🏻🏻⬛🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦⬛
⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛⬛🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻⬛🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦⬛
⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻⬛🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦⬛
⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻⬛🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦⬛
⬛⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛🏻🏻🏻🏻⬛🏻🏻🏻🏻⬛🏻🏻🏻🏻⬛🟦🟦⬛🟦🟦🟦⬛⬛🟦🟦🟦⬛🟦🟦⬛
⬛⬛⬛⬛⬛🟨🟨🟨🟨🟨⬛⬛⬛⬛⬛🏻🏻⬛⬛⬛🏻🏻⬛⬛⬛🏻🏻⬛⬛🟦⬛⬛⬛🟦🟦⬛⬛🟦🟦⬛⬛⬛🟦⬛
⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛

⬜⬛⬛⬛⬜⬜⬜⬜⬜⬜⬜⬜⬛⬛⬛⬜
⬛⬜⬜⬜⬛⬜⬜⬜⬜⬜⬜⬛⬜⬜🌫️⬛
⬛⬜⬜⬜⬛⬜⬜⬜⬜⬜⬜⬛⬜⬜🌫️⬛
⬛⬜⬜⬜⬜⬛⬜⬜⬜⬜⬛⬜⬜🌫️🌫️⬛
⬜⬛⬜⬜⬜⬛⬜⬜⬜⬜⬛⬜🌫️🌫️⬛⬜
⬜⬜⬛⬜⬜⬜⬛⬜⬜⬛⬜🌫️🌫️⬛⬜⬜
⬜⬛🟥⬛⬜⬜⬜⬛⬛⬜🌫️🌫️⬛🟥⬛⬜
⬜⬛🟥🟥⬛⬜⬜⬜⬜🌫️🌫️⬛🟥🌫️⬛⬜
⬛🟥⬜🟥🟥⬛⬜⬜🌫️🌫️⬛🟥🟥🟥🟥⬛
⬛🟥🟥🟥🟥🟥⬛⬛⬛⬛🟥🟥🟥🟥🟥⬛
⬛🟥🟥🟥🟥🟥⬜⬜🟥🟥🟥🟥🟥🟥🟥⬛
⬜⬛🟥🟥🟥🟥⬜⬜🟥🟥🟥🌫️🌫️🟥⬛⬜
⬜⬛⬜⬜🟥🟥🟥🟥🟥🟥🟥🌫️🌫️🟥⬛⬜
⬜⬜⬛⬛🟥🟥🟥🟥🟥🟥🟥🟥⬛⬛⬜⬜
⬜⬜⬜⬜⬛⬛⬛⬛⬛⬛⬛⬛⬜⬜⬜⬜
⬜⬛⬛⬜⬜⬜⬛⬛⬛⬛⬜⬜⬜⬛⬛⬜
⬛🟩🟩⬛⬛⬜⬛🟩⬛⬛⬜⬛⬛🟩⬛⬛
⬛🟩⬛🟩🟩⬛⬛🟩⬛⬛⬛🟩🟩⬛⬛⬛
⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛
⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛
⬜⬛⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬛⬜
⬜⬜⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬜⬜
⬜⬜⬜⬜⬛⬛⬛🟩⬛⬛⬛⬛⬜⬜⬜⬜
⬜⬛⬛⬜⬜⬜⬛🟩⬛⬛⬜⬜⬜⬛⬛⬜
⬛🟩🟩⬛⬛⬛⬛🟩⬛⬛⬜⬛⬛🟩⬛⬛
⬛🟩⬛🟩🟩⬛⬛🟩⬛⬛⬛🟩🟩⬛⬛⬛
⬛🟩⬛⬛⬛⬛⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛
⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛
⬜⬛⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬛⬜
⬜⬜⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬜⬜
⬜⬜⬜⬜⬛⬛⬛🟩⬛⬛⬛⬛⬜⬜⬜⬜
⬜⬜⬜⬜⬜⬜⬜⬛⬛⬜⬜⬜⬜⬜⬜⬜

●ねこです

🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨⬛️⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨⬛️⬜⬜⬜⬜🟧🟥🟧⬜⬜⬜⬜⬛️⬛️⬛️⬜⬜⬜⬜🟧🟥🟧⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨⬛️⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨⬛️⬛️⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨⬛️⬜⬜⬛️⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨⬛️⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨
🟨🟨🟨⬛️⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨
🟨🟨🟨🟨⬛️⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨
🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨
🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨
🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨
🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨
🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬛️⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨
🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨

SCP-040-JPは██県の旧██村に放置されていた、井戸小屋です。

特筆すべきはその異常性で、小屋を覗くと対象は「ねこがいた」と動揺します。ねこです。ねこはそこにいました。ずっとまえからそこにいたのに、やっときづいたのですね。

この影響を受けるとイエネコに対する認識が歪められ、画像のような、毛がなく、人間のような目を持った生物に見えてしまいます。しかも、どの方向からでもこちらを見ているように見えるようです。ねこはいます。

更にこの影響を受けた中で対象は常にねこが暗闇にいるように感じ、見張られているような錯覚を覚え、ねこはいます。

この異常性は直接的に視認しなければなりませんが、ねこはいます。

ねこです。また、影響を受けた対象はねこがいると周りに伝えようとし、これを理解した場合、上記と同じ症状を被ります。どのようなワードがトリガーとなるのかは不明ですが、ねこはいます。

ねこはいますが、その情報を伝えるのには、会話、画像、映像、音声、どれでも感染します。ねこはいます。ねこの情報を伝えようとする試みは極めて自然なものを装うため、見抜くことは困難です。

● レインボーおちんぽ　出典元　https://anond.hatelabo.jp/20201011125938#

ぉおおおおおおおちんぽぉぉぉぉぉぉぉ

●使用するフォントを変更する

Okay, okay, I'll try😊

🫠 🫥 😶‍🌫️ 🦠　

The sound of the bells of Gion Monastery echo with the ever – changing nature of all things. The fading hues on the blossoms of the sala tree signify that all that flourishes must fade. The arrogant do not prevail for long, nothing but a spring night’s dream. The mighty in time succumb, dust before the wind.

🐈 ネコと和解する

Permalink | 記事への反応(1) | 22:34

ツイートシェア

■続・「リーゼント」は誤用されているのか？

前回の記事はこちら。

anond:20201124190429

テーマ。

「リーゼントというのは前頭部の髪型（ポンパドール）ではなく後頭部の髪型（ダックテイル）のことだ」って本当なの？

だいたいの前回のまとめ。

• 「リーゼント」は1936年ごろに日本で英国紳士（あるいは白人映画俳優）の髪型として流行した
  • 戦前のリーゼントは「前髪を横分けにして側頭部の髪を後方に流す」ような髪型だった
    • 当時のリーゼントの例1：https://www.amazon.co.jp/dp/B001BBXG4Y
    • 当時のリーゼントの例2：https://www.amazon.co.jp/dp/B01M5DHEU9
  • ポール・グラウスというイギリス人が日本にリーゼントを紹介したという説がある
  • リーゼントの発案者として知られる銀座の理容師・増田英吉は「日本人の頭の形に合わせて前髪を膨らませた」と証言している
  • リーゼントはポマードを大量に使うため戦争の進行とともに退潮していった
• 戦後すぐの1948年ごろに不良少年たちのあいだで「リーゼントにアロハシャツ」というスタイルが流行した
  • アメリカ兵のファッションを真似たと言われている
  • 当時の辞書ではリーゼントは「前髪を立てて横髪を後ろに流す髪型」などと説明されている
• 1950年代半ばにテディボーイズやエルビス・プレスリーから影響を受けて「ポンパドール＋ダックテイル」という髪型が流行した
  • 「ポンパドール＋ダックテイル」は次第に「リーゼント」と呼ばれるようになっていった

さて、今回の記事の主眼は、前回の記事でも書いた「ポール・グラウス」という人物は何者か、というところにあるのだが、そのまえに増田英吉が戦前から「リーゼント」を施術していたという証拠を提示しておきたい。というのも国立国会図書館デジタルコレクションで検索したところ1936年の広告を見つけたのである。

スタア 4(21)(82) - 国立国会図書館デジタルコレクション

ゲーブル・トーンに英國風カッティングを加へた銀座ユタカ調髪所創案のリーゼントスタイルをお薦めします

この「ユタカ調髪所」というのが増田英吉の店である。

「ゲーブル」というのは俳優のクラーク・ゲーブルのことだろう。

• 1936年時点で日本に「リーゼント」が存在していたこと
• 増田英吉が「リーゼント」という名称を使っていたこと
• 増田英吉が「リーゼントを創案した」と喧伝していたこと
• 写真を見るかぎりちゃんと横髪を後ろに流していること
• 前髪が少し盛り上がっているように見えること

などがこれでわかる。

なおインターネット上で「リーゼントの命名者」とされるもう一人に尾道の理容師・小田原俊幸がいるが、彼が「リーゼント」を発表したのは昭和24年＝1949年だというので遅すぎる。おそらくは既にあったリーゼントを独自にアレンジしたとかそういう話なのだろう。

さて、では増田英吉や小田原俊幸とは違って、ググっても検索結果に引っかかりすらしない「ポール・グラウス」とは何者なのか。あらためて調べてみると、1931年にイギリスで刊行された『The Art And Craft Of Hairdressing』という書籍にその名が掲載されていることがわかった。

The Art And Craft Of Hairdressing : Gilbert A Foan Ed : Free Download, Borrow, and Streaming : Internet Archive

7ページ（16 of 700）より。

PAUL GLAUS, Past President, Academy of Gentlemen’s Hairdressing (London), a former Chief Examiner in Gentlemen’s Hairdressing, City and Guilds of London Institute.

ポール・グラウスは、ロンドンの「Academy of Gentlemen’s Hairdressing」の前会長であり、かつては「City and Guilds of London Institute」の紳士向け理髪の主任試験官でした。

同姓同名同職の別人の可能性もなくはないが、おそらくはこの人が「ポール・グラウス」なのだろう。ただし、この書籍の著者はGilbert Foanという人物で、ポール・グラウスは「Special Contributor」としていくつかの記事を寄稿しているだけである。

そして驚くべきことに、この『The Art And Craft Of Hairdressing』では「リーゼント（Regent）」についても解説されているのである。「リーゼント」は和製英語であると思われていたが、やはり由来はイギリスにあったのだ。

118ページ（146 of 700）より。

One of the most artistic and distinguished of haircuts, the Regent has been worn by elderly society gentlemen for many years. Then it was always associated with long hair, in most instances nice natural wavy white or grey hair. Since the present writer first decided to cut this style shorter, but in exactly the same shape, the style has been in great demand.

リーゼントは、最も芸術的で格調高いヘアスタイルのひとつで、長年にわたり、年配の社交界の紳士たちに愛されてきました。当時、リーゼントは長い髪、それも自然なウェーブのかかった白髪や白髪の髪によく似合う髪型でした。筆者がこのスタイルをより短く、しかし全く同じ形にカットすることに決めて以来、このスタイルには大きな需要があります。

Rub the fixative well into the hair, spreading it evenly, but do not make the mistake of using so much that it runs on to the face and neck. Then, when the hair is saturated, draw the parting and comb the hair in the position required, sideways, going towards the back of the ears.

整髪料を髪によく揉み込んで均一に広げます。顔や首に流れるほど使いすぎないよう注意してください。髪に馴染んだら、分け目を作り、耳の後ろに向かって横向きに髪をとかします。

「リーゼント」の解説を読むかぎり、そしてイラストを見るかぎり、その前髪には分け目があり、側面の髪を横向きに撫でつけて、襟足はバリカンでV字に刈り上げていたようだ。どうやら前髪を膨らませるわけではなさそうである。また、この書き方だと、もともと「髪の長いリーゼント」が存在しており、それから「筆者」によって「髪の短いリーゼント」が生み出されたらしくはある。具体的なところは不明だが。

追記。鮮明な画像を見つけたのでリンクを張る。ダックテイルのように左右の髪を流して後頭部で合わせているのがはっきりとわかる。

https://www.pinterest.jp/pin/59672763786345196/

ちなみに、この書籍の281ページ（316 of 700）では「Duck-Tailed Pompadour」という髪型も紹介されている。おおっ、と思ったがこれは女性向けの髪型で、いわゆる「エルビス・プレスリーの髪型」とは異なるように見える。しかし、後頭部をアヒルのお尻に見立てる発想や、それとポンパドールを組み合わせる発想は、まず女性向けに存在していて、それが1950年代にアレンジされて男性にも適用されるようになった、ということなのかもしれない。

ただし、ややこしいことに、このスキャンされた『The Art And Craft Of Hairdressing』は1958年に発行された第四版なので、どこまでが改訂の際に追加された内容かわからない。1936年にポール・グラウスが日本でリーゼントを紹介した、という話があるからには、少なくともリーゼントは1931年から存在していたと思うのだが…。

追記。Google Booksにあった1931年版に「The Regent Haircut」が記載されていることを確認した。

『The Art And Craft Of Hairdressing』はイギリスで30年以上にわたって改訂されつつ出版されていた名著らしいので、当時のイギリスの理容師のあいだでは「リーゼント」はそれなりに広まっていたのではないかと思うのだが、現在では「リーゼント」という言い方はぜんぜん残っていないようだし、それどころか英語圏でさえ「リーゼント」は和製英語だと書かれていたりするのも謎ではある。

ともあれ推測するに、まず1930年代初頭かそれ以前にイギリスで「リーゼント」という髪型が生まれ、1936年ごろにイギリス人のポール・グラウスが日本に「リーゼント」を紹介し、その「リーゼント」を見た増田英吉が日本人に合うように「前髪を膨らませるかたち」にアレンジして広告を打った、という流れなのではないかと思われる。

というわけで大枠の結論としては前回の記事と変わらないが、いくつかのディテールが明らかになったことで状況の理解度は上がったと思う。こちらからは以上です。

Permalink | 記事への反応(1) | 01:54

ツイートシェア

■anond:20230413172121

しないが？

According to 1, the fees for public child day care (varhaiskasvatus) depend on the family’s income. The maximum fee of municipal early childhood education is US$317 | €295 for the first child and US$202 | €188 for the second child. The minimum fee is US$30 | €28 per child. The fee also depends on how many hours child stays in daycare. According to 2, school meals generally consist of typical Finnish foods such as a warm main course (dishes with fish, meat, vegetables; beans and sprouts as part of vegetarian diet), a side of vegetables (salad, grated vegetables or fresh vegetables pieces), bread and table spread, a drink (skimmed or semi-skimmed milk, buttermilk) and water.

1. https://www.finlandprices.com/education-cost-finland/
2. https://www.oph.fi/en/education-and-qualifications/school-meals-finland
3. https://www.infofinland.fi/en/education/preschool-education

Permalink | 記事への反応(0) | 17:43

ツイートシェア

■anond:20230331113807

Think of sentences with at least 6 letters that rhyme at least twice

Here are a few examples:

　

・The cat in the hat sat on a mat.

・She likes to take long walks by the lake and bake a cake.

・The rain in Spain falls mainly on the plain.

・The knight with might fought the fight all night.

・The tree by the sea swayed in the breeze with ease.

・The bear with long hair looked quite rare at the fair.

英語で聞いたらそれなりのライミングで返してくれるな。

やっぱ日本語で韻を踏むっていう概念が学習されてないんだろうな。

Permalink | 記事への反応(1) | 11:45

ツイートシェア

■メディアとゼレンスキーは嘘つき

なにが膠着状態だ。

完全に負けている。

負け犬の差別主義者。

日本と同じ。

ノクティス・ドレイヴン

@DravenNoctis

3月26日

ロシアがバフムートを確保した場合、ウクライナは再びそのような防御をマウントすることはありません。

西側は、もちろん、これを軽視しますが、実際には、ウクライナの防衛のために、すべてが終わっています。

参考までに、バフムートの崩壊は、城を失い、から守るために持っている軍隊のようになります…

Noctis Draven

@DravenNoctis

·

3月26日

If Russia secured Bakhmut then Ukraine will never mount such a defensive again.

The west will downplay this of course but in truth it's all but over for the defense of Ukraine.

For reference the fall of Bakhmut would be like an army losing a castle and having to defend from…

引用ツイート

GraphicW

@GraphicW5

https://twitter.com/DravenNoctis/status/1639901736461639680?s=20

共同通信とイギリスはこの世から消えろ。失速しているならアモルチョフスクをロシアが占領する話は出ない。

ウクライナ政府と日本のメディアは嘘を付きすぎる。絶対に許せない。この間にもウクライナ人は死んでる。こいつらは人殺しだよ。

共同通信公式

@kyodo_official

ロシア軍、バフムトで失速か － 英国防省分析、人員損失激しく

こんな嘘を垂れ流すとか犯罪だよ。ウクライナ軍だよ。

日本のメディアは第二次世界大戦と同じことをやっているので粛清が必要。

あとフェミとか反差別界隈も要らない。

ウクライナの加担者だ。

Permalink | 記事への反応(0) | 23:50

ツイートシェア

■アメリカの教会リーダーが臨死体験でイエスの生涯を目撃する話

https://www.churchofjesuschrist.org/study/general-conference/1989/10/the-sacrament-and-the-sacrifice?lang=eng

The Sacrament—and the Sacrifice

By Elder David B. Haight

Of the Quorum of the Twelve Apostles

I pray for your faith and prayers that my utterances will be received and understood “by the Spirit of truth” and that my expressions will be given “by the Spirit of truth” so that we might all be “edified and rejoice together.” (See D&C 50:21–22.)

As I stand here today—a well man—words of gratitude and acknowledgment of divine intervention are so very inadequate in expressing the feelings in my soul.

Six months ago at the April general conference, I was excused from speaking as I was convalescing from a serious operation. My life has been spared, and I now have the pleasant opportunity of acknowledging the blessings, comfort, and ready aid of my Brethren in the First Presidency and Quorum of the Twelve, and other wonderful associates and friends to whom I owe so much and who surrounded my dear wife, Ruby, and my family with their time, attention, and prayers. For the inspired doctors and thoughtful nurses I express my deepest gratitude, and for the thoughtful letters and messages of faith and hope received from many places in the world, many expressing, “You have been in our prayers” or “We have been asking our Heavenly Father to spare your life.” Your prayers and mine, thankfully, have been answered.

One unusual card caused me to ponder upon the majesty of it all. It is an original painting by Arta Romney Ballif of the heavens at night with its myriad golden stars. Her caption, taken from Psalms, reads:

“Praise ye the Lord: …

“He healeth the broken in heart, and bindeth up their wounds.

“He telleth the number of the stars; he calleth them all by their names.

“… His understanding is infinite.” (Ps. 147:1, 3–5.)

As I lay in the hospital bed, I meditated on all that had happened to me and studied the contemplative painting by President Marion G. Romney’s sister and the lines from Psalms: “He telleth the number of the stars; he calleth them all by their names.” I was then—and continue to be—awed by the goodness and majesty of the Creator, who knows not only the names of the stars but knows your name and my name—each of us as His sons and daughters.

The psalmist, David, wrote:

“When I consider thy heavens, the work of thy fingers, the moon and the stars, which thou hast ordained;

“What is man, that thou art mindful of him? …

“For thou hast made him a little lower than the angels, and hast crowned him with glory and honour.” (Ps. 8:3–5.)

To be remembered is a wonderful thing.

The evening of my health crisis, I knew something very serious had happened to me. Events happened so swiftly—the pain striking with such intensity, my dear Ruby phoning the doctor and our family, and I on my knees leaning over the bathtub for support and some comfort and hoped relief from the pain. I was pleading to my Heavenly Father to spare my life a while longer to give me a little more time to do His work, if it was His will.

While still praying, I began to lose consciousness. The siren of the paramedic truck was the last that I remembered before unconsciousness overtook me, which would last for the next several days.

The terrible pain and commotion of people ceased. I was now in a calm, peaceful setting; all was serene and quiet. I was conscious of two persons in the distance on a hillside, one standing on a higher level than the other. Detailed features were not discernible. The person on the higher level was pointing to something I could not see.

I heard no voices but was conscious of being in a holy presence and atmosphere. During the hours and days that followed, there was impressed again and again upon my mind the eternal mission and exalted position of the Son of Man. I witness to you that He is Jesus the Christ, the Son of God, Savior to all, Redeemer of all mankind, Bestower of infinite love, mercy, and forgiveness, the Light and Life of the world. I knew this truth before—I had never doubted nor wondered. But now I knew, because of the impressions of the Spirit upon my heart and soul, these divine truths in a most unusual way.

I was shown a panoramic view of His earthly ministry: His baptism, His teaching, His healing the sick and lame, the mock trial, His crucifixion, His resurrection and ascension. There followed scenes of His earthly ministry to my mind in impressive detail, confirming scriptural eyewitness accounts. I was being taught, and the eyes of my understanding were opened by the Holy Spirit of God so as to behold many things.

The first scene was of the Savior and His Apostles in the upper chamber on the eve of His betrayal. Following the Passover supper, He instructed and prepared the sacrament of the Lord’s Supper for His dearest friends as a remembrance of His coming sacrifice. It was so impressively portrayed to me—the overwhelming love of the Savior for each. I witnessed His thoughtful concern for significant details—the washing of the dusty feet of each Apostle, His breaking and blessing of the loaf of dark bread and blessing of the wine, then His dreadful disclosure that one would betray Him.

He explained Judas’s departure and told the others of the events soon to take place.

Then followed the Savior’s solemn discourse when He said to the Eleven: “These things I have spoken unto you, that in me ye might have peace. In the world ye shall have tribulation: but be of good cheer; I have overcome the world.” (John 16:33.)

Our Savior prayed to His Father and acknowledged the Father as the source of His authority and power—even to the extending of eternal life to all who are worthy.

He prayed, “And this is life eternal, that they might know thee the only true God, and Jesus Christ, whom thou hast sent.”

Jesus then reverently added:

“I have glorified thee on the earth: I have finished the work which thou gavest me to do.

“And now, O Father, glorify thou me with thine own self with the glory which I had with thee before the world was.” (John 17:3–5.)

He pled not only for the disciples called out from the world who had been true to their testimony of Him, “but for them also which shall believe on me through their word.” (John 17:20.)

When they had sung a hymn, Jesus and the Eleven went out to the Mount of Olives. There, in the garden, in some manner beyond our comprehension, the Savior took upon Himself the burden of the sins of mankind from Adam to the end of the world. His agony in the garden, Luke tells us, was so intense “his sweat was as … great drops of blood falling … to the ground.” (Luke 22:44.) He suffered an agony and a burden the like of which no human person would be able to bear. In that hour of anguish our Savior overcame all the power of Satan.

The glorified Lord revealed to Joseph Smith this admonition to all mankind:

“Therefore I command you to repent …

“For … I, God, … suffered … for all, that they might not suffer if they would repent; …

“Which suffering caused myself, even God, the greatest of all, to tremble because of pain, and to bleed at every pore, …

“Wherefore, I command you again to repent, lest I humble you with my almighty power; and that you confess your sins, lest you suffer these punishments.” (D&C 19:15–16, 18, 20.)

During those days of unconsciousness I was given, by the gift and power of the Holy Ghost, a more perfect knowledge of His mission. I was also given a more complete understanding of what it means to exercise, in His name, the authority to unlock the mysteries of the kingdom of heaven for the salvation of all who are faithful. My soul was taught over and over again the events of the betrayal, the mock trial, the scourging of the flesh of even one of the Godhead. I witnessed His struggling up the hill in His weakened condition carrying the cross and His being stretched upon it as it lay on the ground, that the crude spikes could be driven with a mallet into His hands and wrists and feet to secure His body as it hung on the cross for public display.

Crucifixion—the horrible and painful death which He suffered—was chosen from the beginning. By that excruciating death, He descended below all things, as is recorded, that through His resurrection He would ascend above all things. (See D&C 88:6.)

Jesus Christ died in the literal sense in which we will all die. His body lay in the tomb. The immortal spirit of Jesus, chosen as the Savior of mankind, went to those myriads of spirits who had departed mortal life with varying degrees of righteousness to God’s laws. He taught them the “glorious tidings of redemption from the bondage of death, and of possible salvation, … [which was] part of [our] Savior’s foreappointed and unique service to the human family.” (James E. Talmage, Jesus the Christ, Salt Lake City: Deseret Book Co., 1977, p. 671.)

I cannot begin to convey to you the deep impact that these scenes have confirmed upon my soul. I sense their eternal meaning and realize that “nothing in the entire plan of salvation compares in any way in importance with that most transcendent of all events, the atoning sacrifice of our Lord. It is the most important single thing that has ever occurred in the entire history of created things; it is the rock foundation upon which the gospel and all other things rest,” as has been declared. (Bruce R. McConkie, Mormon Doctrine, Salt Lake City: Bookcraft, 1966, p. 60.)

Father Lehi taught his son Jacob and us today:

“Wherefore, redemption cometh in and through the Holy Messiah; for he is full of grace and truth.

“Behold, he offereth himself a sacrifice for sin, to answer the ends of the law, unto all those who have a broken heart and a contrite spirit; and unto none else can the ends of the law be answered.

“Wherefore, how great the importance to make these things known unto the inhabitants of the earth, that they may know that there is no flesh that can dwell in the presence of God, save it be through the merits, and mercy, and grace of the Holy Messiah, who layeth down his life according to the flesh, and taketh it again by the power of the Spirit, that he may bring to pass the resurrection of the dead, being the first that should rise.

“Wherefore, he is the firstfruits unto God, inasmuch as he shall make intercession for all the children of men; and they that believe in him shall be saved.” (2 Ne. 2:6–9.)

Our most valuable worship experience in the sacrament meeting is the sacred ordinance of the sacrament, for it provides the opportunity to focus our minds and hearts upon the Savior and His sacrifice.

The Apostle Paul warned the early Saints against eating this bread and drinking this cup of the Lord unworthily. (See 1 Cor. 11:27–30.)

Our Savior Himself instructed the Nephites, “Whoso eateth and drinketh my flesh and blood unworthily [brings] damnation to his soul.” (3 Ne. 18:29.)

Worthy partakers of the sacrament are in harmony with the Lord and put themselves under covenant with Him to always remember His sacrifice for the sins of the world, to take upon them the name of Christ and to always remember Him, and to keep His commandments. The Savior covenants that we who do so shall have His spirit to be with us and that, if faithful to the end, we may inherit eternal life.

Our Lord revealed to Joseph Smith that “there is no gift greater than the gift of salvation,” which plan includes the ordinance of the sacrament as a continuous reminder of the Savior’s atoning sacrifice. He gave instructions that “it is expedient that the church meet together often to partake of bread and wine in the remembrance of the Lord Jesus.” (D&C 6:13; D&C 20:75.)

Immortality comes to us all as a free gift by the grace of God alone, without works of righteousness. Eternal life, however, is the reward for obedience to the laws and ordinances of His gospel.

I testify to all of you that our Heavenly Father does answer our righteous pleadings. The added knowledge which has come to me has made a great impact upon my life. The gift of the Holy Ghost is a priceless possession and opens the door to our ongoing knowledge of God and eternal joy. Of this I bear witness, in the holy name of Jesus Christ, amen.

Permalink | 記事への反応(0) | 00:25

ツイートシェア

■意訳するのも、もう人間の仕事じゃないんだな

chatgptにこの歌詞をロマンチックに詩的に翻訳してもらった

https://music.oricon.co.jp/php/lyrics/LyricsDisp.php?music=3929926

The singing sea

歌う海音に酔いしれ

The talking trees

話す木々が囁きかけ

A Silent in a noisy way

静かなのに大騒ぎ

The stars are bright

星たちが輝く

But give no light

でも光を放たない

The world spins backward everyday

世界は毎日逆回転

A rainbow rat

虹のネズミと

A checkered cat

チェック模様の猫

Go tail in tail around the road

尾を引っ張りながら道を巡る

The mouse is pleased

ねずみは喜ぶ

The moon is cheese

月はチーズであり

The sun is shining hot and cold

太陽は熱いと寒い光を放つ

A golden bird

黄金の鳥が歌い出す

Today I heard

今日聞いた

Sitting upon a silver branch

銀の枝に座っていた

His little song was very long

その小さな歌は心を打つ

Which made me sad and start to laugh

それが私を悲しくさせ、笑わせた

My sister is he

私の妹は彼

My brother is she

私の兄は彼女

But there is only me in the family

でも家族の中には私だけ

When I grow up

私が大きくなったら

I'll go down

川を下りて

The river to the Singing Sea

歌う海を目指す

Permalink | 記事への反応(0) | 13:30

ツイートシェア

■anond:20230210120011

一時期ずっとiPad AirのCMで流れていたウォルト・ホイットマンの詩「O Me! O Life!」。

訳してみた。

----------------------------------------------------------------------------------

O Me! O Life!

O me! O life!... of the questions of these recurring

Of the endless trains of the faithless--of cities fill'd with the foolish

Of myself forever reproaching myself, (for who more foolish than I, and who more faithless?)

Of eyes that vainly crave the light--of the objects mean--of the struggle ever renew'd

Of the poor results of all--of the plodding and sordid crowds I see around me

Of the empty and useless years of the rest--with the rest me intertwined

The question, O me! so sad, recurring--What good amid these, O me, O life?

Answer.

That you are here--that life exists, and identity

That the powerful play goes on, and you will contribute a verse

----------------------------------------------------------------------------------

おお私よ！人生よ！

おお私よ！人生よ！...幾度となく繰り返される疑問の数々。

何処までも続く不信心者たちの長蛇の列、馬鹿者で満たされた都会の街、

永遠と自分を責め続ける私自身、（最も馬鹿で不信心なの私ではないだろうか？）、

あてもなく光を求める虚ろな目や、卑怯な物事、絶えず繰り返される悪あがきや、

全ての残念な結果、周りにいるだらしなく不潔な連中や、

残された空虚で無意味な残りの歳月、私に絡みつく残りの事象に。

質問。私よ、悲しくも繰り返される、この渦中に少しでも良いことはあるのだろうか？私よ、人生よ。

解答。

それは「お前がここにいる」ということ。そこに生命が存在し、アデンティティがあるということ。

その演技は力強く続き、そしていつの日か一節を捧げるのだ。

Permalink | 記事への反応(0) | 16:59

ツイートシェア

■ChatGPTにお前はどうやって実装されてんの？って聞いてみたら

マジレスされてチビッた．こりゃGoogleさんもビビるわけだ．

ぼく：

How were you implemented? Is it deep learning-based?

ChatGPT:

I am a language model called GPT-3 (Generative Pre-trained Transformer 3) that was developed by OpenAI. It is a deep learning-based model that uses a type of neural network called a transformer, which was trained on a large dataset of text to learn patterns of language.

GPT-3 is trained using a technique called unsupervised learning, where the model is given a massive amount of text data and uses this data to learn patterns and relationships in the language. This allows GPT-3 to generate human-like text when given a prompt, and to understand and respond to natural language input.

The training process of GPT-3 involves a technique called pre-training, which means that the model is trained on a massive dataset before being fine-tuned on a smaller task-specific dataset. This pre-training allows GPT-3 to have a good general understanding of the language and to be able to adapt to specific tasks more easily.

The GPT-3 model has 175 billion parameters, which is one of the largest language models to date, making it able to generate very human-like text and to understand context in a very natural way.

ぼく：

How does GPT-3 have a knowledgebase like an ontology? As it is deep learning-based, the knowledgebase like an ontology would not be implemented explicitly, but the structure should be designed with an expectation of having such a knowledge about hierarchy of concepts.

ChatGPT:

GPT-3, like other deep learning models, does not have an explicit knowledgebase or ontology built into its structure. Instead, it has been trained on a large dataset of text, which allows it to learn patterns and relationships between concepts.

However, the training data that GPT-3 was exposed to, likely contains a wide range of concepts and hierarchical structures. As GPT-3 learns patterns in the data, it can begin to understand the relationships between different concepts and ideas, and how they are related to each other. This allows the model to generate text that is more coherent and semantically meaningful, making it possible to understand the context and hierarchy of concepts, but it does not have an explicit ontology like a knowledge graph.

It can be said that GPT-3 has a certain level of "implicit ontology", in the sense that it has learned the relationships between concepts in a way that is similar to how a knowledge graph or ontology organizes information. However, it's important to note that GPT-3's understanding of concepts and relationships is based on the patterns it has learned from the training data, which is not a structured and explicit knowledgebase like an ontology.

ぼく：

Then how does GPT-3 handle the long-term or short term memories? Can it remember information about the on-going chatting? My name is Masuda, can GPT-3 keep it in the memory? Furthermore, can it learn and understand the new information from the Q-A queries, and use it in the future queries?

ChatGPT:

GPT-3 handles long-term and short-term memories differently. When it generates text, it uses a technique called attention mechanism which allows the model to focus on certain parts of the input while generating the output. This allows GPT-3 to keep track of previous information and context when generating text, which can be thought of as a form of short-term memory.

Regarding the on-going chatting, GPT-3 can keep track of certain information, like the name you've provided, Masuda, during the conversation and use it in future responses. However, it's important to note that GPT-3 is a stateless model, which means that it doesn't have a permanent memory that it can refer to after a conversation ends.

Regarding learning from Q-A, GPT-3 is trained on a massive dataset of text, and it learns patterns and relationships between concepts from this data. It can generate text that is semantically meaningful and coherent, but it does not have the capability to learn new information from Q-A sessions and use it in future queries. However, OpenAI has developed another model called DALL-E, which uses GPT-3 and it is capable of learning from Q-A sessions and use it in future queries.

ぼく：

Is ChatGPT superior to the Google search? Previously people used Google to search for their questions. Now a days, ChatGPT can answer to those questions. What are pros and cons of ChatGPT over the Google search?

ChatGPT:

ChatGPT and Google search are different technologies with different capabilities and strengths.

Google search is a powerful web search engine that can quickly find relevant information from a vast amount of web pages and documents. It uses complex algorithms to rank and sort search results based on relevance, popularity, and other factors. Google search is very good at providing factual information and is an excellent tool for researching a wide range of topics.

ChatGPT, on the other hand, is a natural language processing model that can generate human-like text. It is trained on a large dataset of text and uses this knowledge to understand and respond to natural language input. ChatGPT can generate text that is more coherent and semantically meaningful than a simple information retrieval engine like Google search. ChatGPT can also be used to generate text that is more engaging and human-like, such as in chatbots and virtual assistants.

One of the main advantages of ChatGPT over Google search is its ability to understand and respond to natural language input in a more human-like way. ChatGPT can also generate text that is more coherent and semantically meaningful, which can be useful in many applications. However, Google search is better at providing factual information and searching for specific pieces of information.

Another disadvantage of ChatGPT is that it doesn't have the ability to retrieve information from the web, it can only generate text based on the patterns it has learned from the training data. That's why it's not a replacement for a web search engine like Google but it can be used as an additional tool to help people to find the information they are looking for.

In summary, ChatGPT and Google search have different strengths and capabilities. While Google search is better at providing factual information, ChatGPT is better at understanding and responding to natural language input in a more human-like way.

ぼく：

Why don't ChatGPT refer to Google search in the generation of the conversation? Google Assistant has such a function. Is the reason due to the fact that OpenAI is funded by Google?

ChatGPT:

ChatGPT is a language model that generates text based on the patterns it has learned from the training data. While it can understand and respond to natural language input in a human-like way, it does not have the capability to access external sources of information like Google search.

Google Assistant, on the other hand, is a virtual assistant that can access a wide range of information and services through the internet, including Google search. Google Assistant can use this information to provide more accurate and relevant responses to user queries.

The reason ChatGPT does not refer to Google search during the generation of the conversation is likely because it was not designed or trained to do so. Instead, it was designed to generate text based on the patterns it has learned from the training data, and it does not have the capability to access external sources of information.

It's worth noting that OpenAI and Google are separate organizations, even though Google is an investor in OpenAI, this doesn't necessarily mean that the two companies work together on their products and services. OpenAI has its own development team, goals and roadmap and they are independent from Google.

ぼく：

I am going to post this conversation with ChatGPT in the anonymous diary of Hatena co. What should I do for attracting people to get many bookmarks?

ChatGPT:

There are several things you can do to attract people and increase the chances of your conversation with ChatGPT getting many bookmarks on Hatena diary. Some suggestions include:

1. Make sure your conversation is well-written and easy to understand. Use clear and concise language, and consider formatting your text in a way that makes it easy to read.

2. Use relevant keywords and hashtags in your diary entry. This can help make your conversation more discoverable to people searching for related topics on Hatena diary.

3. Include images or videos in your diary entry. This can make your conversation more visually appealing and can help attract more readers.

4. Share your diary entry on social media or other platforms. This can help increase the visibility of your conversation and attract more readers.

5. Encourage readers to share their thoughts and opinions on your conversation by including a call to action or a question at the end of your diary entry.

6. Finally, you can also try to participate in the conversation on Hatena diary, by answering the questions, responding to the comments, and engaging with your readers.

It's important to remember that getting many bookmarks on a diary is not easy and it can take time and effort to build an audience. But by following these tips and being consistent with your diary entry, you will increase the chances of attracting more readers and getting more bookmarks.

ぼく：

Thank you. By the way, what is my name?

ChatGPT:

You've mentioned your name is Masuda.

Permalink | 記事への反応(4) | 13:38

ツイートシェア

■

GOTY2022ノミネート作品の対応プラットフォーム一覧(俺調べ)

Switchだけでしか遊べないソフト 9本

PS4/5だけでしか遊べないソフト 4本

XBOXだけでしか遊べないソフト 2本

PCだけでしか遊べないソフト 11本

Swtichでは遊べないソフト 33本

PS4/PS5では遊べないソフト 27本

XBOXでは遊べないソフト 34本

PCでは遊べないソフト 14本

Permalink | 記事への反応(0) | 03:12

ツイートシェア