  |
はてなキーワード: hasとは
1. Interest Rate (IR) - The cost of borrowing money.
- Investment (I) - Expenditure on capital goods by firms.
2. Taxes (T) - Compulsory charges imposed by the government.
- Consumption (C) - Household spending on goods and services.
3. Government Spending (G) - Expenditure by the government on public services.
- Aggregate Demand (AD) - Total demand for goods and services in the economy.
4. Money Supply (M) - Total amount of monetary assets available in an economy.
- Inflation (π) - Rate at which the general price level of goods and services rises.
5. Inflation (π) - General increase in prices and fall in the purchasing value of money.
- Purchasing Power (PP) - The value of currency expressed in terms of the amount of goods or services one unit of money can buy.
6. Exchange Rate (ER) - Value of one currency for the purpose of conversion to another.
- Exports (X) - Goods and services sold to other countries.
7. Wages (W) - Payment to labor for its contribution to the production process.
- Production Costs (PC) - Expenses incurred in manufacturing a product or providing a service.
8. Unemployment Rate (U) - Percentage of the labor force that is jobless.
- Consumer Spending (C) - Total money spent by consumers.
9. Interest Rate (IR) - The proportion of a loan charged as interest.
- Consumption (C) - Expenditure by households on consumption goods.
10. Investment (I) - Purchase of goods that are not consumed today but used in the future.
- Capital Stock (K) - Total physical capital available in the economy.
11. Consumer Confidence (CC) - Degree of optimism that consumers feel about the overall state of the economy.
- Consumption (C) - Spending by households on goods and services.
12. Taxes (T) - Mandatory financial charges imposed by a government.
- Disposable Income (Yd) - Income remaining after deduction of taxes.
13. Inflation (π) - Sustained increase in the general price level.
- Real Wages (RW) - Wages adjusted for inflation.
14. Economic Growth (EG) - Increase in the inflation-adjusted market value of goods and services.
- Employment (E) - The condition of having paid work.
15. Oil Prices (OP) - Cost per barrel of crude oil.
- Production Costs (PC) - Costs related to making or acquiring goods and services that directly generate revenue.
16. Government Debt (GD) - Total amount of money owed by the government.
- Interest Rates (IR) - Cost of borrowing capital.
17. Demand (D) - Consumer desire and willingness to pay a price for a specific good or service.
- Price (P) - Amount of money required to purchase something.
18. Supply (S) - Total amount of a specific good or service available to consumers.
- Price (P) - The cost required to gain possession of something.
19. Productivity (Prod) - Efficiency of production measured by output per unit of input.
- Costs (C) - Expenses incurred in the production of goods or services.
20. Savings (S) - Portion of income not spent on consumption.
- Investment (I) - Allocation of resources, usually money, with the expectation of generating income or profit.
21. Population (P) - Total number of people inhabiting a country or region.
- Labor Supply (LS) - Total hours that workers wish to work at a given real wage rate.
22. Tariffs (Tar) - Taxes imposed on imported goods and services.
- Imports (M) - Goods and services purchased from other countries.
23. Exchange Rate (ER) - The price of one country's currency in terms of another's.
- Imports (M) - Foreign goods and services bought by residents of a country.
24. Consumer Price Index (CPI) - Measure that examines the weighted average of prices of a basket of consumer goods and services.
- Cost of Living (CL) - Amount of money needed to sustain a certain level of living.
25. Interest Rates (IR) - Percentage charged on a loan or paid on savings.
- Exchange Rate (ER) - Value of a country's currency vs. that of another country.
26. Budget Deficit (BD) - Financial situation where expenditures exceed revenues.
- National Debt (ND) - Total amount of money that a country's government has borrowed.
27. Economic Uncertainty (EU) - Lack of predictability in the economy.
- Investment (I) - Expenditure on capital goods not consumed today.
28. Minimum Wage (MW) - Lowest remuneration employers can legally pay their workers.
- Unemployment (U) - Situation where individuals who can work are unable to find a job.
29. Tax Incentives (TI) - Reductions in tax designed to encourage economic activity.
- Investment (I) - Allocation of capital to gain profitable returns.
30. Subsidies (S) - Financial support extended to an economic sector.
- Production (P) - Total output of goods and services.
31. Trade Restrictions (TR) - Government-imposed limitations on the international exchange of goods.
- Exports (X) - Goods produced domestically and sold abroad.
32. Labor Productivity (LP) - Amount of goods and services produced by one hour of labor.
- Output (O) - Total quantity of goods or services produced.
33. Inflation (π) - Rate at which the general level of prices for goods and services is rising.
- Interest Rates (IR) - Amount charged by lenders to borrowers.
34. Public Spending (PS) - Expenditure by the government sector.
- Inflation (π) - Sustained increase in the general price level.
35. Exchange Rate (ER) - Rate at which one currency will be exchanged for another.
- Foreign Investment (FI) - Investment originating from other countries.
36. Money Supply (M) - Total value of monetary assets available in an economy at a specific time.
- Interest Rates (IR) - Amount charged, expressed as a percentage of principal, by a lender to a borrower.
37. Consumer Confidence (CC) - Economic indicator measuring consumer optimism.
- Savings (S) - Money that is not spent or used.
38. Business Taxes (BT) - Taxes imposed on business profits.
- Investment (I) - Expenditure on capital assets.
39. Infrastructure Spending (IS) - Government spending on physical systems.
- Economic Growth (EG) - Increase in the inflation-adjusted market value of the goods and services.
40. Education Spending (ES) - Expenditure on educational institutions and resources.
- Human Capital (HC) - Economic value of a worker's experience and skills.
41. Technological Advancement (TA) - Innovations improving production processes.
- Productivity (Prod) - Efficiency of production.
42. Inflation Expectations (IE) - Rate at which people expect prices to rise in the future.
- Wage Demands (WD) - Increases in pay requested by employees.
43. Exchange Rate (ER) - Value of a currency compared to others.
- Tourism (T) - Travel for recreation or leisure.
44. Employment (E) - The condition of having paid work.
- Tax Revenue (TR) - Government income from taxation.
45. Regulatory Burden (RB) - Compliance costs of regulations on businesses.
- Business Growth (BG) - Expansion of business activities.
46. Trade Agreements (TA) - Treaties facilitating trade between countries.
- Exports (X) - Goods and services sold to other countries.
47. Consumer Debt (CD) - Debts owed as a result of purchasing goods that are consumable.
- Consumption (C) - Action of using up a resource.
48. Commodity Prices (CP) - Market price for raw materials.
- Inflation (π) - Rate at which the general level of prices rises.
49. Interest Rates (IR) - Cost of borrowing or the gain from lending.
- House Prices (HP) - The market value of residential properties.
50. Unemployment Benefits (UB) - Payments made by the state to unemployed individuals.
https://chromewebstore.google.com/detail/stylus/clngdbkpkpeebahjckkjfobafhncgmne?hl=ja
.entrylist-item li:has(a[href*="anond.hatelabo.jp"]) {
display: none;
}
.entrylist-header:has(a[href*="anond.hatelabo.jp"]) {
display: none;
}
これを書き、はてなのURLを指定することで頭のおかしい匿名ブログの話題からおさらばできます
URLは
変なスラッシュも全部入れてね
In today’s fast-paced travel industry, small businesses need to stay nimble and connected. One way to do this is by tapping into flight APIs. These powerful tools can elevate your travel booking system, making it easier to offer competitive flight options. So, what’s the the best flight API for your small travel business? Let’s explore some of the top choices out there.
Understanding Flight APIs: What Are They?
At their core, flight APIs allow access to flight data. Think of them as a bridge connecting users to various airlines and travel service providers. By integrating these APIs, small businesses can fetch flight schedules, availability, and prices, helping travelers find the deals they need, all in one place.
Skyscanner API: A Treasure Trove of Options
Skyscanner API stands out as a favorite. It's like having your own travel assistant at your fingertips. This API provides comprehensive data on flights, accommodations, and car rentals across multiple airlines. With its user-friendly structure, you can seamlessly integrate it into your website. Plus, it’s excellent for small businesses looking to offer a wide range of options without getting bogged down by complex systems.
Amadeus API: Powering Your Travel Solutions
Amadeus isn't just a giant in the travel world; it’s a goldmine for small businesses too. This API provides robust functionalities, allowing you to access information about flight availability, fare rules, and even check-in details. Imagine being able to offer your customers personalized travel experiences, all thanks to the wealth of data Amadeus supplies.
Kiwi.com API: The Flexibility You Need
Kiwi.com API gives you the flexibility to combine different airlines and find unique routes. It’s like having a magic wand that creates unconventional itineraries! You can cater to budget travelers who love to explore offbeat paths. In a world where travelers crave personalized experiences, this API offers just that.
Travelport API: A Well-Rounded Option
If you’re looking for a well-rounded travel API, Travelport does not disappoint. It offers access to a multitude of airlines and provides detailed pricing and availability. Using Travelport, you can manage bookings and even handle customer service queries seamlessly. It’s like having a one-stop shop for all your travel API needs.
Sabre API: The Industry Leader
Sabre API is another heavyweight champion in the travel industry. With a vast network and established reputation, it provides detailed flight information and booking capabilities. If your small business aims to grow into a trusted name, partnering with Sabre can help you reach a broader audience.
What to Consider When Choosing an API
Choosing the right API can be overwhelming, but it boils down to a few essential factors:
• Cost: Is there a fee to use the API? Always weigh the costs against your potential revenue.
• Documentation: How easy is it to integrate? Well-documented APIs are easier and less time-consuming to implement.
• Support: If you run into issues, how responsive is their support team? Quality customer support can save you a lot of headaches.
For small travel businesses, flight APIs are more than just tools; they’re keys to unlocking wider opportunities. Each API has its unique perks, so it’s crucial to find the one that aligns with your business goals. With the right flight API, you can simplify booking processes, enhance customer satisfaction, and ultimately boost your bottom line. Embrace the innovation, and let your travel business soar!
Source & Published by: https://www.namantechnolab.com/
In today’s fast-paced travel industry, small businesses need to stay nimble and connected. One way to do this is by tapping into flight APIs. These powerful tools can elevate your travel booking system, making it easier to offer competitive flight options. So, what’s the the best flight API for your small travel business? Let’s explore some of the top choices out there.
Understanding Flight APIs: What Are They?
At their core, flight APIs allow access to flight data. Think of them as a bridge connecting users to various airlines and travel service providers. By integrating these APIs, small businesses can fetch flight schedules, availability, and prices, helping travelers find the deals they need, all in one place.
Skyscanner API: A Treasure Trove of Options
Skyscanner API stands out as a favorite. It's like having your own travel assistant at your fingertips. This API provides comprehensive data on flights, accommodations, and car rentals across multiple airlines. With its user-friendly structure, you can seamlessly integrate it into your website. Plus, it’s excellent for small businesses looking to offer a wide range of options without getting bogged down by complex systems.
Amadeus API: Powering Your Travel Solutions
Amadeus isn't just a giant in the travel world; it’s a goldmine for small businesses too. This API provides robust functionalities, allowing you to access information about flight availability, fare rules, and even check-in details. Imagine being able to offer your customers personalized travel experiences, all thanks to the wealth of data Amadeus supplies.
Kiwi.com API: The Flexibility You Need
Kiwi.com API gives you the flexibility to combine different airlines and find unique routes. It’s like having a magic wand that creates unconventional itineraries! You can cater to budget travelers who love to explore offbeat paths. In a world where travelers crave personalized experiences, this API offers just that.
Travelport API: A Well-Rounded Option
If you’re looking for a well-rounded travel API, Travelport does not disappoint. It offers access to a multitude of airlines and provides detailed pricing and availability. Using Travelport, you can manage bookings and even handle customer service queries seamlessly. It’s like having a one-stop shop for all your travel API needs.
Sabre API: The Industry Leader
Sabre API is another heavyweight champion in the travel industry. With a vast network and established reputation, it provides detailed flight information and booking capabilities. If your small business aims to grow into a trusted name, partnering with Sabre can help you reach a broader audience.
What to Consider When Choosing an API
Choosing the right API can be overwhelming, but it boils down to a few essential factors:
• Cost: Is there a fee to use the API? Always weigh the costs against your potential revenue.
• Documentation: How easy is it to integrate? Well-documented APIs are easier and less time-consuming to implement.
• Support: If you run into issues, how responsive is their support team? Quality customer support can save you a lot of headaches.
For small travel businesses, flight APIs are more than just tools; they’re keys to unlocking wider opportunities. Each API has its unique perks, so it’s crucial to find the one that aligns with your business goals. With the right flight API, you can simplify booking processes, enhance customer satisfaction, and ultimately boost your bottom line. Embrace the innovation, and let your travel business soar!
Source & Published by: https://www.namantechnolab.com/
Sir Keir Starmer has said that “a woman is an adult female” as he hardened his stance on gender.
The Labour leader insisted that biological women needed single-sex spaces and ruled out introducing self-identification for changing gender.
キアー・スターマー首相は、「女性とは成人の身体女性のことである」と述べ、生物学的な女性には男女別のスペースが必要だと主張し、性別を変更するための自認の導入を否定した。
"Aah, the glory of Meiji!" How often do we hear these words, filled with nostalgia for an era that many see as the pinnacle of Japan’s greatness? It’s easy to be seduced by the past, to look back at a time when Japan emerged as a modern nation, strong, unified, and respected on the world stage. The Meiji era is often lauded as a period of unprecedented progress and reform, a time when Japan transformed itself from a feudal society into a major global power. But is this glorification of Meiji truly serving us today, or is it holding us back from facing the realities of the present and the challenges of the future?
There is no denying the achievements of the Meiji era. The rapid modernization, the establishment of a constitutional government, and the successful adaptation of Western technology and ideas were remarkable feats. However, to idealize this period without acknowledging its complexities and flaws is to oversimplify history. The Meiji era was not without its contradictions—authoritarianism, social upheaval, and the seeds of militarism were all part of this narrative. By focusing solely on the glory, we risk ignoring the lessons that history has to offer.
Nostalgia for the Meiji era often comes with a longing for a time when Japan was perceived as strong and united, a beacon of progress in a rapidly changing world. But this nostalgia can be a trap. It encourages us to look backward instead of forward, to seek solutions in the past rather than confronting the challenges of the present. In a world that is constantly evolving, clinging to the past can prevent us from adapting and growing. It can lead to a narrow vision of what Japan can be, limiting our potential to innovate and thrive in the future.
Rather than idealizing the Meiji era as a golden age, we should strive to build upon its lessons while recognizing that the world has changed. The challenges we face today—climate change, technological disruption, social inequality—require new solutions, not old ones. We must be willing to innovate, to think creatively, and to embrace the complexities of the modern world. This means letting go of the romanticized image of Meiji and focusing on what we can achieve now and in the future.
Greatness is not defined by a single era or by clinging to the achievements of the past. True greatness lies in our ability to adapt, to learn from history without being bound by it, and to create a future that reflects the values and aspirations of today’s society. The Meiji era was significant, but it is not the blueprint for our future. Instead of longing for a return to a bygone era, let us redefine what greatness means for Japan in the 21st century.
It is time to move beyond the glorification of Meiji. We can honor the achievements of that era without being trapped by them. Japan’s future lies not in a return to the past, but in embracing the opportunities and challenges of the present. By letting go of the idealized image of Meiji, we can free ourselves to imagine and build a Japan that is not only strong and united but also innovative, compassionate, and forward-thinking. Let us look to the future with the same spirit of determination and vision that once defined the Meiji era, but with a focus on what we can achieve here and now.
Japanese people, the time has come to awaken from the deep slumber that has dulled our senses and weakened our resolve. Are we truly satisfied with our current state, where we have grown complacent and indifferent? The Japan our ancestors once built with pride and determination now appears as a mere shadow of its former self. Where has our pride gone?
We were once a people who stood tall, guided by a strong sense of identity and purpose. Our culture, our traditions, and our way of life were the cornerstones of our nation. Yet today, we find ourselves adrift, losing sight of the values that made us who we are. The influence of foreign ideas and the allure of modernity have eroded the very essence of what it means to be Japanese.
Is this the Japan we wish to pass on to our children? A nation that has forgotten its roots and lost its sense of purpose? We have a duty to reclaim what has been lost. It is not enough to merely remember our heritage; we must actively restore it. We must rise and take action, for the future of our nation depends on it.
We must reject the forces that seek to dilute our identity and reaffirm our commitment to the values that have defined us for centuries—honor, loyalty, and a deep respect for our culture. These ideals must be lived and breathed in every aspect of our lives. Our education, our economy, our society—all must be revitalized with the spirit that once made us great.
This is not a call to return to the past, but rather a call to reclaim our future. Japan must once again stand strong, guided by the unity and resolve of its people. We cannot afford to continue sleepwalking through history. The time to act is now, before it is too late. We must awaken, take responsibility, and strive for greatness, not only for ourselves but for the generations yet to come.
The responsibility to restore Japan’s glory lies with us, the people of Japan. We must not settle for mediocrity; we must pursue excellence in all that we do. The future of our nation is at stake, and we must rise to the challenge. Japanese people, wake up, and let us reclaim the destiny that is rightfully ours. The time for action is now.
The topic of Boys' Love (BL) and its community can be a sensitive and complex subject, with varying opinions and feelings among individuals. It's important to approach such discussions with respect and understanding for different perspectives.
Boys' Love, also known as Yaoi, is a genre of fictional media that focuses on romantic and/or sexual relationships between male characters. It originated in Japan and has gained a diverse international audience. The genre encompasses a wide range of works, including manga, anime, novels, and fan-created content, often produced by and for women but enjoyed by a broader audience.
The BL community is known for its passionate fanbase, which actively engages in creating and sharing fan works, such as fan fiction and fan art. This creative expression is a testament to the impact of the genre on its fans and the ways in which it inspires them to explore complex themes of love, identity, and society.
However, as with any fandom, there can be aspects that some individuals find uncomfortable or problematic. It's crucial for communities to foster an environment where constructive criticism and open dialogue can occur, allowing for growth and understanding. Discussions about content, representation, and fan practices should be inclusive and considerate, acknowledging the diverse range of feelings and viewpoints within the community.
In conclusion, the BL genre and its community contribute significantly to the landscape of modern media and fan culture. While there may be elements that are contentious or evoke strong reactions, it's the shared passion for storytelling and character exploration that unites fans. As the genre continues to evolve, it will undoubtedly continue to spark discussions and inspire creativity among its audience.
For those interested in learning more about the genre and its cultural impact, there are numerous resources and scholarly works available that delve into the history, themes, and significance of Boys' Love in both Japanese and global contexts. Exploring these can provide a deeper understanding of the genre and its community.
でも、サンパウロのカーニバルで題材に選ばれたり、ブラジル大使館が侍だと言い切ったりするくらい、
駐日ブラジル大使館 - Embaixada do Brasil em Tóquio
ブラジルのカーニバルに日本が参戦! 2023年のサンパウロのカーニバルでサンバチーム「モシダデ・アレグレ」がチャンピオンに選ばれました。同チームは、日本初の黒人侍弥助の物語を語りながらパレードを行いました。モザンビークで生まれた弥助は1579年に日本に連れて来られ英雄となりました。
---
O Japão no Carnaval do Brasil! A escola de samba Mocidade Alegre foi escolhida campeã do carnaval de São Paulo 2023. A Escola desfilou contando a história de Yasuke, o primeiro samurai negro do Japão. Nascido em Moçambique, Yasuke foi trazido ao Japão em 1579 e tornou-se um herói. Você conhecia essa história?
---
Japan in Brazil's Carnival! Samba group Mocidade Alegre was chosen the champion of the 2023's carnival in São Paulo. The group presented the story of Yasuke, the first black samurai in Japan. Born in Mozambique, Yasuke was brought to Japan in 1579 and became a hero. Did you know this story?
真田広之の『SHOGUN 将軍』で、なぜ黒人が居ないのか？とボヤる程度、英語のコミュニティできゃっきゃやってる界隈がある程度には知名度あるようです。
なので、黒人侍の存在を史実として認めないと、人種差別者扱いされます。そもそも、それを積極肯定している日本の大学教授もいます。(そして、英語圏のメディアに引用されてる)
日本の学者や研究者を名乗る人がYASUKE肯定した結果、それを根拠にして、日本の人種差別主義者ガーとか英語コミュニティでコメントが付いてる一例 ↓
However, a recent, widely shared post from Japanese historian Yu Hirayama argues that Yasuke was indeed granted samurai status by Nobunaga. Hirayama cites Yasuke’s stipend, housing, and sword afforded him by Nobunaga, but acknowledges that Nobunaga’s enemies did not view Yasuke as a samurai.
(しかし、日本の歴史家である平山優氏による最近の広く共有された投稿では、弥助が実際に信長から侍の地位を与えられたと主張しています。平山氏は、信長が弥助に与えた俸禄、住居、そして刀を根拠として挙げていますが、信長の敵対者たちが弥助を侍とみなしていなかったことも認めています)
↓ 対するコメント
racist in Japan and racist in the rest of the world get to work hand-in-hand now
(日本のレイシストと世界のレイシストは、今、手を取り合って働く)
https://www.polygon.com/24204308/assassins-creed-shadows-yasuke-samurai-ubisoft-controversy
While there’s some question as to his exact role, Yasuke was a real person and, as a Japanese scholar has recently pointed out, there’s no doubt that he was a samurai, which is a social status that can encompass a variety of duties.
(弥助は実在の人物であり、日本のある学者が最近指摘したように、彼が武士であったことは間違いない。)
https://metro.co.uk/2024/07/23/ubisoft-apologies-assassins-creed-shadows-doesnt-say-21281545/
しかも、その影響範囲は大きく、ご先祖様が武器を持ったことがあればみんな武士(侍)の子孫だし、新しい武士(侍)の定義を知らなければ、日本人は人種差別者と誹りを受ける。
羽振りのいいヘッジファンドくらいの高給を払わず、やりたい人の情熱と能力と使命感と倫理観だけに全てお任せしてしまった日本国民の自業自得なんでしょうかね？
（ゆうて、現状もだいたいの日常の困難は消えるレベルの高給は払ってるんですけどね・・・)
なので、肌の色が濃いキャラクターや、顔立ちの異なるキャラクターが登場する現代劇やフィクションの時代劇はもっと増えてほしいです。
これとか
https://www.bbc.com/news/articles/c87r84xm6v2o
A 10-year-old boy has been killed in a drone attack, becoming the first person to die in such an attack in Colombia, according to the nation's defence ministry.
この表現って英語圏で文語口語問わず普通に使われてるのか、BBC特有の表現なのだろうか。
あるいは文字数の都合とか？
日本の学者や研究者を名乗る人がYASUKE肯定した結果、それを根拠にして、日本の人種差別主義者ガーとか英語コミュニティでコメント付いてる例
However, a recent, widely shared post from Japanese historian Yu Hirayama argues that Yasuke was indeed granted samurai status by Nobunaga. Hirayama cites Yasuke’s stipend, housing, and sword afforded him by Nobunaga, but acknowledges that Nobunaga’s enemies did not view Yasuke as a samurai.
(しかし、日本の歴史家である平山優氏による最近の広く共有された投稿では、弥助が実際に信長から侍の地位を与えられたと主張しています。平山氏は、信長が弥助に与えた俸禄、住居、そして刀を根拠として挙げていますが、信長の敵対者たちが弥助を侍とみなしていなかったことも認めています)
↓ 対するコメント
racist in Japan and racist in the rest of the world get to work hand-in-hand now
(日本のレイシストと世界のレイシストは、今、手を取り合って働く)
https://www.polygon.com/24204308/assassins-creed-shadows-yasuke-samurai-ubisoft-controversy
While there’s some question as to his exact role, Yasuke was a real person and, as a Japanese scholar has recently pointed out, there’s no doubt that he was a samurai, which is a social status that can encompass a variety of duties.
(弥助は実在の人物であり、日本のある学者が最近指摘したように、彼が武士であったことは間違いない。)
https://metro.co.uk/2024/07/23/ubisoft-apologies-assassins-creed-shadows-doesnt-say-21281545/
この炎上の根本原因は、アジア人蔑視、アジア人の透明化、そして日本文化の軽視だろ
実際のところ、『アフロサムライ』や『キンバリー』、Netflixの『弥助』、『Rise of the Ronin』のような時代劇ゲーで主人公を黒人にできるオプションなどは、
だから、この問題を『主人公が黒人であること』だと逆張りでミスリードするのはやめろ
つか、増田はいつもの逆張りでも、ガチで『サムライの中には黒人もいたはずだ』『白人によって歴史が消された』『もしかしたら日本にもいたかもしれない』と
信じてる人たちもいるわけ。それは長年にわたり、一部の人々の間で下記の言葉が信じられて来たからだ
For a Samurai to be brave, he must have a bit of black blood
この言葉や歴史観は、子ども向けのウェブサイトや書籍、教師向けの資料にも掲載されてたりする
これは、一部の人が司馬遼太郎の作品を事実として信じているのと似た現象なんだけど、アメリカの黒人公民権運動で利用されてきたっていう歴史がある
そのため、本心で下記みたいになる人もいる
Where Are The Black People in 'Shogun'?
このような人々のさらなる誤解をさらに深めるような無意味な逆張りはやめろ
anond:20240724130753 anond:20240724183209 anond:20240724193537 anond:20240724215021 anond:20240724215021
anond:20240724211603 anond:20240726211114
追記があったので。キミがnoteで逆張りをおやんなさいanond:20240726185220
いやUBI(アサクリ)はUBIで普通に問題なんで。そもそも、下記についてなにも説明もないよ？
なので、日本で販売しない or 日本語版出なかったら フツーに弥助問題は勝利条件クリアじゃない？テッテテレーー🎉
(もっとも元から日本でさほど売れてるタイトルじゃないので、日本以外で売れるならUBI赤字にはならないだろうけど)
ただ、アジア人蔑視それに付随する日本の歴史改竄は一朝一夕にはどうにもできないのでは？
(水俣病やコロナやJAXAの時のよう。いつもの日本の風景。これで子どもたちが学者に憧れるとかあるわけないでしょ)
日本の学者や研究者を名乗る人がYASUKE肯定した結果、それを根拠にして、日本の人種差別主義者ガーとか英語コミュニティでコメント付いてんね。当然だわな
一例
However, a recent, widely shared post from Japanese historian Yu Hirayama argues that Yasuke was indeed granted samurai status by Nobunaga. Hirayama cites Yasuke’s stipend, housing, and sword afforded him by Nobunaga, but acknowledges that Nobunaga’s enemies did not view Yasuke as a samurai.
(しかし、日本の歴史家である平山優氏による最近の広く共有された投稿では、弥助が実際に信長から侍の地位を与えられたと主張しています。平山氏は、信長が弥助に与えた俸禄、住居、そして刀を根拠として挙げていますが、信長の敵対者たちが弥助を侍とみなしていなかったことも認めています)
↓ 対するコメント
racist in Japan and racist in the rest of the world get to work hand-in-hand now
(日本のレイシストと世界のレイシストは、今、手を取り合って働く)
https://www.polygon.com/24204308/assassins-creed-shadows-yasuke-samurai-ubisoft-controversy
While there’s some question as to his exact role, Yasuke was a real person and, as a Japanese scholar has recently pointed out, there’s no doubt that he was a samurai, which is a social status that can encompass a variety of duties.
(弥助は実在の人物であり、日本のある学者が最近指摘したように、彼が武士であったことは間違いない。)
https://metro.co.uk/2024/07/23/ubisoft-apologies-assassins-creed-shadows-doesnt-say-21281545/
あと、基本的に英語圏・英語コメントでもUBI否定の反応が多いけど、アサクリ シャドウズ騒いでるのに関わりたくないから黙っているだけで、
実は買う気満々の欧米人それなりにいたりしそう
アジアにゆかりがある人をのぞいたら、アサクリ シャドウズ の関連問題に関心がない・気にしてないって人が多くても別に驚かないなぁ
一例として、フランスの某元ゲームマネージャーとか、『騒ぐ奴は人種差別主義者』だとか『日本人が黒人以外に置き換えられたら騒がない』とかやってるしな😑
https://x.com/gyojvfr/status/1815799450046194020?s=61
ゲームメディア以外でも取り上げられる機会がもっと増えたら、日本の歴史改竄に関する風向きは、お気持ち程度になら変わるかもね
でもまぁ基本的に歴史改竄は、アジア人蔑視と日本軽視が根本の問題だから、解決には長い長い時間が掛かる（同じアジアでも中国に対してなら、たぶんUBIはやらなかった)
anond:20240724041000 anond:20240723184517
まったく正しいよ
Sir Keir Starmer has said that “a woman is an adult female” as he hardened his stance on gender.
The Labour leader insisted that biological women needed single-sex spaces and ruled out introducing self-identification for changing gender.
In an interview with The Times, Sir Keir was presented with a question posed by author JK Rowling on whether people who are born male and have gone through a legal transition process should be able to use female-only spaces.
Writing on X, formerly Twitter, the Harry Potter author, who has said she would “struggle to support” Labour if he does not change his stance on trans rights, asked: “Do biological males with gender recognition certificates have the right to enter women-only spaces? It’s a simple yes/no question.”
In response, Sir Keir said: “No. They don’t have that right. They shouldn’t. That’s why I’ve always said biological women’s spaces need to be protected.”
タイムズのインタビューで、スターマー氏は、J.K.ローリングによって提起された、男性として生まれ、法的な性別移行プロセスを経た人が女性専用のスペースを使用できるべきかどうかという質問を受けました。
「X」（旧Twitter）で、「ハリー・ポッター」シリーズの著者であり、もしスターマー氏がトランスジェンダーの権利に関する立場を変えなければ「労働党を支持するのに苦労する」と述べているローリングは、「性別認識証明書を持つ生物学的男性には、女性専用スペースに入る権利があるのか？これは単純なイエス／ノーの質問です」と問いかけました。
これに対し、スターマー氏は「いいえ、その権利はありません。あるべきではありません。だからこそ、私は常に生物学的女性のスペースを保護する必要があると言ってきました」と答えました。
当り前だけど、トランス女性は身体男性だというのは事実であって侮辱ではないんだよね。
Sir Keir Starmer has said that “a woman is an adult female” as he hardened his stance on gender.
The Labour leader insisted that biological women needed single-sex spaces and ruled out introducing self-identification for changing gender.
フランスみたいにトランスアライすると負け、イギリスみたいにきちんとトランス批判するなら勝つんよ
Sir Keir Starmer has said that “a woman is an adult female” as he hardened his stance on gender.
The Labour leader insisted that biological women needed single-sex spaces and ruled out introducing self-identification for changing gender.
トランプ氏とのテレビ討論会でバイデン大統領の低調な受け答えが波紋を呼んでいるが、個人的にはアメリカ人の婉曲表現があまりに直球で笑ってしまった。「ええ時計してはりますなぁ」 で有名な京都人が言われたら、ショック死するレベルである。
https://edition.cnn.com/2024/07/02/politics/house-democrat-call-biden-withdraw/index.html
Earlier on Tuesday, Democratic Rep. Mike Quigley of Illinois had signaled an openness to replace Biden as the party’s presidential nominee.
（中略）
“We have to be honest with ourselves that it wasn’t just a horrible night, but I won’t go beyond that out of my respect and understanding of President Joe Biden, a very proud person who has served us extraordinarily well for 50 years,” he added.
これに先立ち、イリノイ州の民主党下院議員マイク・クイグリー氏は、党の大統領候補をバイデン氏から変更することに前向きな姿勢を示していた。
（中略）
「単にひどい夜だったというだけではないことに、私達は正直にならなければいけない。だが、50年間、私たちに並外れた貢献をしてきた誇り高き人物であるジョー・バイデン大統領への敬意と理解から、それ以上のことは言わない」と同氏は付け加えた。
「それ以上のことは言わない」」って、それ、もう言ってるようなもんだろ。和訳すると酷い皮肉のようにしか読めないが、英語ネイティブ的にはこれは婉曲表現として機能しているのだろうか。
記事を読んでも元論文を読んでも、MRIによる区別が可能なのは脳の働きが単純に二分化されている場合のみであって、モザイク状に特徴が入り交じる人間の脳においてはそのような際立って一貫した特徴は発見出来なかった、までしか書いてないぞ
「性差はある」という明確な文章を無視して「MRIでは性差の根拠にはならなかった」という消極的否定だけを取り上げるお前の方が恣意的な読み方してるだろ
―― MRIで測定しても、脳の特徴は単純に男女で区別できず、「男性は○○が得意」「女性は△△を好む」といった言説の根拠にはならなかった、ということでしょうか。
Documented sex/gender differences in the brain are often taken as support of a sexually dimorphic view of human brains ("female brain" or "male brain"). However, such a distinction would be possible only if sex/gender differences in brain features were highly dimorphic (i.e., little overlap between the forms of these features in males and females) and internally consistent (i.e., a brain has only "male" or only "female" features).
It's sudden, but right now in Japan, creativity is facing a true crisis. Characters like Uzaki-chan, Onsen Musume, and Tojo Rika are being targeted and flamed, game character designs are being infiltrated by political correctness, Johnny's Entertainment is being dismantled, swimsuit photo sessions in parks are being canceled, Hitoshi Matsumoto is being publicly shamed, and the new AV law was enacted without considering the opinions of those directly involved. Every form of expression in every venue is currently under unreasonable pressure.
How does this connect to the Tokyo gubernatorial election? In fact, a major event directly linked to this is occurring in the 2024 Tokyo gubernatorial election. As a creator, I hope this message reaches you.
What I am about to share is a story about someone named Himasora Akane, who you should know about to resist such pressures. But before I dive into that story, I want to express my deep gratitude to my old friend Nozomi for giving me the opportunity to post this article in a place where many creators will see it. As someone who also loves manga, anime, and games, I hope this information will benefit Japanese society and support Nozomi's activities.
Himasora Akane Should Be the Governor of Tokyo
First, I would like to make a straightforward request to you as a creator: please support Himasora Akane for governor. In this election, please write "Himasora Akane" on your ballot. The voting day is July 7th. Even if you are not a Tokyo resident, I ask that you at least listen to this story. If you find it interesting, please share it with your friends, family, and acquaintances. You can check Himasora Akane's campaign promises and the background of their candidacy on their Twitter (X) posts linked below:
Himasora Akane (Tokyo gubernatorial candidate)
https://x.com/himasoraakane/status/1804846779399324095
Himasora Akane Will Not Allow Our Culture to Be Burned
Himasora Akane is an ordinary otaku who loves manga, anime, and games. Known as "Cognitive Profiling Detective Akane Himasora," he has been active on Twitter (X) and YouTube, and now he is running for governor. Akane, who is deeply concerned about the repression and destruction of otaku culture, is challenging those who seek to destroy our culture alone. Akane will never allow those who try to burn our culture.
As mentioned at the beginning, all forms of expression are currently under pressure. Otaku culture, in particular, seems to be a prime target.
Uzaki-chan Blood Donation Poster Controversy (2019): A collaboration between the Japanese Red Cross Society and the manga Uzaki-chan was flamed for allegedly being overly sexual in its PR illustration.
V-Tuber Traffic Safety Video Controversy (2021): A V-Tuber hired by the Matsudo Police Department in Chiba Prefecture was deemed too sexual for public agency PR.
Onsen Musume Controversy (2021): Characters personifying local hot springs were criticized as sexist.
Mie Transport Official Character Controversy (2024): A character in a bus driver's uniform released by Mie Transport was flamed for evoking sexual images.
These controversies are often fueled by so-called political correctness and feminism. For creators, these are direct threats. If these factions label your work as sexual and demand it be burned to ashes, could you resist? How would you feel if your painstakingly created work, like your own child, was trampled by people who have no regard for your efforts? Could you continue your creative activities while constantly shrinking away?
Himasora Akane saw something behind these flaming incidents. He started investigating the key figure behind the Onsen Musume controversy, a representative of a general incorporated association in Tokyo. This association's core business, the Young Female Victims Support Project, received substantial public funds from Tokyo. Akane submitted public document disclosure requests to Tokyo and thoroughly dug into the organization. During his investigation, Akane uncovered many suspicions suggesting this project was unworthy of public funding, which he exposed one by one on social media.
Negligent accounting reports, taking protected girls to the Henoko base protest in Okinawa, Communist Party members waiting in the bus used to protect girls—these revelations drew significant attention online. The investigation extended beyond this general incorporated association to other NPOs receiving public funds, and Akane named this cluster of issues the "WBPC problem" after the initials of these organizations.
Akane's YouTube Channel (WBPC Problem Playlist)
https://www.youtube.com/playlist?list=PLI5gTciLKtAXRyzv9j5FiNMcc8eoEBbMN
From here, Akane's story expanded to resident audits, resident lawsuits, and national compensation lawsuits concerning the Tokyo Young Female Victims Support Project. Akane discovered that behind many flaming incidents, there is no clear command structure but a group of various political organizations and activists working together like an amoeba. He named this group the "Nanika Group" (Nanika means "something" in Japanese), a reference to the mysterious, ominous "something from another place" in the manga HUNTER×HUNTER, which Akane loves. The Nanika Group is also connected to welfare interests, where public funds flow unchecked. Akane called this phenomenon "Public Fund Chu-Chu" (siphoning).
For creators, this means the tax money they earn through hard work is used to burn their precious works. It's an intolerable situation.
Himasora Akane Is Fighting Against Those Who Burn Our Culture
In November 2022, a major event marked a turning point in this series of controversies. The general incorporated association under scrutiny held a press conference at the parliamentary office building, gathering media and announcing a lawsuit against Akane. This "Legal Harassment Press Conference," as it was called online, involved multiple layers of power: the government, the media, and a team of seven lawyers targeting a single individual.
However, Akane did not back down. Instead, he intensified his pursuit, exploiting the opponent's careless statements as lawsuit fodder. This led to an outpouring of support on social media, with his Twitter follower count skyrocketing and 160 million yen in donations for legal fees.
The following year, a resident audit request filed by Akane resulted in Tokyo's official website recognizing some improper points and deciding to audit the organization. However, Tokyo's lenient audit led Akane to file a resident lawsuit. Suspicion also turned towards Governor Yuriko Koike for allocating public funds through dubious sole-source contracts. Tokyo began excessively redacting documents in response to public document requests, attempting to conceal the issue. Koike's promise to end document redaction quietly disappeared from her campaign page.
Throughout this battle, Akane has been a target of criminal complaints and faced threats, yet he persists. His book "Netoge Senshi" was released amid bookstore threats, but only the criminal complaint was widely reported by the media, portraying Akane negatively.
Himasora Akane is an ordinary otaku, a top-tier online gamer during his student days, and a talented game creator who worked for a major game company and later a venture company. His meticulous work on the game "Shin Goku no Valhalla Gate" was betrayed by the company's CEO, leading to a seven-year legal battle that Akane ultimately won, securing 600 million yen. This experience fuels his fierce opposition to having his creations burned.
Before investigating the Young Female Victims Support Project, Akane exposed fraudulent feminist "knights" on his YouTube channel, shaking the internet. He detests lies and has an uncanny ability to detect them.
Akane is a special individual with extraordinary abilities, honed through his experiences in games, court battles, and extensive document analysis. His pursuit of truth and justice makes him a suitable candidate for governor, promising a world without lies and where honest people do not suffer.
What We Can Do to Protect Our Culture
Creative expression can be crushed if we are not vigilant. Even in modern Japan, otaku culture is on thin ice. The recent cessation of Visa transactions for DMM (Fanza) is a reminder of how a single card company can wield its power to dictate what is deemed appropriate expression. Expression freedom is fragile and constantly under threat.
To those reading this, I urge you to vote for Himasora Akane. Support him to protect our culture. Despite his harsh demeanor and preference for solitary battles, he is now seeking help for the first time. Akane feels the danger in this gubernatorial election and believes that if he does not become governor, everything will end. He has taken a stand for the people of Tokyo and Japan.
I wrote this article to support his spirit and spread the word. Please vote for Himasora Akane and help create a miracle.
To you, the creator, I sincerely hope this message reaches you.
↓
https://en.wikipedia.org/wiki/Female_urinal
Berlin now has some unisex toilets and unisex urinals, to be used by both sexes. Urinals which can be used in a similar fashion (facing the wall) by both sexes are an essential part of the future unisex toilet facilities.
ベルリンには現在、男女共用のトイレと小便器が設置されている。男女ともに同じように（壁に向かって）使用できる小便器は、将来の男女共用トイレ設備に不可欠な要素である。
In 2023, sustainable toilets that do not require water were installed in various parks and public places throughout the city of Berlin. As an alternative to the sit-down toilet, there is a urinal for women and men. According to Florian Augustin, managing director of the manufacturing company Finizio, "after some initial skepticism, the urinal is being enthusiastically accepted by women."
2023年、ベルリン市内のさまざまな公園や公共の場所に、水を必要としない持続可能なトイレが設置された。座るタイプのトイレの代わりに、女性用と男性用の小便器が設置されている。
「当初は懐疑的な見方もあったが、女性たちには熱烈に受け入れられている」という
気になったので mrs green apple columbus videoでXを検索してみた。
さっさと燃え悪意がなかったと表明した後だからか、差別されているのが白人ではないからか、そこまで燃えてはいない。
海外では無名だからかワンピースや炎炎の消防隊がもらい事故してる。
Japanese music band Mrs. GREEN APPLE who did the opening, Inferno for Fire Force, has pulled their latest music video, "Columbus", after huge outrage for depicting themselves as explorers and the native people as monkeys.
The band has issued an apology stating that their intension was to depict these Historical figures having a "fun house party".
https://x.com/AniNewsAndFacts/status/1801564317902639251?t=6FJCAn3rIhYNSe8VS7oulg&s=19
オープニング曲『炎炎ノ消防隊』を担当した日本の音楽バンド、Mrs. GREEN APPLEは、自分たちを探検家、原住民を猿に見立てて描いたことに大きな怒りがあったため、最新ミュージックビデオ「コロンバス」を取り下げた。
Jpop band Mrs. Green Apple’s latest MV “Columbus” has been pulled just 1 day after release. The highly problematic video features the 3 band members dressed as Christopher Columbus colonizing apes
Can’t believe people thought this was a good idea…
https://x.com/Johnny_suputama/status/1801237032993218978?t=KYIHDLHAz0FTTvHLK050Bg&s=19
even as someone who cannot stand mrs green apple, making the music video for a song called "columbus" like this is astonishingly bad. this was aimed at a GLOBAL AUDIENCE. at least the MV is being wiped from history but why did no one question civilised explorers finding monkeys?!
https://x.com/poppinapathetic/status/1801159185180094966?t=N-qlc1B9Uf2_3JXPqapHrw&s=19
People saying conservatives were even shocked 🥴 this is one of the reasons why the Japanese market is so insular—they can get away with racist shit all the time and there’s no outside reaction bc of copyrights creating barriers for their artists content.
https://x.com/JIMINistrending/status/1801652146728817000?t=wlfWdmBdD6Ybz46fzikn4w&s=19
猿として描写されたと感じる人は怒っている様子
Japanese people depicting us as monkeys is crazy lol. Now if a Native band wanted to talk about them in the aftermath of Nagasaki and Hiroshima....nevermind. My people would never sink so low. 👎🏼
https://x.com/sneakinmohican/status/1801750066190823611?t=p8wvbwDTranEy786jywQog&s=19
｢日本人のバンドが人種差別的なことをしているのを見たので、広島と長崎を持ち出して日本人全体に人種差別的になるつもりだ｣
Watch bunch of fucking Twitter and TikTok morons use this as a Gotcha moment, to be racist towards the Japanese. Fully ignoring the fact that they were forced to apologize for the shit they did by the Japanese themselves.
"I seen a Japanese band do something Racist so I'm gonna bring up Hiroshima and Nagasaki, and be racist to the entirety of Japan"
~ Random Twitter/TikTok morons probably ~
https://x.com/JustsomeSpaceG1/status/1801755322752606350?t=QPFcnfErhISVE5bW4l4STg&s=19
It appears that the patreon page has been removed for violating the terms of the agreement.
The email from the operator was not clear, but it seems that it was due to the inclusion of loli content or content depicting non-consensual sexual intercourse.
訳
契約条件に違反したため、パトレオン ページが削除されたようです。
運営者からのメールは明確ではありませんでしたが、ロリコンテンツや合意のない性交を描写したコンテンツが含まれていたことが原因だったようです。
https://x.com/k_cross/status/1800608689642152268
基本的に規約とかって読んでもらえなかったり、読んでくれても「まあ大丈夫やろ」の精神でスルーされがちなので、
特定ジャンルの閲覧頻度が多かったら通して、特定ジャンルをかじってたらアクセスを弾くみたいなオーバーテクノロジーが欲しくなります
