はてなキーワード: Nothingとは
『キャッチャー・イン・ザ・ライ』なんてフォークナーは興味ないだろうと思うとさにあらず、
『キャッチャー』のホールデンは人間を愛したい、人間に受け容れられたいと願ったけれど、人間に触れようとしたとき、人間は彼の繊細な目ではそこにいなかった、彼がもっと強かったら違っていたかもしれないが、もっと強かったらそもそもホールデン・コールフィールドの物語はありえなかった
https://faulkner.lib.virginia.edu/display/wfaudio23_1.html
I am thinking now of what I rate the best one, Salinger's Catcher in the Rye, perhaps because this one expresses so completely what I have tried to say. A youth, father to what will—must—someday be a man, more intelligent than some and more sensitive than most, who—he would not even have called it by instinct because he did not know he possessed it because God perhaps had put it there, loved man and wished to be a part of mankind, humanity, who tried to join the human race and failed. To me, his tragedy was not that he was, as he perhaps thought, not tough enough or brave enough or deserving enough to be accepted into humanity. His tragedy was that when he attempted to enter the human race, there was no human race there. There was nothing for him to do save buzz, frantic and inviolate, inside the glass wall of his tumbler, until he either gave up or was himself, by himself, by his own frantic buzzing, destroyed.
/r/japanlife/s/P1LIa3VcAm
Was told "no foreigners" by a clinic
I just recently moved to a new area in Tokyo, I called a nearby clinic to make a reservation (in Japanese) and pretty quickly into the conversation, the receptionist asked if I could go somewhere else instead. When I asked why, she clearly and blatantly said "they don't take foreigners." I was shocked so I asked again just to make sure I heard right and again she said they don't take foreigners.
When I accused the clinic of discrimination they tried to deny it and claim that "it's difficult to communicate with foreigners," though I've never had that issue at any other Japanese speaking only clinic or hospital.
If this were just a bar or something I'd drop it, but the fact that a CLINIC can blatantly discriminate against patients seems insane to me. I'm not expecting much sadly, but is there anywhere I can report them?
I'm paranoid about just leaving bad reviews because I've seen a first hand case of someone getting sued over one.
UPDATE:
I called a "patient voice" hotline for reporting these sort of things. I explained the situation and they said they would contact the clinic. They later updated me and said they were actually able to talk to the doctor, and he just doubled down and insisted they did nothing wrong because "communication with foreigners is difficult." After that they basically could not do anything else other than offer sympathy lol...
[患者の声相談窓口 東京都保健医療局 (tokyo.lg.jp)](https://www.hokeniryo.metro.tokyo.lg.jp/iryo/sodan/madoguchi.html)
I also called this government hotline. First they tried to refer me back to the patient voice hotline. After I explained the results from patient voice, they said they are going to determine if it warrants an investigation, which would take 2-3 weeks. They also warned that the clinic is allowed to decline the investigation... so honestly I'm expecting nothing. But they said they would contact me again in 2-3 weeks.
[Human Rights Bureau (moj.go.jp)](https://www.moj.go.jp/ENGLISH/HB/hb.html)
Local police just said different hospitals have different rules and nothing can be done, just go to a different clinic.
患者の声相談窓口 東京都保健医療局 に相談してもクリニックが拒否をしたらそれ以上に何もせず同情しただけ。
いまは 人権擁護局 に相談中とのこと。でもクリニックは人権擁護局からの調査を拒否できるらしい。
今の時点で1000以上のupvoteが付いてるが、これは japanlife subreddit ではかなり多い方。
わかったわかった。例を引用してやるわ
lbloodbournel
·
1 mo. ago
It’s bc the people who clutch their pearls abt stuff like this Don’t actually care about child sexual abuse, let alone any other kind of child abuse
Daedalus_Machina
·
1 mo. ago
"Turn heads" isn't sexual, it's interesting. Never mind that this is one of the most conservative kid's outfits I've ever seen. This is pearl clutching over nothing.
Why tf would anyone but u care about this person thats streaming その人が配信中だなんて情報、お前以外にとってはどうでもいいんだよ
Literally i dont want you talking here ここで話すなよ
Go back
-----
do not slack on grammar you actually see in texts you are reading 読んでるテキストに出てくる文法はサボっちゃだめ
most times it would be some form of self-improvement, something that we’ve always wanted to achieve, some things that we slacked on that we didn’t accomplish in the prior year.
◎ 今日の会話でウィリーさんは「Slack on」と言いましたが、基本的には「Slack off on」と表現します。
-----
4) Follow through(最後までやり通す)
You need to follow through with your commitment.(自分で決めたことは最後までやり通さないと。)
I promise I will follow through to the end.(最後までやり通すことを約束します。)
He’s all talk. He never follows through with what he says.(彼は口だけだよ。言ったことを全然最後までやり通さないからね。)
----
too sleepy to function 眠すぎてまともに活動できない
-----
twitter algorithm is bad but they got more pressing issues at hand ツイッターのアルゴリズムはダメだけどもっと喫緊の課題があるよ
im getting follow requested by these bot accounts who put their bra sizes in their bio ブラサイズをプロフに載せてるボットアカウントにフォローされまくってる
e.g. resolve the pressing issues related to ~に関する喫緊問題を解決する
-----
Sounds like a babbling tard tbh.
Yo, u stupid. U shud get a regular job not 2 make ur mom cry out.
-----
I'm framing this to the wall, thanks その言葉を壁に飾っておくよ、ありがとう(褒められたりしたときに)
-----
they're very upset and very against the idea of this Ukrainian woman Karolina Shino winning the Miss Japan beauty pageant
https://youtu.be/1qN_8jIOxFU?t=165
〔大仕掛けな〕歴史ショー、時代劇◆可算◆地域の歴史や伝統を題材にしたもので演劇や山車を連ねたパレードの形を取ることが多い。
〔壮麗な〕行列、行進
〔多くの参加者が登場する〕ショー、公演
誇示、見せびらかし
pungent
〔味・匂いなどが鼻や舌を〕強く刺激する
-----
I find it kind of funny that she's trying to tick every box of adopting Japanese culture even the whole cheating part of Japanese culture which is very prevalent
tick every box = すべての条件を満たす
-----
The whole reason why this Carolina Ukrainian woman won the beauty contest is because she basically ticks almost all the boxes for being a beautiful Western woman. She's got the small face, the big eyes, the kind of blondish light brown hair, the very pale complexion
complexion 【名】 顔色、顔の艶、肌の色、顔貌 外観、様子、態度、形勢
-----
-----
〔彼は言った彼女は言ったの〕水掛け論◆引用符を用いて"he said, she said" argumentと表記されることもある。
-----
Apprently "high moral capacity" that they're talking about is bent over backward over unfair "contracts" of a black company.
日本人の言っている「高い道徳能力」っていうのは、「ブラック企業の不公平な契約を守るために必死になる」ってことなんだな
BEND OVER BACKWARDS: informal. to make a special effort, esp in order to please.
cf. bending the knee to corporations
-----
To be a good Japanese worker, that means keeping your mouth shut, head down, and following what your boss says/does to the letter.
-----
catch strays 悪口を言ったら全く関係ない人に流れ弾が当たること
Aiming to insult someone but insulting someone else in the process aswell even if not involved.
-----
《the ~》会社の一部始終[裏と表]
人生の綾、曲折
~のことをくまなく知っている
~の内外[裏表]について話し合う
-----
それはお世辞にもよく撮れた写真とは言えない。: The picture is way less than flattering.
----
her haters clearly don't get to her = アンチの攻撃は彼女に全く効いていない
・If you let her get to you personally, you won't last a week. : もし彼女の攻撃を個人的に受け止めたら、1週間と持たない。
・Try not let it get to you. : あまりくよくよしないで。/元気を出してください。
・Maybe the heat has gotten to me. : 暑さにやられたかな…。◆【場面】夏ばてなど。
-----
alright im getting off now (チャットなどで)落ちるわ
-----
Who gives a shit about selen?? Seriously.
You niggers spend years talking shit
The second she an heros and drops the crazy truth bomb that enna is in fact a piece of shit you drama niggers flip flop
→The second someone does something you guys flip flop(~が~した途端お前ら手のひらクルクルじゃん)という構文として覚えると良さそう
-----
I dunno how Niji can be any more clear that Selen was given many chances to change her behavior but stubbornly insisted on flouting the company rules and had to be made an example of. Understandable that people who love Selen will support her even when she's in the wrong though.
頑なに会社の規則に背くことを繰り返し、見せしめにされなければならなかった
insist on: to keep doing something, even if it annoys other people, or people think it is not good for you: I don't know why you insist on talking about it.
flout: 〔人・規則・慣習などを〕軽蔑する、ばかにして無視する[従わない]、逆らう
-----
excising a company that has bad practices and exploits people's interest in the industry will be a long term benefit, even if it makes waves right now
悪しき慣習を持ち、人々の関心を搾取する会社を排除することは、たとえ今波風が吹いたとしても、長期的な利益につながるだろう
excise
1名
消費税、物品税◆【同】excise tax ; excise duty
1他動
〔~に〕消費税[物品税]を課す
2他動
-----
You know you have to admire the grift. Very public divorce proceedings and cheating accusations on top of that and she still doubles down with the GFE. She’s a lying whore but damn, the commitment to the bit.
she has nothing on taylor swift, 12 dicks in her so far
テイラー・スウィフトには敵わない
(人)の弱みを握っていない、(人)のしっぽをつかんでいない、(人)を有罪にする証拠がない、(人)に不利な情報を得ていない
・They think Tim is the murderer, but the police have nothing on him yet. : ティムが殺人犯だと思っているが、警察はまだしっぽをつかめない。
(人)にかなわない、(人)に太刀打ちできない
何も身に着けていない、裸である
-----
Whoa, he means business. : うわ、あいつマジ[本気{ほんき}モード]だぞ。◇【場面】遊び半分やジョークではなく、真剣になっている。
----
放っておけば、好き勝手にさせれば
-----
The problem is that NijiEN livers are now all implicated in the scandal, due to the malicious idiocy of the 3 Stooges.
the EN branch just implicated itself in a massive PR disaster that may take months if not actual years to recover from.
-----
But whatever I'm cool go with the flow 流れに任せる
-----
〔論争などで〕言われたら言い返さないと気が済まない◆【直訳】最後の言葉を持たねばならない ⇒ 自分の言葉で議論を終わらせたい。つまり反論できずに黙ってしまうことを望まず、相手を論破して黙らせたい。
——
Huh, guess I don't dig enough in the community outside /here/ and just skirt across the surface.
ここ以外のコミュニティは表面をなぞっただけでちゃんと掘り下げたことがない
〔~の〕周辺を通る、〔~の〕周囲をまわる[巡る] ・The hills skirt the village. : 小高い山がその村を囲んでいる。
2. 避けて通る、敬遠する ・We skirted a large hole there. : 私たちはそこにある大きな穴を避けて通った。
4. 〔~の〕周辺にある[位置する
——
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言語化しづらいが、その文章で読者が興味を持つ部分を次の一文で説明で的確に説明できているかどうかみたいな、情報を置く順番というか。
なんというか、種類が違う情報を置かれると分かりづらさが一気に増すように思う。
例えば、「今日は色々なことに挑戦、つかれたしイライラした、一日中WEBサイトの作成に取り組んだが、結局なにもできなかった😢」という文章は分かりにくいし良い文章とされない。冗長とみなされる。
「今日は色々な挑戦」という文章を読んだら挑戦の内容が気になる。でもこれに続くのは「つかれたしイライラした」。これは著者の肉体的・精神的体感であって、読み手側としてはそこに興味ねえよ!ってなっちゃう。
「今日は様々なことに挑戦した日だった。一日中WEBサイトの作成に取り組んだ。しかし、結局何も成果を上げられなかった」という文章が分かりやすく良い文章とされる。
これはその余計な情報が省かれたおかげで一気に読みやすくなる。
「今日は様々なことに挑戦した日だった。一日中WEBサイトの作成に取り組んだ。しかし、結局何も成果を上げられなかった。つかれたしイライラした。」
だとかなり読みやすくなる。
Today was challenging; I worked on creating a website, but eventually, I could make nothing, leaving me tired and irritable.
むしろ俺はこれが読みやすく感じる。これは;を使うことでチャレンジの内容を説明しますよ、と明示されているからだと思う。もちろん文章の並びも主観を文章の最後に入れてあるし。
とりあえず客観と主観が混同してる文章は一気に分かりづらくなるね。客観的な事実のみを述べるセンテンスと、主観的な事実を述べるそれを明確に分けてくれないと情報を頭の中で選り分けながら読まなきゃならず面倒くさい。
グローバルライティングの普及で、「わかりやすい文章」は日英ともに「短くて簡潔、なおかつ平易な表現を使ったもの」となっているのだけれど。
例えば、「今日は色々なことに挑戦、つかれたしイライラした、一日中WEBサイトの作成に取り組んだが、結局なにもできなかった😢」という文章は分かりにくいし良い文章とされない。
冗長とみなされる。
「今日は様々なことに挑戦した日だった。一日中WEBサイトの作成に取り組んだ。しかし、結局何も成果を上げられなかった」という文章が分かりやすく良い文章とされる。
対して英語だと、Today is a challenging day. I worked on creating a website. But eventually, I could make nothing. It left me feeling tired and irritable.
Today was challenging; I worked on creating a website, but eventually, I could make nothing, leaving me tired and irritable.
なぜ
Hulu ignoring onscreen text makes it harder to follow big picture stuff
フールーが画面上に出てくるテキストを翻訳していないせいで、話の全体像が見えづらくなってしまっている
e.g.
He had the ability to look at the bigger picture 彼は物事を広く見渡す力があった
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Nothing ventured, nothing gained. 何ももっていない者は何も失うことはない。
-----
If there's one thing you fucking akbars got right it's food
ムスリム野郎どもに一つだけしっかりしていることがあるとすればそれは飯だ
-----
i learned it and i forgot it like the dumbass i am
それ学んだのにアホすぎて忘れてたわ
-----
I've been warming up to X = X has been growing on me
Xのことがだんだん好きになりつつある
-----
逆にわからなくなった
-----
それを拭いてきれいにした
水できれいにした
-----
She's got a lot of nerve = What nerve!
図々しさにもほどがある
https://eikaiwa.dmm.com/uknow/questions/30756/
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1. He ain't got shit on me あいつなんかじゃ俺には敵わないよ
2. They got shit on him. あいつらは彼のやばい情報を握ってる (shit = compromised information like blackmail)
3. “hey, do you have $5” “sorry, I don’t have shit on me.” すまん、今一文無しだわ (shit = anything)
4. “hey, you can’t arrest me, I don’t have shit on me”. 俺はヤクなんて持ってねえよ (shit = contraband)
https://hinative.com/questions/5145822
-----
a/one heck of ...
This was one heck of an experience
すっげー体験だった
“I had a heck of a time swimming with Alexander.”
すごいパーティだった
https://hinative.com/questions/14345692
-----
the annals of history
-----
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what (who) do you take me for?=私をなんだと思っているの?
What sort of person do you think I am? For example, What do you take me for, an idiot?
-----
英語にも「目が滑る」と同じ表現があるっぽい それとも英語から輸入されたのか?
It's hard to even go back and read it, my eyes keep sliding off it, or fail to comprehend it.
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late for work = ある特定の出来事を指すことが多い。「今行かなければ仕事に遅刻する。(I must go now or I shall be late for work.)」
Late to work = 上司など、他の人があなたについて言うときに使われる。「最近君の記録を見たが、今月は頻繁に遅刻しているようだね。(I have looked at your record recently and I see you've frequently been late to work this month.)」
https://www.englishforums.com/English/LateForToClass/knhbd/post.htm
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“I’ve decided to go back to teaching”
go back to teaching→他の仕事から教職に戻る
get back to teaching→不本意ながら教師を辞めたというはっきりとしたニュアンスがある(授業中に休憩して、授業に戻る際にも使える)
https://forum.wordreference.com/threads/go-back-vs-get-back.3778841/
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I admit I said "stuff". That's a sarcasm. Don't use it. Say something like "materials" when you talk back. Unless you want to sound very primitive.
Likewise, if you say you learn English anything other than "communication", it'll sound very odd. You could say verbal communication or something along that line. And if you did, you would have realized that it's nothing to do with the book or a slum. Grammar In Use is definitely not a verbal communication book in a slum.
CONSIDERATIONS ON REPRESENTATIVE GOVERNMENT
Chapter X—Of the Mode of Voting.
The polling places should be so numerous as to be within easy reach of every voter, and no expenses of conveyance, at the cost of the candidate, should be tolerated under any pretext. The infirm, and they only on medical certificate, should have the right of claiming suitable carriage conveyance at the cost of the state or of the locality. Hustings, poll clerks, and all the necessary machinery of elections, should be at the public charge. Not only the candidate should not be required, he should not be permitted to incur any but a limited and trifling expense for his election. Mr. Hare thinks it desirable that a sum of £50 should be required from every one who places his name on the list of candidates, to prevent persons who have no chance of success, and no real intention of attempting it, from becoming candidates in wantonness or from mere love of notoriety, and perhaps carrying off a few votes which are needed for the return of more serious aspirants. There is one expense which a candidate or his supporters can not help incurring, and which it can hardly be expected that the public should defray for every one who may choose to demand it—that of making his claims known to the electors, by advertisements, placards, and circulars. For all necessary expenses of this kind the £50 proposed by Mr. Hare, if allowed to be drawn upon for these purposes (it might be made £100 if requisite), ought to be sufficient. If the friends of the candidate choose to go to expense for committees and canvassing, there are no means of preventing them; but such expenses out of the candidates's own pocket, or any expenses whatever beyond the deposit of £50 (or £100), should be illegal and punishable. If there appeared any likelihood that opinion would refuse to connive at falsehood, a declaration on oath or honor should be required from every member, on taking his seat, that he had not expended, nor would expend, money or money's worth beyond the £50, directly or indirectly, for the purposes of his election; and if the assertion were proved to be false or the pledge to have been broken, he should be liable to the penalties of perjury. It is probable that those penalties, by showing that the Legislature was in earnest, would turn the course of opinion in the same direction, and would hinder it from regarding, as has hitherto done, this most serious crime against society as a venial peccadillo. When once this effect has been produced, there need be no doubt that the declaration on oath or honor would be considered binding. [6] "Opinion tolerates a false disclaimer only when it already tolerates the thing disclaimed." This is notoriously the case with regard to electoral corruption. There has never yet been, among political men, any real and serious attempt to prevent bribery, because there has been no real desire that elections should not be costly. Their costliness is an advantage to those who can afford the expense by excluding a multitude of competitors; and any thing, however noxious, is cherished as having a conservative tendency, if it limits the access to Parliament to rich men. This is a rooted feeling among our legislators of both political parties, and is almost the only point on which I believe them to be really ill-intentioned. They care comparatively little who votes, as long as they feel assured that none but persons of their own class can be voted for. They know that they can rely on the fellow-feeling of one of their class with another, while the subservience of nouveaux enrichis who are knocking at the door of the class is a still surer reliance; and that nothing very hostile to the class interests or feelings of the rich need be apprehended under the most democratic suffrage, as long as democratic persons can be prevented from being elected to Parliament. But, even from their own point of view, this balancing of evil by evil, instead of combining good with good, is a wretched policy. The object should be to bring together the best members of both classes, under such a tenure as shall induce them to lay aside their class preferences, and pursue jointly the path traced by the common interest, instead of allowing the class feelings of the Many to have full swing in the constituencies, subject to the impediment of having to act through persons imbued with the class feelings of the Few.
https://chat.openai.com/share/c80d83ea-752b-4561-a162-7ea0bd116d56
Option Explicit
Dim objExcel, objWorkbook, objWorksheet
Dim strFolderPath, strSourceFile, strTargetFile, strSearchString, strReplaceString
Dim intLastRow, intRow, intColumn
Set objExcel = CreateObject("Excel.Application")
strFolderPath = ".\" ' スクリプトと同じフォルダにあることを仮定
strSourceFile = "変更一覧.xlsx"
strTargetFile = "変更一覧.xlsx"
Set objWorkbook = objExcel.Workbooks.Open(strFolderPath & strSourceFile)
objWorkbook.Sheets("1月").Copy , objWorkbook.Sheets("1月").Index
objWorkbook.Sheets("1月 (2)").Name = "2月"
' セルの値の置換
Set objWorksheet = objWorkbook.Sheets("2月")
objWorksheet.Cells(1, 1).Value = Replace(objWorksheet.Cells(1, 1).Value, "1月", "2月")
objWorksheet.Cells(2, 7).Value = Replace(objWorksheet.Cells(2, 7).Value, "2023/2/14", "2023/3/14")
' 最終行の取得
intLastRow = objWorksheet.Cells(objWorksheet.Rows.Count, 1).End(-4162).Row ' xlUp
' 値のクリア
For intRow = 8 To intLastRow
For intColumn = 1 To 6
objWorksheet.Cells(intRow, intColumn).ClearContents
Dim objFSO, objTextFile, strContents, arrLines, arrFields, strNewContents
Set objFSO = CreateObject("Scripting.FileSystemObject")
Set objTextFile = objFSO.OpenTextFile(strFolderPath & "変更一覧.txt", 1)
strContents = objTextFile.ReadAll
objTextFile.Close
arrLines = Split(strContents, vbNewLine)
For Each strContents In arrLines
arrFields = Split(strContents, ",")
For Each strContents In arrFields
If IsNumeric(strContents) Then
strNewContents = strNewContents & "'" & strContents & ","
Else
strNewContents = strNewContents & strContents & ","
End If
strNewContents = Left(strNewContents, Len(strNewContents) - 1) & vbNewLine
' データをシートに貼り付け
Set objWorksheet = objWorkbook.Sheets("2月")
objWorksheet.Cells(1, 8).Value = strNewContents
' セルの値の置換
objWorksheet.Cells(123, 1).Value = Replace(objWorksheet.Cells(123, 1).Value, "F", "FH")
objWorkbook.Save
objWorkbook.Close
objExcel.Quit
In a discussion about the case, someone raised an objection to "someone who was not a party to the incident, who was not from Nagasaki, and who was not from Hiroshima, complaining about it. Seeing that opinion made me aware of my position, so I will say what I must say.
I was born in Nagasaki and am a third-generation A-bomb survivor.
I say this because I grew up hearing the stories of the A-bomb damage directly from those who suffered from the atomic bombings.
I feel that it is unacceptable for someone like me to speak about the A-bomb damage.
However, there are few A-bomb survivors left, so I will speak up.
In Nagasaki, children grow up hearing stories about the atomic bombing. We were made to sit in the gymnasium of an elementary school in the middle of summer, where there was not even an air conditioner or a fan, and for nearly an hour we were made to listen to stories about the atomic bombing. It was hard for me anyway.
I think it was even more painful for the elderly people who told the stories. But I don't think an elementary school kid could have imagined that. I, too, have forgotten most of the stories I was told. I can only remember one or two at most.
Another thing is that at this time of year, pictures of the victims of the atomic bombing are pasted up in the hallways.
In other parts of the country, these are grotesque images that would cause a fuss from the parents who are always nagging about them.
Recently, even the A-bomb museum has become more gentle in its exhibits, and most of the radical and horrifying exhibits that would have traumatized visitors have been removed.
I don't know how elementary schools now teach about the A-bomb damage. But when I was in elementary school, there were photos on display.
There was one photo that I just couldn't face as an elementary school student. It was a picture of Taniguchi Sumiteru(谷口稜曄). If you search for it, you can find it. It is a shocking picture, but I would still like you to see it.
I couldn't pass through the hallway where the photo was displayed, so I always took the long way around to another floor to avoid seeing the photo.
My grandfather was under the bomb and went to the burnt ruins of the bomb to look for his sister. I can understand now that he couldn't turn away or go another way.
There would have been a mountain of people still alive and moaning in the ruins of the burnt ruins. There would have been many more who would have died out in agony.
My grandfather walked for miles and miles, towing a rear wheelchair, through the narrow streets of rubble-strewn Nagasaki in search of his sister.
My grandfather was not a child then. But of course there were elementary school children who did the same thing he did. I am not speculating that there were. There were. I heard the story from him, and I still remember it.
A young brother and sister found their father's corpse in the ruins of the fire and burned it themselves. They didn't have enough wood to burn him alive, and when they saw his brain spilling out, they ran away, and that was the last time they ever saw him again.
I can never forget that story I heard when I was a kid, and even now it's painful and painful, my hands are shaking and I'm crying.
I keep wondering how that old man who ran away from his father's brain was able to expose to the public the unimaginably horrible trauma, the scar that will never heal, even after all these years.
Now I think I understand a little.
Why I can't help but talk about my grandfather and the old man now, even as I remember my own trauma.
Because this level of suffering is nothing compared to their words being forgotten.
It's nothing compared to the tremendous suffering that once existed that will be forgotten, like my hands shaking, my heart palpitating, my nose running with vertigo, and so on.
My grandfather, who went through an unimaginable hell, lived to see his grandchildren born, and met his sister's death in the ruins of the fire.
In other words, my grandfather was one of the happiest people in the ruins of the fire.
My grandfather and that old man were, after all, just people wading in the depths of hell.
I think that the suffering that even people who had experienced unimaginable pain could not imagine was lying like pebbles on the ground in Nagasaki 78 years ago, and no one paid any attention to it.
Their suffering, which I can't even imagine, is nothing compared to the countless, unimaginable suffering they witnessed, which they pretend never happened.
Memories fade inexorably with each passing human mouth. The memories that those people could never allow to be forgotten are almost forgotten.
The tremendous suffering of 78 years ago is mostly gone, never to be recounted.
Those who suffered the most from the atomic bombing died rotting in the ruins of the fire without being able to tell anyone about it.
Many of those who saw it with their own eyes kept their mouths shut and took it with them to their graves. Most of those who spoke a few words are still in their graves.
Compared to the words of the old men, my own words are so light. I would rather keep my mouth shut than speak in such light words.
But still, someone has to take over. I realize that even my words, which are so light, are only the top of the voices that are left in this world to carry on the story of the atomic bombing.
I know how it feels to think that I am the only one. Still, I hope that you will not shut your mouth. I know that I have closed my mouth because I thought I shouldn't talk about it, and that is the result.
Sometimes I almost choose to stop imagining the unimaginable suffering and live my life consuming other people's suffering for fun.
I am writing this while I still have some imagination of the suffering of the old people whose voices, faces, and even words I can no longer recall.
すまん。勝手に翻訳した。拡散はどうするかな。redditとかに投稿するのがいいのか?
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I have seen some posts asking if they should talk about "the case" even though they were not involved in it and were not born in Nagasaki or Hiroshima, and I am a bit aware of it, so I have to say what I have to say. I say this because I was born in Nagasaki, am a third generation atomic bomb survivor, and grew up hearing the stories of those who experienced the atomic bombing firsthand. I know it's a little bit too much for me, but I'm going to say this because there are very few survivors left.
In Nagasaki, children grow up hearing stories about the atomic bombing. They were stuffed into sushi for nearly an hour in the gymnasium of an elementary school in the middle of summer, with no air conditioner or fan, and told stories about the atomic bombing. That was a hard time for me. I think it must have been even harder for the old people who told the stories, but there was no way an elementary school kid could imagine such a thing, and I had forgotten most of the stories I had been told for a long time. I have forgotten most of the stories I was told. I can only remember one or two at most. There is one more hard thing. Every year around this time, a row of grotesque images that would drive the PTA crazy in other areas are prominently displayed in the hallways. These days, I hear that the atomic bomb museum has been bleached out and many of the radical and horrifying exhibits that traumatized visitors have been taken down. I don't know if they are still there, but they were there when I was in elementary school.
There was one photo that I just couldn't face when I was in elementary school. It is a picture of Sumiteru Taniguchi. If you search for it, you can find it. It is a shocking picture, but I would like you to take a look at it. I couldn't pass through the hallway where the photo was posted, so I always took the long way around to another floor of the school building to avoid seeing the photo.
Now I'm thinking that my grandfather, who headed into the burnt ruins to look for his sister, couldn't have turned away or taken a different path. There would have been a mountain of people still alive and moaning, not just pictures, and a mountain more who would have given up at the end of their suffering. He walked for miles and miles, towing his handcart through the narrow streets of rubble-strewn Nagasaki in search of his sister. My grandfather was not a child at the time, but of course there were children who did similar things. Not that there wouldn't have been. There were. I heard the story from him, and I still remember it. A young brother and sister found their father's body in the ruins of a fire and they burned it. They didn't have enough wood to burn his body, and when they saw the raw brain that spilled out, they ran away and that was the last time they ever saw him anymore.
I can never forget the story I heard when I was a kid, and even now it is painful and painful, my hands are shaking and I am crying. I keep wondering how the old man who escaped from that father's brain could have been able to unravel the most horrible trauma imaginable and expose it to the public with scars that will never heal.
Now I think I can understand a little.
The reason I can't help but talk about my grandfather and that old man, even if I have to rehash my own trauma, is that this level of suffering is nothing compared to the fact that their words will be forgotten. My hands shaking, my heart palpitating and dizzy, my nose running with tears, it's nothing compared to the tremendous suffering that was once there and will be forgotten.
My grandfather, who went through an unimaginable hell, lived to see his grandchildren born, and met his sister's death in the ruins of the fire. In other words, my grandfather was one of the happiest people in the ruins of the fire. My grandfather and that old man were, after all, just people wading in the depths of hell. I think that the suffering that even people who had experienced unimaginable pain could not imagine was lying like pebbles in Nagasaki 78 years ago, and no one paid any attention to it. Their suffering, which I can't even imagine, is nothing compared to the countless, tremendous suffering they witnessed, which they pretend never happened.
Memories fade inexorably every time people talk about them. The memories that those people could not allow to be forgotten are now largely forgotten; the tremendous suffering of 78 years ago is mostly gone, never to be recounted again. Those who suffered the most from the atomic bombing died rotting in the ruins of the fire, unable to tell anyone about it. Many of those who saw it with their own eyes kept their mouths shut and took it with them to their graves. Most of those who spoke a few words are now under the grave.
Compared to the words of the old men, my own words are so light. I would rather keep my mouth shut than speak in such light words. But still, someone has to take over. I realize that even my words, which are so light, are only the top of the voices that are left in this world to carry on the story of the atomic bombing. I know how it feels to wonder if someone like myself is allowed to speak about this. Still, I hope that you will not shut your mouth. This is the result of our silence.
Sometimes I almost choose to stop imagining the unimaginable suffering and live my life consuming other people's suffering for the fun of it. I am writing this while I still have some imagination of the suffering of the old people whose voices, faces, and even words I can no longer recall.
Translator's note: The original post in Japanese is a response to a post by a Japanese contributor who wondered if he was qualified to speak out on the subject of the A-bomb when he was not from Hiroshima and Nagasaki, but still spoke out about Barbie and the A-bomb. I translated it here because I think it deserves to be read by the world.
I must talk about various things regarding the Barbie incident.
I saw a post about it from someone who is neither directly involved nor from Nagasaki or Hiroshima, and it made me realize that there are things I must say.
I was born in Nagasaki and grew up listening to stories from the survivors, being a third-generation survivor myself. Most survivors are no longer with us, so I feel compelled to speak up.
In Nagasaki, kids grow up hearing about the atomic bomb. We were packed like sushi in a gymnasium without air conditioning or even fans during the scorching summer, and we listened to stories about the bomb. It was incredibly tough for me.
I imagine it was even harder for the elderly who spoke about their experiences. As a child, I couldn't fully comprehend their pain, and now, I can hardly remember most of the stories I heard. I can only recall one or two.
Every year during this time, gruesome images that would make PTA elsewhere go crazy were displayed in the hallways. I heard that many of the horrifying exhibits that used to traumatize visitors at the Atomic Bomb Museum have been removed, and the museum has been considerably sanitized. I'm not sure about the current situation, but that's how it was when I was there.
There was one photograph that I could never bear to look at as a child – a picture of Tadashi Taniguchi. You can find it if you search, but it's a shocking image with a viewer discretion warning. Still, I want people to see it.
I couldn't walk down the hallway where that photo was displayed, and I always took a different route, avoiding it so I wouldn't have to see it.
Now, I think of my grandpa who went to the ruins to search for my sister. He couldn't look away or take a different path. The pain must have been unimaginable.
Besides photographs, there were many living people moaning in pain back then, and there must have been even more who succumbed to suffering.
My grandpa walked for miles, pulling a handcart through the debris-laden streets of Nagasaki, searching for my sister.
Even though my grandpa was not a child, I'm sure there were elementary school kids who did similar things. I don't just think they might have been there; they were there. I heard the stories from the people themselves, and I still remember them.
I can't forget the stories I heard as a child, such as the young siblings finding their father's burnt corpse in the ruins and cremating him. They didn't have enough firewood, and their father ended up half-burnt. They ran away after seeing the brain tissue oozing out, and that became their final farewell.
I can never forget those stories I heard as a child, and even now, they still bring pain and suffering, making my hands tremble and tears flow.
I wonder how my grandpa, who ran away from that father's brain tissue, could expose his unimaginable trauma and everlasting scars to the world.
Now, I feel like I understand a little.
Even someone like me, who experienced such unimaginable trauma, has gone through pain that I can't even imagine being compared to being discarded, forgotten, and ignored. Compared to what those people experienced, my suffering means nothing.
My trembling hands and the palpitations and dizziness I experienced are nothing compared to the tremendous pain that many others went through.
Memories fade irreversibly every time they pass through people's lips. The memories that I couldn't bear to be forgotten are almost forgotten now.
The unimaginable pain that existed 78 years ago has mostly disappeared, and we can no longer pass it on.
The people who suffered the most from the atomic bomb perished in the ruins, rotting away without being able to convey it to anyone.
Even those who saw it with their own eyes mostly took the memories with them to their graves. Most of them are now under the tombstones.
Compared to the words of the elderly, my words seem so light. I think that speaking with such light words would be better than keeping silent, as silence has led to this result.
I feel like I might occasionally choose to stop imagining the unimaginable pain and consume the suffering of others in an amusing way to live on.
Before I forget the pain and suffering of those elderly people, whose faces and voices I can no longer recall, I will leave this here.
anond:20230722143755 参考にするです ↓▶︎ ww 🐂 ww
▼はてな匿名ダイアリーの標準スタイルシートでデコるバッドノウハウ
https://anond.hatelabo.jp/20100827202157#
い
ろ
と
り
ど
り
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●バンダイビジュアル 出典元 https://anond.hatelabo.jp/20210710192249#
● ビッグマスダーはあなたを見ている 出典元 https://anond.hatelabo.jp/20230707225450#
出典元 https://anond.hatelabo.jp/20230915165739#
● やで〜
⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜ ⬜⬜⬜⬜⬜🟨🟨🟨🟨⬜⬜⬜⬜⬜ ⬜⬜⬜🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜ ⬜⬜🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜ ⬜⬜🟨🟨⬛🟨🟨🟨🟨⬛🟨🟨⬜⬜ ⬜🟨🟨⬛🟨⬛🟨🟨⬛🟨⬛🟨🟨⬜ ⬜🟨🟨🟧🟨🟨🟨🟨🟨🟨🟧🟨🟨⬜ ⬜🟨🟧🟥🟧🟨🟨🟨🟨🟧🟥🟧🟨⬜ ⬜🟨🟨🟧🟨🟨🟨🟨🟨🟨🟧🟨🟨⬜ ⬜⬜🟨🟨⬛🟨🟨🟨🟨⬛🟨🟨⬜⬜ ⬜⬜🟨🟨🟨⬛⬛⬛⬛🟨🟨🟨⬜⬜ ⬜⬜⬜🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜ ⬜⬜⬜⬜⬜🟨🟨🟨🟨⬜⬜⬜⬜⬜ ⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜ ⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜ ⬜⬜⬜⬜⬜🟨🟨🟨🟨⬜⬜⬜⬜⬜ ⬜⬜⬜🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜ ⬜⬜🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜ ⬜⬜🟨🟨⬛🟨🟨🟨🟨⬛🟨🟨⬜⬜ ⬜🟨🟨⬛🟨⬛🟨🟨⬛🟨⬛🟨🟨⬜ ⬜🟨🟨🟧🟨🟨🟨🟨🟨🟨🟧🟨🟨⬜ ⬜🟨🟧🟥🟧🟨🟨🟨🟨🟧🟥🟧🟨⬜ ⬜🟨🟨🟧🟨🟨🟨🟨🟨🟨🟧🟨🟨⬜ ⬜⬜🟨🟨⬛🟨🟨🟨🟨⬛🟨🟨⬜⬜ ⬜🟧🟧🟨🟨⬛⬛⬛⬛🟨🟨🟧🟧⬜ 🟧🟧🟧🟨🟧🟨🟨🟨🟨🟧🟨🟧🟧🟧 🟧🟧🟧🟧🟧🟨🟨🟨🟨🟧🟧🟧🟧🟧 ⬜🟧🟧🟧🟧⬜⬜⬜⬜🟧🟧🟧🟧⬜
● ピカチュウ
⬜️⬜️⬜️⬜️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜ ⬜️⬜️⬜️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜ ⬜️⬜️⬜️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜ ⬜️⬜️⬜️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬜⬜⬜ ⬜️⬜️⬜️⬜️⬛️🟨⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜️🟨🟨⬛️⬜⬜⬜⬜ ⬜️⬜️⬜️⬜️🟨🟨🟨⬜⬜⬜⬜⬜⬜⬜⬜🟨🟨🟨🟨⬜⬜⬜⬜ ⬜️⬜️⬜️⬜️🟨🟨🟨🟨⬜🟨🟨🟨🟨⬜🟨🟨🟨🟨⬜⬜⬜⬜⬜ ⬜️⬜️⬜️⬜️⬜🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜⬜⬜⬜ ⬜️⬜️⬜️⬜️⬜🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜⬜⬜⬜ ⬜️⬜️⬜️⬜️⬜⬜🟨⬛⬜🟨🟨🟨🟨⬛⬜🟨⬜⬜⬜⬜⬜⬜⬜ ⬜️⬜️⬜️⬜️⬜🟨🟨⬛⬛🟨🟨🟨🟨⬛⬛🟨🟨⬜⬜⬜⬜⬜⬜ ⬜️⬜️⬜️⬜⬜️🟨🟨🟧🟨🟨🟨🟨🟨🟨🟧🟨🟨⬜⬜⬜⬜⬜⬜ ⬜️⬜️⬜️⬜🟨🟨🟧🟥🟧🟨 ⬛ 🟨🟧🟥🟧🟨🟨⬜⬜⬜⬜⬜ ⬜⬜️⬜️⬜️🟨🟨🟨🟧🟨⬛⬛⬛⬛🟨🟧🟨🟨🟨⬜⬜⬜⬜⬜ ⬜⬜⬜️⬜️⬜️🟨🟨🟨⬛⬛🟨🟨⬛⬛🟨🟨🟨⬜⬜⬜⬜⬜⬜ ⬜⬜⬜️⬜️⬜️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜⬜⬜⬜ ⬜⬜⬜⬜️⬜️⬜️⬜️🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜⬜⬜⬜⬜⬜ ⬜⬜⬜⬜️⬜️⬜⬜️⬜️⬜⬜️🟨🟨⬜️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜ ⬜⬜️⬜️⬜⬜️⬜️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜
● 他増田(anond:20210821071232) によるマリオ
🍅🍅🍅🍅🍅🍅👴 🍅🍅🍅🍅🍅🍅👴👴 🍅🍅🍅🍅🍅🍅🍅🍅🍅🍅🍅 💩💩💩👴👴💩👴👴👴 💩👴👴💩👴👴💩💩👴👴👴👴 💩👴👴💩💩👴👴👴👴👴👴👴👴 💩💩👴👴💩💩👴👴👴💩👴👴👴👴 💩💩👴👴👴👴👴💩💩💩💩💩💩 💩💩💩👴👴👴👴👴💩💩💩💩💩 💩💩👴👴👴👴👴👴👴👴 💩💩💩👴👴 🍅🍅🍅🍅💩💩🍅 👴 💩💩💩💩🍅🍅💩💩🍅 👴👴👴 💩💩💩💩💩💩🍅🍅💩🍅💩👴👴👴 💩💩💩💩💩💩💩🍅🍅💩💩🍅👴👴👴 💩💩💩💩💩💩💩🍅🍅💩💩🍅💩👴💩 💩💩💩💩💩💩🍅🍅🍅💩💩🍅💩💩 💩💩💩💩💩💩🍅🍅🍅👴🍅💩👴💩 💩💩💩💩🍅🍅🍅🍅🍅🍅🍅🍅🍅 👴👴👴👴👴🍅🍅🍅🍅🍅🍅🍅🍅 👴👴👴👴👴🍅🍅🍅🍅🍅🍅🍅🍅 💩 👴👴👴👴🍅🍅🍅🍅🍅🍅🍅🍅🍅 💩💩 👴👴👴🍅🍅🍅🍅🍅🍅🍅💩💩💩💩💩 🍅💩🍅🍅🍅🍅🍅🍅💩💩💩💩💩 💩🍅🍅💩🍅🍅🍅🍅🍅💩💩💩💩💩 💩💩💩🍅🍅🍅💩💩🍅🍅🍅💩💩💩💩💩 💩💩💩💩🍅🍅🍅🍅 💩💩💩💩💩 💩💩💩💩💩🍅 💩💩💩
出典元 https://www.emojiall.com/en/emoji-art-list/Large-scale
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⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛🏻🏻🏻🏻⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛🟦🟦🟦🟦⬛⬛⬛⬛⬛⬛ ⬛⬛⬛⬛⬛🟨🟨🟨🟨🟨⬛⬛⬛⬛⬛⬛⬛🏻🏻🏻🏻🏻🏻🏻🏻⬛⬛⬛⬛⬛⬛⬛🟦🟦🟦🟦🟦🟦🟦🟦⬛⬛⬛⬛ ⬛⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛⬛⬛🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻⬛⬛⬛⬛⬛🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦⬛⬛⬛ ⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻⬛⬛⬛🟦🌫️🌫️🟦🟦🟦🟦🌫️🌫️🟦🟦🟦⬛⬛ ⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛🏻🏻🌫️🌫️🏻🏻🏻🏻🌫️🌫️🏻🏻⬛⬛⬛🌫️🌫️🌫️🌫️🟦🟦🌫️🌫️🌫️🌫️🟦🟦⬛⬛ ⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛⬛⬛🏻🌫️🌫️🌫️🌫️🏻🏻🌫️🌫️🌫️🌫️🏻⬛⬛⬛🟦🟦🌫️🌫️🟦🟦🟦🟦🌫️🌫️🟦🟦⬛⬛ ⬛🟨🟨🟨🟨🟨🟨🟨⬛⬛⬛⬛⬛⬛🏻🏻🌫️🌫️🌫️🌫️🏻🏻🌫️🌫️🌫️🌫️🏻🏻⬛🟦🟦🟦🌫️🌫️🟦🟦🟦🟦🌫️🌫️🟦🟦🟦⬛ ⬛🟨🟨🟨🟨⬛⬛⬛⬛⬛⬛⬛⬛⬛🏻🏻🌫️🟦🟦🌫️🏻🏻🌫️🟦🟦🌫️🏻🏻⬛🟦🟦🌫️🌫️🟦🟦🟦🟦🌫️🌫️🟦🟦🟦🟦⬛ ⬛🟨🟨🟨🟨🟨🟨🟨⬛⬛⬛⬛⬛⬛🏻🏻🏻🟦🟦🏻🏻🏻🏻🟦🟦🏻🏻🏻⬛🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦⬛ ⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛⬛🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻⬛🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦⬛ ⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻⬛🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦⬛ ⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻🏻⬛🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦🟦⬛ ⬛⬛⬛🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛⬛🏻🏻🏻🏻⬛🏻🏻🏻🏻⬛🏻🏻🏻🏻⬛🟦🟦⬛🟦🟦🟦⬛⬛🟦🟦🟦⬛🟦🟦⬛ ⬛⬛⬛⬛⬛🟨🟨🟨🟨🟨⬛⬛⬛⬛⬛🏻🏻⬛⬛⬛🏻🏻⬛⬛⬛🏻🏻⬛⬛🟦⬛⬛⬛🟦🟦⬛⬛🟦🟦⬛⬛⬛🟦⬛ ⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛⬛
⬜⬛⬛⬛⬜⬜⬜⬜⬜⬜⬜⬜⬛⬛⬛⬜ ⬛⬜⬜⬜⬛⬜⬜⬜⬜⬜⬜⬛⬜⬜🌫️⬛ ⬛⬜⬜⬜⬛⬜⬜⬜⬜⬜⬜⬛⬜⬜🌫️⬛ ⬛⬜⬜⬜⬜⬛⬜⬜⬜⬜⬛⬜⬜🌫️🌫️⬛ ⬜⬛⬜⬜⬜⬛⬜⬜⬜⬜⬛⬜🌫️🌫️⬛⬜ ⬜⬜⬛⬜⬜⬜⬛⬜⬜⬛⬜🌫️🌫️⬛⬜⬜ ⬜⬛🟥⬛⬜⬜⬜⬛⬛⬜🌫️🌫️⬛🟥⬛⬜ ⬜⬛🟥🟥⬛⬜⬜⬜⬜🌫️🌫️⬛🟥🌫️⬛⬜ ⬛🟥⬜🟥🟥⬛⬜⬜🌫️🌫️⬛🟥🟥🟥🟥⬛ ⬛🟥🟥🟥🟥🟥⬛⬛⬛⬛🟥🟥🟥🟥🟥⬛ ⬛🟥🟥🟥🟥🟥⬜⬜🟥🟥🟥🟥🟥🟥🟥⬛ ⬜⬛🟥🟥🟥🟥⬜⬜🟥🟥🟥🌫️🌫️🟥⬛⬜ ⬜⬛⬜⬜🟥🟥🟥🟥🟥🟥🟥🌫️🌫️🟥⬛⬜ ⬜⬜⬛⬛🟥🟥🟥🟥🟥🟥🟥🟥⬛⬛⬜⬜ ⬜⬜⬜⬜⬛⬛⬛⬛⬛⬛⬛⬛⬜⬜⬜⬜ ⬜⬛⬛⬜⬜⬜⬛⬛⬛⬛⬜⬜⬜⬛⬛⬜ ⬛🟩🟩⬛⬛⬜⬛🟩⬛⬛⬜⬛⬛🟩⬛⬛ ⬛🟩⬛🟩🟩⬛⬛🟩⬛⬛⬛🟩🟩⬛⬛⬛ ⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛ ⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛ ⬜⬛⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬛⬜ ⬜⬜⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬜⬜ ⬜⬜⬜⬜⬛⬛⬛🟩⬛⬛⬛⬛⬜⬜⬜⬜ ⬜⬛⬛⬜⬜⬜⬛🟩⬛⬛⬜⬜⬜⬛⬛⬜ ⬛🟩🟩⬛⬛⬛⬛🟩⬛⬛⬜⬛⬛🟩⬛⬛ ⬛🟩⬛🟩🟩⬛⬛🟩⬛⬛⬛🟩🟩⬛⬛⬛ ⬛🟩⬛⬛⬛⬛⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛ ⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛ ⬜⬛⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬛⬜ ⬜⬜⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬜⬜ ⬜⬜⬜⬜⬛⬛⬛🟩⬛⬛⬛⬛⬜⬜⬜⬜ ⬜⬜⬜⬜⬜⬜⬜⬛⬛⬜⬜⬜⬜⬜⬜⬜
●ねこです
🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜🟧🟥🟧⬜⬜⬜⬜⬛️⬛️⬛️⬜⬜⬜⬜🟧🟥🟧⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬛️⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬛️⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬛️⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
SCP-040-JPは██県の旧██村に放置されていた、井戸小屋です。
特筆すべきはその異常性で、小屋を覗くと対象は「ねこがいた」と動揺します。ねこです。ねこはそこにいました。ずっとまえからそこにいたのに、やっときづいたのですね。
この影響を受けるとイエネコに対する認識が歪められ、画像のような、毛がなく、人間のような目を持った生物に見えてしまいます。しかも、どの方向からでもこちらを見ているように見えるようです。ねこはいます。
更にこの影響を受けた中で対象は常にねこが暗闇にいるように感じ、見張られているような錯覚を覚え、ねこはいます。
この異常性は直接的に視認しなければなりませんが、ねこはいます。
ねこです。また、影響を受けた対象はねこがいると周りに伝えようとし、これを理解した場合、上記と同じ症状を被ります。どのようなワードがトリガーとなるのかは不明ですが、ねこはいます。
ねこはいますが、その情報を伝えるのには、会話、画像、映像、音声、どれでも感染します。ねこはいます。ねこの情報を伝えようとする試みは極めて自然なものを装うため、見抜くことは困難です。
● レインボーおちんぽ 出典元 https://anond.hatelabo.jp/20201011125938#
ぉおおおおおおおちんぽぉぉぉぉぉぉぉ
🫠 🫥 😶🌫️ 🦠
The sound of the bells of Gion Monastery echo with the ever – changing nature of all things. The fading hues on the blossoms of the sala tree signify that all that flourishes must fade. The arrogant do not prevail for long, nothing but a spring night’s dream. The mighty in time succumb, dust before the wind.
2022-07-22
●特殊記号
ꕥ 𖤣𖥧𖥣𖡡𖥧𖤣 𖦥 𓂃𓃱𓈒𓏸 𖦥𖤣𖥧𖥣𖡡𖥧𖤣 ꕥ
𓄿 𓅹 𓅸 𓅿 𓅞 𓅺 𓅟 𓅯 𓎤𓅮
𓃰 𓃒 𓃟 𓃱 𓃗 𓃵 𓃲 𓃜 𓃘 𓃙 𓃥 𓃦 𓃠
𓇼 𓆡 𓆉 𓆛 𓆛𓆜𓆝𓆞𓆟 𓆝
●キマシ
キマシタワーーー 🗼ーーー! ! ! ! ! ! !
i
∥
┏┓ ┏━━┓┏━┓┏┓ .曲. .┏━━┓┏━━┓ ┏┓┏┓
┏┛┗┓ ┗━┓┃┗━┛┃┃ . |x|. .┃┏┓┃┃┏┓┃ ┃┃┃┃
┗┓┏┛ ┃┃┏━┓┃┃ |.X.| .┃┗┛┃┗┛┃┃┏━━━━━━┓┃┃┃┃
┏┛┗┓ ┏┓┃┃┗━┛┃┃ 冊(゚∀゚)冊 ┃┏┓┃ . ┃┃┃. ┃┃┃┃┃
┗┓┏┛ ┃┗┛┃ ┏┛┃ |.X.| .┗┛┃┃ ┃┃┗..━━━━━.┛┗┛┗┛
┃┃ ┗┓┏┛┏━┛┏┛ /.X∧,, .…┃┃ ┏┛┃ ..┏┓┏┓
┗┛ ┗┛ ┗━━┛ //冂ヽ\... ┗┛ …┗━┛ .┗┛┗┛
@pbarakan
The doors on the right side will open
「右側のドアが開きます」なら
The doors will open on the right hand side
というべきだと思います。
Paul Richter
@riktov
You’re nitpicking. There is absolutely nothing wrong with “The doors on the right side will open.” in American English. I agree the announcer’s intonation is a bit strange (non-native) on this and some other announcements.
…doors on the r.s. will open は
左側のドアが開きます
…doors will open on the r.s. は
つまり、
1)では、ドアが車両の左側右側それぞれに設置されていて、その内の左の方が開く
2)では、ドアが各車両に一台設置されている「左右開閉式」
結局どっちが正しいんや
原文
Japan review it's been a year since I
moved to Japan and I thought it made
sense to finally rate Japan I will talk
about things I like and the things I
don't like which seems to be the only
two options available if you have
so sugoi or did you know Japan is
actually really bad it's got a lot of
survival issues okay I will list one
good thing and bad thing and I will not
hold back there's no trash bins
I have to put in my pocket
oh
there's always these generic things that
you hear or yes when we you visit it's
kind of weird but then you realize it's
not a big deal anyway let's start off
with number one reason I like Japan
it feels like a giant playground no I
don't mean in the Logan Paul kind of
sense of doing whatever the hell you
want
but rather there's a infinite things all
right lazy feels like to explore and
experience and I've been here a year now
and I don't think I'm gonna get bored
anytime soon although I am having a
child so I don't know how much more I
but it really feels like a whole new
world and if you visited you can
probably relate to it and I'm glad that
even a year in it still feels incredibly
fresh and I even would say that you
realize that the best part of Japan
aren't the touristy places kind of
obviously but there are so many areas
that I found that I really enjoy
visiting and this is probably more
specific to me but you know Tokyo is
very busy and so many times I just catch
myself surrounded by what feels like
hundreds of people and they have no idea
everyone is just doing their own thing
now once it was staring at me no one's
following me no one's being weird you
guys are weird and I'm just kidding I
just love the feeling of being able to
exist in public and uh not worrying
about what everyone else is doing like
I've said this before but I genuinely
enjoy talking to fans or when people
approach me it always makes me happy but
it can be kind of frustrating to always
wanting to just do your own thing and
always be
you know so yeah let's move on to the
bad things of Japan number one reason
Japan is bad it's kind of a heavy
subject and I haven't seen anyone else
really talk about it it's not brought up
very often at least and that is cones
there's too many cones in Japan once you
see it you cannot unsee it they're
everywhere they say oh Japan has so many
vending machines there's like five per
there's more cones than people why are
there so many cones I need to know we
got the tall ones we got the small ones
we got the funny ones the cute ones the
sexy ones I do like those I just don't
understand that whoever plays these
cones think I'm just gonna barge through
oh thank God there's cones here
otherwise I had no idea what I was gonna
and I realized the cone history of Japan
stretches centuries okay if you played
Animal Crossing sometimes it's a
Japanese game so sometimes you get these
items right you're like oh that's kind
of weird I don't know exactly what that
is but it's probably something Japanese
and then you get the bamboo thing and
you're like what the hell is that what
am I even gonna do with that and then
you see it in real life here in Japan
you're like holy [ __ ] it's a cone that's
I feel like they are following me
I'm glad I was able to talk about this
I'm for one and willing to call out
Japan knock it off man no more cones
there's enough cones let me tell you
something even better than cones you may
have noticed new merch finally it's been
forever my mom came over she had
unofficial merge because I literally
have no other merch I've hadn't hadn't
merch I'm sorry Mom so we spruced up the
logo got a cool back design the team
that worked on it really truly
understand how my brand and I think they
did such a good job these pieces look
amazing and I think you guys are gonna
really like them as well these are
available for limited time only so make
sure you order now so excited to finally
have this merch available thanks to
amaze for making this happen we are
gonna have one piece that will stay on
the store so my mom will not buy the
wrong merch but for a limited time that
piece will be available in this color
off-white kind of color it looks really
nice and then after that you can still
get it but not in this color that's
you want this one yeah I get it
so yeah check that out if you're
interested I'm so happy about these
designs and I hope you guys would like
them as well all right reason number two
I like Japan yay when we first announced
that we were gonna move to Japan there
was so many people just saying how bad
Japan is actually did you know Japan is
really bad did you know this I have to
list all these reasons now because
everyone is like thing and then thing
Japan ah so I have to tell them and I
it's actually but one thing in
particular that people said was that old
people really don't like foreigners they
hate them so when I was gonna stop by to
say hi to our neighbors who was a little
older at least some of them I was
terrifying I heard all these stories you
know like what are they gonna do to us
so I had my guard up ready for the worst
and I was met with nothing but kindness
and welcoming and I felt like a total
dick for having this preconceived ideas
and just a side comment like yes there
are definitely probably people that
don't like foreigners and all that stuff
but I realized I should let my own
experience is dictate how I feel about
certain things maybe that's just
ignoring a problem I don't know it just
feels like it's a bad way to approach
life if you always have a negative
expectation you know it's smiling people
smiled back
thank you sometimes they don't and
that's okay you know anyway my point
being Japanese people are very in my own
experience
are very nice and friendly the majority
at least and yes even to foreigners I
feel like they are especially nice to
foreigners because they think we're like
a kid lost at Disneyland or something
I just asked for directions I didn't
need you to walk me for half an hour to
this specific place I was going but
thank you I appreciate it a lot of times
I go bouldering alone and there's always
other groups of people being supportive
and yelling like I'm about there like go
you can do it I love it I think it's
great you know or if you're small
talking with people people generally
want to communicate with you and I love
having those moments but of course
there's times where people are like oh
you're a foreigner I don't feel like
even trying
which again it's fine speaking of which
reason I don't like Japan number two
their language
I have lived here for a year and I'm not
fluent in Japanese
I am dumb I am very dumb I remember the
moment we moved here I had studied some
Let's test out this knowledge that I
have acquired let's go I'm just gonna
come in it's gonna be dangerous and you
enter a store for the first time and
they're like
what
what oh
what the classic the most common
experiences that you have aren't
necessarily what you're taught in the
textbook yay I know I think that's the
same for anyone learning a language for
the first time but don't even get me
started on the kanji main what the [ __ ]
is this I feel like Japanese is such a
hard language obviously but I don't
think people realize how hard it is at
least me personally because the more you
learn the more you realize you don't
know [ __ ]
for English speakers Japanese is
considered one of the most difficult
languages and because it's just so
different I listed it as bad because
that was my first kind of experience
with it coming here but the more I
interact with people the more it feels
like I'm unlocking new skills you know
oh I made a phone call for the first
time oh I could ask someone over the
phone I know big deal but it's like oh I
can actually do that or even just having
a small tiny yes shittiest conversation
with a stranger it's still something and
it feels good you start to all of a
sudden understand you know a movie if
you're watching oh I understand actually
what's going on here or I can play games
and kind of get what this they're saying
I have to look up words obviously but to
me all those new experiences that it
unlocks to me is very rewarding even
though it's such a challenge I would
actually now say it's a good thing I
played it on its head it was a good
thing all along but I obviously have a
and it just I don't think it will damage
time reason number three I like Japan
this is nothing to do with Japan to say
it's more related to me taking a more
relaxed approach to YouTube for my
entire 20s I did nothing but YouTube
that was my life and that's okay but I
also think it was a little toxic
probably you know if I wasn't making
videos I sure as hell was thinking about
making videos I uploaded videos during
and it feels really good to finally be
free from it you know and I can discover
other things in life there are other
things in life
a new hobbies and interest that I've
always wanted to do I can do and have so
much fun with it surfing I know I would
love for the longest time and I finally
get to do it and it's so [ __ ] amazing
I love learning new things anything that
isn't necessarily connected to all of
this on the internet and that is
something I'm very very grateful that I
discovered so yeah it's not really Japan
I could have done that anywhere but it's
largely why I enjoyed so much here
reason I don't like Japan number three
this is probably the most trickiest one
and it's the rules what are the rules
Japan has so many rules and it's a bit
conflicting for me to complain about
because a lot of the best stuff about
Japan not the best stuff but a lot of
the reasons why Japan works so well is
because of the rules you know the trains
are always on time things just work in
general it's hard to explain the streets
are clean people aren't loud in public
and so on and these are sort of societal
rules that make it happen more or less
but sometimes There are rules that just
don't make any sense and I have no
problem following rules as long as I
understand the reason for it you know
don't talk on the phone on the train
because it's generally annoying when
other people do that to you A lot of it
is just be thoughtful of other people
it's not just about you and that just
makes it more pleasant for everyone but
one rule is especially which I talked
about before is the fact that because of
kovid I'm not allowed to be in the
delivery room for our baby for more than
two hours that's because of covered
rules it just doesn't make sense to me
and I tell people about this like uh
family and friends and they're always
like well why don't you just ask them or
like why don't you talk to them I'm sure
you can there's got to be somewhere and
it's like no it's Japan okay there are
rules and people follow the rules for
※ネタバレ
特に映画に詳しいわけでもないけれど、現代社会が舞台で肩ひじ張らない娯楽映画が好き。
ただ、そういう映画って何かのランキングとかに紹介されることもなく、だんだん忘れられてく感じなので、とりあえず3本くらい選んでみる。
自分の中でプロデューサーというとこの映画のダスティン・ホフマン演じるスタンリー・モッツ。傲慢で厚かましく側にいたら絶対うんざりするだろうけど仕事は進めてくれるだろうという信頼感はある。「That's Nothing!!」
なお、この映画、例のビル・クリントンとモニカ・ルインスキーの件が公になる前に封切られてる。映画の演出がフィクションを強調している(飛行機が落ちて無傷…)のも妙に迫力がある。
イスラムテロリストと戦わないといけないけど、そのために先軍政治になってしまってはダメだよね、という今なら不思議でも何でもない映画の製作が同時テロ前という。00年代の予習みたいな映画。
一部俳優が大物過ぎてひっくり返る(名演というか迷演というか…)。
当時クライムアクションという触れ込みだったけど、アクションではない…(ただ妙に盛り上がる)。サスペンスでもない。とんでもなく悪意たっぷりの視線でアメリカの田舎をこき下ろした映画。
今だったら、ポリコレ勢と保守派の両方から袋叩きにされること請け合い。インモラルさ半端ない。ただ、自分はこの映画で、神と銃とピックアップトラックのアメリカがあることを知ったのも確か。
数ある法廷映画でもこの映画が好きなのは、やはり相手役のキャラが立っているから。良い仕事には、良い環境が必要。昼休みに電話をかけてくるものは滅びるべし。
イギリス映画といえば「フル・モンティ」や「ロック、ストック&トゥー・スモーキング・バレルズ」が有名ですが、これもじんわり心が温かくなる佳作。ヤクザの高齢化問題を先取り。バイオレンスで夜の生活もばっちり。
会社で、上司のやる気がないってイキってる若い人にやさしくなれる映画。
高校の科学教師って電話組み立てられるんだという驚き(ネタ)。1条件でどんどん場面を転がしていくのに舌を巻く。題名通り携帯電話使ったギミックが沢山。
ともあれ着信音がうるさい輩は万死に値する。
ごめんなさい。ファンタジー映画でした。でもファンタジー世界でも、人は業から逃れられぬのよね。
無垢っぽいキャラクターで話を作っているところが意地が悪くて好き。
女賞金稼ぎって異世界にしかいないんじゃないの?という良識ある皆様を裏切るノンフィクションベースの映画。やっぱり人質司法はよくないよねって思う…かな?
自分は最高にハイだったけど、LSDキメてんじゃないかというポケモンフラッシュ系の演出があるので注意。
ごめんなさい。これもファンタジー映画でした。ウィキペディアにそう書いてあるし。ファンタジー映画です。でも、あまりファンタジー好きの人に受ける気がしないな。
近所のお兄さんの頭の傷は、ロボトミーじゃなくて脳梁離断術というのをきちんと分かったうえで演出しているのが良いですね。
これもトニー・スコット監督だった。悪役のキャラが立つのはよい映画。フェアであればその結果破滅してもいいよねっていうビジネスの狂気。
自分もいろんな投資に手を出してきたので、ちょっとこの悪役の気持ちがわからんでもない。
皆様大好き、ウェブの片隅に現れる胸糞漫画の広告。それの決定版みたいな映画。手心一切なしスカッと復讐。
スーパーエンジニアの主人公がスーパーすぎてそこに痺れる憧れる?
頑張って2本探してみたけど、最後の一本は紹介してくれたらうれしい。
ブコメへお返事
原罪とか楽園とか聖書ワードで楽しむ物語として創ったんだとは思うけど、けなげな主人公はそれだけで応援したくなるよね。
法廷ものだと『ザ・ファーム 法律事務所』『ペリカン文書』『評決のとき』等々、90年代に数多く制作されたジョン・グリシャム原作作品が好きでよく観てたなあ。
3っていくつだっけ……
1、2、…たくさん
増田の例はあんまり社会派感感じなけど、社会派娯楽映画ならマイケルマンのインサイダーが好き。社会派抜きならヒートのが好きだけど
「ニュースの天才」ヘイデン・クリステンセンの闇堕ちが、スターウォーズ以外でも見られます。
エリン・ブロコビッチ好き。あと女神の見えざる手も
うん好き。ちょっと重いけどね。
映画は主にかっこいい俳優目当てで見るので、マーシャル・ローはブルース・ウィリス、ロンドン・ドッグスはレイ・ウィンストン、完全なる報復はジェラード・バトラー目当てで見た。完全なる報復はラストが超胸糞。
ラスト胸糞と思うのは筋が通っていてよい。クズを殺してすっきり、でもその後はやりすぎじゃね、で主人公を殺してすっきり、という定見のない観客をあてこする映画と思うので。
確かに1回しか見てない映画もあるし、歴史の試練に耐えるかというとそうではないだろうけど、たまに思い出す系映画。
なくない?(nothing else)
い
ろ
と
り
ど
り
!
●バンダイビジュアル 出典元 https://anond.hatelabo.jp/20210710192249#
● やで〜
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● 他増田(anond:20210821071232) によるマリオ
🍅🍅🍅🍅🍅🍅👴 🍅🍅🍅🍅🍅🍅👴👴 🍅🍅🍅🍅🍅🍅🍅🍅🍅🍅🍅 💩💩💩👴👴💩👴👴👴 💩👴👴💩👴👴💩💩👴👴👴👴 💩👴👴💩💩👴👴👴👴👴👴👴👴 💩💩👴👴💩💩👴👴👴💩👴👴👴👴 💩💩👴👴👴👴👴💩💩💩💩💩💩 💩💩💩👴👴👴👴👴💩💩💩💩💩 💩💩👴👴👴👴👴👴👴👴 💩💩💩👴👴 🍅🍅🍅🍅💩💩🍅 👴 💩💩💩💩🍅🍅💩💩🍅 👴👴👴 💩💩💩💩💩💩🍅🍅💩🍅💩👴👴👴 💩💩💩💩💩💩💩🍅🍅💩💩🍅👴👴👴 💩💩💩💩💩💩💩🍅🍅💩💩🍅💩👴💩 💩💩💩💩💩💩🍅🍅🍅💩💩🍅💩💩 💩💩💩💩💩💩🍅🍅🍅👴🍅💩👴💩 💩💩💩💩🍅🍅🍅🍅🍅🍅🍅🍅🍅 👴👴👴👴👴🍅🍅🍅🍅🍅🍅🍅🍅 👴👴👴👴👴🍅🍅🍅🍅🍅🍅🍅🍅 💩 👴👴👴👴🍅🍅🍅🍅🍅🍅🍅🍅🍅 💩💩 👴👴👴🍅🍅🍅🍅🍅🍅🍅💩💩💩💩💩 🍅💩🍅🍅🍅🍅🍅🍅💩💩💩💩💩 💩🍅🍅💩🍅🍅🍅🍅🍅💩💩💩💩💩 💩💩💩🍅🍅🍅💩💩🍅🍅🍅💩💩💩💩💩 💩💩💩💩🍅🍅🍅🍅 💩💩💩💩💩 💩💩💩💩💩🍅 💩💩💩
出典元 https://www.emojiall.com/en/emoji-art-list/Large-scale
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⬜⬛⬛⬛⬜⬜⬜⬜⬜⬜⬜⬜⬛⬛⬛⬜ ⬛⬜⬜⬜⬛⬜⬜⬜⬜⬜⬜⬛⬜⬜🌫️⬛ ⬛⬜⬜⬜⬛⬜⬜⬜⬜⬜⬜⬛⬜⬜🌫️⬛ ⬛⬜⬜⬜⬜⬛⬜⬜⬜⬜⬛⬜⬜🌫️🌫️⬛ ⬜⬛⬜⬜⬜⬛⬜⬜⬜⬜⬛⬜🌫️🌫️⬛⬜ ⬜⬜⬛⬜⬜⬜⬛⬜⬜⬛⬜🌫️🌫️⬛⬜⬜ ⬜⬛🟥⬛⬜⬜⬜⬛⬛⬜🌫️🌫️⬛🟥⬛⬜ ⬜⬛🟥🟥⬛⬜⬜⬜⬜🌫️🌫️⬛🟥🌫️⬛⬜ ⬛🟥⬜🟥🟥⬛⬜⬜🌫️🌫️⬛🟥🟥🟥🟥⬛ ⬛🟥🟥🟥🟥🟥⬛⬛⬛⬛🟥🟥🟥🟥🟥⬛ ⬛🟥🟥🟥🟥🟥⬜⬜🟥🟥🟥🟥🟥🟥🟥⬛ ⬜⬛🟥🟥🟥🟥⬜⬜🟥🟥🟥🌫️🌫️🟥⬛⬜ ⬜⬛⬜⬜🟥🟥🟥🟥🟥🟥🟥🌫️🌫️🟥⬛⬜ ⬜⬜⬛⬛🟥🟥🟥🟥🟥🟥🟥🟥⬛⬛⬜⬜ ⬜⬜⬜⬜⬛⬛⬛⬛⬛⬛⬛⬛⬜⬜⬜⬜ ⬜⬛⬛⬜⬜⬜⬛⬛⬛⬛⬜⬜⬜⬛⬛⬜ ⬛🟩🟩⬛⬛⬜⬛🟩⬛⬛⬜⬛⬛🟩⬛⬛ ⬛🟩⬛🟩🟩⬛⬛🟩⬛⬛⬛🟩🟩⬛⬛⬛ ⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛ ⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛ ⬜⬛⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬛⬜ ⬜⬜⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬜⬜ ⬜⬜⬜⬜⬛⬛⬛🟩⬛⬛⬛⬛⬜⬜⬜⬜ ⬜⬛⬛⬜⬜⬜⬛🟩⬛⬛⬜⬜⬜⬛⬛⬜ ⬛🟩🟩⬛⬛⬛⬛🟩⬛⬛⬜⬛⬛🟩⬛⬛ ⬛🟩⬛🟩🟩⬛⬛🟩⬛⬛⬛🟩🟩⬛⬛⬛ ⬛🟩⬛⬛⬛⬛⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛ ⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛ ⬜⬛⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬛⬜ ⬜⬜⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬜⬜ ⬜⬜⬜⬜⬛⬛⬛🟩⬛⬛⬛⬛⬜⬜⬜⬜ ⬜⬜⬜⬜⬜⬜⬜⬛⬛⬜⬜⬜⬜⬜⬜⬜
●ねこです
🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜🟧🟥🟧⬜⬜⬜⬜⬛️⬛️⬛️⬜⬜⬜⬜🟧🟥🟧⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬛️⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬛️⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬛️⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
SCP-040-JPは██県の旧██村に放置されていた、井戸小屋です。
特筆すべきはその異常性で、小屋を覗くと対象は「ねこがいた」と動揺します。ねこです。ねこはそこにいました。ずっとまえからそこにいたのに、やっときづいたのですね。
この影響を受けるとイエネコに対する認識が歪められ、画像のような、毛がなく、人間のような目を持った生物に見えてしまいます。しかも、どの方向からでもこちらを見ているように見えるようです。ねこはいます。
更にこの影響を受けた中で対象は常にねこが暗闇にいるように感じ、見張られているような錯覚を覚え、ねこはいます。
この異常性は直接的に視認しなければなりませんが、ねこはいます。
ねこです。また、影響を受けた対象はねこがいると周りに伝えようとし、これを理解した場合、上記と同じ症状を被ります。どのようなワードがトリガーとなるのかは不明ですが、ねこはいます。
ねこはいますが、その情報を伝えるのには、会話、画像、映像、音声、どれでも感染します。ねこはいます。ねこの情報を伝えようとする試みは極めて自然なものを装うため、見抜くことは困難です。
● レインボーおちんぽ 出典元 https://anond.hatelabo.jp/20201011125938#
ぉおおおおおおおちんぽぉぉぉぉぉぉぉ
🫠 🫥 😶🌫️ 🦠
The sound of the bells of Gion Monastery echo with the ever – changing nature of all things. The fading hues on the blossoms of the sala tree signify that all that flourishes must fade. The arrogant do not prevail for long, nothing but a spring night’s dream. The mighty in time succumb, dust before the wind.