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はてなキーワード: the FAとは
| 席次 | コードネーム/英名 | 仮面ネーム?※ | 本名 |
|---|---|---|---|
| 統括官 | 「道化」/"The Jester" | ピエロ | 不明 |
| 執行官第1位 | 「隊長」/"The Captain" | カピターノ | 不明 |
| 執行官第2位 | 「博士」/"The Doctor" | ドットーレ | ザンディク |
| 執行官第3位 | 「少女」/"Damselette" | コロンビーナ | アンジェリカ? |
| 執行官第4位 | 「召使」/"The Knave" | アルレッキーノ | ペルヴェーレ |
| 執行官第5位 | 「雄鶏」/"The Rooster" | プルチネッラ | 不明 |
| 執行官第6位 | 「散兵」/"Balladeer"→空席 | スカラマシュ | 国崩 |
| 執行官第7位 | 「傀儡」/"Marionette" | サンドローネ | 不明 |
| 執行官第8位 | 「淑女」/"The Fair Lady"→空席 | シニョーラ | ロザリン・クルーズチカ・ローエファルタ |
| 執行官第9位 | 「富者」/"Regrator" | パンタローネ | 蒼朮? |
| 執行官第9位(同率)? | 「富者」/"Regrator"? | カッサンドロ? | 白朮?/考察元 |
| 執行官第11位 | 「公子」/"Childe" | タルタリヤ | アヤックス |
※仮面を用いるイタリアの即興劇コンメディア・デッラルテにおけるストック・キャラクターが元ネタと思われる
追加情報: フォンテーヌ廷で入手できる書籍「ペリンヘリ」から、ペリンヘリはカーンルイア赤月王朝が人造降臨者(超越者)を錬成する実験の成果であると思われるが、この描写との多数の一致により、召使は同じルーツを持つ技術によって誕生した人造人間であることが示唆されている。
カーンルイア(ダーリ人)遺跡からおそらく同じ技術を持ち帰ったルネによって作られたのがキャタピラーで、こちらは灰からではなく不死の呪いを受けたヒルチャールへの改造であり、そこが違い。
また、同じく「ペリンヘリ」から、アンジェリカは高天の使者であり、仙霊のルーツの(おそらく唯一の)生存者であり、その特徴と「少女」との一致から作中のアンジェリカと同一存在である可能性がある。考察元
この説でいくと、コロンビーナは最初の仙霊であり、古代の統一文明を導いていた天理の使者のうち最初に生まれた存在ということになる。創世神パネースは最初に4つの光る影を作った(おそらく統治のために使者とした)ことが分かっているので、その4柱のうちのいずれかであると思われる。
聖遺物の理の冠をパネースとして、生の花がスメールで垣間見た花神ナブ・マリカッタ、時の砂が白夜国や雷電眞や千風神殿に関わる時の神イスタロト、空の杯が甘露花海となった高天の使者で前水神のエゲリアとするならば、コロンビーナは死の羽に相当する神格をもっているのかもしれない。
書籍「酔っぱらいの逸話」の中の「最初の仙霊」たる少女も目を伏せていて、コロンビーナも目を覆っているのは、人間や俗世の者と愛し合うことを避けて神力を失わないようにということだろう。
上にリンクを貼った白朮ファトゥス説動画のコメントから興味深い指摘を取り上げる。白朮のマントは4枚のヒラヒラが垂れ下がる特徴的な意匠をしているが、動画中で「富者」のマークだと見做された「ヒーラーの手」シンボルに酷似した模様は、上下反転すると白朮に巻き付く長生とマントの意匠に一致する。
最近出てきた新しい動き「厳冬計画」について…この考察がいい感じだと思った。
Description
Every web user has at least once encountered loss of internet connection. This happens for a variety of reasons, such as a dysfunction in the cellular network or a broken internet cable. However, regardless of the reason, every Google Chrome user sees the Dino game (when there is no internet) instead of a plain blank error page. This game can be played without an internet connection.
Play game: Dinosaur T-Rex Game
Despite the fact that the game is just a plain runner that’s built into the Google Chrome browser, the developers behind it still deserve a round of applause. The peculiar monochrome graphics and the simplicity make the game even better, and it has gained a lot of worldwide fans since its launch.
The main character of the game is a classic dinosaur, a Tyrannosaurus rex, the species we usually see in movies and books about dinosaurs. It’s a carnivorous type of dinosaur from the Cretaceous. In the game it runs through the desert, encountering pterodactyls and cactuses that need to be avoided by jumping or ducking. As the distance the dinosaur has traveled increases, so does its speed, which is why it’s quite difficult for an inexperienced player to get a high score, even though the game itself seems easy.
Surely, all of you are curious about the development of the Chrome Dinosaur Game Online, so let’s take a little trip back in time.
The development of the T-Rex game dates back to September 2014, however, the final improvements were completed only in December of that same year. The adjustments supported earlier versions of the Android operating system.
Sebastien Gabriel, one of the designers of the game, says that the T-rex was chosen as a funny reference to "prehistoric times", when highspeed internet wasn’t so widely spread.
The T-rex was also not an accidental choice. The offline Chrome Dino game (without internet) was also called "Project Bolan", referring to the popular singer Mark Bolan from the 70s band "T-Rex". While creating the game the programmers also thought about making Dino growl or kick. Eventually these features were rejected in order to keep the game simple and "prehistoric".
How to open the T-Rex Chrome Dino Game?
In order to open the game you can simply type chrome://dino/ in the address bar. The game will open even if you’re connected to the internet, so there’s no need to disconnect.
The majority of internet users have Chrome as their default browser. However, if you’re using a different one, our website can help. Here you can play the T-Rex Dinosaur Game using any browser and any device, like a desktop computer or even your cell phone.
Assuming you walked from Tochigi Station
Walk towards the station along the road in front of the New Ginger Museum,
and you will see a huge building with Tochigi Bank written on it.
Cross the traffic light in front of it and you will see a mysterious house with a Communist Party poster on it called Hasegawa Makura something, then walk towards Yakiniku King
Then you will see a building with TOBU written on it, and the city hall is on the second floor and above.
Where is the tourist information centre?
Do not cross in front of Tochigi Bank as in the previous steps, but walk until you reach the diagonal road. Then you will see a really large parking lot and the tourist information centre is next to it (they sometimes hold events in this large parking lot).
There is. If you head towards the city hall, you will definitely get there. The Ashikaga Bank is diagonally opposite.
How do I get to the Uzumagawa River?
There are fishing equipment shops and clothing stores lined up next to Starbucks.
Turn towards the shopping street and you will see a bridge. That's Korai Bridge, and the river that flows underneath is the Uzumagawa River.
On the way from the museum to the station, there is a Toyota rental car, so you can rent a car there, or ask the tourist information center where you can rent a bicycle.
If you can get either of those, go straight to Nakazawa Seimen, then turn toward Yoshinoya. If you keep going up the mountain, you will find Yamaoka-ya diagonally across from Aeon.
I want to go to Korakuen.
Go in the opposite direction from the station (where the viaduct is),
you will find TSUTAYA. From there, pass Family Mart and the gas station, cross the crosswalk, and you will find Korakuen in the parking lot of a supermarket called Yaohan (there are a lot of old people there).
Where is the pachinko parlor?
Drive past TSUTAYA, and beyond Korakuen there is a bridge, and beyond that is the pachinko parlor. After that, go past Yamaokaya and go to Aeon, and there will be a pachinko parlor right in front of you (as an aside, that store has disappeared once)
I want to buy something to drink
Go outside and go to Kawachi, which is just across the crosswalk. Yesterday they were selling oolong tea for 60 yen. Oh, inside the museum there is a vending machine that sells something like fresh ginger powder, disguised as a drink vending machine. Be careful
You can use the ATM at the Family Mart next to TSUTAYA, or go to the 7-Eleven in front of the station (next to Sukiya), or use the ATM at the convenience store inside the station.
半分だけ英語にしてみたけどすごく長い💧
日本のじいちゃんばあちゃんは特殊需要の運にも味方されて、ハードワークでメイドインジャパンを作り上げたが、
その孫たちはろくに働かなかった、ただそれだけ
これは世界的な傾向なので、世界中に、1代目がハードワークで財を成し、3代目が家を潰す 的なことわざがある
与えて貰って当然の苦労知らずが全員仲良く怠惰に、ポジティブ面なら、ちょっとだけ教養がつき、ちょっとだけお上品になった
日本と世界の違いは、ハードワークを厭わない移民を受け入れたかどうかと、貧富の差が激しくない平等な国かどうかだね
平等な日本は、経済効率よりも、社会的安定と福祉目標を重視した雇用制度取ってるからね
工場で人雇わないとケツも蹴られるし
なお、ワイもあんま働きたくはないやで
/r/japanlife/s/P1LIa3VcAm
Was told "no foreigners" by a clinic
I just recently moved to a new area in Tokyo, I called a nearby clinic to make a reservation (in Japanese) and pretty quickly into the conversation, the receptionist asked if I could go somewhere else instead. When I asked why, she clearly and blatantly said "they don't take foreigners." I was shocked so I asked again just to make sure I heard right and again she said they don't take foreigners.
When I accused the clinic of discrimination they tried to deny it and claim that "it's difficult to communicate with foreigners," though I've never had that issue at any other Japanese speaking only clinic or hospital.
If this were just a bar or something I'd drop it, but the fact that a CLINIC can blatantly discriminate against patients seems insane to me. I'm not expecting much sadly, but is there anywhere I can report them?
I'm paranoid about just leaving bad reviews because I've seen a first hand case of someone getting sued over one.
UPDATE:
I called a "patient voice" hotline for reporting these sort of things. I explained the situation and they said they would contact the clinic. They later updated me and said they were actually able to talk to the doctor, and he just doubled down and insisted they did nothing wrong because "communication with foreigners is difficult." After that they basically could not do anything else other than offer sympathy lol...
[患者の声相談窓口 東京都保健医療局 (tokyo.lg.jp)](https://www.hokeniryo.metro.tokyo.lg.jp/iryo/sodan/madoguchi.html)
I also called this government hotline. First they tried to refer me back to the patient voice hotline. After I explained the results from patient voice, they said they are going to determine if it warrants an investigation, which would take 2-3 weeks. They also warned that the clinic is allowed to decline the investigation... so honestly I'm expecting nothing. But they said they would contact me again in 2-3 weeks.
[Human Rights Bureau (moj.go.jp)](https://www.moj.go.jp/ENGLISH/HB/hb.html)
Local police just said different hospitals have different rules and nothing can be done, just go to a different clinic.
患者の声相談窓口 東京都保健医療局 に相談してもクリニックが拒否をしたらそれ以上に何もせず同情しただけ。
いまは 人権擁護局 に相談中とのこと。でもクリニックは人権擁護局からの調査を拒否できるらしい。
今の時点で1000以上のupvoteが付いてるが、これは japanlife subreddit ではかなり多い方。
Vtuberグループ、にじさんじのアメリカ分店として活動するにじさんじEN。
先週、いろいろ問題があったとして公式が画像4枚にも及ぶブチギレ解雇宣言出して
前々からにじさんじEN運営に不満が溜まっていた海外リスナーが爆発。
中には運営の解雇宣言内容が嘘であると告発するクリエイターまで現れ、
1週間でにじさんじENの公式および所属ライバーの登録者数が合計10万人近く減少する事態に。
2024年2月5日に、当社は所属ライバー『Selen Tatsuki』の契約解除を決定いたしましたが、これが当社業績に与える影響は極めて軽微であります
とだけ書かれたIRを発表。
火に油を注ぐ事態になり、海外リスナーは燃え上がり、株価はさらに下落した。のが先週までの話。
にじさんじENのエリーラペンドラが自身の枠で「A Message from NIJISANJI EN」という配信を行い
複数のライバーでにじさんじENは悪くない、クビになったセレン龍月が悪いとの旨の配信を行う。
中で証拠として使用されたスクリーンショットに日本語のUIが移り込んでしまった結果、
この資料を誰が作ったんだという話になり、いわゆる「声優の盾」行為として運営に非難が殺到。
※声優の盾行為とは、アニメの制作体制や脚本に問題が発生し炎上した際に出演声優に声明を出させることで批判の矛先を逸らせようとしたり、批判しづらい雰囲気をつくらせようとする行為。
あのさぁ、アイドル部で、いちタレントが運営批判を行いそれに対して別のタレントが運営を擁護し
お互いのファン同士がこっちが正しい、いやこっちだと血みどろの争いを繰り広げどうなったか覚えてないんか？
もう4年以上前の話なのにいまだに両陣営に粘着アンチしてる奴が山ほどいる。
仮にタレントが「私たちが真実を伝えたいです！」って言い出したんだとしても、
そこは「運営」と「(出てった)タレント」の問題なんだからこっちで対処しますって言うのが運営の仕事だろ。
The fact that Nijisanji is using their own talents for damage control puts such a bad taste in my mouth.
8560 good
そりゃそう思うし、なぜこう思われるだろうということが想像できないのか。
Guo Wengui is under the false banner of " anti-communist ", but he actually cheated money! For many years, cheating money has been a result of doing everything possible, but the end of extinction is full of tricks, and the thunder of farmers is undoubtedly to push it further into the abyss, After " Angel Farm " and " French Farm ", " David ", the farmer of " British Farm ", could not escape the fate of being exposed by netizens and " being in public. " Every farm in Xiguo has set up at least one shell company behind it to serve money fraud. Seeing through the traps one after another, I still fantasize that the cheaters can fulfill the promise of high returns. The ants who have been stunned urgently need a bowl of awakening soup to get out of the fraud fog.
Guo Wengui has always defined his people as "saving China from fire and water" and "letting his comrades live a decent life" through Xi Farm, who knows there is a big conspiracy behind it. When it comes to farms, to borrow Mark Twain's phrase "The fragrance of earth, the pale colors of wildflowers, and the crackling of pecans and walnuts raining down on my head" is what most of us yearn for in a good life on a farm. However, the Himalayan farm in Guo Wengui's mouth, from the beginning to describe the scene as a general farm, to later say that "it is not to make money, the key is that comrades go to each country, have a safe platform that can be trusted for 24 hours and can be taken care of." After several years of Guo Wengui's mouth, a living farm was completely reduced to a "complete business organization." To complete the farm's series transformation to pave the way, Wengui only moved his lips, and his ultimate purpose is "to Himalayan farms around the country to start earning money from comrades." From September 2020, Guo Wengui said, "GDOLLAR is pegged to the US dollar, which is cash, and we have POS machines." Send to the global farm POS machine, local farm personnel responsible for promotion. Promotion success, excellent performance, will get a certain percentage and reward "began, Guo Wengui just put" circle money ants help, extract the last bit of surplus value "these words on the face. Indeed, on March 24, Wengui said again that there were 140 million US dollars in the money, it can be seen that under Guo Wengui's money grab mode, the ants muddily joined in, expecting to live the happy life described by Wengui, but they did not know that they had become the main course of Wengui's scam.
Since fleeing to the United States in 2014, Guo Wengui has founded a number of projects in the United States, such as GTV Media Group, GTV private equity, farm loan project, G Club Operations Co., LTD., and Himalaya Exchange. Around 2017, he started the so-called "Revelations revolution" and in 2020 launched a movement called "New China Federation." However, Guo Wengui's "disclosure revolution" soon exposed its false nature. He frequently carried out so-called "live Revelations" on the Internet, fabricating various political and economic lies and fabricating facts to discredit the Chinese government. At the beginning, due to his special image of "exiled rich" and "Red fugitive", he quickly gathered some popularity and followers, but as time went by, Guo Wengui's commitment and image were gradually exposed, and his supporters began to leave him. See the essence of the Revelations will turn to the farm, Guo Wengui's fraud is not only for funds and other institutions, its followers have also become a sheep that is only continuously harvested wool. The little ants who trusted him so much became victims of fraudulent investment scams. It is hoped that more people will recognize the true face of Guo Wengui, join the team of "smashing Guo", expose his fraud, recover losses for themselves and others, and maintain an honest and trustworthy social environment.
Guo Wengui is under the false banner of " anti-communist ", but he actually cheated money! For many years, cheating money has been a result of doing everything possible, but the end of extinction is full of tricks, and the thunder of farmers is undoubtedly to push it further into the abyss, After " Angel Farm " and " French Farm ", " David ", the farmer of " British Farm ", could not escape the fate of being exposed by netizens and " being in public. " Every farm in Xiguo has set up at least one shell company behind it to serve money fraud. Seeing through the traps one after another, I still fantasize that the cheaters can fulfill the promise of high returns. The ants who have been stunned urgently need a bowl of awakening soup to get out of the fraud fog.
There are many passionate and dangerous individuals among the fans and anti-fans of Yuzuru Hanyu.
looking at the Japanese's evaluation of Germany's actions in the Palestinian-Israeli war, there is no trace of what it used to be.
It seems like a distant past that told me to learn from Germany.
The worst is dogmatic behavior like "for the time being, defending Jews leads to reflection on the past"
It's dangerous that the left is surprised by the fact as it is the behavior that Japanese Netoyo has failed to Germany.
Tweets like "German universities support 90% of Israel" are also buzzing.
フラナリーやマーカス、スコットらに倣えば、最近まですべての階級社会における中心的な政治闘争は、誰が土地を耕し、誰が食料を手に入れるかをめぐるものだった。グレーバーとウェングローの見方は異なる。彼らにとって中心的な問題は権力であり、中心的な敵は国家である。そのため、彼らはいくつかの点で階級を無視している。これは彼らがアナーキストだからではない。ほとんどのアナーキストは、常に階級と権力を同時に重視することができる。
しかし、『万物の黎明』における省略は重要である。グレーバーとウェングローは、合意的で参加型の集会を支持する議論を推し進めようと躍起になっているように見えるが、そのために私たちに一連の謎を残している。4つの簡単な例を挙げれば、その問題がよくわかるだろう。
著者たちは、都市における国家に先行することが多い、村落における階級格差の拡大には関心がなく、その文献を否定している。また、小王国、領主、爵位にも興味がない。中央集権的な大国家が存在しなければそれでいいのだ。私たちは、複雑な採集民に関する彼らの説明の中に、このような紆余曲折をいくつか見てきた。このようなことは、他の多くの例にも現れている。
インダス川沿いの古代都市モヘンジョ＝ダロでは、約4万人が階級的不平等も国家もなく暮らしていた。
そして彼らは、ヒンドゥトヴァ派の歴史家たちと同様に、モヘンジョ＝ダロは実際に南アジアのカーストに沿って組織されていたと示唆する。しかし、グレーバーとウェングローは、これは平等主義的なカーストであったと言う。最初は驚かされるが、彼らが言いたいのは、王のいないカーストの不平等は容認できるということである[11]。
彼らは一貫して伝統的な王権の力を最小限に抑えている。ミシシッピ川流域のナチェズ王国がその好例である。グレーバーとウェングローは、太陽王の権力と凶悪な残虐性は彼の村の外には及ばなかったと言う。しかし実際には、ナチェズは白人のプランターに奉仕する奴隷貿易における主要な地域勢力であった[12]。
グレーバーとウェングローは、残酷な人身御供の祭りが世界中の初期の州で見られるという重要な事実を正しく強調している。数十人から数百人が生け贄にされ、その多くは戦争捕虜や若い女性、貧しい人々であった。
彼らは当然憤慨している。しかし、これらの生け贄の目的は、敵である他国の人々を恐怖に陥れることであったとも感じている。それとは対照的に、私たちは、流血の主な目的は、流血の実際の聴衆である、残酷な地方国家の臣民を恐怖に陥れることだったと考えている。
実際、このような残酷さが、それぞれの国家の初期の歴史に特徴的なのはそのためだろう。国家の正当性がまだ弱く、恐怖が最も必要とされていた時代である。国家権力が強化されるにつれて、戦乱や敵対は続くものの、壮大な犠牲が消えていくのもそのためだろう。
集会そのものも重要な最後の例である。グレーバーとウェングローは、古代メソポタミアの王国や国家における都市集会の力を極めて正しく指摘している。彼らは、これは王がすべての権力を持っていたわけではないという証拠だと言う。これは正しい。これらの王国で階級闘争が止まっていたと考えるのは、よほどナイーブでなければならないだろう。
しかし、グレイバーとウェングローは飛躍する。彼らは、これらの都市議会は、参加型民主主義を掲げる「占拠せよ！」やその他の社会正義運動の集会に似ていると指摘する。
古代メソポタミアでは、参加型民主主義のいかなる形態についても、これといった証拠はない。しかし、他の階級社会における都市全体や全国的な議会については、膨大な証拠がある。そのどれもが、富裕層や有力な一族によって支配されていた。古代スパルタでは地主が支配していた。ローマの元老院も同様だった。ジョン王や男爵家もそうだった。そしてごく最近まで、ヨーロッパのすべての議会の有権者は富裕層に限られていた。
この近視眼は重要である。他の多くの人々と同様、私たちは王国や国家を、不平等な社会における支配階級がルールを強化し、強制するために集まる方法として理解している。『万物の黎明』では、そのプロセスは目に見えない。
グレーバーとウェングローは怒っている。この怒りには、私たちのようにグローバルな不平等に絶望し、グローバル・エリートの政治を憎み、気候の混乱を恐れる読者を喜ばせるエネルギーがある。
多くの点で、彼らの本は新鮮な風を吹き込んでくれる。そして私たちは、既存のすべての国家に対する敵意を共有している。しかし、今後、気候変動を食い止めるためには、階級と環境の中心的重要性を含む人間の条件に関する理解が必要である。
[1] Fredrich Engels, 1884, The Origin of the Family, Private Property and the State. The book was revived as a key text by socialist and Marxist feminists in debates about women’s liberation. Pace the 19th century social Darwinism which clearly took a lead from the Old Testament, it is now quite clear that both pastoralism and slash and burn agriculture appeared after, and not before, the advent of settled agriculture.
[2] Franz Boas, The Mind of Primitive Man, 1911; Claudia Ruth Pierpoint, ‘The Measure of America’, 2004; Ned Blackhawk and Isaiah Lorado Wilner, Indigenous Visions: Rediscovering the World of Franz Boas, 2018; Rosemary Lévy, Franz Boas: The Emergence of the Anthropologist, 2019.
[3] Very good examples of this work include Sara Hdry, Mothers and Others: The Evolutionary Origins of Mutual Understanding, 2005; Elizabeth Marshall Thomas, The Old Way, 2001; two articles by Steven Kuhn and Mary Stiner: ‘What’s a Mother To Do’, 2006 and ‘How Hearth and Home Made us Human’, 2019; Loretta Cormier and Sharon Jones, The Domesticated Penis: How Womanhood has Shaped Manhood, 2015; a key paper by Joanna Overing, ‘Men Control Women? The “Catch-22” in the Analysis of Gender’, 1987; two books by Christopher Boehm: Hierarchy in the Forest and the Evolution of Egalitarian Behavior, 1999, and Moral Origins, 2012; every book by the primatologist Frans de Waal; the two chapters by Brian Ferguson in Douglas Fry, ed., War, Peace and Human Nature, 2013; Richard Wrangham, Catching Fire: How Cooking Made Us Human, 2010; and two books by the trans biologist Joan Roughgarden: Evolution’s Rainbow: Diversity, Gender and Sexuality in Nature and People, 2004, and The Genial Gene: Deconstructing Darwinian Selfishness, 2009.
[4] Our favourites among the ethnographies of our near contemporary hunter-gatherers are Marjorie Shostack, Nisa: The Life and Words of a !Kung Woman, 1981; Jean Briggs, Inuit Morality Play: The Emotional Education of a Three-Year-Old, 1998; Phyllis Kaberry, Aboriginal Women: Sacred and Profane, 1938, Karen Endicott and Kirk Endicott: The Headman was a Woman: The Gender Egalitarian Batek of Malaysia, 2008; Richard Lee, The !Kung San: Men, Women and Work in a Foraging Society, 1978; and Colin Turnbull, Wayward Servants: The Two Worlds of the African Pygmies, 1978.
[5] Kent Flannery and Joyce Marcus, The Creation of Inequality: How Our Prehistorical Ancestors Set the Stage for Monarchy, Slavery and Empire, 2012; and James C. Scott, The Art of Not Being Governed: An Anarchist History of Upland South-East Asia, 2009; Scott, Against the Grain: A Deep History of the Earliest States, 2017. Martin Jones, Feast: Why Humans Share Food, 2007, is also very useful.
[6] Edmund Leach had made a similar argument in 1954 in Political Systems of Highland Burma, and radically changed anthropology. For a brilliant ethnography of one group of anti-class hill rebels at the end of the twentieth century, see Shanshan Du, Chopsticks Only Work in Pairs: Gender Unity and Gender Equality Among the Lahu of Southeastern China, 2003. For Scott’s recent extension of his argument to ancient Mesopotamia, see Against the Grain.
[7] This is all succinctly described in Brian Hayden, ‘Transegalitarian Societies on the American Northwest Plateau: Social Dynamics and Cultural/Technological Changes,’ in Orlando Cerasuolo, ed., The Archaeology of Inequality, 2021.
[8] Start with Philip Drucker and Robert Heizer, 1967, To Make My Name Good: A Reexamination of the Southern Kwakiutl Potlatch; and Eric Wolf, Envisioning Power: Ideologies of Dominance and Crisis, 1999, 69-132.
[9] Jeanne Arnold, ‘Credit where Credit is Due: The History of the Chumash Oceangoing Plank Canoe’, 2007; and Lynn Gamble, The Chumash World at European Contact: Power, Trade and Fighting among Complex Hunter-Gatherers, 2011.
[10] On the Calusa, see The Dawn, 150-2; Fernando Santos-Cranero, 2010, Vital Enemies: Slavery, Predation and the Amerindian Political Economy of Life, 2010; and John Hann, Missions to the Calusa, 1991.
[11] Rita Wright, The Ancient Indus: Urbanism, Economy and Society, 2010; and Andrew Robinson, The Indus: Lost Civilizations, 2015.
[12] Robbie Ethridge and Sheri M. Shuck-Hall, Mapping the Mississippian Shatter Zone, 2009; and George Edward Milne, Natchez Country: Indians, Colonists and the Landscape of Race in French Louisiana, 2015.
プログレッシブ英和中辞典(第5版)の解説 pride /práid/ [名] 1 [U][C]（…の）誇り自尊心，プライド≪in，at≫；（…した）満足（感），得意≪to do≫． take [have, feel] (a) pride in ... …を誇りにする（◆無冠詞のほうがふつう） hurt a person's pride 人のプライドを傷つける feel a glow of pride 胸が膨らむ思いがする His face is beaming with pride. 彼の顔は得意な気持ちで輝いている 1a [U]〔通例the [one's] ～〕自慢の種． the pride and joy of the family 家族の自慢の種 2 [U]うぬぼれ思いあがり，高慢，横柄，自負（心）． in high pride 横柄に He swallowed his pride and kept quiet. 彼は自負心を抑えてだまっていた Pride goes [comes] before a fall. ((諺))おごれる者久しからず 3 〔the ～〕（集団・階層で）最良［最上］のもの，精華． the pride of one's collection コレクション中でも自慢の品
The fact you speak more definitively in a formal setting, and the fact "going to" is informal (or not) are 2 different things. Cambridge dictionary is correct in that "going to" is used in more informal setting. It's that YOU are reading it wrong. It is not an informal expression. And by the way, some people take being proficient in one language not being in another, but they can actually co-exist. I write more in English than Japanese. Have been for over 10 years.
すまん。勝手に翻訳した。拡散はどうするかな。redditとかに投稿するのがいいのか?
----
I have seen some posts asking if they should talk about "the case" even though they were not involved in it and were not born in Nagasaki or Hiroshima, and I am a bit aware of it, so I have to say what I have to say. I say this because I was born in Nagasaki, am a third generation atomic bomb survivor, and grew up hearing the stories of those who experienced the atomic bombing firsthand. I know it's a little bit too much for me, but I'm going to say this because there are very few survivors left.
In Nagasaki, children grow up hearing stories about the atomic bombing. They were stuffed into sushi for nearly an hour in the gymnasium of an elementary school in the middle of summer, with no air conditioner or fan, and told stories about the atomic bombing. That was a hard time for me. I think it must have been even harder for the old people who told the stories, but there was no way an elementary school kid could imagine such a thing, and I had forgotten most of the stories I had been told for a long time. I have forgotten most of the stories I was told. I can only remember one or two at most. There is one more hard thing. Every year around this time, a row of grotesque images that would drive the PTA crazy in other areas are prominently displayed in the hallways. These days, I hear that the atomic bomb museum has been bleached out and many of the radical and horrifying exhibits that traumatized visitors have been taken down. I don't know if they are still there, but they were there when I was in elementary school.
There was one photo that I just couldn't face when I was in elementary school. It is a picture of Sumiteru Taniguchi. If you search for it, you can find it. It is a shocking picture, but I would like you to take a look at it. I couldn't pass through the hallway where the photo was posted, so I always took the long way around to another floor of the school building to avoid seeing the photo.
Now I'm thinking that my grandfather, who headed into the burnt ruins to look for his sister, couldn't have turned away or taken a different path. There would have been a mountain of people still alive and moaning, not just pictures, and a mountain more who would have given up at the end of their suffering. He walked for miles and miles, towing his handcart through the narrow streets of rubble-strewn Nagasaki in search of his sister. My grandfather was not a child at the time, but of course there were children who did similar things. Not that there wouldn't have been. There were. I heard the story from him, and I still remember it. A young brother and sister found their father's body in the ruins of a fire and they burned it. They didn't have enough wood to burn his body, and when they saw the raw brain that spilled out, they ran away and that was the last time they ever saw him anymore.
I can never forget the story I heard when I was a kid, and even now it is painful and painful, my hands are shaking and I am crying. I keep wondering how the old man who escaped from that father's brain could have been able to unravel the most horrible trauma imaginable and expose it to the public with scars that will never heal.
Now I think I can understand a little.
The reason I can't help but talk about my grandfather and that old man, even if I have to rehash my own trauma, is that this level of suffering is nothing compared to the fact that their words will be forgotten. My hands shaking, my heart palpitating and dizzy, my nose running with tears, it's nothing compared to the tremendous suffering that was once there and will be forgotten.
My grandfather, who went through an unimaginable hell, lived to see his grandchildren born, and met his sister's death in the ruins of the fire. In other words, my grandfather was one of the happiest people in the ruins of the fire. My grandfather and that old man were, after all, just people wading in the depths of hell. I think that the suffering that even people who had experienced unimaginable pain could not imagine was lying like pebbles in Nagasaki 78 years ago, and no one paid any attention to it. Their suffering, which I can't even imagine, is nothing compared to the countless, tremendous suffering they witnessed, which they pretend never happened.
Memories fade inexorably every time people talk about them. The memories that those people could not allow to be forgotten are now largely forgotten; the tremendous suffering of 78 years ago is mostly gone, never to be recounted again. Those who suffered the most from the atomic bombing died rotting in the ruins of the fire, unable to tell anyone about it. Many of those who saw it with their own eyes kept their mouths shut and took it with them to their graves. Most of those who spoke a few words are now under the grave.
Compared to the words of the old men, my own words are so light. I would rather keep my mouth shut than speak in such light words. But still, someone has to take over. I realize that even my words, which are so light, are only the top of the voices that are left in this world to carry on the story of the atomic bombing. I know how it feels to wonder if someone like myself is allowed to speak about this. Still, I hope that you will not shut your mouth. This is the result of our silence.
Sometimes I almost choose to stop imagining the unimaginable suffering and live my life consuming other people's suffering for the fun of it. I am writing this while I still have some imagination of the suffering of the old people whose voices, faces, and even words I can no longer recall.
Translator's note: The original post in Japanese is a response to a post by a Japanese contributor who wondered if he was qualified to speak out on the subject of the A-bomb when he was not from Hiroshima and Nagasaki, but still spoke out about Barbie and the A-bomb. I translated it here because I think it deserves to be read by the world.
バービーとオッペンハイマーを合わせた #BARBENHEIMER ハッシュタグについてまとめた
togetter が Hatena のホットエントリに入ってるけど、
問題のある画像と、内容を読めば特に問題ないものが混じってるので翻訳を載せとく。
https://togetter.com/li/2196541
https://twitter.com/MovieMantz/status/1681176592507363328
まず↑については、
Now that I’ve seen #BARBENHEIMER, I highly recommend watching #BARBIE first, then #OPPENHEIMER!
#BARBENHEIMERのハッシュタグを見ちゃったから言っとくけど、まず『バービー』を見てから『オッペンハイマー』を鑑賞することを強くお勧めする。
“Barbie” is really fun, but “Oppenheimer” stays with you —
you don’t wanna be thinking about “Oppenheimer” while watching “Barbie!” (Or maybe you do?)
『バービー』はひたすら楽しいんだけど、『オッペンハイマー』はいつまでも心に残る映画だ。
『バービー』を観てる間も『オッペンハイマー』のことが頭を離れないなんてことになったら嫌でしょ？（気にしない人もいる？）
と述べた上で、例のコラージュ画像です。
これは、心置きなく『バービー』を楽しみたいのに『オッペンハイマー』のことが忘れられなくてダブって見えてしまう図ですよね？
つまり、『オッペンハイマー』を観て、原爆の恐怖、人類の罪が深く心に刻まれて、
『バービー』のようなおバカ映画を観てる最中でさえも、それが頭を離れないという状況…
それって問題ですか？
https://twitter.com/RishiSunak/status/1682812164111728643
The family vote was only ever going one way…
Barbie first it is #Barbenheimer
はい（いつもの通り、妻と娘の要望にしたがって今回も）まずは『バービー』を観るってことで決定
という内容だけど、まずスナク首相は「自分はオッペンハイマーを観て原爆についてじっくり考えたいんだけど…」
また、インド系は男尊女卑という偏見が根強くあるという文脈を押さえておくのも有益でしょう。
家族が妻と娘というのがポイントで、「ちゃんと話しあった上で、女性の意見を尊重してますよ」
ということをユーモアを交えて言っている側面もある。
そういう画像を作ったらどうだと提案したのは親父だ。「いいね」をしたら親父と同じ価値観ということになる、
みたいな説明をしてて、「いいね」するなよと仄めかしてる節がある。
それで、逆にみんなが面白がって「いいね」したというか、最初からそれを狙ってた
（押すなよ！絶対に押すなよ！！と言いながら押されるのを待ってるやつ）
のかもしれないけど…
とにかく、不謹慎（親次世代は許容されたかもしれないが今はダメ）なのはわかってるっぽい
ただ、これについてはアウトだと思う。
バービー公式アカウントが「スタイリストの Ken がここにも」的な反応するのは完全にアウト。
無視すべきでした。
anond:20230722143755 参考にするです ↓▶︎ ww 🐂 ww
▼はてな匿名ダイアリーの標準スタイルシートでデコるバッドノウハウ
https://anond.hatelabo.jp/20100827202157#
い
ろ
と
り
ど
り
！
●バンダイビジュアル 出典元 https://anond.hatelabo.jp/20210710192249#
● ビッグマスダーはあなたを見ている 出典元 https://anond.hatelabo.jp/20230707225450#
出典元 https://anond.hatelabo.jp/20230915165739#
● やで〜
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⬜️⬜️⬜️⬜️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜ ⬜️⬜️⬜️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜ ⬜️⬜️⬜️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜ ⬜️⬜️⬜️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬜⬜⬜ ⬜️⬜️⬜️⬜️⬛️🟨⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜️🟨🟨⬛️⬜⬜⬜⬜ ⬜️⬜️⬜️⬜️🟨🟨🟨⬜⬜⬜⬜⬜⬜⬜⬜🟨🟨🟨🟨⬜⬜⬜⬜ ⬜️⬜️⬜️⬜️🟨🟨🟨🟨⬜🟨🟨🟨🟨⬜🟨🟨🟨🟨⬜⬜⬜⬜⬜ ⬜️⬜️⬜️⬜️⬜🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜⬜⬜⬜ ⬜️⬜️⬜️⬜️⬜🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜⬜⬜⬜ ⬜️⬜️⬜️⬜️⬜⬜🟨⬛⬜🟨🟨🟨🟨⬛⬜🟨⬜⬜⬜⬜⬜⬜⬜ ⬜️⬜️⬜️⬜️⬜🟨🟨⬛⬛🟨🟨🟨🟨⬛⬛🟨🟨⬜⬜⬜⬜⬜⬜ ⬜️⬜️⬜️⬜⬜️🟨🟨🟧🟨🟨🟨🟨🟨🟨🟧🟨🟨⬜⬜⬜⬜⬜⬜ ⬜️⬜️⬜️⬜🟨🟨🟧🟥🟧🟨 ⬛ 🟨🟧🟥🟧🟨🟨⬜⬜⬜⬜⬜ ⬜⬜️⬜️⬜️🟨🟨🟨🟧🟨⬛⬛⬛⬛🟨🟧🟨🟨🟨⬜⬜⬜⬜⬜ ⬜⬜⬜️⬜️⬜️🟨🟨🟨⬛⬛🟨🟨⬛⬛🟨🟨🟨⬜⬜⬜⬜⬜⬜ ⬜⬜⬜️⬜️⬜️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜⬜⬜⬜ ⬜⬜⬜⬜️⬜️⬜️⬜️🟨🟨🟨🟨🟨🟨🟨🟨⬜⬜⬜⬜⬜⬜⬜⬜ ⬜⬜⬜⬜️⬜️⬜⬜️⬜️⬜⬜️🟨🟨⬜️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜ ⬜⬜️⬜️⬜⬜️⬜️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜
● 他増田(anond:20210821071232) によるマリオ
🍅🍅🍅🍅🍅🍅👴 🍅🍅🍅🍅🍅🍅👴👴 🍅🍅🍅🍅🍅🍅🍅🍅🍅🍅🍅 💩💩💩👴👴💩👴👴👴 💩👴👴💩👴👴💩💩👴👴👴👴 💩👴👴💩💩👴👴👴👴👴👴👴👴 💩💩👴👴💩💩👴👴👴💩👴👴👴👴 💩💩👴👴👴👴👴💩💩💩💩💩💩 💩💩💩👴👴👴👴👴💩💩💩💩💩 💩💩👴👴👴👴👴👴👴👴 💩💩💩👴👴 🍅🍅🍅🍅💩💩🍅 👴 💩💩💩💩🍅🍅💩💩🍅 👴👴👴 💩💩💩💩💩💩🍅🍅💩🍅💩👴👴👴 💩💩💩💩💩💩💩🍅🍅💩💩🍅👴👴👴 💩💩💩💩💩💩💩🍅🍅💩💩🍅💩👴💩 💩💩💩💩💩💩🍅🍅🍅💩💩🍅💩💩 💩💩💩💩💩💩🍅🍅🍅👴🍅💩👴💩 💩💩💩💩🍅🍅🍅🍅🍅🍅🍅🍅🍅 👴👴👴👴👴🍅🍅🍅🍅🍅🍅🍅🍅 👴👴👴👴👴🍅🍅🍅🍅🍅🍅🍅🍅 💩 👴👴👴👴🍅🍅🍅🍅🍅🍅🍅🍅🍅 💩💩 👴👴👴🍅🍅🍅🍅🍅🍅🍅💩💩💩💩💩 🍅💩🍅🍅🍅🍅🍅🍅💩💩💩💩💩 💩🍅🍅💩🍅🍅🍅🍅🍅💩💩💩💩💩 💩💩💩🍅🍅🍅💩💩🍅🍅🍅💩💩💩💩💩 💩💩💩💩🍅🍅🍅🍅 💩💩💩💩💩 💩💩💩💩💩🍅 💩💩💩
出典元 https://www.emojiall.com/en/emoji-art-list/Large-scale
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⬜⬛⬛⬛⬜⬜⬜⬜⬜⬜⬜⬜⬛⬛⬛⬜ ⬛⬜⬜⬜⬛⬜⬜⬜⬜⬜⬜⬛⬜⬜🌫️⬛ ⬛⬜⬜⬜⬛⬜⬜⬜⬜⬜⬜⬛⬜⬜🌫️⬛ ⬛⬜⬜⬜⬜⬛⬜⬜⬜⬜⬛⬜⬜🌫️🌫️⬛ ⬜⬛⬜⬜⬜⬛⬜⬜⬜⬜⬛⬜🌫️🌫️⬛⬜ ⬜⬜⬛⬜⬜⬜⬛⬜⬜⬛⬜🌫️🌫️⬛⬜⬜ ⬜⬛🟥⬛⬜⬜⬜⬛⬛⬜🌫️🌫️⬛🟥⬛⬜ ⬜⬛🟥🟥⬛⬜⬜⬜⬜🌫️🌫️⬛🟥🌫️⬛⬜ ⬛🟥⬜🟥🟥⬛⬜⬜🌫️🌫️⬛🟥🟥🟥🟥⬛ ⬛🟥🟥🟥🟥🟥⬛⬛⬛⬛🟥🟥🟥🟥🟥⬛ ⬛🟥🟥🟥🟥🟥⬜⬜🟥🟥🟥🟥🟥🟥🟥⬛ ⬜⬛🟥🟥🟥🟥⬜⬜🟥🟥🟥🌫️🌫️🟥⬛⬜ ⬜⬛⬜⬜🟥🟥🟥🟥🟥🟥🟥🌫️🌫️🟥⬛⬜ ⬜⬜⬛⬛🟥🟥🟥🟥🟥🟥🟥🟥⬛⬛⬜⬜ ⬜⬜⬜⬜⬛⬛⬛⬛⬛⬛⬛⬛⬜⬜⬜⬜ ⬜⬛⬛⬜⬜⬜⬛⬛⬛⬛⬜⬜⬜⬛⬛⬜ ⬛🟩🟩⬛⬛⬜⬛🟩⬛⬛⬜⬛⬛🟩⬛⬛ ⬛🟩⬛🟩🟩⬛⬛🟩⬛⬛⬛🟩🟩⬛⬛⬛ ⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛ ⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛ ⬜⬛⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬛⬜ ⬜⬜⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬜⬜ ⬜⬜⬜⬜⬛⬛⬛🟩⬛⬛⬛⬛⬜⬜⬜⬜ ⬜⬛⬛⬜⬜⬜⬛🟩⬛⬛⬜⬜⬜⬛⬛⬜ ⬛🟩🟩⬛⬛⬛⬛🟩⬛⬛⬜⬛⬛🟩⬛⬛ ⬛🟩⬛🟩🟩⬛⬛🟩⬛⬛⬛🟩🟩⬛⬛⬛ ⬛🟩⬛⬛⬛⬛⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛ ⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛ ⬜⬛⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬛⬜ ⬜⬜⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬜⬜ ⬜⬜⬜⬜⬛⬛⬛🟩⬛⬛⬛⬛⬜⬜⬜⬜ ⬜⬜⬜⬜⬜⬜⬜⬛⬛⬜⬜⬜⬜⬜⬜⬜
●ねこです
🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜🟧🟥🟧⬜⬜⬜⬜⬛️⬛️⬛️⬜⬜⬜⬜🟧🟥🟧⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬛️⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬛️⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬛️⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
SCP-040-JPは██県の旧██村に放置されていた、井戸小屋です。
特筆すべきはその異常性で、小屋を覗くと対象は「ねこがいた」と動揺します。ねこです。ねこはそこにいました。ずっとまえからそこにいたのに、やっときづいたのですね。
この影響を受けるとイエネコに対する認識が歪められ、画像のような、毛がなく、人間のような目を持った生物に見えてしまいます。しかも、どの方向からでもこちらを見ているように見えるようです。ねこはいます。
更にこの影響を受けた中で対象は常にねこが暗闇にいるように感じ、見張られているような錯覚を覚え、ねこはいます。
この異常性は直接的に視認しなければなりませんが、ねこはいます。
ねこです。また、影響を受けた対象はねこがいると周りに伝えようとし、これを理解した場合、上記と同じ症状を被ります。どのようなワードがトリガーとなるのかは不明ですが、ねこはいます。
ねこはいますが、その情報を伝えるのには、会話、画像、映像、音声、どれでも感染します。ねこはいます。ねこの情報を伝えようとする試みは極めて自然なものを装うため、見抜くことは困難です。
● レインボーおちんぽ 出典元 https://anond.hatelabo.jp/20201011125938#
ぉおおおおおおおちんぽぉぉぉぉぉぉぉ
🫠 🫥 😶🌫️ 🦠
The sound of the bells of Gion Monastery echo with the ever – changing nature of all things. The fading hues on the blossoms of the sala tree signify that all that flourishes must fade. The arrogant do not prevail for long, nothing but a spring night’s dream. The mighty in time succumb, dust before the wind.
2022-07-22
●特殊記号
ꕥ 𖤣𖥧𖥣𖡡𖥧𖤣 𖦥 𓂃𓃱𓈒𓏸 𖦥𖤣𖥧𖥣𖡡𖥧𖤣 ꕥ
𓄿 𓅹 𓅸 𓅿 𓅞 𓅺 𓅟 𓅯 𓎤𓅮
𓃰 𓃒 𓃟 𓃱 𓃗 𓃵 𓃲 𓃜 𓃘 𓃙 𓃥 𓃦 𓃠
𓇼 𓆡 𓆉 𓆛 𓆛𓆜𓆝𓆞𓆟 𓆝
＆＃38;を半角で入力する → &
＆＃60;と＆＃62;半角で入力する → <>
●キマシ
キマシタワーーー 🗼ーーー！ ！ ！ ！ ！ ！ ！
i
∥
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┏┛┗┓ ┗━┓┃┗━┛┃┃ . |x|. .┃┏┓┃┃┏┓┃ ┃┃┃┃
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┏┛┗┓ ┏┓┃┃┗━┛┃┃ 冊(ﾟ∀ﾟ)冊 ┃┏┓┃ . ┃┃┃. ┃┃┃┃┃
┗┓┏┛ ┃┗┛┃ ┏┛┃ |.X.| .┗┛┃┃ ┃┃┗..━━━━━.┛┗┛┗┛
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┗┛ ┗┛ ┗━━┛ ／/冂ヽ＼... ┗┛ …┗━┛ .┗┛┗┛
原文
Japan review it's been a year since I
moved to Japan and I thought it made
sense to finally rate Japan I will talk
about things I like and the things I
don't like which seems to be the only
two options available if you have
so sugoi or did you know Japan is
actually really bad it's got a lot of
survival issues okay I will list one
good thing and bad thing and I will not
hold back there's no trash bins
I have to put in my pocket
oh
there's always these generic things that
you hear or yes when we you visit it's
kind of weird but then you realize it's
not a big deal anyway let's start off
with number one reason I like Japan
it feels like a giant playground no I
don't mean in the Logan Paul kind of
sense of doing whatever the hell you
want
but rather there's a infinite things all
right lazy feels like to explore and
experience and I've been here a year now
and I don't think I'm gonna get bored
anytime soon although I am having a
child so I don't know how much more I
but it really feels like a whole new
world and if you visited you can
probably relate to it and I'm glad that
even a year in it still feels incredibly
fresh and I even would say that you
realize that the best part of Japan
aren't the touristy places kind of
obviously but there are so many areas
that I found that I really enjoy
visiting and this is probably more
specific to me but you know Tokyo is
very busy and so many times I just catch
myself surrounded by what feels like
hundreds of people and they have no idea
everyone is just doing their own thing
now once it was staring at me no one's
following me no one's being weird you
guys are weird and I'm just kidding I
just love the feeling of being able to
exist in public and uh not worrying
about what everyone else is doing like
I've said this before but I genuinely
enjoy talking to fans or when people
approach me it always makes me happy but
it can be kind of frustrating to always
wanting to just do your own thing and
always be
you know so yeah let's move on to the
bad things of Japan number one reason
Japan is bad it's kind of a heavy
subject and I haven't seen anyone else
really talk about it it's not brought up
very often at least and that is cones
there's too many cones in Japan once you
see it you cannot unsee it they're
everywhere they say oh Japan has so many
vending machines there's like five per
there's more cones than people why are
there so many cones I need to know we
got the tall ones we got the small ones
we got the funny ones the cute ones the
sexy ones I do like those I just don't
understand that whoever plays these
cones think I'm just gonna barge through
oh thank God there's cones here
otherwise I had no idea what I was gonna
and I realized the cone history of Japan
stretches centuries okay if you played
Animal Crossing sometimes it's a
Japanese game so sometimes you get these
items right you're like oh that's kind
of weird I don't know exactly what that
is but it's probably something Japanese
and then you get the bamboo thing and
you're like what the hell is that what
am I even gonna do with that and then
you see it in real life here in Japan
you're like holy [ __ ] it's a cone that's
I feel like they are following me
I'm glad I was able to talk about this
I'm for one and willing to call out
Japan knock it off man no more cones
there's enough cones let me tell you
something even better than cones you may
have noticed new merch finally it's been
forever my mom came over she had
unofficial merge because I literally
have no other merch I've hadn't hadn't
merch I'm sorry Mom so we spruced up the
logo got a cool back design the team
that worked on it really truly
understand how my brand and I think they
did such a good job these pieces look
amazing and I think you guys are gonna
really like them as well these are
available for limited time only so make
sure you order now so excited to finally
have this merch available thanks to
amaze for making this happen we are
gonna have one piece that will stay on
the store so my mom will not buy the
wrong merch but for a limited time that
piece will be available in this color
off-white kind of color it looks really
nice and then after that you can still
get it but not in this color that's
you want this one yeah I get it
so yeah check that out if you're
interested I'm so happy about these
designs and I hope you guys would like
them as well all right reason number two
I like Japan yay when we first announced
that we were gonna move to Japan there
was so many people just saying how bad
Japan is actually did you know Japan is
really bad did you know this I have to
list all these reasons now because
everyone is like thing and then thing
Japan ah so I have to tell them and I
it's actually but one thing in
particular that people said was that old
people really don't like foreigners they
hate them so when I was gonna stop by to
say hi to our neighbors who was a little
older at least some of them I was
terrifying I heard all these stories you
know like what are they gonna do to us
so I had my guard up ready for the worst
and I was met with nothing but kindness
and welcoming and I felt like a total
dick for having this preconceived ideas
and just a side comment like yes there
are definitely probably people that
don't like foreigners and all that stuff
but I realized I should let my own
experience is dictate how I feel about
certain things maybe that's just
ignoring a problem I don't know it just
feels like it's a bad way to approach
life if you always have a negative
expectation you know it's smiling people
smiled back
thank you sometimes they don't and
that's okay you know anyway my point
being Japanese people are very in my own
experience
are very nice and friendly the majority
at least and yes even to foreigners I
feel like they are especially nice to
foreigners because they think we're like
a kid lost at Disneyland or something
I just asked for directions I didn't
need you to walk me for half an hour to
this specific place I was going but
thank you I appreciate it a lot of times
I go bouldering alone and there's always
other groups of people being supportive
and yelling like I'm about there like go
you can do it I love it I think it's
great you know or if you're small
talking with people people generally
want to communicate with you and I love
having those moments but of course
there's times where people are like oh
you're a foreigner I don't feel like
even trying
which again it's fine speaking of which
reason I don't like Japan number two
their language
I have lived here for a year and I'm not
fluent in Japanese
I am dumb I am very dumb I remember the
moment we moved here I had studied some
Let's test out this knowledge that I
have acquired let's go I'm just gonna
come in it's gonna be dangerous and you
enter a store for the first time and
they're like
what
what oh
what the classic the most common
experiences that you have aren't
necessarily what you're taught in the
textbook yay I know I think that's the
same for anyone learning a language for
the first time but don't even get me
started on the kanji main what the [ __ ]
is this I feel like Japanese is such a
hard language obviously but I don't
think people realize how hard it is at
least me personally because the more you
learn the more you realize you don't
know [ __ ]
for English speakers Japanese is
considered one of the most difficult
languages and because it's just so
different I listed it as bad because
that was my first kind of experience
with it coming here but the more I
interact with people the more it feels
like I'm unlocking new skills you know
oh I made a phone call for the first
time oh I could ask someone over the
phone I know big deal but it's like oh I
can actually do that or even just having
a small tiny yes shittiest conversation
with a stranger it's still something and
it feels good you start to all of a
sudden understand you know a movie if
you're watching oh I understand actually
what's going on here or I can play games
and kind of get what this they're saying
I have to look up words obviously but to
me all those new experiences that it
unlocks to me is very rewarding even
though it's such a challenge I would
actually now say it's a good thing I
played it on its head it was a good
thing all along but I obviously have a
and it just I don't think it will damage
time reason number three I like Japan
this is nothing to do with Japan to say
it's more related to me taking a more
relaxed approach to YouTube for my
entire 20s I did nothing but YouTube
that was my life and that's okay but I
also think it was a little toxic
probably you know if I wasn't making
videos I sure as hell was thinking about
making videos I uploaded videos during
and it feels really good to finally be
free from it you know and I can discover
other things in life there are other
things in life
a new hobbies and interest that I've
always wanted to do I can do and have so
much fun with it surfing I know I would
love for the longest time and I finally
get to do it and it's so [ __ ] amazing
I love learning new things anything that
isn't necessarily connected to all of
this on the internet and that is
something I'm very very grateful that I
discovered so yeah it's not really Japan
I could have done that anywhere but it's
largely why I enjoyed so much here
reason I don't like Japan number three
this is probably the most trickiest one
and it's the rules what are the rules
Japan has so many rules and it's a bit
conflicting for me to complain about
because a lot of the best stuff about
Japan not the best stuff but a lot of
the reasons why Japan works so well is
because of the rules you know the trains
are always on time things just work in
general it's hard to explain the streets
are clean people aren't loud in public
and so on and these are sort of societal
rules that make it happen more or less
but sometimes There are rules that just
don't make any sense and I have no
problem following rules as long as I
understand the reason for it you know
don't talk on the phone on the train
because it's generally annoying when
other people do that to you A lot of it
is just be thoughtful of other people
it's not just about you and that just
makes it more pleasant for everyone but
one rule is especially which I talked
about before is the fact that because of
kovid I'm not allowed to be in the
delivery room for our baby for more than
two hours that's because of covered
rules it just doesn't make sense to me
and I tell people about this like uh
family and friends and they're always
like well why don't you just ask them or
like why don't you talk to them I'm sure
you can there's got to be somewhere and
it's like no it's Japan okay there are
rules and people follow the rules for
better or worse you know so the more I
い
ろ
と
り
ど
り
！
●バンダイビジュアル 出典元 https://anond.hatelabo.jp/20210710192249#
● やで〜
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● 他増田(anond:20210821071232) によるマリオ
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出典元 https://www.emojiall.com/en/emoji-art-list/Large-scale
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⬜⬛⬛⬛⬜⬜⬜⬜⬜⬜⬜⬜⬛⬛⬛⬜ ⬛⬜⬜⬜⬛⬜⬜⬜⬜⬜⬜⬛⬜⬜🌫️⬛ ⬛⬜⬜⬜⬛⬜⬜⬜⬜⬜⬜⬛⬜⬜🌫️⬛ ⬛⬜⬜⬜⬜⬛⬜⬜⬜⬜⬛⬜⬜🌫️🌫️⬛ ⬜⬛⬜⬜⬜⬛⬜⬜⬜⬜⬛⬜🌫️🌫️⬛⬜ ⬜⬜⬛⬜⬜⬜⬛⬜⬜⬛⬜🌫️🌫️⬛⬜⬜ ⬜⬛🟥⬛⬜⬜⬜⬛⬛⬜🌫️🌫️⬛🟥⬛⬜ ⬜⬛🟥🟥⬛⬜⬜⬜⬜🌫️🌫️⬛🟥🌫️⬛⬜ ⬛🟥⬜🟥🟥⬛⬜⬜🌫️🌫️⬛🟥🟥🟥🟥⬛ ⬛🟥🟥🟥🟥🟥⬛⬛⬛⬛🟥🟥🟥🟥🟥⬛ ⬛🟥🟥🟥🟥🟥⬜⬜🟥🟥🟥🟥🟥🟥🟥⬛ ⬜⬛🟥🟥🟥🟥⬜⬜🟥🟥🟥🌫️🌫️🟥⬛⬜ ⬜⬛⬜⬜🟥🟥🟥🟥🟥🟥🟥🌫️🌫️🟥⬛⬜ ⬜⬜⬛⬛🟥🟥🟥🟥🟥🟥🟥🟥⬛⬛⬜⬜ ⬜⬜⬜⬜⬛⬛⬛⬛⬛⬛⬛⬛⬜⬜⬜⬜ ⬜⬛⬛⬜⬜⬜⬛⬛⬛⬛⬜⬜⬜⬛⬛⬜ ⬛🟩🟩⬛⬛⬜⬛🟩⬛⬛⬜⬛⬛🟩⬛⬛ ⬛🟩⬛🟩🟩⬛⬛🟩⬛⬛⬛🟩🟩⬛⬛⬛ ⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛ ⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛ ⬜⬛⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬛⬜ ⬜⬜⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬜⬜ ⬜⬜⬜⬜⬛⬛⬛🟩⬛⬛⬛⬛⬜⬜⬜⬜ ⬜⬛⬛⬜⬜⬜⬛🟩⬛⬛⬜⬜⬜⬛⬛⬜ ⬛🟩🟩⬛⬛⬛⬛🟩⬛⬛⬜⬛⬛🟩⬛⬛ ⬛🟩⬛🟩🟩⬛⬛🟩⬛⬛⬛🟩🟩⬛⬛⬛ ⬛🟩⬛⬛⬛⬛⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛ ⬛🟩⬛⬛⬛🟩⬛🟩⬛⬛🟩⬛⬛⬛⬛⬛ ⬜⬛⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬛⬜ ⬜⬜⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛⬛⬜⬜ ⬜⬜⬜⬜⬛⬛⬛🟩⬛⬛⬛⬛⬜⬜⬜⬜ ⬜⬜⬜⬜⬜⬜⬜⬛⬛⬜⬜⬜⬜⬜⬜⬜
●ねこです
🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜🟧🟥🟧⬜⬜⬜⬜⬛️⬛️⬛️⬜⬜⬜⬜🟧🟥🟧⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜🟧⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬛️⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨⬛️⬜⬜⬛️⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️🟨🟨🟨🟨🟨 🟨🟨🟨⬛️⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️⬛️⬛️⬛️⬛️⬛️⬛️⬜⬜⬜⬜⬜⬛️🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬛️🟨🟨🟨🟨🟨🟨⬛️⬜⬜⬜⬛️🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨🟨⬛️⬛️🟨🟨🟨🟨🟨🟨🟨⬛️⬛️⬛️⬛️🟨🟨🟨🟨🟨🟨🟨🟨 🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨🟨
SCP-040-JPは██県の旧██村に放置されていた、井戸小屋です。
特筆すべきはその異常性で、小屋を覗くと対象は「ねこがいた」と動揺します。ねこです。ねこはそこにいました。ずっとまえからそこにいたのに、やっときづいたのですね。
この影響を受けるとイエネコに対する認識が歪められ、画像のような、毛がなく、人間のような目を持った生物に見えてしまいます。しかも、どの方向からでもこちらを見ているように見えるようです。ねこはいます。
更にこの影響を受けた中で対象は常にねこが暗闇にいるように感じ、見張られているような錯覚を覚え、ねこはいます。
この異常性は直接的に視認しなければなりませんが、ねこはいます。
ねこです。また、影響を受けた対象はねこがいると周りに伝えようとし、これを理解した場合、上記と同じ症状を被ります。どのようなワードがトリガーとなるのかは不明ですが、ねこはいます。
ねこはいますが、その情報を伝えるのには、会話、画像、映像、音声、どれでも感染します。ねこはいます。ねこの情報を伝えようとする試みは極めて自然なものを装うため、見抜くことは困難です。
● レインボーおちんぽ 出典元 https://anond.hatelabo.jp/20201011125938#
ぉおおおおおおおちんぽぉぉぉぉぉぉぉ
🫠 🫥 😶🌫️ 🦠
The sound of the bells of Gion Monastery echo with the ever – changing nature of all things. The fading hues on the blossoms of the sala tree signify that all that flourishes must fade. The arrogant do not prevail for long, nothing but a spring night’s dream. The mighty in time succumb, dust before the wind.
