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はてなキーワード: onlyとは
フラナリーやマーカス、スコットらに倣えば、最近まですべての階級社会における中心的な政治闘争は、誰が土地を耕し、誰が食料を手に入れるかをめぐるものだった。グレーバーとウェングローの見方は異なる。彼らにとって中心的な問題は権力であり、中心的な敵は国家である。そのため、彼らはいくつかの点で階級を無視している。これは彼らがアナーキストだからではない。ほとんどのアナーキストは、常に階級と権力を同時に重視することができる。
しかし、『万物の黎明』における省略は重要である。グレーバーとウェングローは、合意的で参加型の集会を支持する議論を推し進めようと躍起になっているように見えるが、そのために私たちに一連の謎を残している。4つの簡単な例を挙げれば、その問題がよくわかるだろう。
著者たちは、都市における国家に先行することが多い、村落における階級格差の拡大には関心がなく、その文献を否定している。また、小王国、領主、爵位にも興味がない。中央集権的な大国家が存在しなければそれでいいのだ。私たちは、複雑な採集民に関する彼らの説明の中に、このような紆余曲折をいくつか見てきた。このようなことは、他の多くの例にも現れている。
インダス川沿いの古代都市モヘンジョ＝ダロでは、約4万人が階級的不平等も国家もなく暮らしていた。
そして彼らは、ヒンドゥトヴァ派の歴史家たちと同様に、モヘンジョ＝ダロは実際に南アジアのカーストに沿って組織されていたと示唆する。しかし、グレーバーとウェングローは、これは平等主義的なカーストであったと言う。最初は驚かされるが、彼らが言いたいのは、王のいないカーストの不平等は容認できるということである[11]。
彼らは一貫して伝統的な王権の力を最小限に抑えている。ミシシッピ川流域のナチェズ王国がその好例である。グレーバーとウェングローは、太陽王の権力と凶悪な残虐性は彼の村の外には及ばなかったと言う。しかし実際には、ナチェズは白人のプランターに奉仕する奴隷貿易における主要な地域勢力であった[12]。
グレーバーとウェングローは、残酷な人身御供の祭りが世界中の初期の州で見られるという重要な事実を正しく強調している。数十人から数百人が生け贄にされ、その多くは戦争捕虜や若い女性、貧しい人々であった。
彼らは当然憤慨している。しかし、これらの生け贄の目的は、敵である他国の人々を恐怖に陥れることであったとも感じている。それとは対照的に、私たちは、流血の主な目的は、流血の実際の聴衆である、残酷な地方国家の臣民を恐怖に陥れることだったと考えている。
実際、このような残酷さが、それぞれの国家の初期の歴史に特徴的なのはそのためだろう。国家の正当性がまだ弱く、恐怖が最も必要とされていた時代である。国家権力が強化されるにつれて、戦乱や敵対は続くものの、壮大な犠牲が消えていくのもそのためだろう。
集会そのものも重要な最後の例である。グレーバーとウェングローは、古代メソポタミアの王国や国家における都市集会の力を極めて正しく指摘している。彼らは、これは王がすべての権力を持っていたわけではないという証拠だと言う。これは正しい。これらの王国で階級闘争が止まっていたと考えるのは、よほどナイーブでなければならないだろう。
しかし、グレイバーとウェングローは飛躍する。彼らは、これらの都市議会は、参加型民主主義を掲げる「占拠せよ！」やその他の社会正義運動の集会に似ていると指摘する。
古代メソポタミアでは、参加型民主主義のいかなる形態についても、これといった証拠はない。しかし、他の階級社会における都市全体や全国的な議会については、膨大な証拠がある。そのどれもが、富裕層や有力な一族によって支配されていた。古代スパルタでは地主が支配していた。ローマの元老院も同様だった。ジョン王や男爵家もそうだった。そしてごく最近まで、ヨーロッパのすべての議会の有権者は富裕層に限られていた。
この近視眼は重要である。他の多くの人々と同様、私たちは王国や国家を、不平等な社会における支配階級がルールを強化し、強制するために集まる方法として理解している。『万物の黎明』では、そのプロセスは目に見えない。
グレーバーとウェングローは怒っている。この怒りには、私たちのようにグローバルな不平等に絶望し、グローバル・エリートの政治を憎み、気候の混乱を恐れる読者を喜ばせるエネルギーがある。
多くの点で、彼らの本は新鮮な風を吹き込んでくれる。そして私たちは、既存のすべての国家に対する敵意を共有している。しかし、今後、気候変動を食い止めるためには、階級と環境の中心的重要性を含む人間の条件に関する理解が必要である。
[1] Fredrich Engels, 1884, The Origin of the Family, Private Property and the State. The book was revived as a key text by socialist and Marxist feminists in debates about women’s liberation. Pace the 19th century social Darwinism which clearly took a lead from the Old Testament, it is now quite clear that both pastoralism and slash and burn agriculture appeared after, and not before, the advent of settled agriculture.
[2] Franz Boas, The Mind of Primitive Man, 1911; Claudia Ruth Pierpoint, ‘The Measure of America’, 2004; Ned Blackhawk and Isaiah Lorado Wilner, Indigenous Visions: Rediscovering the World of Franz Boas, 2018; Rosemary Lévy, Franz Boas: The Emergence of the Anthropologist, 2019.
[3] Very good examples of this work include Sara Hdry, Mothers and Others: The Evolutionary Origins of Mutual Understanding, 2005; Elizabeth Marshall Thomas, The Old Way, 2001; two articles by Steven Kuhn and Mary Stiner: ‘What’s a Mother To Do’, 2006 and ‘How Hearth and Home Made us Human’, 2019; Loretta Cormier and Sharon Jones, The Domesticated Penis: How Womanhood has Shaped Manhood, 2015; a key paper by Joanna Overing, ‘Men Control Women? The “Catch-22” in the Analysis of Gender’, 1987; two books by Christopher Boehm: Hierarchy in the Forest and the Evolution of Egalitarian Behavior, 1999, and Moral Origins, 2012; every book by the primatologist Frans de Waal; the two chapters by Brian Ferguson in Douglas Fry, ed., War, Peace and Human Nature, 2013; Richard Wrangham, Catching Fire: How Cooking Made Us Human, 2010; and two books by the trans biologist Joan Roughgarden: Evolution’s Rainbow: Diversity, Gender and Sexuality in Nature and People, 2004, and The Genial Gene: Deconstructing Darwinian Selfishness, 2009.
[4] Our favourites among the ethnographies of our near contemporary hunter-gatherers are Marjorie Shostack, Nisa: The Life and Words of a !Kung Woman, 1981; Jean Briggs, Inuit Morality Play: The Emotional Education of a Three-Year-Old, 1998; Phyllis Kaberry, Aboriginal Women: Sacred and Profane, 1938, Karen Endicott and Kirk Endicott: The Headman was a Woman: The Gender Egalitarian Batek of Malaysia, 2008; Richard Lee, The !Kung San: Men, Women and Work in a Foraging Society, 1978; and Colin Turnbull, Wayward Servants: The Two Worlds of the African Pygmies, 1978.
[5] Kent Flannery and Joyce Marcus, The Creation of Inequality: How Our Prehistorical Ancestors Set the Stage for Monarchy, Slavery and Empire, 2012; and James C. Scott, The Art of Not Being Governed: An Anarchist History of Upland South-East Asia, 2009; Scott, Against the Grain: A Deep History of the Earliest States, 2017. Martin Jones, Feast: Why Humans Share Food, 2007, is also very useful.
[6] Edmund Leach had made a similar argument in 1954 in Political Systems of Highland Burma, and radically changed anthropology. For a brilliant ethnography of one group of anti-class hill rebels at the end of the twentieth century, see Shanshan Du, Chopsticks Only Work in Pairs: Gender Unity and Gender Equality Among the Lahu of Southeastern China, 2003. For Scott’s recent extension of his argument to ancient Mesopotamia, see Against the Grain.
[7] This is all succinctly described in Brian Hayden, ‘Transegalitarian Societies on the American Northwest Plateau: Social Dynamics and Cultural/Technological Changes,’ in Orlando Cerasuolo, ed., The Archaeology of Inequality, 2021.
[8] Start with Philip Drucker and Robert Heizer, 1967, To Make My Name Good: A Reexamination of the Southern Kwakiutl Potlatch; and Eric Wolf, Envisioning Power: Ideologies of Dominance and Crisis, 1999, 69-132.
[9] Jeanne Arnold, ‘Credit where Credit is Due: The History of the Chumash Oceangoing Plank Canoe’, 2007; and Lynn Gamble, The Chumash World at European Contact: Power, Trade and Fighting among Complex Hunter-Gatherers, 2011.
[10] On the Calusa, see The Dawn, 150-2; Fernando Santos-Cranero, 2010, Vital Enemies: Slavery, Predation and the Amerindian Political Economy of Life, 2010; and John Hann, Missions to the Calusa, 1991.
[11] Rita Wright, The Ancient Indus: Urbanism, Economy and Society, 2010; and Andrew Robinson, The Indus: Lost Civilizations, 2015.
[12] Robbie Ethridge and Sheri M. Shuck-Hall, Mapping the Mississippian Shatter Zone, 2009; and George Edward Milne, Natchez Country: Indians, Colonists and the Landscape of Race in French Louisiana, 2015.
てかさ、サマソニ外国人ONLYで撮影OKって、なんか、なんか、なんか💢じゃない？
https://twitter.com/hossalng/status/1692796554263007238
https://twitter.com/oshigahueru_k/status/1692799796623671649
たぶんこれもサマソニ
そもそもスタッフによる「外国人だけ撮影OK」「日本人は撮影NG」の意味がわからない😇
https://twitter.com/mashu7_pen/status/1692830684870758828
なので私は撮ってないです. ̫.)"
https://www.niroandco.com/omron
素晴らしいデザインですね。
オムロンヘルスケア社のような大企業の案件に参画できて、よかったですね。
さて、これらの素晴らしい広告、素晴らしいドキュメントはニロアンドカンパニーが作ったのでしょうか？
2021年にリリースされた、オムロン ヘルスケアのグローバルブランディングプロジェクト。ドイツKMS TEAM社との協業により、ワークショップ設計、ブランド戦略立案、アイデンティティ開発、デザインプリンシプルの定義、ブランドガイドライン作成に至るまでの進行を支援した。
ですって。
よその会社の成果物をまるで自社の成果であるかのように紹介しています。
しかしそんなことは些細な問題です。問題は2枚目以降の画像です。
見たところ、名刺のサンプル、スマホアプリのサンプルと、パワポのテンプレートですね。
上記の画像をアドレスを削ると、より高画質の画像を得ることができます。
https://static.wixstatic.com/media/56aca6_8e7472f84a414c7fa89ae1ac05c70991~mv2.jpg
パワポの各ページの右下に"CONFIDENTIAL B"と記されています。
Bレベルがどのレベルを意味しているのかは定かではないのですが、オムロンヘルスケア社の商品のマニュアルにも"CONFIDENTIAL B"と記されているようですので
社外に出してもいいレベルの機密性を意味していると推測できます。
だからといって勝手に転載してあたかも自社の成果物であるかのように紹介してもいいとは思えませんが。
さて、3枚目の画像はオムロンヘルスケア社のブランドガイドラインのようです。
パワポの1枚目の左端が不自然に切り取られています。姑息すぎる。
しかし、アドレスを削ると切り取る前の、しかも高画質な画像を得ることができます。
https://static.wixstatic.com/media/56aca6_0127f5a53d6844a6b41b608490712068~mv2.jpg
こちらは、パワポの各ページの右下に"CONFIDENTIAL C"と記されています。
Cレベルの機密性とは、おそらく社外秘(Internal use only)でしょう。
ニロアンドカンパニーは、オムロンヘルスケア社の社外秘の資料を
誰もが閲覧できるような形で公開しました。
著作権法違反、業務上横領罪、不正競争防止法違反等に問われる可能性があります。
民事上の契約違反や不法行為として、オムロンヘルスケア社から訴訟を起こされる可能性もあります。
コロナ禍においてパルスオキシメーターの偽造品が流通したのは記憶に新しいですね。
ニロアンドカンパニーは、オムロンヘルスケア社の製品の偽造品を製造している業者にとって非常に役に立つ情報を公開した、ということになりますね。
さらに言うと、ドイツ KMS TEAMS社の営業機密や技術機密を流出させたことになるでしょうね。
このパワポ一つに(おそらく)1000万,2000万の費用がかかっているのですよ。
そんな大きな価値をもつドキュメントを、あなた方は、ただプロジェクトのお手伝いをしたという理由だけで全世界に公開してしまったのです。
しかも。
あなた方はこの画像ファイルを削除することができないはずです。
自社ドメイン内ではなく外部のアップローダー(https://static.wixstatic.com/)に公開してしまったからです。
もし削除が可能ならば、
https://video.wixstatic.com/video/5ea390_69cd2e21e1154fbf94bdc89d03149cf0/480p/mp4/file.mp4
この、GAP社の権利を侵害している動画はとっくに削除しているはずです。
あなた方は、これからも、ずっと、wixのドメインが失効するまで、ずっと、
GAP社、オムロンヘルスケア社、KMS TEAMS社の権利を侵害し続け、損害を与え続けるでしょう。
今この瞬間も、
あなた方は法を犯しているのです。
In a discussion about the case, someone raised an objection to "someone who was not a party to the incident, who was not from Nagasaki, and who was not from Hiroshima, complaining about it. Seeing that opinion made me aware of my position, so I will say what I must say.
I was born in Nagasaki and am a third-generation A-bomb survivor.
I say this because I grew up hearing the stories of the A-bomb damage directly from those who suffered from the atomic bombings.
I feel that it is unacceptable for someone like me to speak about the A-bomb damage.
However, there are few A-bomb survivors left, so I will speak up.
In Nagasaki, children grow up hearing stories about the atomic bombing. We were made to sit in the gymnasium of an elementary school in the middle of summer, where there was not even an air conditioner or a fan, and for nearly an hour we were made to listen to stories about the atomic bombing. It was hard for me anyway.
I think it was even more painful for the elderly people who told the stories. But I don't think an elementary school kid could have imagined that. I, too, have forgotten most of the stories I was told. I can only remember one or two at most.
Another thing is that at this time of year, pictures of the victims of the atomic bombing are pasted up in the hallways.
In other parts of the country, these are grotesque images that would cause a fuss from the parents who are always nagging about them.
Recently, even the A-bomb museum has become more gentle in its exhibits, and most of the radical and horrifying exhibits that would have traumatized visitors have been removed.
I don't know how elementary schools now teach about the A-bomb damage. But when I was in elementary school, there were photos on display.
There was one photo that I just couldn't face as an elementary school student. It was a picture of Taniguchi Sumiteru(谷口稜曄). If you search for it, you can find it. It is a shocking picture, but I would still like you to see it.
I couldn't pass through the hallway where the photo was displayed, so I always took the long way around to another floor to avoid seeing the photo.
My grandfather was under the bomb and went to the burnt ruins of the bomb to look for his sister. I can understand now that he couldn't turn away or go another way.
There would have been a mountain of people still alive and moaning in the ruins of the burnt ruins. There would have been many more who would have died out in agony.
My grandfather walked for miles and miles, towing a rear wheelchair, through the narrow streets of rubble-strewn Nagasaki in search of his sister.
My grandfather was not a child then. But of course there were elementary school children who did the same thing he did. I am not speculating that there were. There were. I heard the story from him, and I still remember it.
A young brother and sister found their father's corpse in the ruins of the fire and burned it themselves. They didn't have enough wood to burn him alive, and when they saw his brain spilling out, they ran away, and that was the last time they ever saw him again.
I can never forget that story I heard when I was a kid, and even now it's painful and painful, my hands are shaking and I'm crying.
I keep wondering how that old man who ran away from his father's brain was able to expose to the public the unimaginably horrible trauma, the scar that will never heal, even after all these years.
Now I think I understand a little.
Why I can't help but talk about my grandfather and the old man now, even as I remember my own trauma.
Because this level of suffering is nothing compared to their words being forgotten.
It's nothing compared to the tremendous suffering that once existed that will be forgotten, like my hands shaking, my heart palpitating, my nose running with vertigo, and so on.
My grandfather, who went through an unimaginable hell, lived to see his grandchildren born, and met his sister's death in the ruins of the fire.
In other words, my grandfather was one of the happiest people in the ruins of the fire.
My grandfather and that old man were, after all, just people wading in the depths of hell.
I think that the suffering that even people who had experienced unimaginable pain could not imagine was lying like pebbles on the ground in Nagasaki 78 years ago, and no one paid any attention to it.
Their suffering, which I can't even imagine, is nothing compared to the countless, unimaginable suffering they witnessed, which they pretend never happened.
Memories fade inexorably with each passing human mouth. The memories that those people could never allow to be forgotten are almost forgotten.
The tremendous suffering of 78 years ago is mostly gone, never to be recounted.
Those who suffered the most from the atomic bombing died rotting in the ruins of the fire without being able to tell anyone about it.
Many of those who saw it with their own eyes kept their mouths shut and took it with them to their graves. Most of those who spoke a few words are still in their graves.
Compared to the words of the old men, my own words are so light. I would rather keep my mouth shut than speak in such light words.
But still, someone has to take over. I realize that even my words, which are so light, are only the top of the voices that are left in this world to carry on the story of the atomic bombing.
I know how it feels to think that I am the only one. Still, I hope that you will not shut your mouth. I know that I have closed my mouth because I thought I shouldn't talk about it, and that is the result.
Sometimes I almost choose to stop imagining the unimaginable suffering and live my life consuming other people's suffering for fun.
I am writing this while I still have some imagination of the suffering of the old people whose voices, faces, and even words I can no longer recall.
すまん。勝手に翻訳した。拡散はどうするかな。redditとかに投稿するのがいいのか?
----
I have seen some posts asking if they should talk about "the case" even though they were not involved in it and were not born in Nagasaki or Hiroshima, and I am a bit aware of it, so I have to say what I have to say. I say this because I was born in Nagasaki, am a third generation atomic bomb survivor, and grew up hearing the stories of those who experienced the atomic bombing firsthand. I know it's a little bit too much for me, but I'm going to say this because there are very few survivors left.
In Nagasaki, children grow up hearing stories about the atomic bombing. They were stuffed into sushi for nearly an hour in the gymnasium of an elementary school in the middle of summer, with no air conditioner or fan, and told stories about the atomic bombing. That was a hard time for me. I think it must have been even harder for the old people who told the stories, but there was no way an elementary school kid could imagine such a thing, and I had forgotten most of the stories I had been told for a long time. I have forgotten most of the stories I was told. I can only remember one or two at most. There is one more hard thing. Every year around this time, a row of grotesque images that would drive the PTA crazy in other areas are prominently displayed in the hallways. These days, I hear that the atomic bomb museum has been bleached out and many of the radical and horrifying exhibits that traumatized visitors have been taken down. I don't know if they are still there, but they were there when I was in elementary school.
There was one photo that I just couldn't face when I was in elementary school. It is a picture of Sumiteru Taniguchi. If you search for it, you can find it. It is a shocking picture, but I would like you to take a look at it. I couldn't pass through the hallway where the photo was posted, so I always took the long way around to another floor of the school building to avoid seeing the photo.
Now I'm thinking that my grandfather, who headed into the burnt ruins to look for his sister, couldn't have turned away or taken a different path. There would have been a mountain of people still alive and moaning, not just pictures, and a mountain more who would have given up at the end of their suffering. He walked for miles and miles, towing his handcart through the narrow streets of rubble-strewn Nagasaki in search of his sister. My grandfather was not a child at the time, but of course there were children who did similar things. Not that there wouldn't have been. There were. I heard the story from him, and I still remember it. A young brother and sister found their father's body in the ruins of a fire and they burned it. They didn't have enough wood to burn his body, and when they saw the raw brain that spilled out, they ran away and that was the last time they ever saw him anymore.
I can never forget the story I heard when I was a kid, and even now it is painful and painful, my hands are shaking and I am crying. I keep wondering how the old man who escaped from that father's brain could have been able to unravel the most horrible trauma imaginable and expose it to the public with scars that will never heal.
Now I think I can understand a little.
The reason I can't help but talk about my grandfather and that old man, even if I have to rehash my own trauma, is that this level of suffering is nothing compared to the fact that their words will be forgotten. My hands shaking, my heart palpitating and dizzy, my nose running with tears, it's nothing compared to the tremendous suffering that was once there and will be forgotten.
My grandfather, who went through an unimaginable hell, lived to see his grandchildren born, and met his sister's death in the ruins of the fire. In other words, my grandfather was one of the happiest people in the ruins of the fire. My grandfather and that old man were, after all, just people wading in the depths of hell. I think that the suffering that even people who had experienced unimaginable pain could not imagine was lying like pebbles in Nagasaki 78 years ago, and no one paid any attention to it. Their suffering, which I can't even imagine, is nothing compared to the countless, tremendous suffering they witnessed, which they pretend never happened.
Memories fade inexorably every time people talk about them. The memories that those people could not allow to be forgotten are now largely forgotten; the tremendous suffering of 78 years ago is mostly gone, never to be recounted again. Those who suffered the most from the atomic bombing died rotting in the ruins of the fire, unable to tell anyone about it. Many of those who saw it with their own eyes kept their mouths shut and took it with them to their graves. Most of those who spoke a few words are now under the grave.
Compared to the words of the old men, my own words are so light. I would rather keep my mouth shut than speak in such light words. But still, someone has to take over. I realize that even my words, which are so light, are only the top of the voices that are left in this world to carry on the story of the atomic bombing. I know how it feels to wonder if someone like myself is allowed to speak about this. Still, I hope that you will not shut your mouth. This is the result of our silence.
Sometimes I almost choose to stop imagining the unimaginable suffering and live my life consuming other people's suffering for the fun of it. I am writing this while I still have some imagination of the suffering of the old people whose voices, faces, and even words I can no longer recall.
Translator's note: The original post in Japanese is a response to a post by a Japanese contributor who wondered if he was qualified to speak out on the subject of the A-bomb when he was not from Hiroshima and Nagasaki, but still spoke out about Barbie and the A-bomb. I translated it here because I think it deserves to be read by the world.
I must talk about various things regarding the Barbie incident.
I saw a post about it from someone who is neither directly involved nor from Nagasaki or Hiroshima, and it made me realize that there are things I must say.
I was born in Nagasaki and grew up listening to stories from the survivors, being a third-generation survivor myself. Most survivors are no longer with us, so I feel compelled to speak up.
In Nagasaki, kids grow up hearing about the atomic bomb. We were packed like sushi in a gymnasium without air conditioning or even fans during the scorching summer, and we listened to stories about the bomb. It was incredibly tough for me.
I imagine it was even harder for the elderly who spoke about their experiences. As a child, I couldn't fully comprehend their pain, and now, I can hardly remember most of the stories I heard. I can only recall one or two.
Every year during this time, gruesome images that would make PTA elsewhere go crazy were displayed in the hallways. I heard that many of the horrifying exhibits that used to traumatize visitors at the Atomic Bomb Museum have been removed, and the museum has been considerably sanitized. I'm not sure about the current situation, but that's how it was when I was there.
There was one photograph that I could never bear to look at as a child – a picture of Tadashi Taniguchi. You can find it if you search, but it's a shocking image with a viewer discretion warning. Still, I want people to see it.
I couldn't walk down the hallway where that photo was displayed, and I always took a different route, avoiding it so I wouldn't have to see it.
Now, I think of my grandpa who went to the ruins to search for my sister. He couldn't look away or take a different path. The pain must have been unimaginable.
Besides photographs, there were many living people moaning in pain back then, and there must have been even more who succumbed to suffering.
My grandpa walked for miles, pulling a handcart through the debris-laden streets of Nagasaki, searching for my sister.
Even though my grandpa was not a child, I'm sure there were elementary school kids who did similar things. I don't just think they might have been there; they were there. I heard the stories from the people themselves, and I still remember them.
I can't forget the stories I heard as a child, such as the young siblings finding their father's burnt corpse in the ruins and cremating him. They didn't have enough firewood, and their father ended up half-burnt. They ran away after seeing the brain tissue oozing out, and that became their final farewell.
I can never forget those stories I heard as a child, and even now, they still bring pain and suffering, making my hands tremble and tears flow.
I wonder how my grandpa, who ran away from that father's brain tissue, could expose his unimaginable trauma and everlasting scars to the world.
Now, I feel like I understand a little.
Even someone like me, who experienced such unimaginable trauma, has gone through pain that I can't even imagine being compared to being discarded, forgotten, and ignored. Compared to what those people experienced, my suffering means nothing.
My trembling hands and the palpitations and dizziness I experienced are nothing compared to the tremendous pain that many others went through.
Memories fade irreversibly every time they pass through people's lips. The memories that I couldn't bear to be forgotten are almost forgotten now.
The unimaginable pain that existed 78 years ago has mostly disappeared, and we can no longer pass it on.
The people who suffered the most from the atomic bomb perished in the ruins, rotting away without being able to convey it to anyone.
Even those who saw it with their own eyes mostly took the memories with them to their graves. Most of them are now under the tombstones.
Compared to the words of the elderly, my words seem so light. I think that speaking with such light words would be better than keeping silent, as silence has led to this result.
I feel like I might occasionally choose to stop imagining the unimaginable pain and consume the suffering of others in an amusing way to live on.
Before I forget the pain and suffering of those elderly people, whose faces and voices I can no longer recall, I will leave this here.
バービーとオッペンハイマーを合わせた #BARBENHEIMER ハッシュタグについてまとめた
togetter が Hatena のホットエントリに入ってるけど、
問題のある画像と、内容を読めば特に問題ないものが混じってるので翻訳を載せとく。
https://togetter.com/li/2196541
https://twitter.com/MovieMantz/status/1681176592507363328
まず↑については、
Now that I’ve seen #BARBENHEIMER, I highly recommend watching #BARBIE first, then #OPPENHEIMER!
#BARBENHEIMERのハッシュタグを見ちゃったから言っとくけど、まず『バービー』を見てから『オッペンハイマー』を鑑賞することを強くお勧めする。
“Barbie” is really fun, but “Oppenheimer” stays with you —
you don’t wanna be thinking about “Oppenheimer” while watching “Barbie!” (Or maybe you do?)
『バービー』はひたすら楽しいんだけど、『オッペンハイマー』はいつまでも心に残る映画だ。
『バービー』を観てる間も『オッペンハイマー』のことが頭を離れないなんてことになったら嫌でしょ？（気にしない人もいる？）
と述べた上で、例のコラージュ画像です。
これは、心置きなく『バービー』を楽しみたいのに『オッペンハイマー』のことが忘れられなくてダブって見えてしまう図ですよね？
つまり、『オッペンハイマー』を観て、原爆の恐怖、人類の罪が深く心に刻まれて、
『バービー』のようなおバカ映画を観てる最中でさえも、それが頭を離れないという状況…
それって問題ですか？
https://twitter.com/RishiSunak/status/1682812164111728643
The family vote was only ever going one way…
Barbie first it is #Barbenheimer
はい（いつもの通り、妻と娘の要望にしたがって今回も）まずは『バービー』を観るってことで決定
という内容だけど、まずスナク首相は「自分はオッペンハイマーを観て原爆についてじっくり考えたいんだけど…」
また、インド系は男尊女卑という偏見が根強くあるという文脈を押さえておくのも有益でしょう。
家族が妻と娘というのがポイントで、「ちゃんと話しあった上で、女性の意見を尊重してますよ」
ということをユーモアを交えて言っている側面もある。
そういう画像を作ったらどうだと提案したのは親父だ。「いいね」をしたら親父と同じ価値観ということになる、
みたいな説明をしてて、「いいね」するなよと仄めかしてる節がある。
それで、逆にみんなが面白がって「いいね」したというか、最初からそれを狙ってた
（押すなよ！絶対に押すなよ！！と言いながら押されるのを待ってるやつ）
のかもしれないけど…
とにかく、不謹慎（親次世代は許容されたかもしれないが今はダメ）なのはわかってるっぽい
ただ、これについてはアウトだと思う。
バービー公式アカウントが「スタイリストの Ken がここにも」的な反応するのは完全にアウト。
無視すべきでした。
https://anond.hatelabo.jp/20230207135908ふたたび５ヶ月ぶり。この間隔だと流行りが過ぎているゲームが出てしまうな。
アップデートが定期的にあるので、やはり強い。ななしいんくのマイクラが盛り上がっていたが、現状では少し落ち着いたか。
・RUST
良く死ぬゲームだな。命が軽い。配信者が命とアイテムを軽く明るく扱えれば楽しめる。
・GTA5
向いている新人がやるには良いゲーム。視聴者に指示厨がいなければ。
・ONLY UP!（new）
ハイキックPを連想するのはニコニコ老人。不屈の精神の持ち主が選別される。
・夜間警備（new）
最速で実況した一人を見たら満足、のはずなのにオススメに出てきて見てしまう……。
・ちっぴーとのっぽー（new）
・Pineapple on pizza（new）
無料なこともあって大ブレイク。「圧倒的高評価」スパム。もしゲームの中の島民に意識があったら何度苦しみを味わっているのか…。
書き忘れていた。輸送の印象が強い。包括契約していない事務所だとプレイ時間や回数も事前提出らしくてクリアが大変そうだった。
・Q REMASTERED（new）
誰も読んでなさそうだが追記。物理演算でミッションをクリアするゲーム。見ていてもどかしいと自分でやりたくなるので配信向き。
・paranormal cleanup（new）
お掃除Phasmophobia
見ているVは、やりきって２に進んでいた。
・逆転裁判
声色を使い分けた読み上げによりフルボイスで楽しめている。
・Cult of the Lamb
・Rise_of_Kingdoms
案件。個人的にローモバよりは面白い。同じく案件の多いローモバのつもりでプレイしている参加者がいるのは摩擦になるが。
・PICO PARK
・空気読み
・APEX
見た。
・VALORANT
見た。
・オーバーウォッチ 2
見た。
自分でやる方が良さそうと思いつつ自分でやることもしていない。
・DAVE THE DIVER（new）
マスクがTwitterを買い取ってめちゃくちゃにしたことから、会社を買収すればそのサービスを好き勝手できることがわかった。
こんなことをやっても全然儲けに繋がらないが言うだけならタダだし、5000兆ドルくらい持ってる大富豪なら採算度外視でできるでしょ。
原文
Japan review it's been a year since I
moved to Japan and I thought it made
sense to finally rate Japan I will talk
about things I like and the things I
don't like which seems to be the only
two options available if you have
so sugoi or did you know Japan is
actually really bad it's got a lot of
survival issues okay I will list one
good thing and bad thing and I will not
hold back there's no trash bins
I have to put in my pocket
oh
there's always these generic things that
you hear or yes when we you visit it's
kind of weird but then you realize it's
not a big deal anyway let's start off
with number one reason I like Japan
it feels like a giant playground no I
don't mean in the Logan Paul kind of
sense of doing whatever the hell you
want
but rather there's a infinite things all
right lazy feels like to explore and
experience and I've been here a year now
and I don't think I'm gonna get bored
anytime soon although I am having a
child so I don't know how much more I
but it really feels like a whole new
world and if you visited you can
probably relate to it and I'm glad that
even a year in it still feels incredibly
fresh and I even would say that you
realize that the best part of Japan
aren't the touristy places kind of
obviously but there are so many areas
that I found that I really enjoy
visiting and this is probably more
specific to me but you know Tokyo is
very busy and so many times I just catch
myself surrounded by what feels like
hundreds of people and they have no idea
everyone is just doing their own thing
now once it was staring at me no one's
following me no one's being weird you
guys are weird and I'm just kidding I
just love the feeling of being able to
exist in public and uh not worrying
about what everyone else is doing like
I've said this before but I genuinely
enjoy talking to fans or when people
approach me it always makes me happy but
it can be kind of frustrating to always
wanting to just do your own thing and
always be
you know so yeah let's move on to the
bad things of Japan number one reason
Japan is bad it's kind of a heavy
subject and I haven't seen anyone else
really talk about it it's not brought up
very often at least and that is cones
there's too many cones in Japan once you
see it you cannot unsee it they're
everywhere they say oh Japan has so many
vending machines there's like five per
there's more cones than people why are
there so many cones I need to know we
got the tall ones we got the small ones
we got the funny ones the cute ones the
sexy ones I do like those I just don't
understand that whoever plays these
cones think I'm just gonna barge through
oh thank God there's cones here
otherwise I had no idea what I was gonna
and I realized the cone history of Japan
stretches centuries okay if you played
Animal Crossing sometimes it's a
Japanese game so sometimes you get these
items right you're like oh that's kind
of weird I don't know exactly what that
is but it's probably something Japanese
and then you get the bamboo thing and
you're like what the hell is that what
am I even gonna do with that and then
you see it in real life here in Japan
you're like holy [ __ ] it's a cone that's
I feel like they are following me
I'm glad I was able to talk about this
I'm for one and willing to call out
Japan knock it off man no more cones
there's enough cones let me tell you
something even better than cones you may
have noticed new merch finally it's been
forever my mom came over she had
unofficial merge because I literally
have no other merch I've hadn't hadn't
merch I'm sorry Mom so we spruced up the
logo got a cool back design the team
that worked on it really truly
understand how my brand and I think they
did such a good job these pieces look
amazing and I think you guys are gonna
really like them as well these are
available for limited time only so make
sure you order now so excited to finally
have this merch available thanks to
amaze for making this happen we are
gonna have one piece that will stay on
the store so my mom will not buy the
wrong merch but for a limited time that
piece will be available in this color
off-white kind of color it looks really
nice and then after that you can still
get it but not in this color that's
you want this one yeah I get it
so yeah check that out if you're
interested I'm so happy about these
designs and I hope you guys would like
them as well all right reason number two
I like Japan yay when we first announced
that we were gonna move to Japan there
was so many people just saying how bad
Japan is actually did you know Japan is
really bad did you know this I have to
list all these reasons now because
everyone is like thing and then thing
Japan ah so I have to tell them and I
it's actually but one thing in
particular that people said was that old
people really don't like foreigners they
hate them so when I was gonna stop by to
say hi to our neighbors who was a little
older at least some of them I was
terrifying I heard all these stories you
know like what are they gonna do to us
so I had my guard up ready for the worst
and I was met with nothing but kindness
and welcoming and I felt like a total
dick for having this preconceived ideas
and just a side comment like yes there
are definitely probably people that
don't like foreigners and all that stuff
but I realized I should let my own
experience is dictate how I feel about
certain things maybe that's just
ignoring a problem I don't know it just
feels like it's a bad way to approach
life if you always have a negative
expectation you know it's smiling people
smiled back
thank you sometimes they don't and
that's okay you know anyway my point
being Japanese people are very in my own
experience
are very nice and friendly the majority
at least and yes even to foreigners I
feel like they are especially nice to
foreigners because they think we're like
a kid lost at Disneyland or something
I just asked for directions I didn't
need you to walk me for half an hour to
this specific place I was going but
thank you I appreciate it a lot of times
I go bouldering alone and there's always
other groups of people being supportive
and yelling like I'm about there like go
you can do it I love it I think it's
great you know or if you're small
talking with people people generally
want to communicate with you and I love
having those moments but of course
there's times where people are like oh
you're a foreigner I don't feel like
even trying
which again it's fine speaking of which
reason I don't like Japan number two
their language
I have lived here for a year and I'm not
fluent in Japanese
I am dumb I am very dumb I remember the
moment we moved here I had studied some
Let's test out this knowledge that I
have acquired let's go I'm just gonna
come in it's gonna be dangerous and you
enter a store for the first time and
they're like
what
what oh
what the classic the most common
experiences that you have aren't
necessarily what you're taught in the
textbook yay I know I think that's the
same for anyone learning a language for
the first time but don't even get me
started on the kanji main what the [ __ ]
is this I feel like Japanese is such a
hard language obviously but I don't
think people realize how hard it is at
least me personally because the more you
learn the more you realize you don't
know [ __ ]
for English speakers Japanese is
considered one of the most difficult
languages and because it's just so
different I listed it as bad because
that was my first kind of experience
with it coming here but the more I
interact with people the more it feels
like I'm unlocking new skills you know
oh I made a phone call for the first
time oh I could ask someone over the
phone I know big deal but it's like oh I
can actually do that or even just having
a small tiny yes shittiest conversation
with a stranger it's still something and
it feels good you start to all of a
sudden understand you know a movie if
you're watching oh I understand actually
what's going on here or I can play games
and kind of get what this they're saying
I have to look up words obviously but to
me all those new experiences that it
unlocks to me is very rewarding even
though it's such a challenge I would
actually now say it's a good thing I
played it on its head it was a good
thing all along but I obviously have a
and it just I don't think it will damage
time reason number three I like Japan
this is nothing to do with Japan to say
it's more related to me taking a more
relaxed approach to YouTube for my
entire 20s I did nothing but YouTube
that was my life and that's okay but I
also think it was a little toxic
probably you know if I wasn't making
videos I sure as hell was thinking about
making videos I uploaded videos during
and it feels really good to finally be
free from it you know and I can discover
other things in life there are other
things in life
a new hobbies and interest that I've
always wanted to do I can do and have so
much fun with it surfing I know I would
love for the longest time and I finally
get to do it and it's so [ __ ] amazing
I love learning new things anything that
isn't necessarily connected to all of
this on the internet and that is
something I'm very very grateful that I
discovered so yeah it's not really Japan
I could have done that anywhere but it's
largely why I enjoyed so much here
reason I don't like Japan number three
this is probably the most trickiest one
and it's the rules what are the rules
Japan has so many rules and it's a bit
conflicting for me to complain about
because a lot of the best stuff about
Japan not the best stuff but a lot of
the reasons why Japan works so well is
because of the rules you know the trains
are always on time things just work in
general it's hard to explain the streets
are clean people aren't loud in public
and so on and these are sort of societal
rules that make it happen more or less
but sometimes There are rules that just
don't make any sense and I have no
problem following rules as long as I
understand the reason for it you know
don't talk on the phone on the train
because it's generally annoying when
other people do that to you A lot of it
is just be thoughtful of other people
it's not just about you and that just
makes it more pleasant for everyone but
one rule is especially which I talked
about before is the fact that because of
kovid I'm not allowed to be in the
delivery room for our baby for more than
two hours that's because of covered
rules it just doesn't make sense to me
and I tell people about this like uh
family and friends and they're always
like well why don't you just ask them or
like why don't you talk to them I'm sure
you can there's got to be somewhere and
it's like no it's Japan okay there are
rules and people follow the rules for
better or worse you know so the more I
https://twitter.com/nippon_ukuraina/status/1668134881703112704?s=20
ナザレンコ・アンドリー🇺🇦🤝🇯🇵
@nippon_ukuraina
①海外にもグラビアいくらでもある。Only Fansで金持ちになった女性沢山
②グラビアは日本ほど流行らないのは、無修正AVで市場が溢れてるから
③似非フェミに批判されるキャバが殆どないのは、売春が主流だから。「やらしてくれん女に何故奢るの」と… さらに表示
ツイッター速報〜BreakingNews
@tweetsoku1
KuTooの石川優実さん「なぜ女性が水着になって仕事をしないといけない？海外にはグラビアなんてない」 https://tweetsoku.com/2023/06/12/kut
結婚もせず毎日アニメ漫画ゲームを消費して、週末に一人でキャンプしたりDIYしたり趣味に生きてたほうが楽しかっただろうけど、その軸を突き詰めていけばドラッグをやって幸福に浸り続けるのが正解みたいになっちゃう。生きている意味について考えたほうが良い。
金を持ちながら子供を作らず遊び続けるのは社会システムへのフリーライダー。安価な食材もインフラもサービスも誰かの低賃金労働で支えられている。勉強して立派な職に就いて稼いで偉くても、他人を奴隷のように働かせて搾取するのは倫理的に間違っている。子なし貴族は収めた税金よりも多くを社会(not only 行政)から受け取っている。社会の維持や人類の発展には貢献する義務があると真面目に思いますけどね。
あなたが【理解できる】としていることは全部自分のためのことで、【理解できない】のは他人に対して与えることですよね。子持ちとしての社会的承認よりも上位の欲求として「人類の発展」や「偉業をなす」があるので、低みにいる人が社会貢献という幸せを理解できないのは仕方がないかもしれません。
https://twitter.com/merumeruchann/status/1663878494336458753?s=20
3. Choose your words wisely; AKA consider what is SEXY
"Wriggling" is a pretty standard translation of 藻掻く but in English it's associated with worms. WORMS! 🪱 "Undulating" is much nicer. e.g. A pussy doesn't wriggle, it undulates or ripples, or it convulses around his cock.
A woman doesn't wriggle her hips, she bucks them or she writhes. Your MC doesn't rock his hips he thrusts or pumps or rides. His hips aren't "moving on their own" he "can't control himself".
「もがく、身悶えする」はふつう"Wriggling"と訳されるが、これは虫を連想させるのでダメ。"Undulating"のほうがよい。
「まんこがうねる」と言いたいときも、wriggleではなく、undulate や ripple
あるいは"it convulses around his cock."
同様に、女が尻をくねらせるとき wriggle her hips とは言わない。she bucks them or she writhesなどと言う。
男が腰を振るときはrock his hipsではなくhe thrusts or pumps or rides
意識的に腰を振るのではなく自分をコントロールできず振ってしまう感が大事
Sometimes a woman's skin may be described as 白魚. This is sexy in the original cultural and linguistic context. In many English-speaking cultures, fish are used for negative comparisons. Something like translucent or dewy would be an appropriate equivalent.
In JP a man going wild during sex is often likened to a monkey, but this has a more comical sound in English, where comparisons to simply a "wild animal" work better.
女の肌を「白魚」と形容することがあるが、英語では魚はネガティブな意味合いになってしまう
translucent (透き通るような)やdew（つややかな）と言い換えると良い
また、激しいセックスの最中、「猿のように」と形容することがあるが、英語ではコミカルに響いてしまうのでwild animal（野生動物、獣）などと言いかえるとよい
Consider the virgin "He put his penis in her vagina" vs the chad "He slid his cock into her pussy".
These sentences describe the same action, but one says "I fuck" and the other says "I've only ever seen sex in the bio textbooks my model was trained on".
On the other hand, don't throw in porny words where there shouldn't be any; if your heroine is a shy virgin and the source text is using coy words like あそこ, don't have her shouting FUCK MY TIGHT LITTLE PUSSY in English.
挿入するシーンでは
"He put his penis in her vagina"
とするのではなく、
"He slid his cock into her pussy".
と訳すべき
後者は「ヤる」という感じだが、前者は「私はAIなので性行為については生物学の教科書の知識しかありません」みたいに聞こえてしまう
とはいえ、ヒロインがシャイな処女で、「あそこ」と控えめに言っているのに”FUCK MY TIGHT LITTLE PUSSY”（私のキツキツオマンコを犯して！）などと絶叫させてはいけない
英検SCBTという1日で受けれるヤツをやった。
最初にスピーキング（マイクに吹き込む）、次にリスニング（ヘッドホン装着）、最後にリーディングとライティング。
でも他はボロボロ。英検二級は簡単に受かったから次は準一級頑張るぞー、くらいの気持ちで受けたら全然難しくてビックリした。
調べてみたら英検二級はTOEIC換算で550くらい、準一級で785点くらいらしい。
そりゃ難しいわ……こちとら最後に受けたTOEIC400点やぞ……でも成長はしてるっぽいから嬉しい。
I had taken the Eiken SCBT test because it takes one day.
First is the speaking part(speaking for the mic)
Second is the listening part(Wearing the headphone)
The last two are the reading part and the writing part.
I passed only the speaking part as the result.
However, I bombed other parts so badly.
I could pass the Grade 2 easily then I assumed I can pass Grade Pre-1 it, but it was really difficult for me.
According the result of Google, Eiken Grade 2 is about 550 of TOEIC and Pre-1 is about 785 of TOEIC.
No wonder... My TOEIC score was 400... However, I am glad because my EN skill grows that I felt,
As a practice of my studying English of the writing, I tried to write this diary in English.
