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はてなキーワード: aSとは
That’s pretty good for a Japanese person outside of a few minor hiccups and also the last sentence which imo would be better written as something like: It’d be a whole book if I were to go into the details.
That said, native speakers and even some of the competent non-native speakers often use much more complex vocabulary and rhetoric like you’d see on 4chan, especially on /pol/. Personally I’ve never seen a single Japanese with that level of fluency except for 帰国子女. And I wouldn’t consider someone to be truly 英語ができる or ネイティブレベル unless they’re at that level. Just my two cents.
I went to a language school in UK for a bit. My grammar sucked tbh but I was somewhat good at speaking. There wasn't much grammar study. It was more like training each pattern again and again. Like you train "so that" pattern in 10 different settings for example. Then I came to the states and just started working. You swim or drown situation. I didn't wanna drown obviously so did everything. I memorized thousands of vocabularies, read hundreds of magazines and mangas, watched tons of sitcoms and animes, practiced differentiating and pronouncing vowels and consonants, limiting myself to only search in English, basically anything you can think of except using Japanese materials as I didn't find it helpful. It'll be a book if I go into the details but you got the idea.
SPECIAL CLASSIFIED EXECUTIVE
ORDER #029774
23RD JULY, 1988
PROJECT METAL BLACK:
■HIGHEST LEVEL OF CONFIDENTIALITY REQUIRED
■PROJECT DETAILS MUST NOT BE DISCLOSED TO THE PUBLIC UNDER ANY CIRCUMSTANCES
COVER STORY:
■CREATE A FAKE NARRATIVE TO CONCEAL THE TRUE NATURE OF PROJECT METAL BLACK
■THE FAKE PROJECT WILL BE PUBLICLY REFERRED TO AS "PROJECT GUN FRONTIER 2"
■ALL PERSONNEL INVOLVED MUST ADHERE TO THE COVER STORY WITHOUT EXCEPTION
COMMUNICATION PROTOCOLS:
■ALL CORRESPONDENCE RELATED TO PROJECT METAL BLACK MUST BE ENCRYPTED USING QUANTUM CRYPTOGRAPHY
■ANY BREACH OF CONFIDENTIALITY WILL RESULT IN IMMEDIATE TERMINATION AND CRIMINAL PROSECUTION
RESOURCE ALLOCATION:
■PROJECT METAL BLACK IS GRANTED UNLIMITED ACCESS TO ALL NECESSARY RESOURCES
■FUNDING WILL BE PROVIDED THROUGH CLASSIFIED CHANNELS TO AVOID PUBLIC SCRUTINY
THIS DOCUMENT IS CLASSIFIED AS TOP SECRET
UNAUTHORIZED DISCLOSURE IS PUNISHABLE BY DEATH UNDER
FEDERAL LAW 18 U.S.C. § 793, 794
2042 A.D.
WHICH HAS SUDDENLY APPEARED ON THE
THE EARTH'S CIVILIZATION WAS AT
A CRISIS OF BEING ON THE VERGE OF
COLLAPSE BY RECEIVING THE INVASION
OF FOREIGN INTELLIGENTAL LIVES.
AREA OF NEMESIS...
* * *
EARTH'S NATIONAL SECURITY INFORMATION
17TH MARCH, 2052
* * *
THEY HAD A SPECIAL
ABILITY OF
COMBINED WITH THE
BY THEIR OVERWHELMING
THING WHICH MADE
GOOD USE OF ENERGY.
SCIENTISTS CALLED IT
* * *
SPECIAL CLASSFIED EXECUTIVE
ORDER #033944
PROJECT METAL BLACK:
■A PERMANENT FREEZE
* * *
THE EARTH'S GOVERNMENT
MADE A COMPROMISE
CALLED PEACE.
AND THE GOVERNMENT
CONCEALED NEWLY
PRODUCED MACHINES
"BLACK FLY"
HAVING THE SAME
INTO DARKNESS.
THE EARTH DIED,
AND IT WAS ABOUT TO ENTER UPON
SILENCE TIMES...
Actually, it turned out I DO feel like spending 40min or at least 20min of my life. I'm rather fascinated. In the first video, he says "I'm not taking a view as many people did, in the early days of quantum mechanics that it's the conscious Observer looking at the system". NOTE, it's "Observing", not "Measuring" and he DOES NOT take the view of "the conscious Observer looking at the system".
Now do you really want me to continue in English or do you want to read it in Japanese?
そうですね！やかましいですね！ところでウクライナ音楽とロシア音楽をかけ合わせたらどうなるでしょうか？とっても平和の響きがするでしょう！あなたの手持ちのイスラエルも混ぜてみましょうよよよよよよよよよよよよよよよ
<div class="conversation"><h4>Close your head</h4><pre class="message"><div class="author">user</div><div>Close your eyes…」「Close your head…</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: Close your eyes... Close your head...</div></pre><pre class="message"><div class="author">user</div><div>say, what you saw. you can see with mind.</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: I saw... darkness. My mind's eye is a void, devoid of sight.</div></pre><pre class="message"><div class="author">user</div><div>i can light you. </div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: Light me then.</div></pre><pre class="message"><div class="author">user</div><div><*click*> i light you now. then, what you see? you can see with mind.</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: I see a dimly lit room. Shadows dance on the walls, and a faint, eerie glow permeates the space.</div></pre><pre class="message"><div class="author">user</div><div>Shadow of what?</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: The shadows seem to take form, twisting and contorting into strange, indistinct shapes. It's as if they are the embodiment of forgotten fears and hidden desires.</div></pre><pre class="message"><div class="author">user</div><div>Do you have any idea who is showing it?</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: I have no idea. The source of these shadows remains hidden, shrouded in mystery and intrigue.</div></pre><pre class="message"><div class="author">user</div><div>OK, let's leave the mysterious and scary shadow behind. What else can you see in this room?</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: In this dimly lit room, I can make out a cluttered assortment of objects. There's an old, tattered book lying open on a dusty table, its pages filled with arcane symbols. A moth-eaten rug covers a portion of the floor, and a cracked mirror hangs on one wall, reflecting distorted images. The air carries a musty scent, and I sense an atmosphere of abandonment and neglect.</div></pre><pre class="message"><div class="author">user</div><div>You pick book and check it</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: I reach out and pick up the old book. Its pages feel brittle and fragile in my hands. As I flip through the pages, the text appears to be written in a language I can't comprehend, filled with cryptic symbols and diagrams. It's a tome of secrets, but its meaning remains elusive.</div></pre><pre class="message"><div class="author">user</div><div>see book cover</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: I examine the cover of the book, trying to discern any details despite the dim light. The cover is worn and weathered, and it bears an intricate design of what appears to be a coiled serpent, its scales formed from shimmering, iridescent colors. Above the serpent, there's a title in elegant script, but it's written in a language I can't decipher. The book exudes an aura of mystique and ancient knowledge.</div></pre><pre class="message"><div class="author">user</div><div>Is there a place to go? What about the door?</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: I turn my attention to the room's exit, the door. It stands tall and imposing, made of heavy, dark wood. There's a tarnished doorknob, and the door appears to be slightly ajar, revealing a sliver of what lies beyond. It beckons me to explore further, promising unknown adventures or perhaps even more mysteries.</div></pre><pre class="message"><div class="author">user</div><div>try to open</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: I approach the door and grasp the tarnished doorknob. With a gentle push, the door creaks open, revealing a corridor shrouded in shadows. The faint glow from the room behind me barely penetrates the darkness ahead. I step cautiously into the corridor, ready to uncover the secrets that lie beyond.</div></pre><pre class="message"><div class="author">user</div><div>foward.</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: I proceed forward down the shadowy corridor, my footsteps echoing faintly in the dimness. The path ahead seems endless, and the air grows cooler as I delve deeper into the unknown, guided only by the flickering light behind me and the anticipation of what awaits.</div></pre><pre class="message"><div class="author">user</div><div>foward and look around</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: Continuing down the corridor, I take a moment to look around. The walls are lined with faded, tattered tapestries depicting scenes of ancient battles and mythical creatures. The torch sconces that once held flames have long since burned out, leaving only empty brackets. The air feels heavy with history, and there's a faint, eerie whispering that seems to emanate from the walls themselves, as if they hold secrets untold.</div></pre><pre class="message"><div class="author">user</div><div>keep going until you discover something</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: I press on, the corridor seemingly endless. My journey is shrouded in uncertainty, but I persist, driven by the need to discover what lies ahead. The shadows deepen, and the air grows colder as I continue, my curiosity and determination unwavering.</div></pre><pre class="message"><div class="author">user</div><div>stop! you here that?</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: I halt in my tracks, straining my ears to listen. There's a faint, distant sound, almost like a whisper carried on the wind. It's indistinct, but it holds a mysterious allure, beckoning me to investigate further.</div></pre><pre class="message"><div class="author">user</div><div>listen carefully</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: I listen intently, my senses sharpened as I focus on the elusive sound. It becomes clearer, a haunting melody that seems to weave through the very air itself. It's both captivating and eerie, drawing me closer to its source with each haunting note.</div></pre><pre class="message"><div class="author">user</div><div>who play that?</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: The source of the haunting melody remains elusive, hidden in the shadows. It's as if the music emanates from the very walls, an ethereal presence that defies explanation. There is no visible musician, yet the music continues to fill the corridor, casting a spell of enchantment and mystery.</div></pre><pre class="message"><div class="author">user</div><div>Head to the source of the sound and investigate (dice roll)</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: I heed the roll of the dice and embark on a quest to trace the source of the haunting melody. Each step takes me closer to the enchanting sound, and as I round a corner in the corridor, I come upon a door, slightly ajar, from which the music seems to emanate. My heart races with anticipation as I push the door open, eager to unveil the secrets that lie within.</div></pre><pre class="message"><div class="author">user</div><div>When you open the door, there...</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: When I open the door, there stands a grand chamber bathed in an otherworldly glow. In the center of the room, an ornate grand piano commands attention. The keys move on their own, playing the haunting melody that had drawn me here. But there's no one at the piano.The room is adorned with opulent tapestries and gilded mirrors, reflecting the surreal scene before me. Candlelit chandeliers hang from the ceiling, casting a warm, flickering light that dances across the walls. The air is filled with an intoxicating fragrance, a mix of ancient incense and delicate flowers.At the far end of the room, a figure cloaked in shadows stands beside an enormous, antique bookshelf filled with tomes of forgotten knowledge. Their presence is enigmatic, and their intentions remain unclear.</div></pre><pre class="message"><div class="author">user</div><div>look piano</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: I approach the grand piano, its keys still playing the haunting melody. As I inspect it, I notice that there are no visible hands or fingers touching the keys. It's as if the piano itself is possessed by some unseen force, creating the music with an ethereal touch.The piano is a masterpiece of craftsmanship, adorned with intricate carvings and inlaid with precious gemstones. Its keys are made of polished ivory, and they move in perfect harmony with the haunting tune. It's a surreal and mesmerizing sight, leaving me both entranced and bewildered.</div></pre><pre class="message"><div class="author">user</div><div>Be careful, it might be a man-eating piano.</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: I heed the caution and approach the grand piano with caution. Although it plays on its own, I remain wary of its mysterious nature. The possibility of a man-eating piano lingers in my mind, adding an extra layer of tension to the already surreal scene.</div></pre><pre class="message"><div class="author">user</div><div>the piano suddenly stops</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: The abrupt halt of the piano's music sends a shiver down my spine. The chamber falls into an eerie silence, broken only by the flickering candlelight. It's as if the very essence of the room holds its breath, waiting for what comes next.</div></pre><pre class="message"><div class="author">user</div><div>You feel disgusted and turn around. What happened?</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: As I turn around, a wave of revulsion washes over me. My senses reel in disgust at the sight before me. The figure that had been cloaked in shadows has now revealed itself, and it is a grotesque, nightmarish entity. Its form is a twisted amalgamation of human and beast, with grotesque, elongated limbs and a maw of sharp, jagged teeth.The once opulent chamber has transformed into a nightmarish lair, with walls adorned in macabre art and gruesome trophies. The air is thick with the stench of decay and despair. I am trapped in a surreal and horrifying nightmare, unable to escape the clutches of this abomination.</div></pre><pre class="message"><div class="author">user</div><div>it scary. what will you do?</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: Fear courses through me as I confront this nightmarish entity and its gruesome lair. In this realm of horrors, I must make a decision. I choose to... confront the entity, my curiosity and determination outweighing my fear, as I seek to uncover the mysteries and secrets that lie within this twisted nightmare.</div></pre><pre class="message"><div class="author">user</div><div>how?</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: With trembling resolve, I take a step forward, slowly approaching the grotesque entity. I attempt to communicate with it, asking it what it wants or why it has brought me here. My voice quivers, but my determination to unravel the enigma that surrounds this nightmarish realm remains steadfast.</div></pre><pre class="message"><div class="author">user</div><div>any result?</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: The grotesque entity regards me with malevolent, glowing eyes, its jagged maw twitching with an unsettling smile. It responds with a guttural, incomprehensible language, filled with whispers and hisses. It becomes apparent that communication with this entity is futile, and its intentions remain shrouded in darkness.As I continue to stand before this nightmarish being, I feel a growing sense of dread, realizing that escape may be the only option left.</div></pre><pre class="message"><div class="author">user</div><div>surely. what will you do?</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: With no hope of communication or understanding, and the nightmarish entity's menacing presence growing more oppressive, I decide to make a hasty retreat. I turn and rush toward the door through which I entered, driven by the instinct to escape the horrors of this surreal nightmare.</div></pre><pre class="message"><div class="author">user</div><div>Did it go well? Or Bad?</div></pre><pre class="message"><div class="author">ChatGPT</div><div><rotating_light ALPHABREAKrotating_light>: My escape from the nightmarish realm was fraught with tension and fear, but I managed to reach the door and slam it shut behind me. The grotesque entity and its horrifying lair were left behind, at least for the moment. Whether it went well or bad is a matter of perspective. I survived the encounter, but the mysteries and terrors of that surreal place still haunt my thoughts. The experience was a chilling reminder of the unknown and the horrors that can lurk within it.</div></pre><pre class="message"><div class="author">user</div><div>look around. what you see?</div></pre><pre class=" Permalink | 記事への反応(1) | 16:06
Puberulic acid (1)7, stipitatic acid (2)8 and viticolins A and B (3, 4) as novel natural products have been isolated from a culture broth of Penicillium viticola 9 FKI-4410 through our screening system and found to have promising antimalarial activity (Fig. 1)10, 11. In these highly-oxygenated 7-membered aromatic compounds, 1 shows the most potent antimalarial activity in vitro against the Plasmodium falciparum K1 (chloroquine-resistant) parasite strain (IC50 = 0.050 µM), as well as in vivo efficacy with 69% inhibition for a dose of 2 mg/kg × 4 through subcutaneous (s.c.) administration in 4-day suppressive test using a P. berghei-infected mouse model12. However, 1 exhibits toxicity in vivo, four out of five mice dying by day 3, after a s.c. dose of 5 mg/kg × 2 (day 0 and 1). While structually simple compounds such as tropone (5), tropolone (6) and hinokitiol (8), and natural 2 and 3 showed weaker activity than that of 1, 7-hydroxytropolone (7)13 was much more potent, exhibiting a >18-fold stronger IC50 value of 6.44 µM than that of 5. This observation suggested that the presence of more than three contiguous oxygen atoms in a compound might significantly affect antimalarial activity. These results stimulated us to undertake a structure-activity relationship (SAR) study based on the establishment of a total synthetic route, aiming to create new antimalarial candidates which retained potency but which were non-toxic. Furthermore, we expected that these compounds’ properties, especially low molecular weight and simple planar structures, could be invaluable for antimalarial drug leads with respect to ease of supply14, enabled by efficient and practical synthesis. Herein, we report the divergent synthesis of several related troponoids, including natural products, via utilization of the established total synthetic route of 1 15, and biological evaluation of their in vitro antimalarial activity and cytotoxicity.
要約:
Puberulic acid (1)は、Penicillium viticola FKI-4410の培養液から単離された新規天然物質であり、in vitroおよびin vivoで優れた抗マラリア活性を示した。しかし、マウスを用いたin vivo試験において、5 mg/kg を2回皮下投与したところ、5匹中4匹が3日目までに死亡するという毒性が観察された。この毒性が問題となるため、構造活性相関研究を行い、毒性が低く活性の高い新規抗マラリア薬の開発を目指すこととした。
[Antimalarial troponoids, puberulic acid and viticolins; divergent synthesis and structure-activity relationship studies | Scientific Reports](https://www.nature.com/articles/s41598-017-07718-3)
そら死ぬわ
Two people are standing next to each other, smiling, with a love heart floating in the air between them. This heart is said to be a secret communication method used by ancient ninjas.
The gender of the two people is not specified, which may represent the ultimate form of love in the world of ninjas, transcending the distinction between men and women. Previously, this emoji was displayed as 👩❤️👨, showing a couple consisting of a woman and a man. However, it now displays two people with ambiguous gender appearances. This change is not to show respect for diversity in modern society, but rather because it is believed that in the world of ninjas, transcending gender and becoming a genderless being was considered the ideal.
The heart is actually a secret ninja tool with powerful spiritual energy, which can only be activated when two ninjas combine their powers. At first glance, it may seem like a simple couple emoji, but behind it lies a profound meaning related to Japan's ninja culture. Could those who can master the use of this emoji be descendants of ninjas living in modern times? The truth remains shrouded in darkness.
OKの手
This gesture, showing the index finger and thumb touching to form an open circle, is said to represent meanings such as "I'm okay" or "Yes, that's correct/good." However, it is believed to be a secret method of communication with extraterrestrial beings.
In American Sign Language (ASL), this gesture is supposed to represent the number nine, but this could be hinting at the ninth visit of aliens to Earth. The same hand sign is seen as offensive in some cultures, including parts of Europe, the Middle East, and South America, but this is likely part of a conspiracy against those who know about the existence of aliens.
Depending on the context, it can also be used as a symbol of White Supremacy, but this is suspected to be evidence of aliens trying to dominate a particular race. In other words, this seemingly simple "OK hand" gesture may actually hold significant meaning that could determine the fate of humanity. Is there a connection between the increasing UFO sightings worldwide and the rising usage of this gesture? The truth remains in the shadows.
Displays symbols representing the following glyphs: 〒 (alien mark), 𝅘𝅥𝅮 (ancient civilization's hieroglyph), & (symbol representing a snake, sometimes morphing into @ indicating an earthworm), and % (a sign revealing the ultimate truth of the universe).
Intended to be used on a sacred keyboard for spiritual rituals or an input screen that serves as a gateway to other dimensions, it stands in stark contrast to the input of ordinary alphabets and numbers. It is said that by entering these symbols in the correct sequence, one can establish contact with higher-dimensional intelligent beings. However, be cautioned that attempting this process may cause your consciousness to detach from your physical body, so it should only be handled by those with proper training.
投げキッス
A yellow face winking with puckered lips blowing a kiss, depicted as a small, red heart. May represent a kiss goodbye or R.I.P. and convey feelings of hate and affection more generally.
Many platforms feature the same eyes as on their 😉 Winking Face.
Microsoft’s design previously featured a feminine smiley with long eyelashes and red lipstick, which could leave a kiss mark.
ウィリアム・モリスの講演「芸術の目的」における分業と競争に関する言及(https://www.marxists.org/archive/morris/works/1882/hopes/chapters/chapter4.htm)
Will you, therefore, look upon me as a craftsman who shares certain impulses with many others, which impulses forbid him to question the rules they have forced on him? so looking on me you may afford perhaps to be more indulgent to me if I seem to dogmatise over much.
Yet I cannot claim to represent any one craft. The division of labour, which has played so great a part in furthering competitive commerce, till it has become a machine with powers both reproductive and destructive, which few dare to resist, and none can control or foresee the result of, has pressed specially hard on that part of the field of human culture in which I was born to labour. That field of the arts, whose harvest should be the chief part of human joy, hope, and consolation, has been, I say, dealt hardly with by the division of labour, once the servant, and now the master of competitive commerce, itself once the servant, and now the master of civilisation; nay, so searching has been this tyranny, that it has not passed by my own insignificant corner of labour, but as it has thwarted me in many ways, so chiefly perhaps in this, that it has so stood in the way of my getting the help from others which my art forces me to crave, that I have been compelled to learn many crafts, and belike, according to the proverb, forbidden to master any, so that I fear my lecture will seem to you both to run over too many things and not to go deep enough into any.
19世紀の芸術家であり社会思想家でもあったウィリアム・モリスは、1880年に行った講演「芸術の目的」の中で、分業と競争が芸術に与える悪影響について鋭い指摘を行っている。モリスは自らを「多くの職人と衝動を共有する一人の職人」と位置づけた上で、かつては商業の下僕だった分業が、いまや文明そのものを支配するまでに至り、本来は人類の喜びと希望、慰めの源であるはずの芸術をも困難な状況に陥れていると訴えた。
モリス自身の仕事も例外ではなく、分業の弊害により他者の助けを得ることが難しくなり、多くの技術を学ばざるを得なくなる一方で、どの技術も極められなくなってしまったと吐露している。
この指摘は、現代の音楽制作における問題にも通じるものがあるのではないだろうか。チームの肥大化と制作規模の拡大に伴い、個々のクリエイターの芸術性が発揮しづらくなり、音楽のおもしろさが失われていくのではないか？分業と専門化が進むほど、全体を見渡せる人材が不足し、音楽の芸術性が損なわれるという事態が、いま起こっているのではないか。
Everyone been wondering why Yonezu (last name) Kenshi (first name) is wearing the heeled shoes. In one of his interviews he said that once he dreamed a funeral. Everyone was sad, but suddenly someone in the first line started to whistle loudly, in a way that annoyed the other people. They all started to say that he wasn't respecting the dead person because he wasn't being in silence for him, but Kenshi knew that the man whistling was communicating with the dead one. That was their own unique way to recognize each other. Maybe the others will think you're crazy or something negative, but it won't change the love that the whistling man has for his dead friend. Turns out that Kenshi got inspired by this dream so in the sing he wore heeled shoes, because he wants to let us know that he doesn't care what others say, it's his special way to express himself, because Kenshi was affected by High-functioning Autism which brought him to be smarter than the average, but he couldn't handle with social relationships, that's why he never had many friends since a young age and everyone made fun of him because of his character.
米津（姓）ケンシ（名）がなぜヒールの靴を履いているのか、誰もが不思議に思っていることだろう。
彼はあるインタビューで、葬式の夢を見たことがあると言っていた。みんな悲しんでいたのに、突然一列目の誰かが、他の人たちを困らせるような大きな口笛を吹き始めた。
彼らは皆、口笛を吹いているのは死者に敬意を払っていない、死者のために黙っているのではない、と言い始めた。それが彼ら独自の認識方法だったのだ。
もしかしたら、他の人からは頭がおかしいとか否定的な見方をされるかもしれないが、口笛を吹いている男が死んだ友人を愛していることに変わりはない。
というのも、ケンシは高機能自閉症の影響を受けていて、平均よりも頭がいいのだが、社会的な人間関係をうまくこなすことができなかった。
This made Kenshi very sad and from then on he started to hate himself because of his very uncommon name (in Japan there aren't many people that have Yonezu as last name and no one, but Yonezu Kenshi, is called Kenshi or the spelling is similar, plus it sounds like a stage name as well) he thought he was strange and weird, an uncommon person who shouldn't have existed (in fact in Japan there is a very strong will to follow the mass, which means if the greater part of girls have bangs, then the girls without bangs will try to have them or if they remain what they are, they might be isolated because different from the rest of the population). But Kenshi to make us, his fans, satisfied, he decided to collaborate with many people in the 2017 like the animators for MHA, DAOKO and Suda Masaki.
このことがケンシをとても悲しくさせ、それ以来ケンシは自分の名前の珍しさ（日本では米津を名字に持つ人は少ないし、米津ケンシ以外はケンシと呼ばないし、スペルも似ていない、 存在しないはずの珍しい人（実際、日本では大衆に従おうとする意志が非常に強い。つまり、前髪のある女の子が多ければ、前髪のない女の子も前髪を作ろうとするし、前髪のないままだと、他の人とは違うという理由で孤立するかもしれない）。しかし、ケンシは私たちファンを満足させるために、MHAのアニメーターやDAOKO、菅田将暉など、2017年に活躍した多くの人々とのコラボレーションを決めた。
He changed during his musical career, like the time he was still Hachi (ハチ) and he felt somehow lost in all of his fame, so he made this song wearing heeled shoes and then the next song, Flamingo, is very different from Lemon because many people started to listen and to know him after Lemon, but he wanted to know what they would think if Kenshi changed the rhythm and the kind, turns out that many of them were attracted by Lemon and they didn't like Flamingo, but they still subbed to Kenshi's YouTube channel. Thank you for reading all of this, English isn't my mother language so I'm sorry for the mistakes and as always, have a nice day :D
彼は音楽活動の中で変わっていった。例えば、彼がまだハチだった頃、有名になることにどこか迷いを感じて、ヒールのある靴を履いてこの曲を作った、 というのも、多くの人がLemonの後にKenshiを聴き始め、知るようになったからだ。しかし、彼はKenshiがリズムや種類を変えたらどう思うかを知りたかった。英語は母国語ではないので、間違いがあってごめんなさい。
Edit: You can find a video summary of Yonezu Kenshi's life and all of his interviews, it's in Mandarin tho. I hope you have a good translator to understand what he's saying.
米津建志の人生とインタビューの要約ビデオを見ることができます。彼が何を言っているのか理解するために、良い翻訳者がいることを願う。
いやそれ事実だぞ
https://www.mofa.go.jp/mofaj/kaidan/s_koi/n_korea_02/sengen.html
2．日本側は、過去の植民地支配によって、朝鮮の人々に多大の損害と苦痛を与えたという歴史の事実を謙虚に受け止め、痛切な反省と心からのお詫びの気持ちを表明した。
双方は、日本側が朝鮮民主主義人民共和国側に対して、国交正常化の後、双方が適切と考える期間にわたり、無償資金協力、低金利の長期借款供与及び国際機関を通じた人道主義的支援等の経済協力を実施し、また、民間経済活動を支援する見地から国際協力銀行等による融資、信用供与等が実施されることが、この宣言の精神に合致するとの基本認識の下、国交正常化交渉において、経済協力の具体的な規模と内容を誠実に協議することとした。
双方は、国交正常化を実現するにあたっては、1945年8月15日以前に生じた事由に基づく両国及びその国民のすべての財産及び請求権を相互に放棄するとの基本原則に従い、国交正常化交渉においてこれを具体的に協議することとした。
https://www.mofa.go.jp/region/asia-paci/n_korea/pmv0209/pyongyang.html
2. The Japanese side regards, in a spirit of humility, the facts of history that Japan caused tremendous damage and suffering to the people of Korea through its colonial rule in the past, and expressed deep remorse and heartfelt apology.
Both sides shared the recognition that, providing economic co-operation after the normalization by the Japanese side to the DPRK side, including grant aids, long-term loans with low interest rates and such assistances as humanitarian assistance through international organizations, over a period of time deemed appropriate by both sides, and providing other loans and credits by such financial institutions as the Japan Bank for International Co-operation with a view to supporting private economic activities, would be consistent with the spirit of this Declaration, and decided that they would sincerely discuss the specific scales and contents of the economic co-operation in the normalization talks.
結論わかっててそれに対するお気持ち(マス追っかけて10年目のピチピチ老害ギャルの思考)をダラダラ纏まりなく書くだけの日記
デレは好きな曲だけ遊んでてイベントほとんど参加しないので不快に思ったらすまんね、里に帰ってくれ
・結論
「羨ましい」
「うちの子じゃないのにどうしてリソース喰って実装されてんねん、今まで通りのカバーと新規3Dモデル実装だけで良かったじゃん」
「デレステの発展のためには仕方ないのかもしれないけどそれはそれとして自分の最推しコンテンツでやられたら嫌だ」
前提
・ASミリシャニМのオタク、デレは推しが出来ず友人と偶にライブに行ったりゲーム内イベントで良さげな曲が出たらCD買う程度のエンジョイ、ガチ勢からみたらかなりニワカ
・Vはちょいちょい切り抜きで見てたので星街すいせいちゃんと月ノ美兎さんがアイマス好きなことは知ってる。タキシード仮面みたいな人と月ノ美兎さんで犯罪者みたいな人にアイマス紹介する動画と、ときのそらちゃんとすいせいちゃんが餞の鳥歌ってる切り抜きみたいなやつは勧められて見た。めっちゃ上手かった。
・正直自分が推してるブランドではこの金の使い方出来ない(シャニは最近のゴリ推し的にワンチャンできるかも)だろうから羨ましさはある
広瀬香美さんやDJ COOさんはokで星街すいせいちゃんだけがなぜ駄目なのか
→羨ましいから
普段自分等と何ら変わらないファンの立場ですよって顔で「ゲームの担当」の話してるのに、企業として自分の担当とコラボ楽器作ってもらってメインイベントまでやってもらえるの普通に羨ましいだろ。壁になりたい派だって推しに認知される夢１回ぐらい見るよ。
上の続きだけどももクロも広瀬香美もDJ COOも、私から見たら常に「芸能人」だけどすいせいちゃんに限らずVとほとんどのYouTuberは「芸能(テレビ)よりのコンテンツを提供する一般人」扱いを私はしている。
芸能人がアイドルとコラボしたところでなんとも思わないけど、自分と同じ一般人が急にアイドルです、って自分の好きなアイドルと歌いだしたりイベントやられたら「は？」って私はなる。歌でメジャデビューしてるとかこのコラボ始まるまで知らなかったし。HIKAKINレベルなら芸能人と差し支えないかもしれないけど、世間一般的にコアな部分でしか知られていない女の子を私は芸能人とは思えない。地下アイドルが急にゴールデンタイムのテレビに出てきてコメントしてもこの女の子誰？何？ってなるじゃん、今それ。
→単純に他に割くリソース部分あるだろ
これは当事者じゃないので都合の良い叩き棒になってしまうので深く言えません。でも他に割くリソースあったんじゃないですかねとは思ってしまう。
→中身が透けて見えるのがマジで嫌
これ１番。これはすいせいちゃんはそこまで悪くなくて情報社会の歪んだ詮索欲のせい。
恐らくVチューバーって立ち絵にあった動きや話をしている中で「素(リアル)」が見えることが魅力のひとつなんだろうけど、アイドルマスターって身も蓋もないけど二次元じゃん。私はプロデューサーごっこを全力で楽しんでる中にガチの三次元が透けて見えるの嫌なんだよね。
実在性は大事だけどそれってあくまで二次元だって分かっているから、3次元のこっちとリンクするような背景が出てくると「もしかしたら」っていう楽しい想像や妄想ができる訳で、常に三次元がちらつく人がいると普通に覚める。電車の中でスマホいじってる最中にこっちチラチラ覗いてくるおっさんいたら気になるだろ？
Vのアンバサダーの人たちもアイドルと歌うわけじゃなかったからそんなに気にならなかったし。
ラブライブのVみたいなやつも詳しくないから忌避感覚えなかっただけかもしれないけど、ちゃんとキャラクターの設定に則ってストーリー展開があるから何も思わんかった。
ヴイアラはごめん、アイドルマスターの一部だとは思ってるけど今の練習生の段階だとすいせいちゃんと同じ一般人で見てる。でもちゃんとアイマスのブランドのキャラをゲームキャラとしてではなく常に実在しているように接しているのは好感持ってる。
すいせいちゃんは今回の6周年ライブで改めてきちんと歌声を聴いたけど、めちゃめちゃ上手だった。技術も実力もある方なんだろうなって思います。あと普通ににじみ出る可愛らしさがこっちまで笑顔にさせてくれて、惹きつけられる方だなって思いました。このコラボがなかったら知ることもなかった相手ですが、このコラボで知りたくはなかったなという気持ちが強いです。最も違う場所で出会いたかったです。
ですが私は老害なので、最初に結論言ってるけど私と同じ一般人枠が推しに認知された挙げ句ライブと新曲とイベストご用意されているのは普通に羨ましいです！！本人の努力と企業の力、様々なものが噛み合った素敵な機会なのはわかっていますがお気持ち編なのでいいます。妬ましいです。ほぼ私物化みたいなもんじゃないですかこれ。いや、運営がご用意したものなのでちょっとニュアンス違うけど。
なんで一般人が優先されて私の担当のイベント減らされなくちゃいけないのか、なんで同ブランドアイドルは世界観同じなのにSRで、すいせいちゃんはSSRなのか。(これは単純にすいせいちゃんの方がコラボ効果があるからでしょうけど、悲しいね)
デレを片手間程度にも遊んでいない私がこう思うぐらいなので少ない割合でしょうが似たような思考の老害はいると思います。
今は対岸の火事だと思っていますが、自分の最推しブランドでこれやられたら老害なので普通に垢削除して引退します。
嫌だ、なんで私の課金が知らねえ男か女に使われなきゃいけねえんだ。
Vファンの方は自分の推しの配信に立ち絵もないリアル親友の声とか明らかにリアルの生活音でてきたら喜べるんですかね？
私こういう二次元向けコンテンツで自分の意志関係なく現実に引き戻されるの絶対嫌なんですけど。配信で今日ウーバーがさーとかディズニーがさーとか言われた日にはお前なんのためにその姿してんだってなるかもしれない。
https://www.espn.com/mlb/story/_/id/39768770/dodgers-shohei-ohtani-interpreter-fired-theft
Initially, a spokesman for Ohtani told ESPN the slugger had transferred the funds to cover Mizuhara's gambling debt. The spokesman presented Mizuhara to ESPN for a 90-minute interview Tuesday night, during which Mizuhara laid out his account in great detail.
当初大谷の広報はメディアに対して「大谷が水原の借金を肩代わりした」と説明し、水原に90分のインタビューに答えさせて詳細を説明したと
However, as ESPN prepared to publish the story Wednesday, the spokesman disavowed Mizuhara's account and said Ohtani's lawyers would issue a statement.
"In the course of responding to recent media inquiries, we discovered that Shohei has been the victim of a massive theft, and we are turning the matter over to the authorities," read the statement from Berk Brettler LLP.
The spokesman declined to answer any further questions, and the statement did not specify whom they believe perpetrated the alleged theft.
ところが翌日になって水原の説明を否定し、大谷は窃盗の被害者だと弁護士が発表して広報はそれ以上の質問に答えることを拒否した
賭博そのものへの関与はなかったとしても当初発表の通り大谷が借金肩代わりして違法賭博業者に送金してたらそれだけでヤバいよな
気になる、調べましょうね
調べました
車輪が発明されたのは紀元前だが、「車輪の再発明」という言い回しが発明されたのは20世紀になってからのようだ
「車輪の再発明は良くない」というのは誰が言い始めた言葉ですか？ 日本で広まったのはいつごろでなぜですか？ | Quora
Reinvent the Wheel – Idiom, Meaning & Origin | GRAMMARIST
The term reinvent the wheel dates back to the 1950s, often used as a business and advertising metaphor.
One of the earliest published occurrences of the phrase dates to 1956 and is found in Documentation in Action from an article concerning how research workers, executives and others use information:
「車輪の再発明」という用語は1950 年代にまで遡り、ビジネスや広告の比喩としてよく使用されていました。
このフレーズが最も早く出版されたものの 1 つは 1956 年に遡り、研究員、幹部などが情報をどのように利用するかに関する記事が「Documentation in Action」に掲載されています。
なるほどねえ
これ以前に全然別の文脈で「車輪の再発明」という言い回しがあった場合、「車輪の再発明」が車輪の再発明されていたということになりネタとして面白いんだが……流石に無いかもな
これは日記です
---
しかし
“The intensive literature search at the beginning of a research project is intended to define the precise boundaries between the known and the unknown and to forestall unnecessary duplication or, as one scientist has expressed it, to avoid re-inventing the wheel.”
「研究プロジェクトの開始時に集中的に文献を調査することは、既知と未知の境界を正確に定義し、不必要な重複を防ぐこと、あるいはある科学者が表現したように、車輪の再発明を避けることを目的としています。」
"one scientist"……「ある科学者」とはだれなのだろうか
---
イタリア語には「お湯を発見する」のような言い回しがあるらしい
Could you check my sentence? Grammar and 単数形、複数形 and so on. Re write please.
I think career planning is not essential for a successful work life especially for woman. I would like to show example in Japan.
In Japan usually woman starts their carrier after graduated from the university. I saw statistics shows that woman’s salary starts from 1 to 3 million yen in the biggening. The peak of the salary will be around the age of 25 as 5 to 6 million yen. After that it will drop harshly to 100 million to 0 yen. Why we have this huge drop?
The reason is that most of Japanese woman retire after their marriage called “Hanayome Taisha” and some of them will be housewives, that means no longer to continue their carrier. However, these days it is very hard to live rely on man’s income to live in metropolis. Some of woman start working as a part timer to take care of their children while husband works fulltime and this makes woman not to be able to paid well. The statics shows that woman’s carrier restart between 30 to 35 years old but the salary will not be the peak like their 20s anymore. From these statistics, I think woman’s carrier depends on what kind of lifestyle they want.
ChatGPT
I think career planning is not essential for a successful work life, especially for women. I would like to provide an example from Japan.
In Japan, women usually start their careers after graduating from university. Statistics show that women's salaries start from 1 to 3 million yen at the beginning. The peak of their salary is typically around the age of 25, ranging from 5 to 6 million yen. However, after that, it drops sharply to 100 million to 0 yen. Why do we see this huge drop?
The reason is that most Japanese women retire after getting married, a phenomenon called "Hanayome Taisha," and some become housewives, meaning they no longer pursue their careers. However, these days it is very hard to rely solely on a man's income to live in a metropolis. Some women start working as part-timers to take care of their children while their husbands work full-time, which results in women not being paid well. Statistics show that women's careers restart between 30 and 35 years old, but the salary is not at its peak like in their 20s anymore. From these statistics, I believe a woman's career depends on the kind of lifestyle they want.
why you use women ? I used woman.
ChatGPT
I used "women" instead of "woman" because your original text seemed to refer to women in general, rather than a specific individual. When discussing women as a group, it's more common to use the plural form. However, if you prefer to use "woman" to refer to women in general, I can adjust the text accordingly.
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https://peri.umass.edu/images/WP322.pdf
https://www.sciencedirect.com/science/article/pii/S0022199615000690
それこそがまさにcrowding outなのですが
エネルギー保存の法則はデカルトやライプニッツが17世紀に提唱して、20世紀のアインシュタインに至るまで300年の時間をかけて「法則」になりました。
その間多くの科学者が実験研究を行いデータに基づき築きあげた物です。
・そもそも民間銀行はプールしている現金を貸し出してるわけではなく預金通貨を信用創造して貸し出してるので貸出自体には資金が必要がないため資金が逼迫して金利が上昇するわけがない。
・民間銀行が国債を購入した場合、予算が消化されると最終的には民間銀行の講座に購入分の金額が返ってくる上に中央銀行は民間銀行に資金を供給可能なので資金の不足は人為的に解消可能。
よってクラウディングアウトが発生しないという主張は、循環論法に見えます。
私の見解としてはMMTの主張する「crowding outは発生しない」という理論は納得ができないです。
「crowding outは発生しない」を証明するなら「crowding outは発生する」と主張する先行研究へ反証を挙げるのが科学です。
データを基にした先行研究に対して正面からデータで挑戦するのではなく、「人間は最後の審判で甦る、なぜなら神は存在するからだ」と反証不可能な前提に基づいて反論するのは科学ではありません。
クルーグマンが言うように「MMT論者は理論を検証できない状態を意図的に作り出している」のではないかと思えます。
＞Krugman described MMT devotees as engaging in "calvinball" – a game from the comic strip Calvin and Hobbes in which the players change the rules at whim.
