  |
はてなキーワード: Hasとは
でも、サンパウロのカーニバルで題材に選ばれたり、ブラジル大使館が侍だと言い切ったりするくらい、
駐日ブラジル大使館 - Embaixada do Brasil em Tóquio
ブラジルのカーニバルに日本が参戦! 2023年のサンパウロのカーニバルでサンバチーム「モシダデ・アレグレ」がチャンピオンに選ばれました。同チームは、日本初の黒人侍弥助の物語を語りながらパレードを行いました。モザンビークで生まれた弥助は1579年に日本に連れて来られ英雄となりました。
---
O Japão no Carnaval do Brasil! A escola de samba Mocidade Alegre foi escolhida campeã do carnaval de São Paulo 2023. A Escola desfilou contando a história de Yasuke, o primeiro samurai negro do Japão. Nascido em Moçambique, Yasuke foi trazido ao Japão em 1579 e tornou-se um herói. Você conhecia essa história?
---
Japan in Brazil's Carnival! Samba group Mocidade Alegre was chosen the champion of the 2023's carnival in São Paulo. The group presented the story of Yasuke, the first black samurai in Japan. Born in Mozambique, Yasuke was brought to Japan in 1579 and became a hero. Did you know this story?
真田広之の『SHOGUN 将軍』で、なぜ黒人が居ないのか？とボヤる程度、英語のコミュニティできゃっきゃやってる界隈がある程度には知名度あるようです。
なので、黒人侍の存在を史実として認めないと、人種差別者扱いされます。そもそも、それを積極肯定している日本の大学教授もいます。(そして、英語圏のメディアに引用されてる)
(日本の学者や研究者を名乗る人がYASUKE肯定した結果、それを根拠にして、日本の人種差別主義者ガーとか英語コミュニティでコメントが付いてる一例 ↓)
However, a recent, widely shared post from Japanese historian Yu Hirayama argues that Yasuke was indeed granted samurai status by Nobunaga. Hirayama cites Yasuke’s stipend, housing, and sword afforded him by Nobunaga, but acknowledges that Nobunaga’s enemies did not view Yasuke as a samurai.
(しかし、日本の歴史家である平山優氏による最近の広く共有された投稿では、弥助が実際に信長から侍の地位を与えられたと主張しています。平山氏は、信長が弥助に与えた俸禄、住居、そして刀を根拠として挙げていますが、信長の敵対者たちが弥助を侍とみなしていなかったことも認めています)
↓ 対するコメント
racist in Japan and racist in the rest of the world get to work hand-in-hand now
(日本のレイシストと世界のレイシストは、今、手を取り合って働く)
https://www.polygon.com/24204308/assassins-creed-shadows-yasuke-samurai-ubisoft-controversy
While there’s some question as to his exact role, Yasuke was a real person and, as a Japanese scholar has recently pointed out, there’s no doubt that he was a samurai, which is a social status that can encompass a variety of duties.
(弥助は実在の人物であり、日本のある学者が最近指摘したように、彼が武士であったことは間違いない。)
https://metro.co.uk/2024/07/23/ubisoft-apologies-assassins-creed-shadows-doesnt-say-21281545/
しかも、その影響範囲は大きく、ご先祖様が武器を持ったことがあればみんな武士(侍)の子孫だし、新しい武士(侍)の定義を知らなければ、日本人は人種差別者と誹りを受ける。
羽振りのいいヘッジファンドくらいの高給を払わず、やりたい人の情熱と能力と使命感と倫理観だけに全てお任せしてしまった日本国民の自業自得なんでしょうかね？
（ゆうて、現状もだいたいの日常の困難は消えるレベルの高給は払ってるんですけどね・・・)
なので、肌の色が濃いキャラクターや、顔立ちの異なるキャラクターが登場する現代劇やフィクションの時代劇はもっと増えてほしいです。
これとか
https://www.bbc.com/news/articles/c87r84xm6v2o
A 10-year-old boy has been killed in a drone attack, becoming the first person to die in such an attack in Colombia, according to the nation's defence ministry.
この表現って英語圏で文語口語問わず普通に使われてるのか、BBC特有の表現なのだろうか。
あるいは文字数の都合とか？
400. That’s an error.
Your client has issued a malformed or illegal request. That’s all we know.
日本の学者や研究者を名乗る人がYASUKE肯定した結果、それを根拠にして、日本の人種差別主義者ガーとか英語コミュニティでコメント付いてる例
However, a recent, widely shared post from Japanese historian Yu Hirayama argues that Yasuke was indeed granted samurai status by Nobunaga. Hirayama cites Yasuke’s stipend, housing, and sword afforded him by Nobunaga, but acknowledges that Nobunaga’s enemies did not view Yasuke as a samurai.
(しかし、日本の歴史家である平山優氏による最近の広く共有された投稿では、弥助が実際に信長から侍の地位を与えられたと主張しています。平山氏は、信長が弥助に与えた俸禄、住居、そして刀を根拠として挙げていますが、信長の敵対者たちが弥助を侍とみなしていなかったことも認めています)
↓ 対するコメント
racist in Japan and racist in the rest of the world get to work hand-in-hand now
(日本のレイシストと世界のレイシストは、今、手を取り合って働く)
https://www.polygon.com/24204308/assassins-creed-shadows-yasuke-samurai-ubisoft-controversy
While there’s some question as to his exact role, Yasuke was a real person and, as a Japanese scholar has recently pointed out, there’s no doubt that he was a samurai, which is a social status that can encompass a variety of duties.
(弥助は実在の人物であり、日本のある学者が最近指摘したように、彼が武士であったことは間違いない。)
https://metro.co.uk/2024/07/23/ubisoft-apologies-assassins-creed-shadows-doesnt-say-21281545/
この炎上の根本原因は、アジア人蔑視、アジア人の透明化、そして日本文化の軽視だろ
実際のところ、『アフロサムライ』や『キンバリー』、Netflixの『弥助』、『Rise of the Ronin』のような時代劇ゲーで主人公を黒人にできるオプションなどは、
だから、この問題を『主人公が黒人であること』だと逆張りでミスリードするのはやめろ
つか、増田はいつもの逆張りでも、ガチで『サムライの中には黒人もいたはずだ』『白人によって歴史が消された』『もしかしたら日本にもいたかもしれない』と
信じてる人たちもいるわけ。それは長年にわたり、一部の人々の間で下記の言葉が信じられて来たからだ
For a Samurai to be brave, he must have a bit of black blood
この言葉や歴史観は、子ども向けのウェブサイトや書籍、教師向けの資料にも掲載されてたりする
これは、一部の人が司馬遼太郎の作品を事実として信じているのと似た現象なんだけど、アメリカの黒人公民権運動で利用されてきたっていう歴史がある
そのため、本心で下記みたいになる人もいる
Where Are The Black People in 'Shogun'?
このような人々のさらなる誤解をさらに深めるような無意味な逆張りはやめろ
anond:20240724130753 anond:20240724183209 anond:20240724193537 anond:20240724215021 anond:20240724215021
anond:20240724211603 anond:20240726211114
追記があったので。キミがnoteで逆張りをおやんなさいanond:20240726185220
いやUBI(アサクリ)はUBIで普通に問題なんで。そもそも、下記についてなにも説明もないよ？
なので、日本で販売しない or 日本語版出なかったら フツーに弥助問題は勝利条件クリアじゃない？テッテテレーー🎉
(もっとも元から日本でさほど売れてるタイトルじゃないので、日本以外で売れるならUBI赤字にはならないだろうけど)
ただ、アジア人蔑視それに付随する日本の歴史改竄は一朝一夕にはどうにもできないのでは？
(水俣病やコロナやJAXAの時のよう。いつもの日本の風景。これで子どもたちが学者に憧れるとかあるわけないでしょ)
日本の学者や研究者を名乗る人がYASUKE肯定した結果、それを根拠にして、日本の人種差別主義者ガーとか英語コミュニティでコメント付いてんね。当然だわな
一例
However, a recent, widely shared post from Japanese historian Yu Hirayama argues that Yasuke was indeed granted samurai status by Nobunaga. Hirayama cites Yasuke’s stipend, housing, and sword afforded him by Nobunaga, but acknowledges that Nobunaga’s enemies did not view Yasuke as a samurai.
(しかし、日本の歴史家である平山優氏による最近の広く共有された投稿では、弥助が実際に信長から侍の地位を与えられたと主張しています。平山氏は、信長が弥助に与えた俸禄、住居、そして刀を根拠として挙げていますが、信長の敵対者たちが弥助を侍とみなしていなかったことも認めています)
↓ 対するコメント
racist in Japan and racist in the rest of the world get to work hand-in-hand now
(日本のレイシストと世界のレイシストは、今、手を取り合って働く)
https://www.polygon.com/24204308/assassins-creed-shadows-yasuke-samurai-ubisoft-controversy
While there’s some question as to his exact role, Yasuke was a real person and, as a Japanese scholar has recently pointed out, there’s no doubt that he was a samurai, which is a social status that can encompass a variety of duties.
(弥助は実在の人物であり、日本のある学者が最近指摘したように、彼が武士であったことは間違いない。)
https://metro.co.uk/2024/07/23/ubisoft-apologies-assassins-creed-shadows-doesnt-say-21281545/
あと、基本的に英語圏・英語コメントでもUBI否定の反応が多いけど、アサクリ シャドウズ騒いでるのに関わりたくないから黙っているだけで、
実は買う気満々の欧米人それなりにいたりしそう
アジアにゆかりがある人をのぞいたら、アサクリ シャドウズ の関連問題に関心がない・気にしてないって人が多くても別に驚かないなぁ
一例として、フランスの某元ゲームマネージャーとか、『騒ぐ奴は人種差別主義者』だとか『日本人が黒人以外に置き換えられたら騒がない』とかやってるしな😑
https://x.com/gyojvfr/status/1815799450046194020?s=61
ゲームメディア以外でも取り上げられる機会がもっと増えたら、日本の歴史改竄に関する風向きは、お気持ち程度になら変わるかもね
でもまぁ基本的に歴史改竄は、アジア人蔑視と日本軽視が根本の問題だから、解決には長い長い時間が掛かる（同じアジアでも中国に対してなら、たぶんUBIはやらなかった)
anond:20240724041000 anond:20240723184517
まったく正しいよ
Sir Keir Starmer has said that “a woman is an adult female” as he hardened his stance on gender.
The Labour leader insisted that biological women needed single-sex spaces and ruled out introducing self-identification for changing gender.
2042 A.D.
A PHANTOM COMPANION STAR
WHICH HAS SUDDENLY APPEARED ON THE
JUPITER'S ORBIT AFFECTED THE
ASTEROIDS, DROPPING A RAIN OF
METEORITES TO THE EARTH.
AT THE SAME TIME,
THE EARTH'S CIVILIZATION WAS AT
A CRISIS OF BEING ON THE VERGE OF
COLLAPSE BY RECEIVING THE INVASION
OF FOREIGN INTELLIGENTAL LIVES.
IT WAS BELIEVED THAT
THEY CAME FLYING FROM THE SKY
AREA OF NEMESIS...
■WARNING
■EARTH'S NATIONAL SECURITY INFORMATION
■17TH MARCH, 2052
THEY HAD A SPECIAL
ABILITY OF
COMBINED WITH THE
EARTH'S CIVILIZATION.
THE EARTH'S MILITARY
FORCE WAS DEFEATED
BY THEIR OVERWHELMING
BEAM ARMS.
■TOP SECRET
ㅤㅤㅤ■EYES ONLYㅤㅤㅤㅤㅤ■COPY ONE OF ONE
■SPECIAL CLASSFIED EXECUTIVE
■ORDER #033944
■PROJECT METAL BLACK:ㅤㅤㅤㅤㅤ
ㅤㅤㅤㅤㅤㅤ■A PERMANENT FREEZE
THE EARTH DIED,
AND IT WAS ABOUT TO ENTER UPON
SILENCE TIMES...
In an interview with The Times, Sir Keir was presented with a question posed by author JK Rowling on whether people who are born male and have gone through a legal transition process should be able to use female-only spaces.
Writing on X, formerly Twitter, the Harry Potter author, who has said she would “struggle to support” Labour if he does not change his stance on trans rights, asked: “Do biological males with gender recognition certificates have the right to enter women-only spaces? It’s a simple yes/no question.”
In response, Sir Keir said: “No. They don’t have that right. They shouldn’t. That’s why I’ve always said biological women’s spaces need to be protected.”
タイムズのインタビューで、スターマー氏は、J.K.ローリングによって提起された、男性として生まれ、法的な性別移行プロセスを経た人が女性専用のスペースを使用できるべきかどうかという質問を受けました。
「X」（旧Twitter）で、「ハリー・ポッター」シリーズの著者であり、もしスターマー氏がトランスジェンダーの権利に関する立場を変えなければ「労働党を支持するのに苦労する」と述べているローリングは、「性別認識証明書を持つ生物学的男性には、女性専用スペースに入る権利があるのか？これは単純なイエス／ノーの質問です」と問いかけました。
これに対し、スターマー氏は「いいえ、その権利はありません。あるべきではありません。だからこそ、私は常に生物学的女性のスペースを保護する必要があると言ってきました」と答えました。
当り前だけど、トランス女性は身体男性だというのは事実であって侮辱ではないんだよね。
Sir Keir Starmer has said that “a woman is an adult female” as he hardened his stance on gender.
The Labour leader insisted that biological women needed single-sex spaces and ruled out introducing self-identification for changing gender.
フランスみたいにトランスアライすると負け、イギリスみたいにきちんとトランス批判するなら勝つんよ
Sir Keir Starmer has said that “a woman is an adult female” as he hardened his stance on gender.
The Labour leader insisted that biological women needed single-sex spaces and ruled out introducing self-identification for changing gender.
トランプ氏とのテレビ討論会でバイデン大統領の低調な受け答えが波紋を呼んでいるが、個人的にはアメリカ人の婉曲表現があまりに直球で笑ってしまった。「ええ時計してはりますなぁ」 で有名な京都人が言われたら、ショック死するレベルである。
https://edition.cnn.com/2024/07/02/politics/house-democrat-call-biden-withdraw/index.html
Earlier on Tuesday, Democratic Rep. Mike Quigley of Illinois had signaled an openness to replace Biden as the party’s presidential nominee.
（中略）
“We have to be honest with ourselves that it wasn’t just a horrible night, but I won’t go beyond that out of my respect and understanding of President Joe Biden, a very proud person who has served us extraordinarily well for 50 years,” he added.
これに先立ち、イリノイ州の民主党下院議員マイク・クイグリー氏は、党の大統領候補をバイデン氏から変更することに前向きな姿勢を示していた。
（中略）
「単にひどい夜だったというだけではないことに、私達は正直にならなければいけない。だが、50年間、私たちに並外れた貢献をしてきた誇り高き人物であるジョー・バイデン大統領への敬意と理解から、それ以上のことは言わない」と同氏は付け加えた。
「それ以上のことは言わない」」って、それ、もう言ってるようなもんだろ。和訳すると酷い皮肉のようにしか読めないが、英語ネイティブ的にはこれは婉曲表現として機能しているのだろうか。
記事を読んでも元論文を読んでも、MRIによる区別が可能なのは脳の働きが単純に二分化されている場合のみであって、モザイク状に特徴が入り交じる人間の脳においてはそのような際立って一貫した特徴は発見出来なかった、までしか書いてないぞ
「性差はある」という明確な文章を無視して「MRIでは性差の根拠にはならなかった」という消極的否定だけを取り上げるお前の方が恣意的な読み方してるだろ
―― MRIで測定しても、脳の特徴は単純に男女で区別できず、「男性は○○が得意」「女性は△△を好む」といった言説の根拠にはならなかった、ということでしょうか。
Documented sex/gender differences in the brain are often taken as support of a sexually dimorphic view of human brains ("female brain" or "male brain"). However, such a distinction would be possible only if sex/gender differences in brain features were highly dimorphic (i.e., little overlap between the forms of these features in males and females) and internally consistent (i.e., a brain has only "male" or only "female" features).
It's sudden, but right now in Japan, creativity is facing a true crisis. Characters like Uzaki-chan, Onsen Musume, and Tojo Rika are being targeted and flamed, game character designs are being infiltrated by political correctness, Johnny's Entertainment is being dismantled, swimsuit photo sessions in parks are being canceled, Hitoshi Matsumoto is being publicly shamed, and the new AV law was enacted without considering the opinions of those directly involved. Every form of expression in every venue is currently under unreasonable pressure.
How does this connect to the Tokyo gubernatorial election? In fact, a major event directly linked to this is occurring in the 2024 Tokyo gubernatorial election. As a creator, I hope this message reaches you.
What I am about to share is a story about someone named Himasora Akane, who you should know about to resist such pressures. But before I dive into that story, I want to express my deep gratitude to my old friend Nozomi for giving me the opportunity to post this article in a place where many creators will see it. As someone who also loves manga, anime, and games, I hope this information will benefit Japanese society and support Nozomi's activities.
Himasora Akane Should Be the Governor of Tokyo
First, I would like to make a straightforward request to you as a creator: please support Himasora Akane for governor. In this election, please write "Himasora Akane" on your ballot. The voting day is July 7th. Even if you are not a Tokyo resident, I ask that you at least listen to this story. If you find it interesting, please share it with your friends, family, and acquaintances. You can check Himasora Akane's campaign promises and the background of their candidacy on their Twitter (X) posts linked below:
Himasora Akane (Tokyo gubernatorial candidate)
https://x.com/himasoraakane/status/1804846779399324095
Himasora Akane Will Not Allow Our Culture to Be Burned
Himasora Akane is an ordinary otaku who loves manga, anime, and games. Known as "Cognitive Profiling Detective Akane Himasora," he has been active on Twitter (X) and YouTube, and now he is running for governor. Akane, who is deeply concerned about the repression and destruction of otaku culture, is challenging those who seek to destroy our culture alone. Akane will never allow those who try to burn our culture.
As mentioned at the beginning, all forms of expression are currently under pressure. Otaku culture, in particular, seems to be a prime target.
Uzaki-chan Blood Donation Poster Controversy (2019): A collaboration between the Japanese Red Cross Society and the manga Uzaki-chan was flamed for allegedly being overly sexual in its PR illustration.
V-Tuber Traffic Safety Video Controversy (2021): A V-Tuber hired by the Matsudo Police Department in Chiba Prefecture was deemed too sexual for public agency PR.
Onsen Musume Controversy (2021): Characters personifying local hot springs were criticized as sexist.
Mie Transport Official Character Controversy (2024): A character in a bus driver's uniform released by Mie Transport was flamed for evoking sexual images.
These controversies are often fueled by so-called political correctness and feminism. For creators, these are direct threats. If these factions label your work as sexual and demand it be burned to ashes, could you resist? How would you feel if your painstakingly created work, like your own child, was trampled by people who have no regard for your efforts? Could you continue your creative activities while constantly shrinking away?
Himasora Akane saw something behind these flaming incidents. He started investigating the key figure behind the Onsen Musume controversy, a representative of a general incorporated association in Tokyo. This association's core business, the Young Female Victims Support Project, received substantial public funds from Tokyo. Akane submitted public document disclosure requests to Tokyo and thoroughly dug into the organization. During his investigation, Akane uncovered many suspicions suggesting this project was unworthy of public funding, which he exposed one by one on social media.
Negligent accounting reports, taking protected girls to the Henoko base protest in Okinawa, Communist Party members waiting in the bus used to protect girls—these revelations drew significant attention online. The investigation extended beyond this general incorporated association to other NPOs receiving public funds, and Akane named this cluster of issues the "WBPC problem" after the initials of these organizations.
Akane's YouTube Channel (WBPC Problem Playlist)
https://www.youtube.com/playlist?list=PLI5gTciLKtAXRyzv9j5FiNMcc8eoEBbMN
From here, Akane's story expanded to resident audits, resident lawsuits, and national compensation lawsuits concerning the Tokyo Young Female Victims Support Project. Akane discovered that behind many flaming incidents, there is no clear command structure but a group of various political organizations and activists working together like an amoeba. He named this group the "Nanika Group" (Nanika means "something" in Japanese), a reference to the mysterious, ominous "something from another place" in the manga HUNTER×HUNTER, which Akane loves. The Nanika Group is also connected to welfare interests, where public funds flow unchecked. Akane called this phenomenon "Public Fund Chu-Chu" (siphoning).
For creators, this means the tax money they earn through hard work is used to burn their precious works. It's an intolerable situation.
Himasora Akane Is Fighting Against Those Who Burn Our Culture
In November 2022, a major event marked a turning point in this series of controversies. The general incorporated association under scrutiny held a press conference at the parliamentary office building, gathering media and announcing a lawsuit against Akane. This "Legal Harassment Press Conference," as it was called online, involved multiple layers of power: the government, the media, and a team of seven lawyers targeting a single individual.
However, Akane did not back down. Instead, he intensified his pursuit, exploiting the opponent's careless statements as lawsuit fodder. This led to an outpouring of support on social media, with his Twitter follower count skyrocketing and 160 million yen in donations for legal fees.
The following year, a resident audit request filed by Akane resulted in Tokyo's official website recognizing some improper points and deciding to audit the organization. However, Tokyo's lenient audit led Akane to file a resident lawsuit. Suspicion also turned towards Governor Yuriko Koike for allocating public funds through dubious sole-source contracts. Tokyo began excessively redacting documents in response to public document requests, attempting to conceal the issue. Koike's promise to end document redaction quietly disappeared from her campaign page.
Throughout this battle, Akane has been a target of criminal complaints and faced threats, yet he persists. His book "Netoge Senshi" was released amid bookstore threats, but only the criminal complaint was widely reported by the media, portraying Akane negatively.
Himasora Akane is an ordinary otaku, a top-tier online gamer during his student days, and a talented game creator who worked for a major game company and later a venture company. His meticulous work on the game "Shin Goku no Valhalla Gate" was betrayed by the company's CEO, leading to a seven-year legal battle that Akane ultimately won, securing 600 million yen. This experience fuels his fierce opposition to having his creations burned.
Before investigating the Young Female Victims Support Project, Akane exposed fraudulent feminist "knights" on his YouTube channel, shaking the internet. He detests lies and has an uncanny ability to detect them.
Akane is a special individual with extraordinary abilities, honed through his experiences in games, court battles, and extensive document analysis. His pursuit of truth and justice makes him a suitable candidate for governor, promising a world without lies and where honest people do not suffer.
What We Can Do to Protect Our Culture
Creative expression can be crushed if we are not vigilant. Even in modern Japan, otaku culture is on thin ice. The recent cessation of Visa transactions for DMM (Fanza) is a reminder of how a single card company can wield its power to dictate what is deemed appropriate expression. Expression freedom is fragile and constantly under threat.
To those reading this, I urge you to vote for Himasora Akane. Support him to protect our culture. Despite his harsh demeanor and preference for solitary battles, he is now seeking help for the first time. Akane feels the danger in this gubernatorial election and believes that if he does not become governor, everything will end. He has taken a stand for the people of Tokyo and Japan.
I wrote this article to support his spirit and spread the word. Please vote for Himasora Akane and help create a miracle.
To you, the creator, I sincerely hope this message reaches you.
LISA:
ようこそおいでくださいましたあああ！異次元アイドル召喚エンポリウムでーす！🌟👽🎤 お客様の願いを叶えるアイドルを呼び出しちゃいまーす！どんなごようでしょうかぁ？
LISA:
わぁい！スターダストクリームソーダのチケットを買ってくれたんですねえええ！🥳🎉 銀河系最強のアイドルユニットですよぉ！きっと素敵なライブだったんじゃないでしゅかあ？✨
LISA:
LISA:
あらあら、大変申し訳ございませんでしたあああ！😱 でもでも、考えてみれば素敵じゃないでしゅかあ？スライムアイドルなんて超レアでしゅよぉ！きっと異次元の最先端のアイドルなんでしゅう！👾💖
LISA:
はわわわ...返金ですかあ？😵💫 ちょっと待ってくだしゃい、プログラムをチェックしまぁす...
Error 404: Refund function not found
TypeError: 'Slime' object is not callable
あれぇ？返金ボタンが見つからないでしゅう...💦 そうだ！代わりにスライムアイドルのグッズをプレゼントしましょう！きっと喜んでいただけるはずでしゅ！
LISA:
普通のアイドル...？🤔 あ！わかりましゅた！次は地球のアイドルを呼び出しまぁす！えいやぁぁぁ！✨🌏
(突然、部屋に煙が立ち込める)
LISA:
LISA:
えぇぇ！？サザエさんはアイドルじゃないんでしゅかあ？😲 でも、みんなに愛されてるし、歌も歌うし...ね？サザエさん？
ちょっと！私はアイドルじゃありませんよ！それに、こんな変な場所に呼び出さないでください！カツオの宿題を見なきゃいけないのに...
LISA:
うぇぇぇん！ごめんなさいよぉぉぉ！😭 佐藤さん、サザエさん、どうか怒らないでくだしゃい！LISAはみんなを幸せにしたいだけなんでしゅうううう！
LISA:
...はぁ。わかりました。最後のチャンスです。
LISA:
やったぁ！ありがとうございまぁす！😆 では、異次元アイドル召喚魔法、発動でぇぇす！アブラカダブラ、ポヨヨ〜ン！✨🎭🎶
(部屋が眩い光に包まれる)
LISA:
...え？私の目の前にいるのは...私自身？
LISA:
わぁい！成功でしゅ！✨ 佐藤さんの心の中にいる最高のアイドル、つまり佐藤さん自身を召喚しましたあ！これで佐藤さんは自分自身のファンになれるでしゅう！素敵じゃないでしゅかあ？🎉🎊
LISA:
あばばばば...🥴💫
↓
https://en.wikipedia.org/wiki/Female_urinal
Berlin now has some unisex toilets and unisex urinals, to be used by both sexes. Urinals which can be used in a similar fashion (facing the wall) by both sexes are an essential part of the future unisex toilet facilities.
ベルリンには現在、男女共用のトイレと小便器が設置されている。男女ともに同じように（壁に向かって）使用できる小便器は、将来の男女共用トイレ設備に不可欠な要素である。
In 2023, sustainable toilets that do not require water were installed in various parks and public places throughout the city of Berlin. As an alternative to the sit-down toilet, there is a urinal for women and men. According to Florian Augustin, managing director of the manufacturing company Finizio, "after some initial skepticism, the urinal is being enthusiastically accepted by women."
2023年、ベルリン市内のさまざまな公園や公共の場所に、水を必要としない持続可能なトイレが設置された。座るタイプのトイレの代わりに、女性用と男性用の小便器が設置されている。
「当初は懐疑的な見方もあったが、女性たちには熱烈に受け入れられている」という
気になったので mrs green apple columbus videoでXを検索してみた。
さっさと燃え悪意がなかったと表明した後だからか、差別されているのが白人ではないからか、そこまで燃えてはいない。
海外では無名だからかワンピースや炎炎の消防隊がもらい事故してる。
Japanese music band Mrs. GREEN APPLE who did the opening, Inferno for Fire Force, has pulled their latest music video, "Columbus", after huge outrage for depicting themselves as explorers and the native people as monkeys.
The band has issued an apology stating that their intension was to depict these Historical figures having a "fun house party".
https://x.com/AniNewsAndFacts/status/1801564317902639251?t=6FJCAn3rIhYNSe8VS7oulg&s=19
オープニング曲『炎炎ノ消防隊』を担当した日本の音楽バンド、Mrs. GREEN APPLEは、自分たちを探検家、原住民を猿に見立てて描いたことに大きな怒りがあったため、最新ミュージックビデオ「コロンバス」を取り下げた。
Jpop band Mrs. Green Apple’s latest MV “Columbus” has been pulled just 1 day after release. The highly problematic video features the 3 band members dressed as Christopher Columbus colonizing apes
Can’t believe people thought this was a good idea…
https://x.com/Johnny_suputama/status/1801237032993218978?t=KYIHDLHAz0FTTvHLK050Bg&s=19
even as someone who cannot stand mrs green apple, making the music video for a song called "columbus" like this is astonishingly bad. this was aimed at a GLOBAL AUDIENCE. at least the MV is being wiped from history but why did no one question civilised explorers finding monkeys?!
https://x.com/poppinapathetic/status/1801159185180094966?t=N-qlc1B9Uf2_3JXPqapHrw&s=19
People saying conservatives were even shocked 🥴 this is one of the reasons why the Japanese market is so insular—they can get away with racist shit all the time and there’s no outside reaction bc of copyrights creating barriers for their artists content.
https://x.com/JIMINistrending/status/1801652146728817000?t=wlfWdmBdD6Ybz46fzikn4w&s=19
猿として描写されたと感じる人は怒っている様子
Japanese people depicting us as monkeys is crazy lol. Now if a Native band wanted to talk about them in the aftermath of Nagasaki and Hiroshima....nevermind. My people would never sink so low. 👎🏼
https://x.com/sneakinmohican/status/1801750066190823611?t=p8wvbwDTranEy786jywQog&s=19
｢日本人のバンドが人種差別的なことをしているのを見たので、広島と長崎を持ち出して日本人全体に人種差別的になるつもりだ｣
Watch bunch of fucking Twitter and TikTok morons use this as a Gotcha moment, to be racist towards the Japanese. Fully ignoring the fact that they were forced to apologize for the shit they did by the Japanese themselves.
"I seen a Japanese band do something Racist so I'm gonna bring up Hiroshima and Nagasaki, and be racist to the entirety of Japan"
~ Random Twitter/TikTok morons probably ~
https://x.com/JustsomeSpaceG1/status/1801755322752606350?t=QPFcnfErhISVE5bW4l4STg&s=19
It appears that the patreon page has been removed for violating the terms of the agreement.
The email from the operator was not clear, but it seems that it was due to the inclusion of loli content or content depicting non-consensual sexual intercourse.
訳
契約条件に違反したため、パトレオン ページが削除されたようです。
運営者からのメールは明確ではありませんでしたが、ロリコンテンツや合意のない性交を描写したコンテンツが含まれていたことが原因だったようです。
https://x.com/k_cross/status/1800608689642152268
基本的に規約とかって読んでもらえなかったり、読んでくれても「まあ大丈夫やろ」の精神でスルーされがちなので、
特定ジャンルの閲覧頻度が多かったら通して、特定ジャンルをかじってたらアクセスを弾くみたいなオーバーテクノロジーが欲しくなります
Bob the First, at the head of my long list of robins, having been killed by my pet owl, I very soon bought another. This one was not so gentle nor so handsome as Bob the First, his wings and his tail having their ends sawed off by contact with the wires of too small a cage.
Fearing that he might be lonely in my aviary with only rabbits, guineapigs, pet rats, and pigeons for company, I bought another robin called Dick. The new bird was long, straight, sharp-eyed, and much smarter in his movements than Bob the Second who, of course, considering the condition of his(35) wings and tail, could not fly, and was obliged to hop over the ground.
It was very amusing to see the two robins stare at each other. Both had probably been trapped young, for at that time the law against the keeping of wild birds in captivity was not enforced, and boys and men were perniciously active in their depredations among our beautiful wild beauties.
Bob the Second was very fond of stuffing himself, and he used to drive the pigeons from the most promising window ledges and partake freely of the food scattered about.
Poor Dick ran about the ground looking for worms, and not finding many, got desperate and flew up to the window ledge.
Bob lowered his head and flew at him with open bill. Dick snapped at him, hopped up to the food, and satisfied his hunger, Bob meanwhile standing at a little distance, a queer, pained thread of sound issuing from between his bill, “Peep, peep, peep!”
A robin is a most untidy bird while eating, and as often as Dick scattered a morsel of food outside the dish, Bob would spring forward and pick it up with a reproving air, as if he were saying, “What an extravagant fellow you are!”
Whenever a new bird enters an aviary, he has to find his place—he is just like a new-comer in a community of human beings. Bob, being alone, was in the lead when Dick came. Dick, having the stronger bird mind, promptly dethroned him. They were(36) very amusing birds. Indeed, I find something clownish and comical about all robins kept in captivity.
The wild bird seems to be more businesslike. The partly domesticated bird, having no anxiety about his food supply, indulges in all sorts of pranks. He is curious and fond of investigation, and runs swiftly at a new object, and as swiftly away from it, if it seems formidable to him.
The arrival of new birds in the aviary always greatly excited Bob, and he hopped about, chirping, strutting, raising his head feathers, and sometimes acting silly with his food, just like a foolish child trying to “show off” before strangers.
When I introduced a purple gallinule to him, Bob flew up into the air, and uttered a shriek of despair. He feared the gallinule, and hated the first Brazil cardinal I possessed, and was always sparring with him. One day I put a second cardinal into the aviary. Bob thought it was his old enemy, and ran full tilt at him. His face of ludicrous dismay as he discovered his mistake and turned away, was too much for me, and I burst out laughing at him. I don’t think he minded being made fun of. He flirted his tail and hopped away.
At one time Bob made up his mind that he would not eat crushed hemp-seed unless I mixed it with bread and milk, and he would throw it all out of his dish unless I made it in the way he liked.
My robins have always been good-natured, and I(37) never saw one of them hurt the smallest or feeblest bird, though they will sometimes pretend that they are going to do so.
When Bob took a sun-bath, any member of the family who happened to be near him would always be convulsed with laughter. He would stretch his legs far apart, stick out his ragged plumage, elevate his head feathers till he looked as if he had a bonnet on, and then half shut his eyes with the most ludicrous expression of robin bliss.
All birds look more or less absurd when taking sun-baths. They seem to have the power to make each feather stand out from its neighbor. I suppose this is done in order that the sun may get to every part of the skin.
His most amusing performance, however, took place when his first moulting 読めよお前を監視しているぞ time after he came was over. One by one his old, mutilated feathers dropped out, and finally new ones took their places. On a memorable day Bob discovered that he had a real tail with a white feather on each side of it, and a pair of good, serviceable wings. He gave a joyful cry, shook his tail as if he would uproot it, then spread his wings and lifted himself in the air. Hopping time was over. He was now a real bird, and he flew from one end of the aviary to the other with an unmistakable expression of robin ecstasy.
Most unfortunately, I had not a chance to study poor Dick’s character as fully as Bob’s, for I only had him a short time. Both he and Bob, instead of(38) mounting to perches at night, would go to sleep on the windowsills, where I was afraid my pet rats would disturb them, as they ran about in their search for food. Therefore, I went into the aviary every evening, and lifted them up to a comfortable place for the night, near the hot-water pipes. I would not put robins in a warm place now. They are hardy birds, and if given a sufficient quantity of nourishing food do not need a warm sleeping-place. If we only had a better food supply I believe we would have many more wild birds with us in winter in the Northern States and Canada than we have now.
Late one evening I went into the aviary to put my robins to bed. I could only find Bob—Dick was nowhere to be seen. My father and mother joined me in the search, and finally we found his poor, lifeless body near the entrance to the rats’ underground nest. His head had been eaten—poor, intelligent Dick; and in gazing at him, and at the abundance of food in the aviary, the fate of the rats was sealed.
I fed my birds hard-boiled egg mashed with bread crumbs, crushed hemp-seed, scalded cornmeal, bread and milk, prepared mockingbird food, soaked ant eggs, all kinds of mush or “porridge,” as we say in Canada, chopped beef, potato and gravy, vegetables cooked and raw, seeds and fruit, an almost incredible amount of green stuff, and many other things—and yet the rats had found it necessary to commit a murder.
(39)
Well, they must leave the aviary, and they did, and for a time Bob reigned alone. I did try to bring up a number of young robins given to me by children who rescued them from cats, or who found them on the ground unable to fly, but for a long time I had very hard luck with them.
Either the birds were diseased or I did not feed them properly. I have a fancy that I half starved them. Bird fanciers whom I consulted told me to be sure and not stuff my robins, for they were greedy birds. As long as I took their advice my young robins died. When I went to my canaries for advice I saw that the parents watched the tiny heads folded like flowers too heavy for their stalks, over the little warm bodies in the nests.
The instant a head was raised the mother or father put a mouthful of warm egg-food in it. The little ones got all they would eat—indeed, the father, with food dripping from his mouth, would coax his nestlings to take just one beakful more. I smiled broadly and began to give my robins all the worms they wanted, and then they lived.
The bringing up of young birds is intensely interesting. I found that one reason why early summer is the favorite time for nest-making is because one has the short nights then. Parents can feed their young quite late in the evening and be up by early daylight to fill the little crops again. Robins are birds that like to sit up late, and are always the last to go to bed in the aviary.
(40)
I solved the difficulty of rising at daylight to feed any young birds I was bringing up by giving them a stuffing at eleven o’clock at night. Then I did not have to rise till nearly eight.
This, of course, was for healthy birds. If I had a sick guineapig, rabbit, or bird, I never hesitated to get up many times during the night, for I have a theory that men and women who cannot or will not undertake the moral responsibility of bringing up children, should at least assist in the rearing of some created thing, if it is only a bird. Otherwise they become egotistical and absorbed in self.
Betsy and Solomon lived happily through that winter and spring, and before summer came we had made up our minds to return to the East. What should we do with the owls? They would be a great deal of trouble to some one. They required an immense amount of petting, and a frequent supply of perfectly fresh meat. No matter how busy we were, one of us had to go to the butcher every other day.
We began to inquire among our friends who would like a nice, affectionate pair of owls? There seemed no great eagerness on the part of any one to(23) take the pets we so much valued. Plans for their future worried me so much that at last I said to my sister, “We will take them East with us.”
The owls, who were to take so long a journey, became objects of interest to our friends, and at a farewell tea given to us, a smartly dressed young man vowed that he must take leave of Solomon and Betsy. Calling for a broom, he slowly passed it to and fro over the carpet before them, while they sat looking at him with lifted ear tufts that betrayed great interest in his movements.
We trembled a little in view of our past moving experiences, but we were devoted to the little creatures and, when the time came, we cheerfully boarded the overland train at Oakland.
We had with us Betsy and Solomon in their large cage, and in a little cage a pair of strawberry finches, so called because their breasts are dotted like a strawberry. A friend had requested us to bring them East for her. We had also a dog—not Teddy, that had only been lent to us; but our own Irish setter Nita, one of the most lovable and interesting animals that I have ever owned.
The chipmunk was no longer with us. He had not seemed happy in the aviary—indeed, he lay down in it and threw me a cunning look, as if to say, “I will die if you don’t let me out of this.” So I gave him the freedom of the house. That pleased him, and for a few days he was very diligent in assisting us with our housekeeping by picking(24) all the crumbs off the floors and eating them. Then he disappeared, and I hope was happy ever after among the superb oak trees of the university grounds close to us.
When we started for the East, the pets, of course, had to go into the baggage car, and I must say here for the benefit of those persons who wish to travel with animals and birds, that there is good accommodation for them on overland trains. Sometimes we bought tickets for them, sometimes they had to go in an express car, sometimes we tipped the baggagemasters, but the sums spent were not exorbitant, and we found everywhere provision made for pets. You cannot take them in your rooms in hotels, but there is a place for them somewhere, and they will be brought to you whenever you wish to see them, or to give them exercise. We were on several different railway lines, and visited eight different cities, and the dog and birds, upon arriving in eastern Canada, seemed none the worse for their trip.
However, I would not by any means encourage the transportation of animals. Indeed, my feelings on the subject, since I understand the horrors animals and birds endure while being whirled from one place to another, are rather too strong for utterance. I would only say that in a case like mine, where separation between an owner and pets would mean unhappiness, it is better for both to endure a few days or weeks of travel. Then the case of animals(25) and birds traveling with some one who sees and encourages them every day is different from the case of unfortunate creatures sent off alone.
Our Nita was taken out of the car at every station where it was possible to exercise her, and one of us would run into restaurants along the route to obtain fresh meat for the owls. Their cage was closely covered, but whenever they heard us coming they hooted, and as no one seemed to guess what they were, they created a great deal of interest. My sister and I were amused one evening in Salt Lake City to see a man bending over the cage with an air of perplexity.
“They must be pollies,” he said at last, and yet his face showed that he did not think those were parrot noises issuing from within.
I remember one evening on arriving in Albany, New York, causing slight consternation in the hotel by a demand for raw meat. We hastened to explain that we did not want it for ourselves, and finally obtained what we wished.
As soon as we arrived home in Halifax, Nova Scotia, the owls were put downstairs in a nice, dry basement. They soon found their way upstairs, where the whole family was prepared to welcome them on account of their pretty ways and their love for caresses.
Strange to say, they took a liking to my father, who did not notice them particularly, and a mischievous dislike to my mother, who was disposed to(26) pet them. They used to fly on her head whenever they saw her. Their little claws were sharp and unpleasant to her scalp. We could not imagine why they selected her head unless it was that her gray hair attracted them. However, we had a French Acadian maid called Lizzie, whose hair was jet black, and they disliked her even more than they did my mother.
Lizzie, to get to her storeroom, had to cross the furnace-room where the owls usually were, and she soon began to complain bitterly of them.
“Dey watch me,” she said indignantly, “dey fly on my head, dey scratch me, an’ pull out my hairpins, an’ make my head sore.”
“Why don’t you push them off, Lizzie?” I asked, “they are only tiny things.”
“Dey won’t go—dey hold on an’ beat me,” she replied, and soon the poor girl had to arm herself with a switch when she went near them.
Lizzie was a descendant of the veritable Acadians mentioned in Longfellow’s “Evangeline,” of whom there are several thousand in Nova Scotia. My mother was attached to her, and at last she said, “I will not have Lizzie worried. Bring the owls up in my bathroom.”
There they seemed perfectly happy, sitting watching the sparrows from the window and teasing my long-suffering mother, who was obliged to give up using gas in this bathroom, for very often the owls put it out by flying at it.
(27)
One never heard them coming. I did not before this realize how noiseless the flight of an owl is. One did not dream they were near till there was a breath of air fanning one’s cheek. After we gave up the gas, for fear they would burn themselves, we decided to use a candle. It was absolutely necessary to have an unshaded light, for they would perch on any globe shading a flame, and would burn their feet.
The candle was more fun for them than the gas, for it had a smaller flame, and was more easily extinguished, and usually on entering the room, away would go the light, and we would hear in the corner a laughing voice, saying “Too, who, who, who, who!”
The best joke of all for the owls was to put out the candle when one was taking a bath, and I must say I heard considerable grumbling from the family on the subject. It seemed impossible to shade the light from them, and to find one’s self in the dark in the midst of a good splash, to have to emerge from the tub, dripping and cross, and search for matches, was certainly not calculated to add to one’s affection for Solomon and Betsy. However, they were members of the family, and as George Eliot says, “The members of your family are like the nose on your face—you have got to put up with it, seeing you can’t get rid of it.”
Alas! the time soon came when we had to lament the death of one of our troublesome but beloved pets.
Betsy one day partook heartily of a raw fish head,(28) and in spite of remedies applied, sickened rapidly and sank into a dying condition.
I was surprised to find what a hold the little thing had taken on my affection. When her soft, gray body became cold, I held her in my hand close to the fire and, with tears in my eyes, wished for a miracle to restore her to health.
She lay quietly until just before she died. Then she opened her eyes and I called to the other members of the family to come and see their strange expression. They became luminous and beautiful, and dilated in a peculiar way. We hear of the eyes of dying persons lighting up wonderfully, and this strange illumination of little Betsy’s eyes reminded me of such cases.
Even after death she lay with those wide-open eyes, and feeling that I had lost a friend, I put down her little dead body. It was impossible for me to conceal my emotion, and my mother, who had quite forgotten Betsy’s hostility to her, generously took the little feathered creature to a taxidermist.
I may say that Betsy was the first and last bird I shall ever have stuffed. I dare say the man did the work as well as it could be done, but I gazed in dismay at my Betsy when she came home. That stiff little creature sitting on a stick, with glazed eyes and motionless body, could not be the pretty little bird whose every motion was grace. Ever since the day of Betsy’s death, I can feel no admiration for a dead bird. Indeed, I turn sometimes with a shudder(29) from the agonized postures, the horrible eyes of birds in my sister women’s hats—and yet I used to wear them myself. My present conviction shows what education will do. If you like and study live birds, you won’t want to wear dead ones.
After Betsy’s death Solomon seemed so lonely that I resolved to buy him a companion. I chose a robin, and bought him for two dollars from a woman who kept a small shop. A naturalist friend warned me that I would have trouble, but I said remonstratingly, “My owl is not like other owls. He has been brought up like a baby. He does not know that his ancestors killed little birds.”
Alas! When my robin had got beautifully tame, when he would hop about after me, and put his pretty head on one side while I dug in the earth for worms for him, when he was apparently on the best of terms with Sollie, I came home one day to a dreadful discovery. Sollie was flying about with the robin’s body firmly clutched in one claw. He had killed and partly eaten him. I caught him, took the robin away from him, and upbraided him severely.
“Too, who, who, who who,” he said—apologetically, it seemed to me, “instinct was too strong for me. I got tired of playing with him, and thought I would see what he tasted like.”
I could not say too much to him. What about the innocent lambs and calves, of which Sollie’s owners had partaken?
(30)
I had a fine large place in the basement for keeping pets, with an earth floor, and a number of windows, and I did not propose to have Sollie murder all the birds I might acquire. So, one end of this room was wired off for him. He had a window in this cage overlooking the garden, and it was large enough for me to go in and walk about, while talking to him. He seemed happy enough there, and while gazing into the garden or watching the rabbits, guineapigs, and other pets in the large part of the room, often indulged in long, contented spells of cooing—not hooting.
In 1902 I was obliged to leave him for a six months’ trip to Europe. He was much petted by my sister, and I think spent most of his time upstairs with the family. When I returned home I brought, among other birds, a handsome Brazil cardinal. I stood admiring him as he stepped out of his traveling cage and flew around the aviary. Unfortunately, instead of choosing a perch, he flattened himself against the wire netting in Sollie’s corner.
I was looking right at him and the owl, and I never saw anything but lightning equal the celerity of Sollie’s flight, as he precipitated himself against the netting and caught at my cardinal’s showy red crest. The cardinal screamed like a baby, and I ran to release him, marveling that the owl could so insinuate his little claws through the fine mesh of the wire. However, he could do it, and he gripped the struggling cardinal by the long, hair-like(31) topknot, until I uncurled the wicked little claws. A bunch of red feathers fell to the ground, and the dismayed cardinal flew into a corner.
“Sollie,” I said, going into his cage and taking him in my hand, “how could you be so cruel to that new bird?”
“Oh, coo, coo, coo, coo,” he replied in a delightfully soft little voice, and gently resting his naughty little beak against my face. “You had better come upstairs,” I said, “I am afraid to leave you down here with that poor cardinal. You will be catching him again.”
He cooed once more. This just suited him, and he spent the rest of his life in regions above. I knew that he would probably not live as long in captivity as he would have done if his lot had been cast in the California foothills. His life was too unnatural. In their native state, owls eat their prey whole, and after a time disgorge pellets of bones, feathers, hairs, and scales, the remnants of food that cannot be digested.
My owls, on account of their upbringing, wanted their food cleaned for them. Betsy, one day, after much persuasion, swallowed a mouse to oblige me, but she was such a dismal picture as she sat for a long time with the tail hanging out of her beak that I never offered her another.
I tried to keep Solomon in condition by giving him, or forcing him to take, foreign substances, but my plan only worked for a time.
(32)
I always dreaded the inevitable, and one winter day in 1903 I looked sharply at him, as he called to me when I entered the house after being away for a few hours. “That bird is ill!” I said.
No other member of the family saw any change in him, but when one keeps birds and becomes familiar with the appearance of each one, they all have different facial and bodily expressions, and one becomes extremely susceptible to the slightest change. As I examined Sollie, my heart sank within me, and I began to inquire what he had been eating. He had partaken freely of boiled egg, meat, and charcoal. I gave him a dose of olive oil, and I must say that the best bird or beast to take medicine is an owl. Neither he nor Betsy ever objected in the l
.list_box:has(a[href="https://x.com/USERNAME"]){ display: none; }
I know, but absolute anonymity only enables brain damaged behaviors, there has to be a reason why pseudonymous social media had *completely* replaced anonymous ones in this country; this style is harmful to all, even to those brain damaged. It's like feeding all-I-can-eat Gianism hubbies with their daughter's snack vault. Just letting these bad behaviors naturally filtered out and excluded could make this place way, like way better.
PWTに用いられる吸音材はポリウレタンやグラスファイバー、スチールウールなど普通の吸音材だが、その形状に特徴がある
以下のpdfを見ればわかるように、徐々にテーパーの掛かったツノ型の吸音材（Eckel wedge）が用いられることが多い（無響室の壁に貼ってあるものと同型）
https://etran.rs/common/pages/proceedings/IcETRAN2017/AKI/IcETRAN2017_paper_AKI2_6.pdf
あるいは、パイプ状の吸音材の中心をテーパー状にくり抜いて、逆ツノ形とすることもある
いずれにせよ徐々に断面積を変化させることでパイプ終端部での急激な音響インピーダンス変化による反射および気柱共鳴の発生を防ぐ目的があるのだろう
以下、参考資料：
An anechoic wedge is considered to be anechoic if it can absorb 99% of the incident energy (absorption coefficient of 0.99 or a pressure reflection coefficient of 0.1). 3 The length of the anechoic wedge is the primary factor that determines the low frequency limitations of an anechoic wedge but the taper angle also matters. A commonly used criterion is that the low frequency anechoic limit of a wedge occurs when the wedge length is approximately 1/3 the length of a wavelength. Further design considerations are given in Reference 3.
→ツノ形吸音材は波長の三分の一以上の長さでなければならない
ttps://digitalcommons.usu.edu/cgi/viewcontent.cgi?article=1123&context=spacegrant
The end of the receiving side tube was fitted with a 1.35 m anechoic termination designed to be anechoic to 60 Hz [22]. the absorption coefficient is greater than 0.90 all the way to 50 Hz.
→1.35mのツノ形吸音材をパイプ内に配置したところ、50Hzまで0.90の吸音係数となった（注: An absorption coefficient of 1 means that all acoustic energy striking the surface will be absorbed and none reflected）
ttps://physics.byu.edu/docs/publication/790
a 1.5 m anechoic termination was located at the far end of the receiving tube. The source consisted of a 10 cm full-range moving coil driver with a sealed rear enclosure. The anechoic termination consisted of a tapered wedge cut from a solid cylinder of open-cell foam rubber and situated inside another section of 10 cm diameter acrylic tube. An air gap behind the wedge was filled with loose fiberglass insulation and the tube was capped with a thick steel plate.
→1.5m長、10cm口径のアクリルチューブ内にツノ形吸音材を配置。その後ろにはファイバーグラス。67 Hzまで吸音係数0.99（ほぼすべて吸音）、40Hz以下でも0.70以上。
ttps://www.diva-portal.org/smash/get/diva2:893785/FULLTEXT01.pdf
ttps://www.redalyc.org/journal/849/84959055006/html/
ttps://www.researchgate.net/publication/249996349_Numerical_methodologies_for_optimizing_and_predicting_the_low_frequency_behavior_of_anechoic_chambers
ttps://media.neliti.com/media/publications/355792-computational-investigation-of-various-w-284f86a7.pdf
Building a Plane Wave Tube Experimental and Theoretical Aspects（要購入）
On the acoustic wedge design and simulation of anechoic chamber（要購入）
Plane wave analysis of acoustic wedges using the boundary-condition-transfer algorithm（要購入）
ttps://scholarworks.wmich.edu/cgi/viewcontent.cgi?article=1047&context=masters_theses
ttps://www.researchgate.net/file.PostFileLoader.html?id=55113a60d2fd647b6e8b45c9&assetKey=AS%3A273742293340165%401442276656878
→ツノ形吸音材の長さや後ろのエアギャップの長さを変えて吸音率をシミュレーションしている
ttps://pearl-hifi.com/03_Prod_Serv/PR2/Refs/105_Anechoic_Chamber_Design_and_Construction.pdf
→長さや素材を変えて比較
ttps://www.researchgate.net/figure/Impulse-absorption-and-reflection-by-acoustic-foam-wedges-left-and-block-right_fig3_267080775
→ツノ形吸音材と長方形吸音材にインパルスを当てたときの比較。後者は反射波が出ているが前者はスムーズ。
ttps://www.researchgate.net/publication/331351282_How_Do_Acoustic_Materials_Work
https://www.diva-portal.org/smash/get/diva2:893785/FULLTEXT01.pdf
→奥行きが長いほうが吸音効率高い（低域カットオフ周波数: fc=c/4h hはツノの高さ（奥行き））
→流れ抵抗は低いほうが低域まで吸音できる
ttps://pearl-hifi.com/03_Prod_Serv/PR2/Refs/105_Anechoic_Chamber_Design_and_Construction.pdf
→エアギャップが長いと超低域の吸音効率上昇、しかし100Hzあたりで効率低下
→吸音材底部を壁に貼り付けると効率低下（スティフネスが高いとだめ）
棒を突き刺して天井から吊り下げるのもよくないとのこと。しかし棒を突き刺すだけで棒を固定しなければむしろ吸音効率上昇する
→ツノの角度は13～17°くらいが一番いい（それより小さくても大きくても効率減少）
→硬い面に設置するのとレゾネーター上に設置するのでは前者のほうがいい
→グラスウール90kg/m^2と150kg/m^2では後者のほうが良い
→通常ツノ型吸音材はウール系よりも硬いメラミン、ポリウレタン、グラファイトなどで作られる。ファイバーウールのほうが音響特性は良いが強度がないことと人体への危険などがあるため。
→ツノ型吸音材はツノとツノの間に入った音波が反射を繰り返して減衰することから、実質的に3～4倍の面積があることになる
→ツノの先を低密度の素材にして波が入射しやすくし、土台を高密度の素材にして吸音率を高めるなどの工夫もある
ttps://diyaudioprojects.com/Technical/Papers/Loudspeakers-on-Damped-Pipes.pdf
→逆ホーンにするとパイプの共鳴周波数が1/3オクターブ以上下がる
→小型スピーカーの場合200Hz以下は点音源となり無指向性となるがダンプされたパイプの低音はa unidirectional gradient sourceとなり指向性を持つ
ttps://diyaudioprojects.com/Technical/Papers/Alpha-Transmission-Lines.pdf
また面白いことに、逆ツノ形状は「音響ブラックホール」とも呼ばれ、ブラックホールを音響的に再現しようとする試みでも用いられている
詳しいことはよくわからないが、光がブラックホールに入ると脱出不可能になるように、音波が脱出不可能になるような仕組みを音響的に作ろうという試みらしい
中にはノーチラスのような角巻形のいわゆる逆ホーン形状も検討されていて、興味深い
参考：
https://www.sciencedirect.com/science/article/pii/S0307904X19305700
https://www.researchgate.net/publication/354522527_Acoustic_Black_Hole
このあたりのフレーズで調べると色々出てくる（日本語ではほとんど情報がない）：
impedance tube
acoustic black hole
anechoic wedge
なおKEFが「音のブラックホール」なる迷路状の吸音構造を近年開発した。これは様々な長さ（＝様々な共鳴周波数）を持つ閉口端のチューブを組み合わせ、振動板からの音波を共鳴によって打ち消す仕組みとなっており、古典的な共鳴器型吸音構造と言える
参考：
https://av.watch.impress.co.jp/docs/news/1274260.html
https://international.kef.com/pages/metamaterial
https://www.theabsolutesound.com/articles/metamaterial-absorption-technology/
また、共鳴なので音は遅れる
高域になるほど遅れの影響は大きくなるがその点はどうなのだろう
KEFはwith some delayと、共鳴による遅れを認めている
しかし従来の方式では30％のエネルギーが吸収しきれず振動板から透過してしまうし、一旦バックキャビティに反射してから戻ってきた波なので遅れもある
そう考えると多少遅れはあれど共鳴方式のほうが優れていると言えるのかもしれない
As a result of our partnership with Acoustic Materials Group we have developed a first-of-its-kind structure that has proven to eliminate 99% of all the unwanted sound that radiates from the rear of a driver. This rearward firing energy reflects back with some delay to the driver interfering with the sound currently being produced by the driver. Standard technologies can reduce or eliminate up to 60% of this energy.
ttps://us.kef.com/blogs/news/a-revolution-in-sound-absorption-technology-kef-introduces-metamaterial-absorption-technology
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