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はてなキーワード: GEtとは
German Michele Koebke is on the road to get the world's SMALLEST WAIST world record, with a mere 21-inches (54 cm)... pic.twitter.com/P4ajbJPFzi— Shower Thoughts (@TheWeirdWorld) June 15, 2013
#Time would not pass if Michele Koebke’s body were an #hourglass
Read:https://t.co/uqmF9mTG3k pic.twitter.com/S5phxBHWS6— SAMAA TV (@SAMAATV) December 17, 2016
18:30 色々言われたので追加した。対象は基本的に独断と偏見。札取れなさそうなやつは排除。ダメなとこあったらダメだって思ってて。
1:15 読み札の50音順に並び替えた。手動で。とても苦労した。苦労したので味わって読んでくれ。
#1
ﾌﾞﾘﾌﾞﾘﾌﾞﾘﾌﾞﾘｭﾚﾄﾞﾋﾞｭﾙﾙﾙﾘﾋﾞｭﾙﾙﾙﾙﾙﾋﾞｭﾙﾋﾞｭﾙﾌﾞﾘ
#2
なんでもなﾌﾞﾘﾌﾞﾘﾌﾞﾘﾌﾞﾘｭﾚﾄﾞﾋﾞｭﾙﾙﾙﾘﾋﾞｭﾙﾙﾙﾙﾙﾋﾞｭﾙﾋﾞｭﾙﾌﾞﾘ
👱🏻♂️「7 months baseball sucks. 1 good game 7 and it’s the greatest sport. lol 」
#3
ﾌﾞﾘﾌﾞﾘﾌﾞﾘﾌﾞﾘｭﾚﾄﾞﾋﾞｭﾙﾙﾙﾘﾋﾞｭﾙﾙﾙﾙﾙﾋﾞｭﾙﾋﾞｭﾙﾌﾞﾘ
#4
あっ。ﾌﾞﾘﾌﾞﾘﾌﾞﾘﾌﾞﾘｭﾚﾄﾞﾋﾞｭﾙﾙﾙﾘﾋﾞｭﾙﾙﾙﾙﾙﾋﾞｭﾙﾋﾞｭﾙﾌﾞﾘ
👩🏿🦱「He's on my fucking fantasy team, this what I get. Injuries suck.」
精神性とかじゃなくて純粋に外見のことだけど、特に85とかを超えて痴呆が入ったような人の顔って正視に耐えないくらい醜く感じる。パーツがどうこうっていうより目に知性が無いのが何より不気味で気持ち悪くて悲しいんだよな。痴呆入ってなくてもシワとかシミとか垂れとかとにかく全ての要素が衰えを感じさせて気が滅入る。
街を歩いててすれ違う老人の顔をまじまじ見てみると本当に全員嫌になるくらい醜くてマジで助けてくれ〜って気持ちになってくるんだよな。俺もこれになるの？！って。
せめて55で仕事辞めて60になる前に死ぬくらいでいきたい、もっというと50になるまえに死にたいぜ。
The Whoの人も言ってたけど、本当にI hope I die before I get old.だなあ(長生きフラグ)
グレタ・トゥーンベリ氏のU.N. Climate Action Summit 2019におけるスピーチが話題になってるわね。
ブコメとかに言いたいこともあるけれど、それよりNHKの全訳(https://www3.nhk.or.jp/news/html/20190924/k10012095931000.html)がなんかしっくりこないので、自分で訳してみたわ。
ごめん嘘。バズると思って訳し始めたらNHKの方がずっと早かったの(よくもそんなことができますね！)。せっかくだから書き上げたわ。でもしっくりこないのは本当よ。
私のメッセージ(※1)はこうです。”私たちはあなた方を見ています”
My message is that we'll be watching you.
これは何もかも間違っています。私はここにいるべきではありません。私は海の向こうの学校に帰るべきです。しかし、あなた方はみんな、私たち若者に希望を求めてやってきます。よくもそんなことができますね！
This is all wrong. I shouldn't be up here. I should be back in school on the other side of the ocean. Yet you all come to us young people for hope. How dare you!
あなた方は私の夢を、私の子供時代を、その空虚な言葉によって奪い去りました。それでも私は幸運な方です。人々は傷ついています。人々は死んでいます。生態系は完膚なきまでに崩壊しつつあります。我々は大量絶滅の始まりにいるのです。なのにあなた方が話すことと言えばお金のことや永遠に続く経済成長というおとぎ話ばかり。よくもそんなことが言えますね！
You have stolen my dreams and my childhood with your empty words. And yet I'm one of the lucky ones. People are suffering. People are dying. Entire ecosystems are collapsing. We are in the beginning of a mass extinction. And all you can talk about is money and fairy tales of eternal economic growth. How dare you!
過去30年以上、科学的事実はずっと明確なままでした。よくも目をそらし続けられたものですね。よくもここに来て、”私は十分にやった”などと言えたものですね。必要な政策も解決策もいまだに見えてこないというのに。
For more than 30 years, the science has been crystal clear. How dare you continue to look away and come here saying that you're doing enough, when the politics and solutions needed are still nowhere in sight.
あなた方は言います。私たちの言葉を聞いていると。緊急性は理解していると。しかし、どれだけ私が悲しみ、怒っていたとしても、私はその言葉を信じたくはありません。なぜならば、もしもあなた方が本当に状況を理解しており、それにもかかわらず行動を起こしていないとすれば、あなた方は邪悪な人々ということになってしまうからです。だからこそ、私はそう信じることを拒絶します。
You say you hear us and that you understand the urgency. But no matter how sad and angry I am, I do not want to believe that. Because if you really understood the situation and still kept on failing to act, then you would be evil. And that I refuse to believe.
一般的な考えとして、世界の(二酸化炭素)排出量を10年間で半分にするというものがあります。これによって気温上昇を1.5℃に抑えられる確率はわずか50％に過ぎず、人類の手に負えない不可逆的な連鎖反応が始まるリスクは依然としてあります。
The popular idea of cutting our emissions in half in 10 years only gives us a 50% chance of staying below 1.5 degrees [Celsius], and the risk of setting off irreversible chain reactions beyond human control.
50％という数字はあなた方にとっては許容できるものかもしれません。しかし、この数字は転換点(※2)の存在や、多くのフィードバックループ、大気汚染に隠れたさらなる温暖化、公平性や気候正義(※3)の観点を含んでいません。それらはまた私たちの世代が、あなた方の出した数千億トンの二酸化炭素を、ほとんど実現すらしていない技術で以て大気から取り除くことをあてにしているのです。
Fifty percent may be acceptable to you. But those numbers do not include tipping points, most feedback loops, additional warming hidden by toxic air pollution or the aspects of equity and climate justice. They also rely on my generation sucking hundreds of billions of tons of your CO2 out of the air with technologies that barely exist.
50％のリスクは私たちにとって到底受け入れられるものではないのです。私たちはその結果と共に生きていかなければならないのですから。
So a 50% risk is simply not acceptable to us — we who have to live with the consequences.
[気候変動に関する政府間パネル]による最も分のよい試算では、67％の確率で気温上昇を1.5℃以下にするために、世界全体で許される二酸化炭素排出量は2018年1月1日以降で420ギガトンまでです。今日(2019年9月24日)、既にその数字は350ギガトンを割っています。
To have a 67% chance of staying below a 1.5 degrees global temperature rise – the best odds given by the [Intergovernmental Panel on Climate Change] – the world had 420 gigatons of CO2 left to emit back on Jan. 1st, 2018. Today that figure is already down to less than 350 gigatons.
よくも”今まで通りのやり方”や何かしらの技術で解決できるなどと嘯けますね。今の排出レベルでは、残りの350ギガトンの猶予も8年半以内で使い切ることになります。
How dare you pretend that this can be solved with just 'business as usual' and some technical solutions? With today's emissions levels, that remaining CO2 budget will be entirely gone within less than 8 1/2 years.
今日ここにいたるまで、これらのデータに沿った解決法も計画もまったくありません。なぜなら、これらの数字は非常に不愉快であり、あなた方はそのことをありのままに伝えられるほど成熟していないからです。
There will not be any solutions or plans presented in line with these figures here today, because these numbers are too uncomfortable. And you are still not mature enough to tell it like it is.
あなた方は私たちを裏切り続けています。そして若者たちはあなた方の裏切りに気付き始めています。未来の世代の目はすべて、あなた方に注がれています。そして、もしあなた方が私たちを裏切ることを選ぶのなら、私は言います。”私たちはあなた方を許さないでしょう”
You are failing us. But the young people are starting to understand your betrayal. The eyes of all future generations are upon you. And if you choose to fail us, I say: We will never forgive you.
私たちはあなた方を逃がしません。今この場所、今この時から、私たちは線を引きます。世界は目覚めつつあります。そして、あなた方の好むと好まざるとにかかわらず、変化もまた訪れるのです。
We will not let you get away with this. Right here, right now is where we draw the line. The world is waking up. And change is coming, whether you like it or not.
ありがとうございました。
Thank you.
※1 これは「世界の指導者たちへ向けてのメッセージはありますか？」という司会からの質問を受けて始まるスピーチなので、話の相手方は大人たち全般ではないことに注意が必要よ。
※2 Tipping point：NHKの方にも注釈があるけれど、気候変動が急転するポイントのことよ。具体的には正のフィードバックループが止められなくなったりする気温だったりするわね。例えば、気温が上がれば水蒸気が増える、水蒸気が増えれば温室効果がアップ、そしてさらに……、といった具合。演説中で触れられていた1.5℃の温度上昇もtipping pointの一つよ。
※3 Climate justice：「先進国が出した二酸化炭素のせいで温暖化してるのに、途上国にしわ寄せが来すぎるのはおかしいだろう。」的な話。先進国(や富裕層)は途上国(や貧困層)に対して温暖化被害の点で責任があるし、対策はそれを踏まえて両者に公平な形で進められるべきであるという考え方よ。多少人権周りの話も絡んでくるので詳細はもっと複雑ね。こっちにも注釈付けた方が良かったんでないのNHKさん。
You will not be able to stay home, brother
You will not be able to plug in, turn on and cop out
You will not be able to lose yourself on skag and skip out for beer during commercials
Because the revolution will not be televised.
The revolution will not be televised.
The revolution will not be brought to you by Xerox in 4 parts without commercial interruptions
The revolution will not show you pictures of Nixon blowing a bugle and leading a charge by John Mitchell, General Abrams and Mendel Rivers to eat hog maws confiscated from a Harlem sanctuary
The revolution will not be televised.
The revolution will not be brought to you by the Schaefer Award Theatre and will not star Natalie Woods and Steve McQueen or Bullwinkle and Julia
The revolution will not give your mouth sex appeal
The revolution will not get rid of the nubs
The revolution will not make you look five pounds thinner
Because the revolution will not be televised, brother.
There will be no pictures of you and Willie Mae pushing that shopping cart down the block on the dead run
Or trying to slide that color TV into a stolen ambulance
NBC will not be able predict the winner at 8:32 on reports from 29 districts
The revolution will not be televised.
There will be no pictures of pigs shooting down brothers in the instant replay
There will be no pictures of Whitney Young being run out of Harlem on a rail with brand new process
There will be no slow motion or still life of Roy Wilkens strolling through Watts in a Red, Black and Green liberation jumpsuit that he had been saving for just the proper occasion.
The revolution will not be televised.
Green Acres, The Beverly Hillbillies and Hooterville Junction will no longer be so goddamned relevant
And women will not care if Dick finally screwed Jane on Search for Tomorrow
Because Black people will be in the street looking for a brighter day
The revolution will not be televised.
There will be no highlights on the eleven o'clock news
And no pictures of hairy armed women liberationists and Jackie Onassis blowing her nose
The theme song will not be written by Jim Webb or Francis Scott Keys, nor sung by Glen Campbell, Tom Jones, Johnny Cash or Englebert Humperdink
The revolution will not be televised.
The revolution will not be right back after a message about a white tornado, white lightning, or white people
You will not have to worry about a dove in your bedroom, a tiger in your tank, or the giant in your toilet bowl
The revolution will not go better with Coke
The revolution will not fight the germs that may cause bad breath
The revolution will put you in the driver's seat.
The revolution will not be televised
Will not be televised
Will not be televised
Will not be televised
The revolution will be no re-run, brothers
The revolution will be live.
{
{
Person person = new Person();
person.firstName = "山田";
person.lastName = "太郎";
Console.WriteLine(person.GetFullName()); // "山田 太郎" と表示される
}
}
public class Person
{
// FirstName プロパティ
private string firstName;
public string FirstName
{
get { return firstName; }
}
// LastName プロパティ
private string lastName;
public string LastName
{
get { return lastName; }
}
{
return firstName + " " + lastName;
}
}
午前中にC#について聞いてた人がいて、ついでに聞きたい。
Person person = new Person();
new Person(); としたら、勝手に「Person.cs」の中の「Person」クラスを探してくれるんだろうか。
前の増田が言っていた、Listのやつも知りたい。
paizaとかで入門動画見てれば分かるだろうか。
TOEICの勉強にディクテーションが良いって聞いたから、適当なポッドキャストを書き取ってみようとしたけど、聞き取れなくていらいらして途中でやめてしまった。始めてから気づいたけど、ネット上にスクリプトがなくて、聞き取れないところでずっともやもやしてる。
もし英語わかる人これ読んでくれてたら、下の聞き取れてないところ教えてほしい。
音源はここ → https://www.se-radio.net/2019/08/episode-376-justin-richer-on-api-security-with-oauth-2/
3:34 So the user’s not really setting authorization policies and it’s not something like, you know, ざっかまる (?) where you’re setting up things that, you know, "when I see this kind of request, this is the kind of result that I’m looking for."
5:13 And it actually did so well that big companies like Google and Yahoo and bunch of others dropped support of their proprietary versions of delegation protocols, おーせぶん, びびお, and bunch of others that sort of influenced OAuth.
11:20 And that automatically allows both sides of the table 何言ってるかわからん who’s doing more because everyone has a different identifiable access token. Right, exactly. That’s where you can and a lot of large providers have started doing a heuristic べーくす monitoring of API access.
12:03 Yeah. のっだっ similar to what your banks do at the moment (???) isn’t it? If you’re pretty much based on UK or US and all the sudden a transaction pops up in Italy, then they know something’s wrong and you get an email or a call.
13:25 Yeah, 'cause the traceability, you know, it’s like, for example, when someone famous, a video of them gets posted on Twitter or something or shared, you can trace the original share, but you don’t know if ぱぺっちゃ’s been taken or, you know, once it’s out there, it’s out there.
こっちは何言ってるのかわかってないのに、話してる人同士はExactly!!とか盛り上がってて、悔しい。
「徹底的に潰す」という意味らしい。
https://headlines.yahoo.co.jp/hl?a=20190808-00010000-nishinpc-soci
Twitterで検索すると最古は2009年のツイートである。
@Lord_umbrella ur trippin bro, Hov hiroshima/nagasaki'd that joint. Fab shit is uber too don't get me wrong but I fucks with Hov shit more..— Dewane Mutunga (@DewaneMutunga) October 16, 2009
NagasakiedだけじゃなくHiroshimaedもあるんだよな。
でもスラング多すぎてわかんねーな。
jointは紙巻きの大麻のことなので「クスリをキメて記憶がぶっとんだ」みたいな意味なのかな。
https://www.definder.net/nagasakied/
an alcoholic drink...japanese beer with a shot glass of saki dropped in.
ビールに日本酒のショットグラスを入れた爆弾酒。サケボム。爆弾→原爆の連想は自然。
酒に酔ったときの表現を、クスリでトリップしたときに使うのも分かる。
To fart extremely loudly, or with an abundance of odor.
めっちゃうるさい、またはめっちゃ臭いおなら。臭いが残ることを放射能に引っ掛けてるっぽい。本当かよ。
Excessively spicy or burnt food. Implied reference to the 1945 atomic bombing of this unfortunate Japanese city.
めっちゃ辛い、またはめっちゃ焦げた食べ物。つまり「焼きすぎ」なので「長崎」ということなのかな。本当かよ。
To microwave something for the second time, after realizing it wasn't microwaved enough.
電子レンジで温めが足りなかったときにもう一回温めること。本当かよ。
あと試験関連のツイートにhiroshimaとかnagasakiとか出てくるんだよな。
「bomb」は「（試験に）失敗する」という意味があるらしいのでその強化版なのか。
最後にnetflixの”get down”というドラマにも触れておきたい。ヒップホップの創生について描いたドラマである。監督は”華麗なるギャツビー”を手掛けたバズ・ラーマン。jaden smithがハウスのクラブで、友達の男の子とキスをするシーンが話題になった。
ハウスは元々シカゴのゲイディスコ”ウェアハウス”を由来とする。ヒップホップも元々、ディスコを由来としていて、初期はエレクトロなどの引用（サンプリング）が多かった。故にハウスとヒップホップはディスコを親とした兄弟と呼ばれたりもする。
例えばSlum Villageのdj dezという人物は象徴的で、ヒップホップDJでもあり、ハウスDJでもある。Andresという別名義で、moodymannというディープハウスの大御所のレーベルからリリースしてたりもする。
上記したキスシーンは、不寛容の時代から、現在へとブリッジするものとして描かれた(ようにかんじた)。少なくともラッパーが同性とぶっちゅーなんてのは、20年前にはできなかった表現である。
Slum Village "Fall in love"
https://www.youtube.com/watch?v=s732BigTxZk
https://www.youtube.com/watch?v=nPT0Zw0z90g
Jose James "Desire (moodymann mix)”
https://www.youtube.com/watch?v=WHNZy-9u2FU
"Get Down"
https://www.youtube.com/watch?v=FYcVrWDOiao
補足。
Childish Gambinoは役者、コメディアンとしても活躍しており、netflixなどで公開されている”Atlanta"はべらぼうに面白い。
元嫁に尻に敷かれまくりながらも、養育費のためにがんばるサウスの男のお話。
Frank Ocean "Super Rich Kids"はソフィア・コッポラの”ブリングリング”の劇中歌である。おもろい映画なので、おすすめしたい。
歌うラッパーは昔も少数いた。Outkast、Ceelo、Bone Thugs N Harmony、Nelly、Nate doggなど。今のように誰でも歌ってる訳ではなかった。
SNSの活用で一番最初に売れたのはSouja boyである。然しながら、今日のTypicalな成功例とはすこし趣が違っている。彼の場合は、まずダンスが先行した。
Kodie Shane "Sad"における三番目のナードな男の名前が"Napoleon"なのは、"バス男"("Napoleon Dynamite")からの引用と思われる。いい映画です。勝手な邦題の暴力性よ。
もっかい転生をやり直す
そんで勇者（女）のためにがんばる話
しょっぱな転生を２回するってのが他のと少し違うかな
あとはまあ無職転生とかと似てる感じ
ただ主人公の性格がイキリ系で基本なんでも知ってる全能系だから、
あと２度めの転生で得た農作物育成スキルは、まんまうえきの法則のパクリで、
全体的に絵が安定しない
序盤のギャグ絵は好きだったけど、いきなりシリアスな話になってページ飛ばしたか不安になったり、
画面ぐっちゃぐっちゃの戦闘シーンだったりは意味不明で見るに堪えない
めっちゃ強くなってるのにいきなり学園に入学することになったのも意味不明
序盤はまだよかったけど時間経過していきなり全能の主人公が出てきたあたりから物語の方向性がわからなくなった
読んだばっかだけど１時間たったら忘れてそうな感じ
I. INTRODUCTION
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You affirm that you are either more than eighteen 18 years of age, or an emancipated minor, or possess legal parental or guardian consent, and are fully able and competent to enter into the terms, conditions, obligations, affirmations, representations, and warranties set forth in this Agreement, and to abide by and comply with this Agreement.
IV. GENERAL TERMS
The App is a utility program designed to enhance your device experience. The App allows to scan any types of document to high quality PDF or JPEG; to save and store any scan copies of documents on your mobile devices; to share your scans via email; upload scanned documents to cloud services like box, Evernote or Google Drive (see the full performance list on the App’s page on itunes.apple.com). All documents shall be stored locally on your device and shall never be sent to any third-party unless you export them to other apps or devices by means of the App.
The App is intended only for your personal non-commercial use. You shall use the App only for the purposes, mentioned above.
V. PRIVACY POLICY
Your privacy is very important to us. Accordingly, we have developed the Privacy Policy in order for you to understand how we process, use and store information including personal data. Access to the App and use of the Services is subject to the Privacy Policy. By accessing the App and by continuing to use the Services, you are deemed to have accepted the Privacy Policy, and in particular, you are deemed to have acknowledged the ways we process your information as well as appropriate legal grounds for processing described in the Privacy Policy. We reserve the right to amend the Privacy Policy from time to time. If you disagree with any part of the Privacy Policy, you must immediately stop using the App and Services. Please read our Privacy Policy carefully.
VI. END USER LICENSE AGREEMENT
By using the App, you undertake to respect our intellectual rights (intellectual rights related to the App’s source code, UI/UX design, content material, copyright and trademarks, hereinafter referred to as the “Intellectual Property Rights”) as well as those owned by third parties.
As long as you keep using the App, we you a limited, non-exclusive, non-transferable non-sublicensable, non-assignable and revocable license to access and use the App pursuant to this Agreement on any Apple-branded products that you own or control except that the App may be accessed and used by other accounts associated with you via Family Sharing or volume purchasing (the “License”).
The source code, design and content, including information, photographs, illustrations, artwork and other graphic materials, sounds, music or video (hereinafter – the “works”) as well as names, logos and trademarks (hereinafter – “means of individualization”) within the App are protected by copyright laws and other relevant laws and/or international treaties, and belong to us and/or our partners and/or contracted third parties, as the case may be.
In the event of any third party claim that your possession and use of the App infringes that third party’s intellectual property rights, Apple will not be responsible for the investigation, defense, settlement and discharge of any such intellectual property infringement claim.
These works and means of individualization may not be copied, reproduced, retransmitted, distributed, disseminated, sold, published, broadcasted or circulated whether in whole or in part, unless expressly permitted by us and/or our partners and/or contracted third parties, as the case may be.
All rights, title and interest in and to the App and its content, works and means of individualization as well as its functionalities (1) are the exclusive property of We and/or our partners and/or contracted third parties, (2) are protected by the applicable international and national legal provisions, and (3) are under no circumstances transferred (assigned) to you in full or in part within the context of the license herewithin.
We will not hesitate to take legal action against any unauthorized use of our trademarks, names or symbols to protect and restore our rights. All rights not expressly ed herein are reserved. Other product and company names mentioned herein may also be the trademarks of their respective owners.
You agree not to use the App in any way that:
is unlawful, illegal or unauthorized;
is defamatory of any other person;
infringes any copyright, right or trademark of any other person;
advocates, promotes or assists any unlawful act such as (by way of example only) copyright infringement or computer misuse.
You shall not make the App available to any third parties. In addition, you shall not modify, translate into other languages, reverse engineer, decompile, disassemble or otherwise derivative works from the App or any documentation concerning the App.
You shall not transfer, lend, rent, lease, distribute the App, or use it for providing services to a third party, or any rights to the App or any documentation concerning the App to a third party.
Misuse of any trademarks or any other content displayed on the App is prohibited.
You shall not copy and/or duplicate and/or distribute and/or publish and/or use any content in the App, directly or indirectly, by way of a violation of our Intellectual Property Rights.
Moreover, you shall not make any attempts to use the App or part thereof for malicious intentions.
Also we are not responsible for the way you use the App.
It is clarified that we may adopt, against a user who violated the present Agreement, any legal measures at our disposal pursuant to the applicable laws.
All disputes arising from the usage of the App, shall be governed by and construed in accordance with the laws of the United States of America, and shall be submitted to the sole jurisdiction of the competent courts of New York, New York, the United States of America.
VIII. AVAILABILITY OF THE APP, SECURITY AND ACCURACY
In order to use the App, you are required to have a compatible mobile phone or tablet, and internet access. However, please note that we offer you widgets that save translations and allow you to access them later in offline mode.
The App is available for downloading and installing on handheld compatible mobile devices running Apple iOS Operating System 11.0 with minimum system requirements.
We do not warrant that the App will be compatible with all hardware and software which you may use.
We make no warranty that your access to the App will be uninterrupted, timely or error-free. Neither does Apple have an obligation whatsoever to furnish any maintenance and support services with respect to the App.
You acknowledge the App is provided via the internet and mobile networks and so the quality and availability of the App may be affected by factors outside our reasonable control.
The version of the App may be upgraded from time to time to add support for new functions and services.
We may change or update the App and anything described in it without noticing you. If the need arises, we may suspend access to the App, or close it indefinitely.
You also warrant that any information that you submit to us is true, accurate and complete, and you agree to keep it actual at all times.
You can discontinue using our Services at any time by choosing the relevant option in your iTunes Account Settings. If you decide not to use the App for any reason you should uninstall the App.
The App is provided on a paid basis. You will need to pay a one-time fee of $14.99 in order to download the App. Once you download the App, you will get access to all its features.
Prices are in U.S. dollars, may vary in countries other than the U.S. and are subject to change without notice.
You may be charged by your communications service provider for downloading and/or accessing the App on your mobile phone or tablet device, so you should check the terms of agreement with your operator. This may include data roaming charges if you do this outside your home territory. All these charges are solely your responsibility. If you do not pay the bills related to your mobile phone or tablet device, then we assume that you have the permission from the person that does it before incurring any of these charges.
X. THIRD PARTY WEBSITES AND RESOURCES
The App may link you to other sites on the Internet and contracted third parties to provide you certain services. We have no control over and accept no responsibility for the content of any website or mobile application to which a link from the App exists (unless we are the provider of those linked websites or mobile applications). Such linked websites and mobile applications are provided “as is” for your convenience only with no warranty, express or implied, for the information provided within them.
You acknowledge that you must comply with applicable third party terms of agreement when using the App. You are solely responsible for and bear all risks arising from your use of any third-party websites or resources.
If you have any queries, concerns or complaints about such third party websites or mobile applications (including, but not limited to, queries, concerns or complaints relating to products, orders for products, faulty products and refunds) you must direct them to the operator of that third party website or mobile application.
YOU AGREE THAT YOUR USE OF THE APP AND ITS SERVICES SHALL BE AT YOUR SOLE RISK. THE SERVICES AND ALL THE MATERIALS, INFORMATION, SOFTWARE, CONTENT INTEGRATED IN THE APP ARE PROVIDED “AS IS” AND “AS AVAILABLE”. WE DO NOT MAKE ANY WARRANTIES OF ANY KIND, EITHER EXPRESS OR IMPLIED, WITH REGARD TO THE MERCHANTABILITY, TECHNICAL COMPATIBILITY OR FITNESS FOR A PARTICULAR PURPOSE OF ANY SERVICE, PRODUCTS OR MATERIAL PROVIDED PURSUANT TO THIS AGREEMENT. WE DO NOT WARRANT THAT THE FUNCTIONS CONTAINED ON OR THROUGH THE SERVICES WILL BE AVAILABLE, UNINTERRUPTED OR ERROR-FREE, THAT DEFECTS WILL BE CORRECTED, OR THAT THE SER Permalink | 記事への反応(0) | 23:18
