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はてなキーワード: Prefectureとは
It's sudden, but right now in Japan, creativity is facing a true crisis. Characters like Uzaki-chan, Onsen Musume, and Tojo Rika are being targeted and flamed, game character designs are being infiltrated by political correctness, Johnny's Entertainment is being dismantled, swimsuit photo sessions in parks are being canceled, Hitoshi Matsumoto is being publicly shamed, and the new AV law was enacted without considering the opinions of those directly involved. Every form of expression in every venue is currently under unreasonable pressure.
How does this connect to the Tokyo gubernatorial election? In fact, a major event directly linked to this is occurring in the 2024 Tokyo gubernatorial election. As a creator, I hope this message reaches you.
What I am about to share is a story about someone named Himasora Akane, who you should know about to resist such pressures. But before I dive into that story, I want to express my deep gratitude to my old friend Nozomi for giving me the opportunity to post this article in a place where many creators will see it. As someone who also loves manga, anime, and games, I hope this information will benefit Japanese society and support Nozomi's activities.
Himasora Akane Should Be the Governor of Tokyo
First, I would like to make a straightforward request to you as a creator: please support Himasora Akane for governor. In this election, please write "Himasora Akane" on your ballot. The voting day is July 7th. Even if you are not a Tokyo resident, I ask that you at least listen to this story. If you find it interesting, please share it with your friends, family, and acquaintances. You can check Himasora Akane's campaign promises and the background of their candidacy on their Twitter (X) posts linked below:
Himasora Akane (Tokyo gubernatorial candidate)
https://x.com/himasoraakane/status/1804846779399324095
Himasora Akane Will Not Allow Our Culture to Be Burned
Himasora Akane is an ordinary otaku who loves manga, anime, and games. Known as "Cognitive Profiling Detective Akane Himasora," he has been active on Twitter (X) and YouTube, and now he is running for governor. Akane, who is deeply concerned about the repression and destruction of otaku culture, is challenging those who seek to destroy our culture alone. Akane will never allow those who try to burn our culture.
As mentioned at the beginning, all forms of expression are currently under pressure. Otaku culture, in particular, seems to be a prime target.
Uzaki-chan Blood Donation Poster Controversy (2019): A collaboration between the Japanese Red Cross Society and the manga Uzaki-chan was flamed for allegedly being overly sexual in its PR illustration.
V-Tuber Traffic Safety Video Controversy (2021): A V-Tuber hired by the Matsudo Police Department in Chiba Prefecture was deemed too sexual for public agency PR.
Onsen Musume Controversy (2021): Characters personifying local hot springs were criticized as sexist.
Mie Transport Official Character Controversy (2024): A character in a bus driver's uniform released by Mie Transport was flamed for evoking sexual images.
These controversies are often fueled by so-called political correctness and feminism. For creators, these are direct threats. If these factions label your work as sexual and demand it be burned to ashes, could you resist? How would you feel if your painstakingly created work, like your own child, was trampled by people who have no regard for your efforts? Could you continue your creative activities while constantly shrinking away?
Himasora Akane saw something behind these flaming incidents. He started investigating the key figure behind the Onsen Musume controversy, a representative of a general incorporated association in Tokyo. This association's core business, the Young Female Victims Support Project, received substantial public funds from Tokyo. Akane submitted public document disclosure requests to Tokyo and thoroughly dug into the organization. During his investigation, Akane uncovered many suspicions suggesting this project was unworthy of public funding, which he exposed one by one on social media.
Negligent accounting reports, taking protected girls to the Henoko base protest in Okinawa, Communist Party members waiting in the bus used to protect girls—these revelations drew significant attention online. The investigation extended beyond this general incorporated association to other NPOs receiving public funds, and Akane named this cluster of issues the "WBPC problem" after the initials of these organizations.
Akane's YouTube Channel (WBPC Problem Playlist)
https://www.youtube.com/playlist?list=PLI5gTciLKtAXRyzv9j5FiNMcc8eoEBbMN
From here, Akane's story expanded to resident audits, resident lawsuits, and national compensation lawsuits concerning the Tokyo Young Female Victims Support Project. Akane discovered that behind many flaming incidents, there is no clear command structure but a group of various political organizations and activists working together like an amoeba. He named this group the "Nanika Group" (Nanika means "something" in Japanese), a reference to the mysterious, ominous "something from another place" in the manga HUNTER×HUNTER, which Akane loves. The Nanika Group is also connected to welfare interests, where public funds flow unchecked. Akane called this phenomenon "Public Fund Chu-Chu" (siphoning).
For creators, this means the tax money they earn through hard work is used to burn their precious works. It's an intolerable situation.
Himasora Akane Is Fighting Against Those Who Burn Our Culture
In November 2022, a major event marked a turning point in this series of controversies. The general incorporated association under scrutiny held a press conference at the parliamentary office building, gathering media and announcing a lawsuit against Akane. This "Legal Harassment Press Conference," as it was called online, involved multiple layers of power: the government, the media, and a team of seven lawyers targeting a single individual.
However, Akane did not back down. Instead, he intensified his pursuit, exploiting the opponent's careless statements as lawsuit fodder. This led to an outpouring of support on social media, with his Twitter follower count skyrocketing and 160 million yen in donations for legal fees.
The following year, a resident audit request filed by Akane resulted in Tokyo's official website recognizing some improper points and deciding to audit the organization. However, Tokyo's lenient audit led Akane to file a resident lawsuit. Suspicion also turned towards Governor Yuriko Koike for allocating public funds through dubious sole-source contracts. Tokyo began excessively redacting documents in response to public document requests, attempting to conceal the issue. Koike's promise to end document redaction quietly disappeared from her campaign page.
Throughout this battle, Akane has been a target of criminal complaints and faced threats, yet he persists. His book "Netoge Senshi" was released amid bookstore threats, but only the criminal complaint was widely reported by the media, portraying Akane negatively.
Himasora Akane is an ordinary otaku, a top-tier online gamer during his student days, and a talented game creator who worked for a major game company and later a venture company. His meticulous work on the game "Shin Goku no Valhalla Gate" was betrayed by the company's CEO, leading to a seven-year legal battle that Akane ultimately won, securing 600 million yen. This experience fuels his fierce opposition to having his creations burned.
Before investigating the Young Female Victims Support Project, Akane exposed fraudulent feminist "knights" on his YouTube channel, shaking the internet. He detests lies and has an uncanny ability to detect them.
Akane is a special individual with extraordinary abilities, honed through his experiences in games, court battles, and extensive document analysis. His pursuit of truth and justice makes him a suitable candidate for governor, promising a world without lies and where honest people do not suffer.
What We Can Do to Protect Our Culture
Creative expression can be crushed if we are not vigilant. Even in modern Japan, otaku culture is on thin ice. The recent cessation of Visa transactions for DMM (Fanza) is a reminder of how a single card company can wield its power to dictate what is deemed appropriate expression. Expression freedom is fragile and constantly under threat.
To those reading this, I urge you to vote for Himasora Akane. Support him to protect our culture. Despite his harsh demeanor and preference for solitary battles, he is now seeking help for the first time. Akane feels the danger in this gubernatorial election and believes that if he does not become governor, everything will end. He has taken a stand for the people of Tokyo and Japan.
I wrote this article to support his spirit and spread the word. Please vote for Himasora Akane and help create a miracle.
To you, the creator, I sincerely hope this message reaches you.
One Microsoft Way REDMOND, WA 98052-6399 USA
これで郵便物が届く
日本法人だと
〒108-0075 東京都港区港南 2-16-3 品川グランドセントラルタワー
英語表記すると
JAP,108-0075 TOKYO,MINATOKU,KOUNAN,2-16-3 Shinagawa Grand Central Tower
〒530-0001大阪府大阪市北区梅田２丁目４−９ ブリーゼタワー29階
JAP,530-0001,OSAKA Pref. Osaka-SHI kitaku,Umeda,2choume,4-9 breeze-tower 29F
なげーよ
住所録データベースのバッファオーバーフロー狙ってんのか？
日本一長い住所、
京都府京都市上京区智恵光院通り芦山寺上る西入る西社町（この後ろにまだ番地が続く）
Kyoto Prefecture, Kyoto City, Kamigyo Ward, Chiekoin Street, Ashizanji Temple, west entrance, Nishishacho（機械翻訳）
バカなの？
日本の世帯数は５０００万世帯、法人やらただの建物などすべてをコード化アドレッシングしたとしても数字なら１２桁もあれば十分で
「住所どこ？」
くらい短縮できる
やれよ
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2011-09-27
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説得力を増し、相手に気持ちよく動いてもらうためには論理思考＋心理術が最強 〜本『ほんとうに使える論理思考の技術 』 - ライフハックブログKo's Style
Amazonプライムビデオで観てほしいおすすめの人気映画42選 ～編集部厳選～ : 映画ニュース - 映画.com
「平常に戻る」ことはない
アフリカ出身・京都精華大サコ学長 コロナ問題でわかった「日本人のホンネ」 (1/4) 〈dot.〉｜AERA dot. (アエラドット)
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緊急事態宣言に「慣れた」んじゃなくて呆れ果てただけだよ（追記2）
管理職のきみと、いつか管理職になるきみと、管理職が苦手なきみへ | サイボウズ式
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庵野秀明（2000）
沢山書いたやで ・実名主義 80年代末まで偽名でも銀行口座が開けた。だか..
事実に誠意を
小室さんと眞子さんについて日本の司法試験合格者が知っていること、思うこと
この本がスゴい！2021
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誹謗中傷かどうかよりも、批判の量のほうが問題じゃないかなという話｜けんすう
「要領がいい子」とそうでない子の、勉強法のちがいについて。
和歌山県ホームページ Wakayama Prefecture Web Site
壊すだけ壊して何も成し遂げなかった7年半だった
全文無料】総目次 世界史/日本史のまとめ｜みんなの世界史｜note
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米山隆一は日本の政治家、前新潟県知事である。現在、米山は衆議院議員である。
ここ最近、米山は"マンガやアニメのような一部のポップカルチャーは、日本の公共の場には相応しくない"と主張している。
さらにまた米山は、"我々は、マンガやアニメのファンダムの人々を、何らかの特定の場所に押し込めた方が良い"とも主張している。
これに対して、マンガやアニメのファンダムやクリエイターは米山を批判する。彼らは"米山は、マンガやアニメを『退廃芸術』と見做すのか？マンガやアニメのファンダムを、ゲットーに押し込めたいのか？"と言う。米山隆一の主張は、ナチス政権が"健全な精神"を口実にして、多くのドイツ人アーティストの作品の制作や展示を禁じたことを想起させるからである。
こうして、2021/11/20、米山はマンガやアニメのファンダムに対して、以下のようなツイートを投稿した。
「有りもしない差別を作り上げて、迫害にあったユダヤ人気分ですか？」
米山のツイートは、米山がおそらく歴史修正主義者であることを示唆する。米山のツイートは、明らかに"虚偽の迫害をでっち上げる行為"を"ユダヤ人であること"に結びつけている。米山隆一がショアー(一般的にホロコーストと呼ばれる)を"でっち上げ"と考えていなければ、ありもしない迫害をでっち上げることをユダヤ人と結びつけることはない。
＝ 日本語文ここまで ＝
Ryuichi Yoneyama is a Japanese politician and a former Governor of Niigata Prefecture. At this time, Yoneyama is a Member of the House of Representatives.
In recent days, Yoneyama continues claiming "Some particular Japanese pop cultures, such as Manga/Anime, are not suitable for public space in Japan."
Furthermore, Yoneyama also continues claiming "We'd better push these Manga/Anime Fandom people into any specific areas."
On the other hand, Japanese Fandom people and creators of Manga/Anime criticize Yoneyama. They say "Does Yoneyama think that Manga/Anime is 'Degenerate Art/Entartete Kunst'? Does Yoneyama want to push Manga/Anime Fandom into 'Ghetto'?" Because Yoneyama's claim reminds them of the memory that Nazi government forbade many germany artists producing/exhibiting their own arts and that Nazi did it with saying "sound mind".
Therefore, on 2021/11/20, to Fandom of Manga/Anime, Yoneyama posted a tweet like below.
"With making up a fake discrimination, are you assuming yourself to be a member of Jewish people who are persecuted?"
As a result, it seems that Fandom and Creators of Manga/Anime are right.
Yoneyama's tweet suggests that Yoneyama is probably a historical revisionist. Yoneyama's tweet obviously associates "making a fake discrimination" with "being Jewish people". If Yoneyama didn't think that Shoah(it is generally called Holocaust) is a fake discrimination, he never associates "making up a fake discrimination" with "being Jewish people."
We'd better watch Yoneyama's behavior carefully.
＝ 英訳ここまで ＝
Four years after the Fukushima accident, TC screening data from the first and second round (up to December 2014) were compared with the Japanese nationwide annual TC incidence, and with the incidence in one area of Fukushima prefecture selected as reference (Tsuda et al., 2016). The authors reported that the observed number of TCs was substantially higher than the expected number based on national and regional incidence data, and concluded that this increase could be attributed to ionizing radiation exposure from the accident. This ecological study has been strongly criticized by scientists around the world because of serious methodology limitations; further, the study conclusions are not supported by the results (Davis, 2016, Jorgensen, 2016, Korblein, 2016, Shibata, 2016, Suzuki, 2016, Takahashi et al., 2016, Takamura, 2016, Wakeford et al., 2016). Limitations of ecological study design are well-known, although the authors did not acknowledge the issue of ecologic fallacy. Another criticism was that the data from the Fukushima screening program are not directly comparable with the cancer registry data from the rest of Japan where systematic advanced ultrasound technology is not used to detect cases. The authors of these criticisms suggested that though the increased TC number could be associated with the exposure from radioactive fallout, a more plausible conclusion would be that the screening program is finding an anticipated increase in TC detection across the Fukushima prefecture. Indeed, Tsuda and colleagues did not consider the latent properties of TC, nor the fact that a prevalent cancer detected by screening might have had first preclinical manifestations of abnormality before the nuclear accident.Thereafter, several researchers have analysed the relationship between radiation exposure (with different estimated exposure levels, mostly using an external dose) and TC prevalence and incidence in residents aged ≤18 years in the Fukushima prefecture at time of the disaster (Kato, 2019, Nakaya et al., 2018, Ohira et al., 2019a, Ohira et al., 2020, Ohira et al., 2019b, Ohira et al., 2016, Ohira et al., 2018, Suzuki et al., 2016, Toki et al., 2020, Yamamoto et al., 2019), but no radiation-related risks have been demonstrated to date.
https://www.sciencedirect.com/science/article/pii/S0160412020321851
