はてなキーワード: lostとは
## Accepting the Terms & Privacy Policy
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Disclaimer of Warranty; Limitation of Liability
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In no event will We, its directors, officers, agents, contractors, partners and employees, be liable to you or any third person for any special, direct, indirect, incidental, special, punitive, or consequential damages whatsoever including any lost profits or lost data arising from your use of the Service or other materials on, accessed through or downloaded from the Service, whether based on warranty, contract, tort, or any other legal theory, and whether or not We have been advised of the possibility of these damages. The foregoing limitation of liability shall apply to the fullest extent permitted by law in the applicable jurisdiction. You specifically acknowledge that We shall not be liable for user submissions or the defamatory, offensive, or illegal conduct of any third party and that the risk of harm or damage from the foregoing rests entirely with you.
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General
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Contacting Us
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「君の名は。」の二匹目のどじょう狙いで類似企画が乱発されたわりにはどれも鳴かず飛ばずに終わりなんとも寂しい。
19年は天気の子、プロメア、ドラクエ、すみっコぐらしが興行収入10億円を超えてまだマシだったが下まで見ると本当に悲惨。
ブームに便乗し、散々金をかけてプロモーションして、人気俳優や芸能人を声優に起用し話題作りしおいて結果は「すみっコぐらし以下」「ドラクエ以下」という事実を関係者はどう考えているんだろうか。
作品名 | 公開日 | 興行収入[億円] |
---|---|---|
HELLO WORLD ハローワールド | 9/20 | 5.9 |
ルパン三世 THE FIRST | 12/6 | 5.9 |
空の青さを知る人よ | 10/11 | 5.7 |
海獣の子供 | 6/7 | 3.1 |
二ノ国 | 8/23 | 3.0 |
きみと、波にのれたら | 6/21 | 2.5 |
バースデー・ワンダーランド | 4/26 | 1.3 |
LUPIN THE IIIRD 峰不二子の嘘 | 5/31 | 0.1 |
ぼくらの七日間戦争 | 12/13 | ?? |
この世界の(さらにいくつもの)片隅に | 12/20 | ?? |
幸福路のチー | 11/29 | - |
HUMAN LOST 人間失格 | 11/29 | 圏外スタート |
薄暮 | 6/21 | - |
LAIDBACKERS-レイドバッカーズ- | 4/5 | - |
あした世界が終わるとしても | 1/25 | - |
https://pixiin.com/ranking-japan-boxoffice2019/
作品名 | 公開日 | 興行収入[億円] |
---|---|---|
宇宙の法 黎明編 | 10/12 | 6.7 |
機動戦士ガンダムNT | 11/30 | 5.2 |
モンスターストライク THE MOVIE ソラノカナタ | 10/5 | 3.6 |
ペンギン・ハイウェイ | 8/17 | 3.0 |
劇場版 マジンガーZ INFINITY | 1/13 | 2.4 |
若おかみは小学生! | 9/21 | 2.3 |
君の膵臓をたべたい | 9/1 | 2.3 |
さよならの朝に約束の花をかざろう | 2/24 | 1.8 |
ニンジャバットマン | 6/15 | 0.8 |
小さな英雄 カニとタマゴと透明人間 | 8/24 | 0.6 |
犬ヶ島 | 5/25 | 0.4 |
詩季織々 | 8/14 | 0.2 |
https://pixiin.com/ranking-japan-boxoffice2018/
地球温暖化や気候問題に対する彼女の主張に反論するつもりはまったくないし、彼女の行動にも文句はない。
学校を休んで活動をすることに目くじらを立てる人もいるかもしれないが、それは個人の意思だし、別に周りがどうこう言う問題ではない。
16歳という若さながら、国際舞台に立って行動を起こしていること自体は本当にすごいことだと思う。
ただ、そんな彼女に対してどうしても違和感がある。Wikipediaページによると、
トゥーンベリは、彼女が8歳の2011年に気候変動について初めて聞いたと言っているが、なぜ気候変動への対策がほとんど行われていないのか理解できなかった。 3年後、彼女は落ち込んで無気力になり、会話と食事をやめ、最終的にアスペルガー症候群 [12] 、強迫性障害 (OCD) および選択的無言症と診断された。 [13] その診断は「以前は私を制限していた」ことを認めながら、彼女はアスペルガーを病気とは見なさず、代わりに「スーパーパワー」と呼んでいる。
とある。アスペルガー症候群は近年、発達障害が一般にもよく知られるようになってきたことから、耳にしたことがある人も多いだろう。また、強迫性障害もアスペルガー症候群ほどではないが知名度はあるように思える。しかし選択的無言症はどうか。これは場面緘黙症とも言われる疾患であり、詳しくは[wikipedia:場面緘黙症]を見てほしいが、アスペルガーほど知られた疾患ではないと思う。上記にもあるように、彼女はアスペルガーに関しては「スーパーパワー」として肯定的にとらえているが、場面緘黙症については、
So when I was 11, I became ill. I fell into depression, I stopped talking, and I stopped eating. In two months, I lost about 10 kilos of weight. Later on, I was diagnosed with Asperger syndrome, OCD and selective mutism. That basically means I only speak when I think it's necessary - now is one of those moments.
とhttps://www.ted.com/talks/greta_thunberg_the_disarming_case_to_act_right_now_on_climate]において発言している。
これがどうも腑に落ちない。これは場面緘黙なのだろうか。急に話さなくなったり、必要だと思う時にしか話さないという彼女自身の説明には疑問が残る。
もちろん、当時の彼女を診断した医師がそう判断し、彼女はこのスピーチの中でそれを話しただけかもしれないし、時間の都合上分かりやすい表現としてこのような表現になっただけなのかもしれない。
しかし、意地悪な見方をすると、これは場面緘黙症という疾患を利用しているのではないかとも思う。場面緘黙症自体があまり馴染みのない疾患であることから、多くの人はその疾患について「話すことが困難なんだな」程度の認識だろうし、そのような人々がこの話を聞いたとき、彼女に対して「そのようなハンデを持ちながらも環境のために声を上げた16歳の少女」のイメージを強く抱くであろうことは容易に想像できる。場面緘黙だけでなく、アスペルガーや強迫性障害についてもそうだ。
これが可能なのはそれが見えない症状だからだ。身体的なハンディキャップがある人とは異なり、アスペルガーや場面緘黙症は一見しただけでは当人がそういった疾患を持っていることがわかりにくい。しかし逆もまた然りだ。自称しているだけだとしてもそれを見ぬくことは難しい。
グレタさんに関してはいろいろな意見が出ており、親に利用されているだとか、誰かがバックにいるとか、陰謀論じみたものまで出ている。実際のところどうなのかはわからない。
結果的に多くの人々に気候問題を考える機会を与えたことは良いことだと思うが、場面緘黙症についての発言だけは、どうしても違和感をぬぐえない。
マヱヒゴヲミチビクトヲキヤクソク
オホイナルホシボシノウミ
サリニシモノノトホキミチノリ
メグミノソラ トコシヱノウミ
アラタナルセカイヲメザス
オイカゼヲイノル
That which sleeps in the land of snow...
A distant promise that guides the lost.
A far-reaching path of the departed.
The dream delivered by angels of war...
A symbol of hope and life : the Grand Exile.
At the far ends of the wish...
lie snow-white wings surpassing all.
Let us go forth, abandoning the ancient land of strife.
Bountiful skies, everlasting seas.
to carry the wings of the beloved child bound for a new world.
Good tailwinds.
A mysterion from the line of "Last Exile Fam, the Silver Wings"
カバーソングの音源探してたら、信じられないほどひどいのを見つけて、何だこりゃと思ったら男アイドルのカバーだった
アイドルはファンと握手すんのが仕事だから別にアーティストに勝つ必要は全くないんだけど、
歌手気取りで有名曲のカバー(しかも英詞の曲を英詞のまま)とかそういうイキり散らかしたことするからどうしても比べてしまう
歌いまわしは有名アイドル(韓流やらAAAやら)の猿真似でわざわざ英詞に挑戦する割に発音はボロボロ
そいつらより歳下の日本人アーティストが同じ曲でほぼ訛ってない(iだけおかしいけどほかは割とちゃんとしてる)音源を公開していることを考えると
一部訛ってるとかならまだしもæとʌとɑとəがグチャグチャになってて明確に違う単語に聞こえる場所があったり(lastをlostと発音してるとか)
二人ボーカルいるうち発音ミスってるところがふたりともバラバラだからまともに指導を受けてないんだろう
アイドルの曲なんて音源として聞いてるヤツいないんだからCDだけ売ってりゃいいのになんでダウンロード販売してるんだろう? 嫌がらせ?
ドイツでも日本の深夜アニメの公式配信はあるのだが、新作アニメ映画を見るのは通常困難である。
しかし年に一度ドイツおよびオーストリアの各都市で日本の新作アニメ映画をドイツ語字幕付きで上映するAKIBA PASS FESTIVALというイベントが開催されており、そこで「ラブライブ!サンシャイン!!The School Idol Movie Over the Rainbow」と「Fate/stay night Heaven's Feel II. lost butterfly」を鑑賞することができた。
以下はニュルンベルク会場の様子(他の開催地はベルリン、ドルトムント、フランクフルト、ハンブルク、ケルン、ライプチヒ、ミュンヘン、パシング、シュトゥットガルト、ウィーン)。
会場の雰囲気: ニュルンベルクの場合は15シアターくらいある大きな映画館の2シアターが貸し切られ、1日アニメが上映される。普通の映画上映とそれほど変わったことはなく、一日券の販売やアニメグッズの売店があるくらい。会場によっては制作スタッフ等のゲストが来て質問会みたいなのがあるらしい。たまに気合入れてコスプレとかしてきている人もいる。
上映前: 日本と同様映画の前の宣伝映像は長い。ドイツのアニメイベントの宣伝や日本のアニメ配信関連会社のほか、アトラスやコーエー、シュタゲ等のゲームの宣伝がいくつかあった。
人の入り: ざっと数えたところ70~80人くらい、割と空いてる。アイドルアニメはやはりヨーロッパでは受けが微妙かも。でも中にはグッズを付けていたり結構なファンもいる模様。女性も少なくとも2割くらいはいる。
盛り上がったところ: ドイツの映画鑑賞は笑ったりちょっと歓声を上げるくらいは許容。ライブパートは静か(集中して聞いていたのかもしれないが日本語の歌なのできついかもしれない)。女の子たちがコミカルな動きを見せるところはかなり盛り上がっていたように感じた。
笑いが起きたところ: 最初の追いかけっこパート。お尋ね者ポスター。月ちゃんがフィレンツェのお屋敷でマリ母に恭しく退出を促すポーズをしたところ。
人の入り: 200人を超えるくらい。満員ではないが混んでる。3部作の第2部にあたる映画であるが第1部は去年上映された。
全体の雰囲気: バトルシーンのクオリティが高く緊迫した場面が多かったためか会場全体を息を呑む場面が多かった。エロいシーンは若干の反応あり。
笑いが起きたところ: 士郎と桜がいちゃついてる食卓の向かいにライダーが座ってたシーン、そのすぐ後のナイフとフォークを出されるシーン。
These Terms of Service ("Terms") are a legal agreement between we and you ("you"). By installing or using any application ("Service") you agree to be bound by these Terms. By accessing or using the Service, you agree that you have read, understood, and accept to be bound by the Terms. We reserve the right, in its sole discretion, to modify or revise these Terms at any time, and you agree to be bound by such modifications or revisions. If you do not agree to the Terms, do not use the Service.
Users are responsible for periodically viewing the Terms. Your continued use of the Service after a change or update has been made will constitute your acceptance to the revised Terms. If you do not agree to the Terms your only remedy is to discontinue your use of the Service and cancel any accounts you have made using the Service.
We reserve the right to refuse any user access to the Services without notice for any reason, including, but not limited to, a violation of the Terms.
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We have put in place reasonable technical and organizational measures designed to secure your personal information from accidental loss and from unauthorized access, use, alteration or disclosure. However, we cannot guarantee that unauthorized third parties will never be able to overcome those measures or use your personal information for improper purposes. Also please note that email and messaging systems are not considered secure, so we discourage you from sending us personal information through these mediums.
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In no event will We, its directors, officers, agents, contractors, partners and employees, be liable to you or any third person for any special, direct, indirect, incidental, special, punitive, or consequential damages whatsoever including any lost profits or lost data arising from your use of the Service or other materials on, accessed through or downloaded from the Service, whether based on warranty, contract, tort, or any other legal theory, and whether or not We have been advised of the possibility of these damages. The foregoing limitation of liability shall apply to the fullest extent permitted by law in the applicable jurisdiction. You specifically acknowledge that We shall not be liable for user submissions or the defamatory, offensive, or illegal conduct of any third party and that the risk of harm or damage from the foregoing rests entirely with you.
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If you have any questions about these Terms of Service, please contact us at otoco.contact@gmail.com
Good Thursday, How are you today? Thanks a lot of kind words to me in your letter,
telling me about your blog-I can't open-here very old computers!
I never travel to another countries,but dream.
I like comedy & romantic movies. what about you? I don't have boyfriend,here mostly all men at war.
I had a boyfriend,but he died at war 1,5 years ago.I will be happy to have family with kids & marry with man older than me.
Today no lessons in college,I write you letters from library,because no private computer at home.
I had before a small smartphone,but change it for food 5 month ago. Now we use old nokia together with mom,Ha-ha!
Soon I will finish institute. But here very hard to find any job,all from war here.I know about sushi from TV programs,
but never eat sushi,because sushi restaurants very expensive here.
I don't have boyfriend now,here all men at war.
I have good news: yesterday evening was stopped fire between Ukraine & Russia.
We have big hope that this time it will be true words from Presidents & peace will come,
Because this "stop war" was many times,but it was only words...
I want to tell you that from yesterday really was no hear shots, bombings.
But situation with electric, water & mostly with food still very, very hard. It is very difficult to sell something or to exchange for food, many have no money, and rich people left from Ukraine.
It's a pity that without meat, meat here terrible expensive long ago. When was no war we could buy meat, not often, but we could.But we are happy that we have some vegetables.
Usually here very cold winter, normally-25, - 30, much snow,now autumn +10.
I like to cook very much! Today, I will tell you how to cook borsch:take piece of beef to weld in water, then to cook there potatoes, carrots, cabbage,
it is a little haricot, then we add a little tomato paste, salt, parsley.
Give a borsch very hot with sour cream and garlic. Its very good for health hot dish & you not catch a cold.
Of course garlic isn't good for kisses, but when we will meet I cook borsch for us & we will eat garlic together & then could easy kiss...
May be on today will come my friend Maria.I send you summer photo with my friend Maria.
She lost family at war & have no possible to live in this hard war period,
What lies beyond the furthest reaches of the sky? 空の彼方にあるものは
That which leads the lost child back its mother's arms... 迷い子を母の手に導くもの
The waves that stain the land in gold; 大地を金色に染める波
The breath of blessings that natures life; the land of wheat; 命をはぐくむ恵みの息吹 麦の大地
The path upon which the angels walk; 天使の降りる道
Thou art the path of great winds; the Grand Stream. そは大いなる風の道 grand stream
What lies beyond the furthest reaches of memory? 記憶の彼方にあるものは
Where everything is born and to where everything returns; the blue star. 全てが生まれ 全てが還る場所 青い星。
From the line of "Last Exile".
今回はとなりのヤングジャンプでも読める、シンマンGP2018のエントリー作品。
プロットに関していえば、今回のエントリー作品の中で最もしっかりしているかな。
テーマを意識して世界観や設定などセリフも練っているし、主人公と“人”で字体を変えるという細かい表現の気配りも良い。
個人的には、背景を丁寧に描写しすぎるとキャラ絵と浮くから批判的なんだけれども、本作の場合は主人公たちの構図を読者に意識させることが重要なので、まあ必要だよね。
気になるのは、リアリティがあって丁寧な説明があるかと思えば、明らかに変な描写なのに説明がない部分もあったりという杜撰さかな。
前半で出てくる猫の話を信じないオッサンの主張ですら理屈が(側面的には)ちゃんとしているのに、主人公は物語の構成上の都合でバカになってしまっているような。
主人公の言葉に翻訳が入ったり、登場人物たちによる説明や理屈が過剰になりすぎてフキダシが大きくなり、コマやページ全体が窮屈になってしまっているのも気になるなあ。
作者自身もそれを分かっているっぽくて、フキダシの配置などに注意を払っていると見受けられる箇所も多いから、どうしても削りたくなかったんだろうなあ。
うーん、すごく感想書きにくい。
まあプロット自体は分かりやすい対立構造を展開しつつ、主役二人の友情が育まれるなど、基本的なところは抑えている。
ただ、そのために使われる作中の要素一つ一つが、面白さにそこまで貢献していないって印象なんだよなあ。
大味な漫画には大味なりの魅力もあると思うけれども、そういう作品って多少のマイナスポイントが気にならなくなるような、圧倒的なプラスポイントがあってこそだと思うんだよね。
或いは、読者に良くも悪くも爪あとを残すようなポイントが欲しい。
主要人物が、私の中ではいずれも魅力的に映らなかったのが理由としては大きいんだろうけれども。
コマ割や構図による見せ方がややイマイチで、絵的に気持ちが盛り上がるような要素は薄い。
なんというか、ずっと同じ高度を走っているような感覚。
話の見せ方としては、すごく道が整備されすぎているというか、順繰りなのが気になるかなあ。
そのせいで、主人公が終盤で改心を決意するのは読者目線で見れば分かりきっているし、展開に意外性もないから全体的な印象としては記憶に残りにくい。
序盤の何気ない描写をちゃんと後半でも利用しているのは、少し感心したけれども。
粗探しばかり羅列してしまったけれども、総合的な評価としては、好みの差こそあれど纏まっていると思う。
まあ、フツーかな。
あ、でも、こういうときに使う“フツー”ってあまりいい意味じゃないか。
例えば、表現力。
登場人物たちの感情や、その状況に対する臨場感、説得力などは、説明的な絵やセリフだけでは薄味だよね。
その点で、本作はすごいフツー。
読んでいて「おっ」と思うような画がない。
テーマも陳腐というか、テーマに対しての話の描き方が陳腐というか。
主要人物たちの紡がれる絆も、話のオチとして帰結させるには描写が不足していると思う。
戦闘シーンは主人公の才能や実績を存分に活かしているのは良かったと思うけれども。
シンマンは連載権をかけた企画だけれども、その観点から見て評価する時どうかってのもあるよね。
今回の読み切り作品をそのまま連載にできるかって見方なら、『さばいさんインザブッシュ』や『超銀河系外道少女レオ』などのキャラが濃い系あたりは分かりやすいけれども、個人的にはあんまりハマらなかったなあ。
『ローローリップ』や『Guns and Valinta ガンズ アンド ヴ』の作家は、まあストーリーにもよるが良いもん描いてくれそうって気はする。
『アリスと不思議な国のうさぎ』は、テーマやプロットで爪あとを残してやろうって気概があるから、連載をとったら個性的なストーリーの漫画を描いてくれそうな期待感はある。
他は、まあ横並びかなあ。
別にどの作品が1位になるか予想するために感想書いているわけでもないし、特に推したいって作品もなかったから正直どれでもいいけれども。
Dovahkiin, Dovahkiin
naal ok zin los vahriin
wah dein vokul mahfaeraak ahst vaal!
fod nust hon zindro zaan
Dovahkiin, fah hin kogaan mu draal!
Huzrah nu, kul do od, wah aan bok lingrah vod
Ahrk fin tey, boziik fun, do fin gein!
Wo lost fron wah ney dov
ahrk fin reyliik do jul
voth aan suleyk wah ronit faal krein!
Do ved viing ko fin krah
Tol fod zeymah win kein meyz fundein!
Alduin, feyn do jun,
kruziik vokun staadnau,
voth aan bahlok wah diivon fin lein!
fen kos nahlot mahfaeraak ahrk ruz!
Paaz Keizaal fen kos stin nol bein Alduin jot!
Dovahkiin, Dovahkiin
naal ok zin los vahriin
wah dein vokul mahfaeraak ahst vaal!
fod nust hon zindro zaan
Dovahkiin, fah hin kogaan mu draal!
She was born from my kiss and your anguish.
So, you gotta come back, You should've left this Space already!
You definitely can't part from me. You're the one who gave birth to me. I'm the child you made to eat your anguish and sadness. It doesn't matter how many times you kill me, I'll always be born again. Because I'm your true soul. You wanted to throw away your feelings for your brother, and become an adult without me. I won't allow that. In this place, your don't need anything. neither the pain, nor the anguish of becoming an adult.
You're courageous, You don't fear the pain. you're courageous, who be named to be brave. You shall come back to present.
That way, there is nothing but pain and anguish.
That's why, That's why I have to go. Because from now on, I have to carry on living by myself without you.
In the direction where you feel the pain, there's an exit!
I was afraid to open my heart to someone. But I'm not afraid anymore. Even if I lose sight of it, there's always a path somewhere. People are connected through narrow paths. Even if sometimes they lose sight of them, there's no doubt they're connected. Welcome back, you. I'm back ,you.
I don't really know what is means "to be friends."
But you, Yup, you were a companion who got lost on the same path as me, and you looked for the same path I did.
But we're companions only when we're looking for the same path. A person like me, if I always stay with other people;e, I lose sight of my own path.
But Let's meet again. When we get lost again. Until that time, goodbye.