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はてなキーワード: Whyとは
【 1 】 searching. Summer mood
Warm sunshine in the body and melted the remaining the sorrow, but increase some warm meaning. Half a narrowed her eyes, look long rear its head, the suspension of the golden ball still smiled at me. The window, have always liked position, whether in the coffee shop or the teahouse or is a fast-food restaurant, as long as is the place all to sit down for the habitual by a window. So, I can clearly see the outside world, see clearly in the outside walk every one.
I am a fear of stay in that vague world people, can now, are steps into the relationship that vague. Once the countless times told himself, the person to work to clear and plainly, clean, neat. But, now of oneself, not only drag, ya, indecision is at sixes and sevens, blurred.
Summer, is a hot season, also is a easily lose season. Each people all have everyone's temper, and summer, let everyone's temper to acme. Stimulate each other's sensory nerve, little the release of anger. They have with anger, with anger passing, also have with anger of fighting the performance...
All kinds of people are full of all kinds of release methods, and I still slowly, don't worry about being by your side. Pay attention to you every day the fickle mood, ponder your mood every day of good and bad. Sometimes think, time is like a medicine, and like a poison. It makes us forget the pain before, but start the next paragraph sad. It let we abandon our past and desolate, but to a desolate.
【 2 】 summer. Away from grief
Spring as the fallen petal go, wearing a suit LuYeEr of summer in the jump in the warm wind coming, I like winning, jubilant welcome the arrival of the summer. I like summer, like the warm sunshine. Like the sunrise, also like the sunset. Like the golden sun, also like the warmth of sunshine.
Where there is sun, and I feel that my world will not too cold.
Where there is sun, and I feel that my life not too dark.
Where there is sun, and I think the world is full of hope.
Had the sunlight, I have confidence has been waiting for you.
The recent weather and began to change is full of sunshine in the morning, and at noon, will see the sun's trail, the change is the roaring winds, bully touching each corner, don't allow a little resistance. Recently is always looking for a variety of ways, to ease his trouble and sorrow. No longer let oneself and sad hook, no longer let yourself with tears become attached to, so, no longer let their sorrow.
Recently, always looking for all kinds of things to do, like have do not like, just like it or not, will be serious to do. So it won't have too much time to think some the mess of things, so that it doesn't always have my insignificant problem into the inside and you weep alone.
[3] night. sensational
With only a sunshine gradually exit out of the window, the moonlight slowly emerging, tight with all kinds of the stars also slowly appeared in the sky. The earth is a light moonlight and the stars into romantic ornament night. Little stars sings like pearl inlaid in under the canopy, ShanShanDe with a light, and the next you said nothing, as if to see this wonderful night.
Into that familiar with the place, the habitual open air conditioning, open the curtains, the outside world is still so wonderful, the stars and not because night and receding, but more glow. At the moment, finally understand, why do so many people like stars in the night, the night the crush.
Tonight's you, different from ordinary, striking a little can't believe. Don't know is his vision, or a real feelings, whether true or not true world. All like tonight's you, suddenly a few days before the fall of all scores brought. Perhaps that is part of your charm.
Night, still as black, so quiet. Just, tonight's night, less afraid.
I and, as usual, quiet looking at the sleeping you, the mouth cape raise filar silk smile and this is that light taste happiness?
__________________________________________________________________
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"The Artist"? "The Descendants"? "Hugo"? There was no critical consensus following a day of intense voting yesterday when a gaggle of critics groups voted their top honors. These included the Los Angeles Film Critics Association (LAFCA), the Boston Society of Film Critics (BSFC), and the New York Film Critics Online (NYFCO), as well as critics in San Francisco, Detroit and Indiana. The American Film Institute also announced its annual top 10, typically taking no risks.
Best Picture: "The Descendants" got a strong push with a win at the LAFCA, but "The Artist" took the top prize at the BSFC and the NYFCO. Both titles will make the final Academy shortlist. Fortified by nominations for their respective directors Martin Scorsese and Terrence Malick, "Hugo" and "The Tree of Life" should get nominations. The critics groups didn't get "The Help," any more than "The Blind Side," but the Civic Rights-era drama did make the American Film Institute top ten this year, so don't discount it yet.
Best Actor: Michael Fassbender is coming up fast with an LAFCA win. Why should we care about that group in particular? They're on a six-year roll predicting the Oscar winner for Best Actor. Brad Pitt's also a contender for "Moneyball," getting an art-house bump from "The Tree of Life," with Gary Oldman coming up on the outside thanks to the critical and box-office success of "Tinker, Tailor, Soldier, Spy" and a nod from the San Francisco Film Critics. How about George Clooney for "The Descendants"? He's still in the race, but not at the forefront. Like going for long shots? Then bet Michael Shannon for "Take Shelter," which won NYFCO. And if there's a sweep for "The Artist," add in Jean Dujardin.
Best Actress: Michelle Williams of "My Week With Marilyn," solidifies her spot with a win at the Boston Film Critics Association. Los Angeles went way out for Yung-Jun Hee in "Poetry" (what?) in their 'we're cool and uncorrupted by the Oscar race' vote. NYFCO went classic with Meryl Streep for "The Iron Lady." She's the Streep, but neither she nor Williams will be helped by an apparent lack of enthusiasm for their moves as a whole. Ditto Viola Davis ("The Help"), who will nonetheless make the top five Oscar nominees. Either SF winner Tilda Swinton ("We Need to Talk About Kevin") or multiple-runner-up Kirsten Dunst ("Melancholia") may slip in or come in sixth or seventh. Keep an eye out for Charlize Theron ("Young Adult"), Elizabeth Olsen ("Martha Marcy May Marlene") and Felicity Jones ("Like Crazy) as wild-card entries.
Best Supporting Actor: This is a two-man race between octogenarian Christopher Plummer and Albert Brooks playing against type as a cold-blooded hands-on killer. On the fringes: Patton Oswalt ("Young Adult"), Kenneth Branagh ("My Week with Marilyn") and Andy Serkis ("Rise of the Planet of the Apes").
Best Supporting Actress: Coming up on the inside is Melissa McCarthy for "Bridesmaids." Hurray for comedy! Bolstered by a best ensemble award from the LAFCA, this may push McCarthy into the five Oscar nominees. The LAFCA got behind Jessica Chastain, the NYFCO Breakthrough Performer, who was in every movie from "The Tree of Life" to "The Help," where she'll be competing against her popular co-star Octavia Spencer. The San Francisco critics supported Vanessa Redgrave for "Coriolanus," and Janet McTeer ("Albert Nobbs") was an LAFCA runner up in the category.
Who's out of the running in these five major categories? The Girl With the Dragon Tattoo, War Horse, J. Edgar and Midnight in Paris all underwhelmed. The X-Factor remains Scott Rudin's buzzy "Extremely Loud and Incredibly Close," which has not been screened widely after the New Yorker's David Denby flagrantly broke embargo on Rudin's other major film, "The Girl with the Dragon Tattoo." Pack the Kleenex box for this one.
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"The Artist"? "The Descendants"? "Hugo"? There was no critical consensus following a day of intense voting yesterday when a gaggle of critics groups voted their top honors. These included the Los Angeles Film Critics Association (LAFCA), the Boston Society of Film Critics (BSFC), and the New York Film Critics Online (NYFCO), as well as critics in San Francisco, Detroit and Indiana. The American Film Institute also announced its annual top 10, typically taking no risks.
Best Picture: "The Descendants" got a strong push with a win at the LAFCA, but "The Artist" took the top prize at the BSFC and the NYFCO. Both titles will make the final Academy shortlist. Fortified by nominations for their respective directors Martin Scorsese and Terrence Malick, "Hugo" and "The Tree of Life" should get nominations. The critics groups didn't get "The Help," any more than "The Blind Side," but the Civic Rights-era drama did make the American Film Institute top ten this year, so don't discount it yet.
Best Actor: Michael Fassbender is coming up fast with an LAFCA win. Why should we care about that group in particular? They're on a six-year roll predicting the Oscar winner for Best Actor. Brad Pitt's also a contender for "Moneyball," getting an art-house bump from "The Tree of Life," with Gary Oldman coming up on the outside thanks to the critical and box-office success of "Tinker, Tailor, Soldier, Spy" and a nod from the San Francisco Film Critics. How about George Clooney for "The Descendants"? He's still in the race, but not at the forefront. Like going for long shots? Then bet Michael Shannon for "Take Shelter," which won NYFCO. And if there's a sweep for "The Artist," add in Jean Dujardin.
Best Actress: Michelle Williams of "My Week With Marilyn," solidifies her spot with a win at the Boston Film Critics Association. Los Angeles went way out for Yung-Jun Hee in "Poetry" (what?) in their 'we're cool and uncorrupted by the Oscar race' vote. NYFCO went classic with Meryl Streep for "The Iron Lady." She's the Streep, but neither she nor Williams will be helped by an apparent lack of enthusiasm for their moves as a whole. Ditto Viola Davis ("The Help"), who will nonetheless make the top five Oscar nominees. Either SF winner Tilda Swinton ("We Need to Talk About Kevin") or multiple-runner-up Kirsten Dunst ("Melancholia") may slip in or come in sixth or seventh. Keep an eye out for Charlize Theron ("Young Adult"), Elizabeth Olsen ("Martha Marcy May Marlene") and Felicity Jones ("Like Crazy) as wild-card entries.
Best Supporting Actor: This is a two-man race between octogenarian Christopher Plummer and Albert Brooks playing against type as a cold-blooded hands-on killer. On the fringes: Patton Oswalt ("Young Adult"), Kenneth Branagh ("My Week with Marilyn") and Andy Serkis ("Rise of the Planet of the Apes").
Best Supporting Actress: Coming up on the inside is Melissa McCarthy for "Bridesmaids." Hurray for comedy! Bolstered by a best ensemble award from the LAFCA, this may push McCarthy into the five Oscar nominees. The LAFCA got behind Jessica Chastain, the NYFCO Breakthrough Performer, who was in every movie from "The Tree of Life" to "The Help," where she'll be competing against her popular co-star Octavia Spencer. The San Francisco critics supported Vanessa Redgrave for "Coriolanus," and Janet McTeer ("Albert Nobbs") was an LAFCA runner up in the category.
Who's out of the running in these five major categories? The Girl With the Dragon Tattoo, War Horse, J. Edgar and Midnight in Paris all underwhelmed. The X-Factor remains Scott Rudin's buzzy "Extremely Loud and Incredibly Close," which has not been screened widely after the New Yorker's David Denby flagrantly broke embargo on Rudin's other major film, "The Girl with the Dragon Tattoo." Pack the Kleenex box for this one.
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結果は数字で把握できる。数字で把握できるものはある程度科学的に、方程式的に操作できる。
これはHowの領域だ。Know-Howは、結果をコントロールする方法。
しかし原因はあやふやなものだし、決まったルールがあるわけじゃない。
カウンセラーやメンターの力を借りることは可能でも、最終的に答えの確認ができるのは自分だけ。
そして、Why部分が未解決のまま、いくらHowの部分を頑張っても、根元からズブズブ腐っていく。
わかってるけど、やっぱりHowは明確だし、わかりやすいし、成果を確認できる。楽しい。
一方、Whyを考えるのはしんどい。そもそも考えた所でなにか答えが出るとも限らないし、
たとえ出てきても、自分にとって痛いものになる。問題の答えだから。できれば考えたくない。他人から言われるなどもっての外だ。
でもこのWhyに向き合わないと、多分一歩も先に進まない。
やけくそで「光の射す方へ」向かって、I can fly！なんてしてはいけませんよ。
さて、そんなみなさまの「帰りたい 帰れない」の思いを
| 曲名 | アーティスト | 発売年 | 帰りたい場所 | 概要 | 歌詞 |
|---|---|---|---|---|---|
| 勇次 | 長渕剛 | 1985年 | 過去 | 若気の至りで家出した | ★ |
| 新しいスタート | 岡村孝子 | 1991年 | 過去 | 人生の門出を前に意気込む | ★ |
| 郷愁 | 斉藤和義 | 1997年 | 過去 | 帰省が終わって、また普段の生活に戻らないといけない | ★ |
| Gates of heaven | Do As Infinity | 2003年 | 過去 | クスリがやめられない | ★ |
| 手のひら re-birth | MCU | 2006年 | 過去 | 自分探し | ★ |
| 鼓動 | GLAY | 2007年 | 過去 | 大人になるのって哀しい | ★ |
| 矛盾だらけのWedding Song | GiFT | 2008年 | 過去 | 子供の頃好きだった女性が他の男と結婚した | ★ |
| 燻-くゆる- | ナイトメア | 2006年 | 穢れなきセピア（過去） | 汚れる前に初期衝動を思いだせ（初心を忘れたくない） | ★ |
終わった恋は取り返しがつきません。
| 曲名 | アーティスト | 発売年 | 帰りたい場所 | 概要 | 歌詞 |
|---|---|---|---|---|---|
| 落葉の駅 | 八代亜紀 | - | 恋人 | 何も言わず恋人の元を飛びだして | ★ |
| 風立ちぬ | 松田聖子 | 1981年 | 恋人 | 恋人と別れてセンチメンタル | ★ |
| 無言坂 | 香西かおり | 1993年 | 恋人 | 恋人が浮気したので家出した | ★ |
| 涙の海峡 | 松原のぶえ | 1996年 | 恋人 | 北国の冬は人肌恋しい | ★ |
| 山吹色の木の下で | タオルズ | 2005年 | 恋人、過去 | いつもの風景に、昔を思い出した | ★ |
八代亜紀の「落葉の駅」なんて、
男が自分の為にあたふたしているのをみると
めんどくさいですねぇ。
でも、おじさんはそういうのキライじゃないよ。
日本歌謡曲における「北国」「津軽」「海峡」の頻度は異常でございます。
| 曲名 | アーティスト | 発売年 | 帰りたい場所 | 概要 | 歌詞 |
|---|---|---|---|---|---|
| 津軽 | 岩木淳 | - | 故郷 | やけ酒してホームシック | ★ |
| 帰りたい帰れない | 加藤登紀子 | 1970年 | 故郷 | 母からの手紙でホームシック | ★ |
| 望郷しぐれ | 山本譲二 | 1986年 | 故郷 | 実家からの小包でホームシック | ★ |
| カントリー・ロード | 本名陽子 | 1996年 | 故郷 | もう故郷に帰れない | ★ |
| 上野発 | 和田青児 | 1999年 | 故郷 | 上野発北国行きの電車 | ★ |
| 夢千里 | キム・ヨンジャ | 2002年 | 故郷 | 海を荒れてたからホームシック | ★ |
| 津軽慕情 | 山本謙司 | 2004年 | 故郷 | 酒飲んでホームシック | ★ |
| リンゴのふる里へ | 和田青児 | 2005年 | 故郷 | 雲が北に流れていたのでホームシック | ★ |
| ひだまり | 石野田奈津代 | 2009年 | 故郷 | 上京して大変だけど私は元気です | ★ |
| 帰りたい | 千田裕之 | 2010年 | 故郷、過去 | ふと思いだしてホームシック | ★ |
| 東京シャボン玉 | 天童よしみ | 2011年 | 故郷 | 上京したけど思い通りいかない四畳半生活 | ★ |
| バイ マイ タウン | HOW MERRY MARRY | 2011年 | 故郷 | 上京して大変だけど負けないよ | ★ |
昔はたまに来る手紙だったのが、
そんな中でも、最近の若い人の歌は、
上京したての初々しさが伝わってきていいですね。
「ひだまり（石野田奈津代）」は、いずれ「東京シャボン玉（天童よしみ）」状態になるのも、
頑張れ、若い人！
どのように歌われているのでしょうか。
| 曲名 | アーティスト | 発売年 | 帰りたい場所 | 概要 | 歌詞 |
|---|---|---|---|---|---|
| 大迷惑 | ユニコーン | 1989年 | 家 | マイホーム買ったら転勤を命じられたでござる | ★ |
あるあるｗｗｗ
| 曲名 | アーティスト | 発売年 | 帰りたい場所 | 概要 | 歌詞 |
|---|---|---|---|---|---|
| 雨の子守唄 | リサ | 2009年 | 家 | 子どもが家にいるのに水商売な自分 | ★ |
| 曲名 | アーティスト | 発売年 | 帰りたい場所 | 概要 | 歌詞 |
|---|---|---|---|---|---|
| Tell me why? | Lil'B | 2009年 | 家 | デートしてるのに恋人に冷たくあしらわれた | ★ |
デートやめて家に帰っちゃえよｗｗｗ
DV男ばっかり引き寄せちゃうんだよ！
なるほど、「帰りたい 帰れない」は様々ですね。
Translated from http://anond.hatelabo.jp/20110907020451
For a long time, I am in a dark box.
According to someone's comment I heard outside of the box, a tiny bottle containing deadly poison is located in this box. Although the bottle is completely sealed, a hammer is positioned in the vicinity of the bottle. And they said the hammer would fall down at a certain time.
When is "the certain time"? I don't know. In this very moment? Or distant future? Possibly, it already has come (I don't want to think about it). No one can affect the hammer. As an independent event, it will fall down with probability 50%. The probability is exactly 50%. Possibly, the bottle may be broken, or may not. About myself, dead, or, alive.
I must say, how terrible the situation is.
It is impossible for me to avoid having a furious indignation. My life, the most important issue for me, is completely away from me, and is solely dependent on the simple figure, FIFTY PERCENT! Too much terrible.
Additionally, and I think it is completely unreasonable, I am shackled in many ways to keep the probability at exactly 50%.
Visual perception. The box is completely shielded from any light. It's for avoiding me from finding and destroying the bottle and apparatus. Complete darkness. I am in the total darkness. Thus, now I can’t see even the outline of myself. Possibly it sounds strange, the darkness makes me have a doubt about the existence of my body itself.
Acoustic perception. Maybe, from the reason I mentioned above, a perfect sound insulation is used. I can’t hear even the voice of my own. I don't know the mechanism. In the first place, as I can’t see anything, how can I investigate it? So, this is only a speculation, possibly, my drum membranes were damaged before enclosure in this box, or, some special material is used for the wall of the box.
Anyway, in a dark box too much good at shielding light and sound, my visual and acoustic perception is dead just as the term indicates.
As if further confirmation are needed, a huge fatigue weighing heavily upon me is another shackle for me. It seems that they gave me some kind of muscle relaxant to avoid me from struggling. As I can’t change from the same posture, my tactile perception is almost paralyzed.
No light. No sound. Smell and taste are unreliable. Tactile perception is in malfunction. I am like a puppet. All the five senses are out of control of mine. Too much cruel. Perfect shackles. I wish if they had given a sleeping medicine. I feel I am in agony without any external injury. My life, my existence itself, is completely ignored. Such a humiliation keeps my sanity. Only such a humiliation can.
The right to control the life and death of myself is completely deprived. I hate such situation. The core determinant of the continuity of my life is completely dependent upon, solely upon, a pure probability. Completely away from anyone's will. I hate it, again, I hate it!
Why do I have to be enclosed in such a box? In such a ridiculous box, why do I have to be in fear of life and death with such perfect shackles?
I am lonely. Am I feeling empty and flat? Difficult to avoid sobbing? No. My loneliness is much deeper. I am in a sea of void. I am alone. Completely alone. As an orphan, I was thrown into this endless darkness. I am quivering in the absolute zero.
There is no perspective in this box. Only the darkness is here. I can’t feel the bottle and the hammer. I can’t feel the wall, the bottom, and the ceiling neither. They should be there. But all the five senses of mine are deprived. I feel like there is nothing. While those things have some meanings.
Speaking honestly, I am not so sure I am in a box. I am sure that what I am exists. I am thinking. I am fantasizing. It is the evidence showing the uniqueness of mine, which is called the ego or the consciousness or the mind, is solid. But, is the uniqueness is truly enclosed in the box? Is it possible that it is floating in another space? I can’t eliminate such doubts.
Possibly, what I am here is floating in the end of the universe, or is lying down at the bottom of the Mariana Trench. Or going down from a vent of the Kilauea volcano, maybe.
I don't have any method to know how the box (enclosing me) is. All the senses of mine are dead. It is impossible for me to determine whether here is inside of a box or not.
In addition to that, I am not so sure that I am truly alive. I don't have any way to confirm such a simple thing. Possibly, the 50% probability has already passed beyond me. Maybe I am already dead. I am still alive, maybe. Injected with muscle relaxant, shallow breathes, weak heartbeats. Or, cessation of all of them, simply leaving meat bolus.
I am deprived of any capability of controlling my own body. Who can say that my mind resides in the body continuing vital activities? The five senses have been poisoned with the total darkness. They can’t function as sensory organs. I don't have any chance to know the truth. Possibly, any supposition is fabricated by myself. The situation surrounding me and the uniqueness of myself are components of programmed role-play, possibly.
About the existence of mine, I can’t determine the behavior. I hate to admit it, but I am in the middle of fluctuation.
I wish someone could find me. I wish someone could open the box and observe how I am, and determine what I am. There is not enough power inside me to do so. All I can do is to continue to quiver in the loneliness.
If I were the Almighty, I could say "Let there be light". I know it is impossible. But I can‘t help feeling how nice it would be if I could say so.
My own free will! It could fix every fluctuation surrounding myself!
At the same time, longing produces shadow. If the box is opened, I will be found and observed. As a result, what I am will be determined. To tell the truth, I can’t look away from the fact I am anxious about being determined.
Although I am unable to determine whether I am alive or dead by myself, I am afraid of the death. I am afraid that I am determined as a dead. I can’t accept. Still I can’t feel, I can’t imagine the death as a specific phenomenon. Probably, that is why I am afraid of death.
No, it should not be restricted to me. King of virtue. Deadly murderer. Regular folks. All the same. Maybe, the elder people or patients of bad disease could have some imagination sufficiently close to the true death. But, even so, it is impossible to know the specific experience of death.
In the end, death is the final destination with overwhelming significance. The time and the consciousness have an absolute irreversibility. Death also has the absoluteness which can’t be changed. Even if it is a ritual pass point or an outstanding impressive event.
Myself, the mind of mine here is, will be vanished at the moment at which how I am is determined. If they deprive the lukewarm water, in which I can’t feel the temperature, it is impossible for me to avoid exposing myself to the air.
I am afraid of such an irreversible change. It is not limited to the determination of death. Also I am so anxious that I am determined being alive.
The current existence of myself is like a tiny, tiny illusion standing on an endless point. Not larger than that. Not smaller than that. Not longer than that. Not shorter than that. No expansion. No shrinkage. Standing upon a unique single point. It is mathematically correct. I am something like a ghost staying upon such a point, having confusion about identity of myself.
The point exists at every position on a plane of coordinates, at the same time, not existing at a certain position. If a certain event occurs, on that moment, it will converge me to a single point among all the space-times, in which the event has occurred, as if having me step off a bus. Without any concern. Even if the point and I have been a one. The illusion, which has stayed in such a point, has possibilities of being real and being vanished like a mist, to an equal degree.
Now, I am existing in every time-space, I have every nature. At the same time, I am suffering from the loneliness that I am away from every nature. I wish someone can find me. At the same time, I am so anxious that where I will be, and that how I will be at that moment.
I have been released from the law of cause and effect. I am undetermined ever, for ever.
合コンに行ったはいいが、話が続かなかったぞ！どないしたらええねん！内輪で盛り上がるしかなかったぞ！なんて思ってる人いませんか？
相手の好きなこと、好きなものを聞き出す
ということはすごく大事。自分の好きなものについて人に話すのって、楽しいでしょ？
これを引き出す質問の具体例としては、
「休みの日は何をしてるの？」
「趣味とかってある？」
「どんな音楽聴くの？」
「食べ物は何系が好き？」
「どんなところを旅行するのが好き？」
とかですね。「でも聞き出したけど、すぐに会話が終わってしまったぞ」っていう声が聞こえてきそうですね。相手の好きなものを聞き出したら、どのようにその話を深めていくのでしょうか。
「写真を撮るのが好きなの」
【いい例】
「どこかに出かけて写真撮るの？」（Where）
「何の写真を撮るの？」（What）
「どんなカメラを使ってるの？」（How）
【悪い例】
×「あ、僕も好きですよ」（Me）
×「他に何が好き？」（話変えちゃった！）
ほんとによく言われることだけど、
5W1Hに沿って臨機応変に質問し、相手に気持ちよく話してもらう
っていうのが基本なんだよね。自分の話は最低限でいい。合コンでは相手に気分良くしゃべらせてあげましょう。注意点としては、共感しながら聞くこと。「うんうん、そうだよねー。それは楽しいよねー」って。そうでないと、面接の質問みたいになっちゃうから。
で、もう一つ、聞くときのコツなんだけど、
相手の話をまとめながら聞く
これが重要。
「なるほど、休みの日に一人で車に乗って山の方まで行くのかあ」
「そっかー。～～～しなきゃいけないのに、うっかり～～～しちゃったんだー」
というような感じ。相手の話をまとめることで、相手が「聞いてくれてる！」っていう気持ちになるという利点があります。また、これをすることで、自分の中で、相手の話をしっかり聞こうという意識が高くなる。
で、まとめた後はそしてこんなふうに続ける。
「山の方まで行って、それからどうするの？」
「その失敗のあと、どうなったの？」
パターン化すると、
「～～なんだね。それで？」
ということです。まだイメージがわきにくい？じゃあ、恋のから騒ぎでの明石家さんまをトークを聞いてください。あの人は、ちゃんと相手の話をまとめながら聞いてます。YouTubeにも上がってます。さんまのトークをコピーしろなんて決して言わないけど、相手の話を引き出す超一流の技術をぜひ学んでください。
■相手の好きなこと、好きな物を聞き出す（相手の「うれしい」「楽しい」を引き出すトーク）
■相手の話の「いつ」「どこで」「誰が」「何をした」「なぜ」（5W1H）を、相手の話をまとめながら聞き出す
では、頑張って合コンに行ってらっしゃい！
You bring me right back down to the Earth from the Promised Land
We’re getting close to the center of the Earth with an honest plan.
確たる意志を携えて ぼくらは世界の中心にいくんだ
You’ll never be your mother or your father do you understand?
きみはとうさんやかあさんみたいになれない わかってる？
Until you understand!
なら きみがわかってくれるまで
We don’t have too much time here, and time it travels far too fast!
We’re not too far we’re turning, before they take it from our hands!
いつだってぼくら 引き返せるよ あいつらに全部うばわれるまえに
Why don’t you teach your heart to fill, and give your love love,
きみの心を満たしておくれよ そして 愛を 愛を
Give your love love and give it all away
愛をちょうだい そして すべてさらけだして
Why don’t you teach your heart to talk and give your love love,
きみの心を打ち明けておくれよ そして 愛を 愛を
愛をちょうだい
ぼくの欲しいもの ちょうだい
We’ll takのe you right back down to the Earth from the Motherland,
きみは呼ばれてここにくるんだ ぼくらは母国から君を呼ぶんだ
This is a first-class journey from the gods to the son of man.
You’re at the gates of human evolution don’t you understand?
きみは門の前まで来てるんだ 人類の進化の門の前まで わかるだろ?
Why don’t you understand [understand]?
わかってくれよ
We don’t have too much time here, and time it travels far too fast!
We’re not too far we’re turning, before they take it from our hands!
いつだってぼくら 引き返せるよ あいつらに全部うばわれるまえに
Why don’t you teach your heart to fill, and give your love love,
きみの心を満たしておくれよ そして 愛を 愛を
Give your love love and give it all away
愛をちょうだい そして すべてさらけだして
Why don’t you teach your heart to talk and give your love love,
きみの心を打ち明けておくれよ そして 愛を 愛を
愛をちょうだい
ぼくの欲しいもの ちょうだい
When the diesel generators were gone, the reactor operators switched to emergency battery power. The batteries were designed as one of the backups to the backups, to provide power for cooling the core for 8 hours. And they did.
Within the 8 hours, another power source had to be found and connected to the power plant. The power grid was down due to the earthquake. The diesel generators were destroyed by the tsunami. So mobile diesel generators were trucked in.
This is where things started to go seriously wrong. The external power generators could not be connected to the power plant (the plugs did not fit). So after the batteries ran out, the residual heat could not be carried away any more.
At this point the plant operators begin to follow emergency procedures that are in place for a “loss of cooling event”. It is again a step along the “Depth of Defense” lines. The power to the cooling systems should never have failed completely, but it did, so they “retreat” to the next line of defense. All of this, however shocking it seems to us, is part of the day-to-day training you go through as an operator, right through to managing a core meltdown.
It was at this stage that people started to talk about core meltdown. Because at the end of the day, if cooling cannot be restored, the core will eventually melt (after hours or days), and the last line of defense, the core catcher and third containment, would come into play.
But the goal at this stage was to manage the core while it was heating up, and ensure that the first containment (the Zircaloy tubes that contains the nuclear fuel), as well as the second containment (our pressure cooker) remain intact and operational for as long as possible, to give the engineers time to fix the cooling systems.
Because cooling the core is such a big deal, the reactor has a number of cooling systems, each in multiple versions (the reactor water cleanup system, the decay heat removal, the reactor core isolating cooling, the standby liquid cooling system, and the emergency core cooling system). Which one failed when or did not fail is not clear at this point in time.
So imagine our pressure cooker on the stove, heat on low, but on. The operators use whatever cooling system capacity they have to get rid of as much heat as possible, but the pressure starts building up. The priority now is to maintain integrity of the first containment (keep temperature of the fuel rods below 2200°C), as well as the second containment, the pressure cooker. In order to maintain integrity of the pressure cooker (the second containment), the pressure has to be released from time to time. Because the ability to do that in an emergency is so important, the reactor has 11 pressure release valves. The operators now started venting steam from time to time to control the pressure. The temperature at this stage was about 550°C.
This is when the reports about “radiation leakage” starting coming in. I believe I explained above why venting the steam is theoretically the same as releasing radiation into the environment, but why it was and is not dangerous. The radioactive nitrogen as well as the noble gases do not pose a threat to human health.
At some stage during this venting, the explosion occurred. The explosion took place outside of the third containment (our “last line of defense”), and the reactor building. Remember that the reactor building has no function in keeping the radioactivity contained. It is not entirely clear yet what has happened, but this is the likely scenario: The operators decided to vent the steam from the pressure vessel not directly into the environment, but into the space between the third containment and the reactor building (to give the radioactivity in the steam more time to subside). The problem is that at the high temperatures that the core had reached at this stage, water molecules can “disassociate” into oxygen and hydrogen – an explosive mixture. And it did explode, outside the third containment, damaging the reactor building around. It was that sort of explosion, but inside the pressure vessel (because it was badly designed and not managed properly by the operators) that lead to the explosion of Chernobyl. This was never a risk at Fukushima. The problem of hydrogen-oxygen formation is one of the biggies when you design a power plant (if you are not Soviet, that is), so the reactor is build and operated in a way it cannot happen inside the containment. It happened outside, which was not intended but a possible scenario and OK, because it did not pose a risk for the containment.
So the pressure was under control, as steam was vented. Now, if you keep boiling your pot, the problem is that the water level will keep falling and falling. The core is covered by several meters of water in order to allow for some time to pass (hours, days) before it gets exposed. Once the rods start to be exposed at the top, the exposed parts will reach the critical temperature of 2200 °C after about 45 minutes. This is when the first containment, the Zircaloy tube, would fail.
And this started to happen. The cooling could not be restored before there was some (very limited, but still) damage to the casing of some of the fuel. The nuclear material itself was still intact, but the surrounding Zircaloy shell had started melting. What happened now is that some of the byproducts of the uranium decay – radioactive Cesium and Iodine – started to mix with the steam. The big problem, uranium, was still under control, because the uranium oxide rods were good until 3000 °C. It is confirmed that a very small amount of Cesium and Iodine was measured in the steam that was released into the atmosphere.
It seems this was the “go signal” for a major plan B. The small amounts of Cesium that were measured told the operators that the first containment on one of the rods somewhere was about to give. The Plan A had been to restore one of the regular cooling systems to the core. Why that failed is unclear. One plausible explanation is that the tsunami also took away / polluted all the clean water needed for the regular cooling systems.
The water used in the cooling system is very clean, demineralized (like distilled) water. The reason to use pure water is the above mentioned activation by the neutrons from the Uranium: Pure water does not get activated much, so stays practically radioactive-free. Dirt or salt in the water will absorb the neutrons quicker, becoming more radioactive. This has no effect whatsoever on the core – it does not care what it is cooled by. But it makes life more difficult for the operators and mechanics when they have to deal with activated (i.e. slightly radioactive) water.
But Plan A had failed – cooling systems down or additional clean water unavailable – so Plan B came into effect. This is what it looks like happened:
In order to prevent a core meltdown, the operators started to use sea water to cool the core. I am not quite sure if they flooded our pressure cooker with it (the second containment), or if they flooded the third containment, immersing the pressure cooker. But that is not relevant for us.
The point is that the nuclear fuel has now been cooled down. Because the chain reaction has been stopped a long time ago, there is only very little residual heat being produced now. The large amount of cooling water that has been used is sufficient to take up that heat. Because it is a lot of water, the core does not produce sufficient heat any more to produce any significant pressure. Also, boric acid has been added to the seawater. Boric acid is “liquid control rod”. Whatever decay is still going on, the Boron will capture the neutrons and further speed up the cooling down of the core.
The plant came close to a core meltdown. Here is the worst-case scenario that was avoided: If the seawater could not have been used for treatment, the operators would have continued to vent the water steam to avoid pressure buildup. The third containment would then have been completely sealed to allow the core meltdown to happen without releasing radioactive material. After the meltdown, there would have been a waiting period for the intermediate radioactive materials to decay inside the reactor, and all radioactive particles to settle on a surface inside the containment. The cooling system would have been restored eventually, and the molten core cooled to a manageable temperature. The containment would have been cleaned up on the inside. Then a messy job of removing the molten core from the containment would have begun, packing the (now solid again) fuel bit by bit into transportation containers to be shipped to processing plants. Depending on the damage, the block of the plant would then either be repaired or dismantled.
Now, where does that leave us?
・The plant is safe now and will stay safe.
・Japan is looking at an INES Level 4 Accident: Nuclear accident with local consequences. That is bad for the company that owns the plant, but not for anyone else.
・Some radiation was released when the pressure vessel was vented. All radioactive isotopes from the activated steam have gone (decayed). A very small amount of Cesium was released, as well as Iodine. If you were sitting on top of the plants’ chimney when they were venting, you should probably give up smoking to return to your former life expectancy. The Cesium and Iodine isotopes were carried out to the sea and will never be seen again.
・There was some limited damage to the first containment. That means that some amounts of radioactive Cesium and Iodine will also be released into the cooling water, but no Uranium or other nasty stuff (the Uranium oxide does not “dissolve” in the water). There are facilities for treating the cooling water inside the third containment. The radioactive Cesium and Iodine will be removed there and eventually stored as radioactive waste in terminal storage.
・The seawater used as cooling water will be activated to some degree. Because the control rods are fully inserted, the Uranium chain reaction is not happening. That means the “main” nuclear reaction is not happening, thus not contributing to the activation. The intermediate radioactive materials (Cesium and Iodine) are also almost gone at this stage, because the Uranium decay was stopped a long time ago. This further reduces the activation. The bottom line is that there will be some low level of activation of the seawater, which will also be removed by the treatment facilities.
・The seawater will then be replaced over time with the “normal” cooling water
・The reactor core will then be dismantled and transported to a processing facility, just like during a regular fuel change.
・Fuel rods and the entire plant will be checked for potential damage. This will take about 4-5 years.
・The safety systems on all Japanese plants will be upgraded to withstand a 9.0 earthquake and tsunami (or worse)
・I believe the most significant problem will be a prolonged power shortage. About half of Japan’s nuclear reactors will probably have to be inspected, reducing the nation’s power generating capacity by 15%. This will probably be covered by running gas power plants that are usually only used for peak loads to cover some of the base load as well. That will increase your electricity bill, as well as lead to potential power shortages during peak demand, in Japan.
If you want to stay informed, please forget the usual media outlets and consult the following websites:
http://www.world-nuclear-news.org/RS_Battle_to_stabilise_earthquake_reactors_1203111.html
http://bravenewclimate.com/2011/03/12/japan-nuclear-earthquake/
http://ansnuclearcafe.org/2011/03/11/media-updates-on-nuclear-power-stations-in-japan/
結論：大丈夫。
MvK2010
I'm going to copy paste a full blog post of a research scientist at MIT here, who explains the situation at Fukushima much better than anyone else has, his message: no worries.
This post is by Dr Josef Oehmen, a research scientist at MIT, in Boston.
He is a PhD Scientist, whose father has extensive experience in Germany’s nuclear industry. I asked him to write this information to my family in Australia, who were being made sick with worry by the media reports coming from Japan. I am republishing it with his permission.
It is a few hours old, so if any information is out of date, blame me for the delay in getting it published.
This is his text in full and unedited. It is very long, so get comfy.
I am writing this text (Mar 12) to give you some peace of mind regarding some of the troubles in Japan, that is the safety of Japan’s nuclear reactors. Up front, the situation is serious, but under control. And this text is long! But you will know more about nuclear power plants after reading it than all journalists on this planet put together.
There was and will *not* be any significant release of radioactivity.
By “significant” I mean a level of radiation of more than what you would receive on – say – a long distance flight, or drinking a glass of beer that comes from certain areas with high levels of natural background radiation.
I have been reading every news release on the incident since the earthquake. There has not been one single (!) report that was accurate and free of errors (and part of that problem is also a weakness in the Japanese crisis communication). By “not free of errors” I do not refer to tendentious anti-nuclear journalism – that is quite normal these days. By “not free of errors” I mean blatant errors regarding physics and natural law, as well as gross misinterpretation of facts, due to an obvious lack of fundamental and basic understanding of the way nuclear reactors are build and operated. I have read a 3 page report on CNN where every single paragraph contained an error.
We will have to cover some fundamentals, before we get into what is going on.
Construction of the Fukushima nuclear power plants
The plants at Fukushima are so called Boiling Water Reactors, or BWR for short. Boiling Water Reactors are similar to a pressure cooker. The nuclear fuel heats water, the water boils and creates steam, the steam then drives turbines that create the electricity, and the steam is then cooled and condensed back to water, and the water send back to be heated by the nuclear fuel. The pressure cooker operates at about 250 °C.
The nuclear fuel is uranium oxide. Uranium oxide is a ceramic with a very high melting point of about 3000 °C. The fuel is manufactured in pellets (think little cylinders the size of Lego bricks). Those pieces are then put into a long tube made of Zircaloy with a melting point of 2200 °C, and sealed tight. The assembly is called a fuel rod. These fuel rods are then put together to form larger packages, and a number of these packages are then put into the reactor. All these packages together are referred to as “the core”.
The Zircaloy casing is the first containment. It separates the radioactive fuel from the rest of the world.
The core is then placed in the “pressure vessels”. That is the pressure cooker we talked about before. The pressure vessels is the second containment. This is one sturdy piece of a pot, designed to safely contain the core for temperatures several hundred °C. That covers the scenarios where cooling can be restored at some point.
The entire “hardware” of the nuclear reactor – the pressure vessel and all pipes, pumps, coolant (water) reserves, are then encased in the third containment. The third containment is a hermetically (air tight) sealed, very thick bubble of the strongest steel. The third containment is designed, built and tested for one single purpose: To contain, indefinitely, a complete core meltdown. For that purpose, a large and thick concrete basin is cast under the pressure vessel (the second containment), which is filled with graphite, all inside the third containment. This is the so-called “core catcher”. If the core melts and the pressure vessel bursts (and eventually melts), it will catch the molten fuel and everything else. It is built in such a way that the nuclear fuel will be spread out, so it can cool down.
This third containment is then surrounded by the reactor building. The reactor building is an outer shell that is supposed to keep the weather out, but nothing in. (this is the part that was damaged in the explosion, but more to that later).
Fundamentals of nuclear reactions
The uranium fuel generates heat by nuclear fission. Big uranium atoms are split into smaller atoms. That generates heat plus neutrons (one of the particles that forms an atom). When the neutron hits another uranium atom, that splits, generating more neutrons and so on. That is called the nuclear chain reaction.
Now, just packing a lot of fuel rods next to each other would quickly lead to overheating and after about 45 minutes to a melting of the fuel rods. It is worth mentioning at this point that the nuclear fuel in a reactor can *never* cause a nuclear explosion the type of a nuclear bomb. Building a nuclear bomb is actually quite difficult (ask Iran). In Chernobyl, the explosion was caused by excessive pressure buildup, hydrogen explosion and rupture of all containments, propelling molten core material into the environment (a “dirty bomb”). Why that did not and will not happen in Japan, further below.
In order to control the nuclear chain reaction, the reactor operators use so-called “moderator rods”. The moderator rods absorb the neutrons and kill the chain reaction instantaneously. A nuclear reactor is built in such a way, that when operating normally, you take out all the moderator rods. The coolant water then takes away the heat (and converts it into steam and electricity) at the same rate as the core produces it. And you have a lot of leeway around the standard operating point of 250°C.
The challenge is that after inserting the rods and stopping the chain reaction, the core still keeps producing heat. The uranium “stopped” the chain reaction. But a number of intermediate radioactive elements are created by the uranium during its fission process, most notably Cesium and Iodine isotopes, i.e. radioactive versions of these elements that will eventually split up into smaller atoms and not be radioactive anymore. Those elements keep decaying and producing heat. Because they are not regenerated any longer from the uranium (the uranium stopped decaying after the moderator rods were put in), they get less and less, and so the core cools down over a matter of days, until those intermediate radioactive elements are used up.
This residual heat is causing the headaches right now.
So the first “type” of radioactive material is the uranium in the fuel rods, plus the intermediate radioactive elements that the uranium splits into, also inside the fuel rod (Cesium and Iodine).
There is a second type of radioactive material created, outside the fuel rods. The big main difference up front: Those radioactive materials have a very short half-life, that means that they decay very fast and split into non-radioactive materials. By fast I mean seconds. So if these radioactive materials are released into the environment, yes, radioactivity was released, but no, it is not dangerous, at all. Why? By the time you spelled “R-A-D-I-O-N-U-C-L-I-D-E”, they will be harmless, because they will have split up into non radioactive elements. Those radioactive elements are N-16, the radioactive isotope (or version) of nitrogen (air). The others are noble gases such as Xenon. But where do they come from? When the uranium splits, it generates a neutron (see above). Most of these neutrons will hit other uranium atoms and keep the nuclear chain reaction going. But some will leave the fuel rod and hit the water molecules, or the air that is in the water. Then, a non-radioactive element can “capture” the neutron. It becomes radioactive. As described above, it will quickly (seconds) get rid again of the neutron to return to its former beautiful self.
This second “type” of radiation is very important when we talk about the radioactivity being released into the environment later on.
I will try to summarize the main facts. The earthquake that hit Japan was 7 times more powerful than the worst earthquake the nuclear power plant was built for (the Richter scale works logarithmically; the difference between the 8.2 that the plants were built for and the 8.9 that happened is 7 times, not 0.7). So the first hooray for Japanese engineering, everything held up.
When the earthquake hit with 8.9, the nuclear reactors all went into automatic shutdown. Within seconds after the earthquake started, the moderator rods had been inserted into the core and nuclear chain reaction of the uranium stopped. Now, the cooling system has to carry away the residual heat. The residual heat load is about 3% of the heat load under normal operating conditions.
The earthquake destroyed the external power supply of the nuclear reactor. That is one of the most serious accidents for a nuclear power plant, and accordingly, a “plant black out” receives a lot of attention when designing backup systems. The power is needed to keep the coolant pumps working. Since the power plant had been shut down, it cannot produce any electricity by itself any more.
Things were going well for an hour. One set of multiple sets of emergency Diesel power generators kicked in and provided the electricity that was needed. Then the Tsunami came, much bigger than people had expected when building the power plant (see above, factor 7). The tsunami took out all multiple sets of backup Diesel generators.
When designing a nuclear power plant, engineers follow a philosophy called “Defense of Depth”. That means that you first build everything to withstand the worst catastrophe you can imagine, and then design the plant in such a way that it can still handle one system failure (that you thought could never happen) after the other. A tsunami taking out all backup power in one swift strike is such a scenario. The last line of defense is putting everything into the third containment (see above), that will keep everything, whatever the mess, moderator rods in our out, core molten or not, inside the reactor.
http://anond.hatelabo.jp/20110314030613
へ続く
別々のものは別々のものであるから、それを同一視するのはナンセンスであるというのは自我に基づくものであって、他我の存在を無視していることに繋がる。
正直に言うと、この一行を正しく理解できている自信がないのですが
つまり、『「別々のものは別々のものである」という解釈は、主観的な解釈である』（他我の解釈を無視している）ということでしょうか
また、貴方が最終的に仰りたいのは、恐らく『自我と他我との断裂は埋め難く、それ故にレッテルと自己の内面との差異を言語によって証明することは不可能なのではないか？』ということなのだと私には思われました
もしそれが貴方の問いたい内容なのであれば、私はこう答えます。「実に全くその通りだと思います」
しかし、そう思うのと同時に、とある言説において反論が可能であるように思います。
というのも、それは『自我とはそもそも言語化するべきでないものなのだ、あるいは自我とは言語化できない存在なのだ』という言説です。
すなわち『レッテルを貼るという行為における地平を超越した地平に、自我は存在するのであり、そもそもそのようなことを証明する（レッテルを否定する）必要はないのだ』という言説です。
さてこの言説に則って更に反論を進めるとすれば『何故自己はレッテルの地平を超越していると言えるのか』ということに対して証明が必要です。
しかし前提として、このことの（言語による）証明は不必要であると先に述べてしまったので、証明そのものがナンセンス化しているのですが、しかし敢えて説明を行います。
関係性の地平は、実在性の地平、つまりレッテルの地平を超越しているといえます。
というのも、関係性とは『ものとものの間にあるもの』なのです。
では、どのようにして『関係性であるところの自己は、実在性（ものの地平）を超越しているのか』についてですが……これについては私も勉強中なので確たる答えが返せません！ しかし敢えて言うならば、我々の自己意識（自我）が、ある単独なもののみによって構成されることでは、存在し得ないからだ、ということが言えるでしょう。
というのも、ある単独のもののみで構成されている世界には、存在理由がありません。
このように断定することができるでしょう。（ライプニッツのモナドロジーは否定されるべきだと私は思います）
存在する理由（存在における『How、及びWhyという双方の質問に対する説明としての理由』）がないのに物事は存在できません。
すなわち、自我が存在する方法としては、ある単独のものを用いるだけでは不十分なのです。
そして、相補的な二つのものにおける関係性としてでしか、人間の自我は存在できないのでしょう。
グーグル面接を取り入れている日本企業の就職面接の馬鹿馬鹿しさについてなんだが、まぁ俺の意見をきいてくれ。
Who（誰が） What（何を） When（いつ） Where（どこで） Why（どうして）How（どのように）したのか
だ。
誰が、何を、いつ、どこで、どのように、はいいんだ。事実の指摘だ。
問題はどうして、だ。
そいつも犯行を認めていて、おとなしく供述しているとするわな。
「どうして殺した？」と聞いて、まぁ犯人が
「あいつからの苛めに耐えられなくなって」と言ったとしようや。
「苛めなんてよくあること、他にも苛められている人は大勢いるけど、その人達が全員相手を殺しているかというと、そんなことはない。犯人はどうして相手を殺すまでいっちゃったのか？」
と話を続けるけど、この「どうして」は意味が変わってしまっているのが解るか？
犯行の直接の動機「どうして」は、あくまで「苛めに耐えられなくなって」なんだよ。
嘘言ってないか？本当に苛められていたのか？他にも動機がなかったのか？というのならおかしくないが、
認めた上で更なる「どうして」をぶつけるのは、報道の基本を逸脱しているんだが、連中は逸脱と思ってないわけだ。
これをグーグル式就職面接に当てはめてみると、求職者が想定しているのは
まず「あなたを雇うことで我が社が得られる利益利点は？」であり、
次に「あたなはどんな人？自己紹介ｷﾎﾞﾝﾇ」なわけだ。
就職面接の場ってのは、その求職者の答えが本当なのか嘘なのか、
求職者自身は本心でも客観的に当たりか外れかを判断するところなのに、
「地頭力を見ています」「身近な話題を数理的に見ることが出来るか見ています」「ストレス耐性を見るテストです」...
てのが、就職面接の意義から逸脱してるのが理解出来てないんだよね。
「地頭力を見ています」以下略のことを本心から思っているのなら、その思考パターンを持っていることになっている
既職者達がその思考パターンでどれだけ仕事を成功させているのかの実績を、普段からアナウンスしてるはずだろ。
面接官は効果があると思っている。
なんの効果だ？面接官が採用を決めた人物に対して、その後何か責任をかぶること、あるのか？
あるとしたら求職者の嘘、それも見え見えの嘘を見抜けなかったときくらいしかないだろ。
と同じ事だと思ってるんだろ？
もっと素直になれよ。
http://twitter.com/nofrills/status/19987860905
RT @when_we_cry: ヒアリングできないのに癒されてしまいますたｗ
QT @nofrills: 男は…何故クリスチャン・ショップに強盗に入ろうと / BBC… http://htn.to/psJAkf
すげー聞き取りにくいのでヒアリングの練習してみたw === 向こうのカウンターで強盗開始 === M: OK. Scared? F: No-no? M: OK M: (何か指示したっぽい？ここは正直さっぱり判らなかった) === 神の名の下に反撃開始 === F: You know what? <- 意を決して説得開始（以後の頻度から口癖かね） F: I know you can do whatever you want with me. F: But we can talk with yourabout the Jesus like I. あなたの状況について神を前に話しませんか ＃ Jesus and I でいいのか？ M: A what? えっ ＃他にどう訳せというのか・・・ F: The Jesus like I. Before you leave. M: ...God bless you for that. ・・・あなたは良い人だ ＃「えっえっー」と訳したい気持ちで一杯です === 男、言い訳モードに突入 === F: I'm Christan and... M: So am I and I have to say I hate doing this. F: I know. M: I do. I-I, OK, I'm embarassed for doing this. But I have no choice. 俺だってキリスト教徒・・・だけどどうにもならないんだ（涙 ＃つかどんだけアメリカでは宗教は重たいんですか === 女、主導権を握る。この時点でもう男は撃てない === F: Ah...I'm the one charge. ...and...never havn't haven't looking before. ＃「ここは私が責任者（なので話ができるし）、別の方法を ＃ 一緒に考えない？」と提案始めたが割り込みもあり尻切れトンボに F: You know what? You wonk(?)? ＃これわからん F: You have beatiful life(?). You don't need to... 他にも道はあるわ！人生を大切にして！ ＃と訳しては見たものの、聞き取れる言葉からだと意味が出せない M: How about making a quarter. 頼むよ ＃ 「慈悲のカケラもない==no quarter」の応用と思われる === そして説得の王道へ === F: You know, you don't need to get difficulty(?)...find a way better for you ...for everyone out there. あなたがこんなに苦しむ必要ないはずよ！もっと良い方法を 見つけましょう・・・ね？ F: I'm not blaming you or not judging you...don't know what you're going through, but all of us are going through a hard time right now... ...very hard time right now. あなたのせいとかそういうんじゃないの。 何があったのかは判らないけど、大変な時期なのよ。みんな本当に苦しいの。 M: XXXXX police(?) are pleased to do anything to anybody up in the street. Never had time like this before. あいつら何でもやっていいと思ってるんだ・・・こんなのは始めてだよ・・・ ＃ついに心を許し愚痴る男。しかし事情不明なのでなんのことかわからない === 驚愕の事実発覚と怒涛の進行 === F: You know what. I can try to help you. Try to find a job. I have lot of friend in charge. 仕事とか、見つけられると思うの。たくさん知り合いがいるの。 M: I have a job. いや仕事はあるんだ F: You do? Then why you're doing this? ＃「な、なんだってー」と翻訳したい気持ちで(ry M: Because I might be depicted if I don't come up with $300. ＃んーとわからん。明日までに$300ないと裁判沙汰とか収監されるとかかなー？ === リア充の口撃がぐさぐさ === F: You mean you don't have any friend that could borrow you? M: I'm sorry for doing this to you. F: You don't have any friend that could borrow you the money? えー、金を借りれる友人がいないのは小学生までだよねーキャハハー ＃・・・なんて酷いことは言ってません。言ってませんが、 ＃この時点で発砲する奴はいるはず === しかし切羽詰った男も最後の説得を試みる === M: I spent last 3 days trying to do that. M: Look, I know that you have to call the police. I know that you have to do what you have to do. M: I'm not really good at these stuff.... M: There's no money in the store?... Can you show me... わかってる、わかってるんだ・・・もう３日も走り回ったんだ・・・ でもお願いだから！ === 新たな驚愕。そして男の後悔 === F: That all we have. We only keep these for change. ごめんなさい・・・おつり分しかないの・・・ M: You own the store? ここ、あなたのお店？ F: No. M: You don't own the store. あなたの店じゃないんだね（ほっ）＃（じゃあお金だけは・・・） F: I'm the manager. I'm, the one who take care of anything. Anything that happens. 店長なの。店のことは全て私が ＃「全て」が伏線だとは男は予想だにせず M: Then it wouldn't be hurting you. I'm sorry. I have to take it with that. I'm sorry. 会社の金なのなら・・・すまない、貰っていくよ・・・ F: They will ...charge me for it. でも私が・・・払うの・・・ M: They will charge you for it...!? ＊驚愕＊ あなたが・・・！？ ＃「な、なんだってー 」。男、迷惑をかけた反省の念で心が一杯に ＃ つか雇われ店長にこれは酷くないか。They vs Us で男女一体となった瞬間 F: I'm the one responsible. Nobody comes here. I'm the one to deposit the money. I'm the one to order. ＃先の「全て」の伏線がここで回収完了。無限責任社員・・・ === 反省、そして撤退 === M: I don't...I didn't mean to do that to you. I'm sorry. そ、そんなつもりじゃなかった。すまない。申し訳ない・・・。 M: I understand you still have to call the police. け、警察呼ばなきゃいけないのも判ってるから。 ＃相手が優しすぎて通報しなかったらまずい立場になることを ＃考えて、気を遣ってわざわざフォロー。これはなかなかできない。 F: You know... you don't need to do that. M: I'm sorry, I'm sorry. God bless you. F: You know Jesus! He can help you! He can change your life! M: God bless you. F: Jesus helps you! He can change your life! 「こんな・・・こんなことしなくてもよかったのに！」 「すまない。本当にすまない」 「キリストに縋りなさい！助けてくれるから！変えてくれるから！」 「ありがとう、ありがとう」 「助けてくれるから！変えてくれるから！」 F: Go back to church! F: Find a job! Get real friend from church! F: Talk to a path(?) that can pray for you! ＃だめだ・・・日本語にすると現実感のない話になって訳せない
http://twitter.com/hosodamamoru/status/16212042862]
見た次の日に、ディズニーが超ひさびさに作った2Dアニメ「The Princess and the Frog（邦題：プリンセスと魔法のキス）」について、ジョン・ラセターが話してるのをPodcastの英語教材で聞いた。
のでちょっと書き起こしに挑戦してみた。
When I was up at PIXER, when the studios down here(LA), all the studios decided that they were not going to do hand-drawn animation any more. It broke my heart. Because never in the history of cinema has a film been entertaining to an audiens because of its technology. It's why you do with the technology.
And I really felt like they were blaming for performance of the movies on that it with hand-drawn as a pose to computer animatnion.
So when a merger(merged) of Disny with PIXER happened, I returned to the Disny studio with a very first dicidion it may was we gonna bring back hand-drawn animation.
けどすいません、ちゃんとヒアリングできてない。いろいろ違ってると思います。。。でも多分最初のところはだいたい合ってる……と思うです。
私がピクサーにいた時、このへんのスタジオがみんなこれ以上手描きのアニメは作らないと決めていたのは悲しかったよ。だって、映画の歴史上、観客をそのテクノロジーによって楽しませた作品は決してなかった。だから（あくまで）テクノロジーは“共に”あるべきなんだ。
目的じゃないんだ、というふうに読みました。
ソースはこちら：
http://www.eslpod.com/website/show_podcast.php?issue_id=8700327]
Multilevel Marketing Plans
Produced in cooperation with the North American Securities Administrators Association
November 1996
Multilevel marketing plans, also known as "network" or "matrix" marketing, are a way of selling goods or services through distributors. These plans typically promise that if you sign up as a distributor, you will receive commissions -- for both your sales of the plan's goods or services and those of other people you recruit to join the distributors. Multilevel marketing plans usually promise to pay commissions through two or more levels of recruits, known as the distributor's "downline."
If a plan offers to pay commissions for recruiting new distributors, watch out! Most states outlaw this practice, which is known as "pyramiding." State laws against pyramiding say that a multilevel marketing plan should only pay commissions for retail sales of goods or services, not for recruiting new distributors.
Why is pyramiding prohibited? Because plans that pay commissions for recruiting new distributors inevitably collapse when no new distributors can be recruited. And when a plan collapses, most people -- except perhaps those at the very top of the pyramid -- lose their money.
The Federal Trade Commission cannot tell you whether a particular multilevel marketing plan is legal. Nor can it give you advice about whether to join such a plan. You must make that decision yourself. However, the FTC suggests that you use common sense, and consider these seven tips when you make your decision:
Avoid any plan that includes commissions for recruiting additional distributors. It may be an illegal pyramid.
Beware of plans that ask new distributors to purchase expensive inventory. These plans can collapse quickly -- and also may be thinly-disguised pyramids.
Be cautious of plans that claim you will make money through continued growth of your "downline" -- the commissions on sales made by new distributors you recruit -- rather than through sales of products you make yourself.
Beware of plans that claim to sell miracle products or promise enormous earnings. Just because a promoter of a plan makes a claim doesn't mean it's true! Ask the promoter of the plan to substantiate claims with hard evidence.
Beware of shills -- "decoy" references paid by a plan's promoter to describe their fictional success in earning money through the plan.
Don't pay or sign any contracts in an "opportunity meeting" or any other high-pressure situation. Insist on taking your time to think over a decision to join. Talk it over with your spouse, a knowledgeable friend, an accountant or lawyer.
Do your homework! Check with your local Better Business Bureau and state Attorney General about any plan you're considering -- especially when the claims about the product or your potential earnings seem too good to be true.
The FTC also publishes: Wealth-Building Scams; Business Opportunities: Avoiding Vending Machine and Display Rack Scams; Work-at-Home Schemes; Franchise and Business Opportunities; and A Consumer Guide to Buying a Franchise. For a free copy of these brochures or a copy of Best Sellers, a complete list of the FTC's consumer publications, contact:
Federal Trade Commission
(202) 326-2222
Where to Complain
You may send questions or complaints to:
Correspondence Branch
Federal Trade Commission
Although the FTC cannot resolve individual disputes, the information you provide may indicate a pattern of possible law violations requiring action by the Commission.
You also may want to contact the National Fraud Information Center (NFIC), a project of the National Consumer League, at 1-800-876-7060, 9 a.m. - 5:30 p.m. EST, Monday - Friday. The NFIC is a private nonprofit organization that operates a consumer hotline to provide service and assistance in filing complaints. NFIC helps the FTC and the state Attorneys General by entering complaints into a computerized database to help track and identify fraud operators.
和訳は以下のページ。
http://www.ne.jp/asahi/kato/logos/ftc-mlm.htm
It`s actually the first time I have written to Japanese pases.
My old brother who have been in Japan for long time introduced here to me.He said that I can write my diary right?
Anyway,I`m gonna write about my short trip for Japan.
I myself was wishing to going to Japan because my ex-girlfriend was Japanese and she always told me about "fantastic Japan".In fact in Japan I could have many fantastic experience,very polite servise in even McDonald,an a train that`s time is accurate,so fashinable people,and brabrabra.
However, the reason why I write here about my trip is not to just praise abou Japan.I wanna say something to you gays.Why do you be so surprise when we "foreigner" use chopsticks well? why do you gays be happy when we speak easy Japanese just like "KONNICHIWA"?
Why you call me American before you ask me where my birthplace?
I and some foreigner who come to Japan study about Japan and Japanese because for Love ,but many Japanese think that we do not know about Japan at all.
So please realise that we are not Idiot.We try to understand Japanese culture,Japanese custom,Japanese language.Please just treat us as your friend.
Yesterday I am going to leave here.I could have a lot of special experience.I became much like here than before.But I couldn`t make any friend.
Next time,I wanna make some friend here so please not to treat a foreigher as a foreigher.
Japanese Yakiniku is the most delicious food for my life so far.
わたしが出かけた少しの間にいきをひきとりました。
側にいた家族が気がつかないほど安らかな最後だったようです。。。
The Next Place
By Warren Hanson
Will be as peaceful and familiar
And a sweet, untroubled mind.
And yet . . .
It won't be anything like any place I've ever been. . .
Or seen. . . or even dreamed of
In the place I leave behind.
I won't know where I'm going,
And I won't know where I've been
As I tumble through the always
And look back toward the when.
I'll glide beyond the rainbows.
I'll drift above the sky.
I'll fly into the wonder, without ever wondering why.
I won't remember getting there.
Somehow I'll just arrive.
But I'll know that I belong there
Than I have ever felt before.
I will be absolutely free of the things that I held onto
That were holding onto me.
Will be so quiet and so still
That the whispered song of sweet belonging will rise up to fill
The listening sky with joyful silence,
And with unheard harmonies
Of music made by no one playing,
There will be no room for darkness in that place of living light,
Where an ever-dawning morning pushes back the dying night.
The very air will fill with brilliance, as the brightly shining sun
And the moon and half a million stars are married into one.
The next place that I go Won't really be a place at all.
There won't be any seasons --
Winter, summer, spring or fall --
And the seconds will be standing still. . .
While hours hurry by.
I will not be a boy or girl,
A woman or man.
I'll simply be just, simply, me.
No worse or better than.
My skin will not be dark or light.
The body I once lived in
I will be without a flaw.
I will never make one more mistake,
Or break the smallest law.
And the me that was impatient,
Or was angry, or unkind,
Will simply be a memory.
The me I left behind.
There is not a single thing
I have collected in my life
That I would ever want to bring Except. . .
The love of those who loved me,
And the warmth of those who cared.
And magic that we shared.
Though I will know the joy of solitude. . .
I'll never be alone. I'll be embraced
By all the family and friends I've ever known.
Although I might not see their faces,
All our hearts will beat as one,
Will shine brighter than the sun.
I will cherish all the friendship I was fortunate to find,
All love and all the laughter in the place I leave behind.
All these good things will go with me.
They will make my spirit glow.
And that light will shine forever In the next place that I go.
ttp://blog.livedoor.jp/himasoku123/archives/51454026.html
※ Newsweek記事、「Appleはなぜ日本企業ではないのか？」にみる日本論
Newsweekの記事”Why Apple Isn’t Japanese”が面白い。これは、しかし、Appleに
ついての記事ではなく、デジタル革命での敗戦の色濃い日本企業についての記事である。
iPodやiPhoneで世界を席巻するApple。だが、小型電化製品の市場というのは、本来、
日本企業が得意だったハズ、それがデジタルになった瞬間に、なぜ日本企業は太刀打ち
できなくなってしまったのか。
20世紀最後期にNTTドコモがiモードの成功を世界展開しようとして失敗したのはなぜか。
それは、iモードの操作が、日本以外では受け入れられなかったからであり、それは、ドコモ
の首脳陣に日本人しかいなく、世界マーケットの人々が何を欲してるか理解できなかった
からだ、とする。
ソニーのデジタル音楽シーンでiPodの独走を許したのは、自社グループ内の音楽セクション
に配慮して、複雑なライツマネジメント機構を導入したことが原因と指摘。
「ドコモは、いまや減少傾向に転じた日本の国内市場に囚われ、動きの早いライバル企業に
シェアを奪われることを座して見ているしかない。世界マーケットへ転じることが唯一の希望だが、
企業文化の視野の狭さと想像力を欠いたマネジメントによってそれも果たせないでいる」。
3年前には、ノキアの市場価値の10倍あったドコモは、いまではノキアの半分の価値しかない。
『ザ・コーヴ』狂想曲 海外メディア・関係者・監督を直撃！（後編）
http://www.cyzo.com/2010/03/post_4071.html
の一部を英訳したよ★！
あとは頼んだぜ！
^^^^^^^^^^^^
== What was the production intention of the movie?
I wanted to change the world.
It's not just a movie to pay $10 and have fun.
Both dolphins and Japanese will be happy with this.
== You don't eat dolphins. But how about other creatures like fish ?
There was a time I did not eat them.
But, without meat my body lack energy.
So, I now eat some.
== Don't you need to eat fish and animal to gain energy ?
I mainly eat small and short living fish like sardine.
It's in the bottom of the food chain.
Long living fish contains liquid silver.
== I am not asking about the liquid silver problem. I am asking about the need to eat animal and fish, and the food culture.
Ideally speaking, I would like to be a vegetarian.
But I do not have that strong will.
(snip.)
== You say that killing dolphins are cruel. Don't you eat cows and pigs ?
In '86, I went to the slaughterhouse, and after that I could not eat cows and pigs.
I do not ask my wife and kids to stop eating them, and I do not ask Japanese to stop eating them too.
== Does that mean that you stopped eating not because it is cruel, but it makes you feel sick ?
I am a vegetarian. I do not eat animals that walk.
(snip.)
== In your movie, you keep telling that the Japanese government hides information about liquid silver. But the Health, Labour and Welfare Ministry of Japan has the data about 60 types of fish out into the open.
It also saids that it could have influence to expectant mother.
It was repored by the news, and was much discussed.
But I do not trust that numerical value.
In our research, the numbers are much higher.
== I am not talking about the numbers. I am asking about the description, hiding, that you are repeatedly using in your film.
The government releases the data, but on the net, people will not see it, and the numbers are not correct.
(snip.)
== You entered into a restricted area for filming. And you also did a secret filming while you talked with the police. Don't you have a law-abiding spirit ?
If I secretly film the savagery in Auschwitz, will I be blamed ?
== I am not talking about Auschwitz. I am talking about Ohtacho.
I think it's in the same range.
Many people must know this.
(snip.)
Original Story : The Cove madness (Written in japanese)
http://news020.blog13.fc2.com/blog-entry-339.html
^^^^^^^^^^^^
Wonder why he didn't go to Europe for filming.
http://www.youtube.com/watch?v=LU640t7VjK8
Canada's Seal Slaughter
http://www.youtube.com/watch?v=D2dYNLwtRkc
どこの話なんだろうか？
「Kim Yu-Na」で検索して昨日のことに関するいくつかの記事を探した。次の四つの記事を見つけた。
しかし一番目のサイトでふれられているぐらい。
But at least one veteran skater, former Canadian medallist Elvis Stojko, suggested that Kim's marks were too high. He noted that Asada had successfully landed a triple Axel - she's the only woman who executes them regularly in competition - and got fewer marks than Kim's easier triple Lutz.
The argument is similar to the one over whether American Evan Lysacek should have won the gold medal without having landed a quad like his competitor Evgeni Plushenko.
"Yu-Na Kim is way too far ahead. I don't agree with that," said Stojko. "She skated great. Don't get me wrong, she's awesome. But for Mao to do an awesome triple Axel like that, a triple [Axel] is worth way more than a triple Lutz, triple toe."
http://www.ctvolympics.ca/figure-skating/news/newsid=50985.html
でもコメントでは批判されている。
Stojko is WRONG again! I can't believe how he's embarassing himself with his commentary. Asada's triple Axel-double toe combo is worth LESS than Kim's triple Lutz-triple toe combo. In fact for the GOE(Grade of Execution), Asada only received .60 extra for ther opening combo last night whereas Kim received 2.00 bonus for her's.
triple axel itself does have higher score than triple lutz, but Mao combined it with double toe loop while Yuna Kim's combination was triple-triple. And she executed it way better than anyone else. Just doing one difficult jump doesn't make a great skater. How you do it also matters. Yuna Kim's program is higher difficulty overall, therefore has higher basic score than anyone else's program. And she got higher execution mark for the quality. If Stojko wants to see more jump, he can go to Cirque du soleil. Stop insulting a quality program and great effort of other athlets.
hohoho323
まじめに全部読んだ訳じゃないから絶対という訳ではないけど、コメント欄でStojkoの意見に賛成する人はいなかったはず。他の記事では不当に得点が高いと書かれていなかったはず。
ただ外国の２ちゃんねるのようなところでは違うかもしれないと思って、4chanを見てみたのだが全く話題になっていなかった。そこでずばり「Kim Yu-Na bribe（＝賄賂）」でググってみた。で、見つけたのがこれ。
Korean newspapers report on the internet proxy wars that are going on between Japan and Korea, through Kim Yuna and Asada Mao.
http://www.newdaily.co.kr/html.....41244.html
http://news.chosun.com/site/da.....p;Dep3=top
These describe how Japanese netizens are behaving. Some were noted for their wishing and rambling “fall fall, roll over, fall fall, trip and fall and roll over” during Kim Yuna’s performance. Once Kim’s score was announced, the Japanese internet sites exploded with comments of Koreans bribing the judges and buying the competition. The report in Chosun’s article noted how Korean netizens were taking the high road.
This is why I don’t watch nor care about this sports. Not only is it boring to watch, the overt nationalism on both sides of the sea dirties up the sports.
http://www.rjkoehler.com/2010/02/24/kim-yu-na-scores-world-record/
どちらかというと日本のネチズンを批判するもの。まぁ、韓国系のブログだから不正採点とか騒いでいる人たちには意味がないけど。日本系のだと見つからなかったけど、去年のものがあってそれが興味深かった。去年というか半年ぐらい前にもあったのかという点に驚き。２ちゃんねるも知ってるブログなのだけど、コメント欄ではあきれられてる。
I must agree with you that some of the feuds between Korea/Japan/China indeed stem out of pure hatred and unjustified bias, resulting in posting videos like this that are obviously made of 100% malicious intent.
fracturedcow
Nationalism is a form of brain damage.
William George
個人的には日本の一部のネチズンが世界的に迷惑をかけて申し訳ないと感じる。
キムヨナの不正が疑われているってどこの話なの。
緊急案件でもないが、以下を考えてみる。
結局、ポンキッキは開いたんですか？
……私は疲れているのか？
憑かれて……いや、疲れている。だからこんな事を考えるのだ。
さて、はてブでは、説得力のあるコメントはあるものの、文字数が決まっているせいか、決定打は出ていないようだ。
そこで、就活が大詰めの人もいるだろうが、この命題は、5W1Hを使いたい。
つまり、
ニュース記事の最初の段落はリードと呼ばれる。ニューススタイルの規則では、リードには以下の「5W」の多くを含むべきとされている。すなわち、
Who（誰が） What（何を） When（いつ） Where（どこで） Why（どうして）したのか。
である。しかし日本においては、「5W」にさらに下記の「1H」を含む「5W1H」であるべきであるとされる。
How（どのように）
で考えた方が明確ではないかと愚考したまでである。
では、私なりの回答を下に書いていこう。
問い:Who（誰が）?
Wikipediaによると、
『ポンキッキ』の名の由来にはさまざまな説や噂があるが、この語に特に意味はなく、公募により幼児にとっての発音しやすさから採用された造語である（幼児の発達段階においてはP＝破裂音で始まる言葉が最も発しやすい語とされている）
とある。
また、由来は以下のようである。
なお、かつてフジテレビ系『なるほど!ザ・ワールド』にて出題された問題で「『ポンキッキ』の名の由来」を問うものがあり、正解は「当時のフジテレビ社長の浅野賢澄（元郵政省事務次官）は小説を書くのが趣味で、自作の小説内に登場させた『ポンキッキ博士』の語呂が良かったので、そのまま番組名に採用した」と社長本人が出演して語られていた。
要するに「ポンキッキ」とは幼児に発してもらいたい言葉ということだ。つまり、「開く」のは幼児であり、それを望んでいるのは、「番組名の命名者と認定者（当時のフジテレビ社長の浅野賢澄（元郵政省事務次官））」になる。
問い:What（何を）？
答え:不明。理由は下を参照。
問い:When（いつ）？
答え:不明。理由は下を参照。
問い: Where（どこで）？
答え:不明。理由は下を参照。
問い: Why（どうして）？
答え:不明。理由は下を参照。
問い:How（どのように）？
答え:不明。理由は下を参照。
「ポンキッキ」に意味がない以上、開くもの（What（何を））が「ポンキッキ」なのかも知れないし、「サンスクリット語で「胡麻＝ポンキ」がポンキッキの由来」という説が流れた通り、「ポンキッキ」が呪文か何かであり、開くための手法（How（どのように））なのかも知れない。そう考えていくと、『「ポンキッキ」だから開いてくれ！』という理由（Why（どうして））なのかも知れないし、「今何時（なんどき）だ？」「ポンキッキ！（When（いつ））」なのかも知れないし、RPG的に「そしてポンキッキ（Where（どこで））の大地が開かれた」ということなのかも知れない。いずれにせよ、意味がない以上、不確定である。
結局、ポンキッキは開いたのか？
「不定」
がもっとも的確な答えではないだろうか。
ただ、個人的に思うのは、最初は意味のなかった言葉でも、一人一人、自分なりの「ポンキッキ」があるのではないかということだ。（なぜかいい話になっている）
要するに、
「あなたにとってポンキッキとなんですか？」
という問い自体が答えなのである。
それは、幼児の言葉にならない言葉、幼児の成長を見守る親たちの思い、制作者達の気合いなどの心の叫びなのではないだろうか？
ささやき えいしょう いのり ねんじろ！
「ひらけ!ポンキッキ」
さて、次の課題に移ろうか。
「セーラーふくはもってかれたのか？」
これは弟のことなのだが、朝のコンビニで起こったことである。
弟はコンビニで朝食を購入しようと急いでいたらしいのだが、その時の弟の対応が店員の気にくわなかったらしく、
「こんな対応をされた。もう仕事が続けられない……etc」と店員が店長に言い、弟は制服を着ていたので学校側にクレームが来たそうだ。
「謝罪をして欲しい」と
そして、顧問はコンビニに赴き、事実の確認に行く。店長、店員、顧問が立ち会い、「こんな風だったんですね？」とやったそうだ。
その時には監視カメラで弟の様子を顧問が確かめたらしい。それを事実だと確認した顧問は弟に単身謝罪をさせに行った。
こんなところである。ここでおかしいと思うのが、コンビニと学校の対応である。
コンビニが学校に言うのはわかる。だが、学校が保護者への連絡も無しに未成年者を
一方的な検証の後に、謝罪させるのはいかがなものかと思う。
監視カメラの件も、弟本人がいない状態であるのに開示して良いものか？
せめて、保護者立ち会いのもと話し合いが行われるはずではないのか？
学校側のもみ消しを感じるのは置いておき、店員がこういったからと店長がすぐさま、
せめてこちら保護者側としても説明が欲しいと思う。
コンビニは学生が特に多い時間で弟一人にそこまでひどい対応をされたのか？
お札の渡し方がなっていなかったから謝罪しろ。というものいかがなものかと思う。
面と向かって言ったならともかく、本人が憶えていない、器物損壊が無し、
監視カメラも、顧問が言うには、「ふてぶてしい顔をしながらお札を乱暴に渡した」ポーズまでを、
見ておきながらも、暴言を吐いているところは見ていないし、
混雑時に聞こえるほどの声ならば、同僚店員または店長が気付くはずで、言質が取れていない。
なんかなー、一方的に謝って納得がいかないな。とりあえず本社に電凸するが。
簡単に言うと、
・店員
商品を支払う際に、弟はお札を放り投げて会計を済ませた。
その後に悪態をつき、店を後にした
→仕事が続けられない！
・弟
学生が多く登校ラッシュで購入待ち。遅刻しそうであり、急いでお札を渡した
悪態をついた憶えはない。少なくとも面と向かって言うはずがないし、記憶がない
→Why?
・顧問
クレームがきたぞ。やったのか？
監視カメラ見たぞ
→謝ってこい
この「謝ってこい」時点で責任の放棄をしているね。
ここで 学校－コンビニ のお話だったものが コンビニ－弟 になったわけだ。
とりあえず、なんか納得がいかないから文字で発散する。匿名で書いてみることにした。