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はてなキーワード: wasとは
This means Timeline, the reverse-chronological display of a user's history on Facebook and other life events, which replaces and combines a user's Facebook Wall and Profile, will become non-optional. No specific date was given, and the language used ("roll out") suggests that the change won't occur on one single date for all users, but that batches of users will be transitioned on different dates.
追記：
先に書いておきますが、前半部分の数字がついてるのは「はしもとのあれ」です。
で、その周りに書いてあることは、みなさんから反応をもらう前に私が思っていたことです。
色々反応を頂いて、自分なりに理解できたつもりにはなったので、そのまま残しておきます。
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よくわかんないので整理
1-1, 個人の意思に反して従軍させられた慰安婦がいたとしたら、周辺諸国に謝罪すべき
1-2, しかし、2007年の閣議決定で個人の意思に反して従軍することを強制された慰安婦が「いたという証拠はない」ということになっている。
1-3, 閣議決定は、政府の公式見解、政府の公式見解は、日本の公式見解
1-4, にもかかわらず、諸外国から従軍慰安婦の件で、過去を反省しないレイプ国家との謗りを受けている状況は国益に適わない。
特に1-2が閣議で決定されているわけで。外野がわやわや言おうと、閣議で再決定なり覆したりしない限り、日本の見解は変わらないよね。
もし、間違いなのだとしたら、閣議なり国会なりで信頼できる証拠、少なくとも国内では確実なものだと言える証拠を提出して議論すべきだよね。
で、件の風俗発言だけど
2-1, 昔は、強制でない買春はどの国にでもあった
2-2, ここでいう買春は国が管理しているものではなく、民間業者や個人
2-3, 買春は当時の感覚では、今ほど拒絶されているものではなかった
2-4, それを戦勝国だからと言って、敗戦国で当時行われていた買春だけを責めるのはアンフェアだ
そして、アメリカの話
3-0-1, 古くはGHQ時代から買春が個人によって行われていた
3-0-2, 沖縄米軍基地の周辺でレイプや暴行事件が後を絶たない。つい最近もあった
3-0-5, 米軍の女性兵士でレイプ経験があるのは30%に達するとの報告があり、問題解決に取り組みはじめたところ
3-1, アメリカは軍の性犯罪問題に真正面から取り組むべきだ
3-3, 日本の法律で認められた風俗産業では買春は認められていない
まとめると、
1, いま、諸外国から責められている、国が管理する従軍慰安婦問題は、少なくとも日本の公式見解として存在しない。
2, 昔は一般的だった問題で日本だけが責められるのはアンフェア
3, アメリカは今までに色々問題起こしてるよね。日本を責める前に問題に真正面から取り組んだら？
ということで。うん、至極真っ当な気がする。
タダの正論だと思うんだ。
で批判だけど、
1-1, 人権云々が「管理売春」の話であれば、大戦時も今もない（ことになってる）ので的外れ
1-2, 性風俗に従事する人たちの人権が、というのなら自由意志でやっていることなので的外れ
1-3, そもそも性風俗に従事している人の人権が、というのならそれは別の問題
2-1, 主張としては正しいと思うけど、じゃあ対案は？3-0-5とかひどいもんじゃない
3-1, うん、安い挑発過ぎるね
4, 維新の会への印象が悪くなる
4-1, うん、そうだね
5, タブーに触れるのはよくない
5-1, なぜ？
6-1, 3に関わる話なら分かる
7, メディアがつまみ食いするの分かってるんだから、もう少し要点をはっきり話せ
というところで。正直、国益を損なう発言であるという以外に問題が見当たらない。
その他の批判はポジショントークだったり、メディアが勝手に切り取った話をつまみ食いしてるだけで。
7が一番の問題な気がするんだけど、それはメディアの問題で。
で、何が、本質的な問題なの？
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１－３から明確な誤りですね。07年3月の閣議決定は辻元氏への答弁で、「いわゆる強制連行」を示す根拠がなかったとはしているが、93年8月の「いわゆる従軍慰安婦問題について」を踏襲することが明言されているもの。
「個人の意思に反して従軍することを強制された慰安婦がいたこと」は政府が公式に認定しているところというのが2007年の閣議決定の内容ですよ。
調査結果中には「業者らが或いは甘言によって、或いは畏怖させる等の形で本人の意向に反して集められるケースが数多く、更に、官憲等がこれに直接加担する等のケース(白馬事件)も見られた
発言では
証拠が出てきたらね、それは認めなきゃいけないけれども、今のところ2007年の閣議決定では、そういう証拠はないという状況になっています。先日、また安倍政権で新しい証拠が出てくる可能性があると閣議決定したから、もしかすると、強制的に暴行脅迫をして慰安婦を拉致したという証拠が出てくる可能性があると
と言っているので、明らかな間違いがあるってことですね。ありがとうございます。
で、まぁ
「当時は必要だった、お前らもやってただろ」と「俺たちが悪かった、でもお前らもやってただろ」の前者を選んだ時点で価値観が露呈。
だし、
http://anond.hatelabo.jp/20130515145914
橋下市長はこの問題に全く関係ない。 別に今大阪市長として何らかの政治判断を求められてるわけでもない。 だったら別に答えなくても良かったのに。
が結論かな。
あざっした。
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途中で飽きました。すみません...
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それはわかるんだけど、きれいごとで世の中が変わるのなら世話ないというのもありますよね…
当事者に倫理観がないからレイプが発生するのだから、というのは論点のすり替えか。
うーん。
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http://anond.hatelabo.jp/20130515154352 が紹介してくれた、
http://www.newsweekjapan.jp/reizei/2013/01/post-514.php
って記事、
日本での慰安婦問題に関する論調にある「狭義の強制連行はなかった」という主張は、裏を返せば「当時の法制や慣行に則した広義の強要はあった」ということであり、要するに「やっていたと堂々と認める」という話に他なりません。これは大変に異様なことです。20世紀に起きた「交戦地帯における兵士相手の管理売春の強要」を21世紀の国連加盟国の政府が「狭義の強要よりは反道徳的ではない」と主張する、それも「大っぴらに主張する」というのであれば、理解される可能性は限りなくゼロに近いと考えるべきでしょう
がかなり腑に落ちた。
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BBCの記事では「慰安婦は必要だった」という歴史認識と「慰安婦への配慮は言葉でいい」という部分が問題視されてたと思うけど。このまとめは的はずれじゃないかな。
http://www.bbc.co.uk/news/world-asia-22519384
Japan WWII 'comfort women' were 'necessary' - Hashimoto
...
Some 200,000 women in territories occupied by Japan during WWII are estimated to have been forced to become sex slaves for troops.
...
He acknowledged that the women had been acting "against their will". He also claimed that Japan was not the only country to use the system, though it was responsible for its actions.
...
"It is a result of the tragedy of the war that they became comfort women against their will. The responsibility for the war also lies with Japan. We have to politely offer kind words to [former] comfort women."
訳されて、中国の反応を付記してるだけで、かなり中立的な気がするけど。
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「軍や官憲によるいわゆる強制連行を直接示すような記述も見当たらなかった」と「個人の意思に反して従軍することを強制された慰安婦が「いたという証拠はない」は全然意味が違うんですがそこは大丈夫なんですかね…
質問（辻元清美）http://www.shugiin.go.jp/itdb_shitsumon.nsf/html/shitsumon/a166110.htm
答弁（安倍晋三）http://www.shugiin.go.jp/itdb_shitsumon.nsf/html/shitsumon/b166110.htm
なお、「いわゆる従軍慰安婦問題について」は以下
http://www.mofa.go.jp/mofaj/area/taisen/pdfs/im_050804.pdf
「従軍慰安婦についての本当の話」
http://www.geocities.jp/ianfu99/
によると、
新聞や雑誌を読むと激しい論争があるように思いますが、では研究者はどう見ているのでしょう？実は慰安婦を研究している人で慰安婦を職業的な売春行為だとしている人はほとんどいません。最初に資料を発見した代表的な研究者である吉見義明と異なる立場をとる研究者は、実際上秦郁彦１人だけです。研究者の間では慰安婦が旧日本軍による犯罪（誘拐・監禁・強姦による性暴力）であることに異論はありません。
とある。
この文章の信憑性がどうとかいう声があるけど、
今日（2013/5/15）の段階で（どうせリンク切れになるのでタイトルのみ）
っていうことになったので、
1-3「しかし、2007年の閣議決定で個人の意思に反して従軍することを強制された慰安婦が「いたという証拠はない」ということになっている。」
ってありえない発言（要約が正しいとすれば）だな。と理解。
談話は以下。
http://www.mofa.go.jp/mofaj/press/danwa/07/dmu_0815.html
http://www.mofa.go.jp/mofaj/area/taisen/kono.html
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はしもとのあれに関しては、もう飽きたのでいいとして、あずまさんのTweetみててあーこれだなと思った。
性風俗やポルノさえ撲滅できない世界で、なぜ慰安婦すなわち兵士対象の売春行為が撲滅できるのかぼくにはよくわからないので、そんなら最初からその前提のうえで話したほうがいいんじゃないですか、ってのがぼくの言いたいことです。慰安婦に日本政府が絡んだかどうかってのはぼく話題にしませんよ。
@hazuma 5月13日
小学生でもわかるように書くけど、個人が性欲をコントロールすることと、集団が性欲をコントロールすることはまったく別。そりゃ個人では禁欲する男もいくらでもいるし、一般市民は普通コントロールしてるさ。でも集団になると必ず一定確率でコントトールできないやつが出てくるんだよ。
それで、戦争とかで若い男性たくさん一箇所に集めたら、そりゃ性処理問題は出るでしょうという話で、それは基本的に通勤電車があると一定確率で痴漢でるとかと同じ。これがどうして「野獣としての男を肯定するマッチョな話」になるのかさっぱりわからん。
要は、若い（中高年も？）健康な男性を多数管理しようとすれば、現実問題として彼らが抱く性欲は考慮しなければならず（会社だって同じでしょ）、そこで各人の禁欲なんかに頼っても暴発は不可避なので精神主義に頼っても意味がないという話なのに、なんでこんな炎上するのかね。よくわからんよ。
@hazuma 5月14日
(1)軍には男性が多い、(2)交戦中の軍は構成員に異常な心理状態を強いる、(3)その結果はしばしば性欲の昂進として現れる、(4)それを目的に売春行為を扱う業者も出現する、(5)以上の(3)および(4)を非倫理的で阻止するべきだと思うのであれば戦争をやらないほうがいい。以上。
@hazuma 5月14日
あと従軍慰安婦問題だけど、これは調べれば調べるほど込み入っている問題でして、ぼくはぶっちゃけ不可知論というか「専門家でもないしよくわからん」という立場です。それは無責任と思われるかもしれないけど、ぼくからすればよくまあみなさん断言できるなという感じ。
そういう認識のうえで、ぼくは、「従軍慰安婦は性奴隷でもなければ招集に政府も関与しないと橋下氏が信じているのであれば、軍と性の必然的な関係について述べた彼の発言自体は問題とするに価しない」と言っているにすぎない。
@hazuma 5月14日
で
もはや事態は「本当のことでも言っちゃいけないことがある」的なかなりくだらないレベルに落ち着いたようだな。
@hazuma 5月14日
か。うん。納得。しかし実名でやるんだもんなぁ。マッチョだなぁ。
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別に議論したいわけじゃなくて、はしもとの問題って「ただしい」ってのがどれだか分かんなくて。
なんか書いたらみんながレス付けてくれて、理解できるかなって思ったのでまとめました。
これを実名でやるほど肝が太くないんです
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おそらく理解してくれないと思いますが、いちおうちゃんと書きます。ぼくが最初に高橋哲哉の名前を出したのは、ぼくのこの歴史認識についての「いいかげん」な不可知論的立場がデリダについてのぼくの研究（と高橋氏の研究の差異）と理論的に繋がっていることを示唆するためです。
20世紀半ばの哲学者たちはおしなべて、世界に真実はない、ものごとは解釈でいくらでも自由になる、と主張してきました。それが行きすぎてソーカル事件が起きたのはご存じのとおり。1990年代からは一気に風向きが変わり、「確かな真実は疑い得ない」がトレンドになります。
デリダといえば脱構築ですが、そんな彼も90年代には新しい方向で再解釈されました。けれどもぼくはその流行に抗して、むしろ「テキストだけではなにも決定できない」という古い主張を擁護した。それがぼくの博士論文ですが、その立場と歴史認識問題へのぼくの立場は密接に関わっているのです。
ぼくは別に、真実が複数あると言っているわけではありません。真実はひとつです。しかし、真実に近づく方法が文書資料しかない場合、そこにはつねに複数の解釈可能性があって、その差異は合理的討議では決して回収できない。これは理論的問題であり感情的問題ではない。
そしてこの問題はネットの出現で深刻になっている。なぜならネットとはなによりも文書の場だからです。ある事件について資料が公開される。そこまではいい。しかしその解釈は、資料が多ければ多いほど拡散し複雑化して、結局肝心の真実は闇に包まれる。歴史認識問題で起きているのはそういうことです。
@hazuma 5月15日
反応をくださったみなさんありがとうございました！
Soon after,
Death approaches the physician,
expressing his anger for tricking him and disobeying Death's rules.
But because the physician is Death's godchild,
he does not punish him. Death then warns the physician that if he was to ever trick Death again,
he will take the physician's life.
Not much later, the king's daughter becomes
ill and the physician goes to see her as well.
The king promises his daughter's hand in marriage and the
inheritance of the crown if the physician cures her.
When the physician visits the princess, he sees Death at her feet. Ignoring this,
he is captivated by the princess's beauty and thoughts of being her husband. The physician then turns the princess so that Death is at her head. He then feeds her the herb.
Just as the princess is coming around,
Death grasps the physician by the arm and drags him to an underground cavern.
In this cave are thousands upon thousands of candles, each burned down to different lengths.
Death explains that the length of each candle shows how much longer a person has to live.
When Death shows the physician his candle, the latter notices that it is very short,
showing that the physician doesn't have much longer to live.
"Hacker News"のコメント欄から気になるものがあったので全訳してみた。
文系からプログラマーの道に入った自分的に、琴線に触れたので。
ニューヨーク証券取引所のとある一企業の株式売買の様子を0.5秒だけ映像化した動画を見た人の感想です。
https://news.ycombinator.com/item?id=5678116
いつだったか、ソースコードを全部印刷したことがあるよ。その時のソースコードはASP、HTML、CSS、Javascriptで、僕の雇い主の最も重要なWebサイトのホームページを1ページ読み込んで出力したんだ。僕は紙を一枚一枚テープで繋いで壁に吊り下げた。
同僚と貴重な意見を交わすことができたね。技術に明るくなかったみんなは（大半はそうだったけど）凄く驚いてたよ。彼らが毎回ホームページをロードするごとに（1秒以内の短い時間で）こんなにも多くのテキストが読み込まれ、実行されることにね。
そんなことをしてどんな意味があったって？プリントアウトしたことが僕たちの会話に一定した感情的な緊張をもたらすのに役立ったんだ。1ページを読む裏で行われてる複雑なことに直に対面したことで"今すぐにやって、簡単でしょう"とプロジェクトに要求することが困難だってわかったんだよ。
同様に、高頻度で取引を行う果てしないスピードと複雑さに焦点をあてたこの話(注: HNのトピックです)も、疎外感や恐怖といった感情的な緊張をもたらすのを助けてるね。"誰もコントロールできない技術の暴力を解き放ったかもしれない"と、反射的にフランケンシュタインやターミネーターと争ったのと同様の契機になるかもしれない。
でも、テクノロジーに対して思慮と公正さをもって対峙すれば、もちろん、そんな気持ちは起きないのだけど。僕らのくだんないパンフレットのようなウェブサイトが行き着く先はそんなに複雑じゃないと思ったよ。
One time I printed out all the code--at that time ASP, HTML, CSS, and Javascript--that got executed for one page load of the homepage of my employer's primary website. I taped the pieces of paper end-to-end and hung them on my wall.
It made a great conversation piece with my coworkers. Non-technical folks (most of them) were astounded that so much text was being interpretted and executed every single time they loaded the homepage (in less than a second).
What was the point? It helped set a certain emotional tone to our conversations. Folks found it a lot harder to demand their project be done "right now, it's easy" when directly confronted with the complexity behind a single page load.
Likewise, stories that highlight the immense speed and complexity of high frequency trading help set an emotional tone of alienation and fear. It helps trigger the same reflex Frankenstein and The Terminator played off of: "maybe we're unleashing technological forces that no one can control."
But of course if you are well and truly versed in a technology, that feeling goes away. I knew that our crappy brochure website was not very complicated as websites go.
後半になるほど、訳が拙くなっていくのは大目にみてください。
たぶん多々あるはずの間違っている箇所、ニュアンス違いは突っ込み大歓迎です。
インフォグラフィックス、なんて言葉ができて久しいけど(今じゃこんなサイトまであるんだね)、
僕が初めてこの言葉を知ったのはウェブではなく、生物学だった。
バイオインフォマティクスについて、東大のサイエンスカフェに聞きに行った時、
この学問は「生物」と「情報」が融合した学問だけど、さらに美術と融合させるような試みも
欧米ではあるんですよ、みたいな話を聞いて、美しく染め上げられた生体写真や幾何学的な何かのノードの写真に
研究成果をこうやって示す方法があるのだと衝撃をうけたのをよく覚えている(...内容は忘れました、すみません)。
そんなインフォグラフィックスは、美術的なセンスと才能と技量が要求されるけど、
ただ単にプリントアウトして見せるだけでも、クライアントを説得するには十分だと
このコメントを読んで、その素朴さにはっとなった。
試しにTwitterのホーム画面でソースコードを見たら、2200行あった。
これにロードされるjavascriptのライブラリやCSSを加えたらどうなってしまうんだろう。
僕は今、テクノロジーの詳細がわけ分からないという普通の人の感覚を抱きながら一方で、
ティム・バーナーズ＝リーがWWWを考案してから積み上げられてきた技術的資産を前に途方に暮れている。
おそらく技術屋として中途半端だから、こんなないまぜな気持ちなのだけど、
A.GoogleのCEOはジョン・マケインに同じ質問をしていたから。
http://www.quora.com/Barack-Obama/How-does-Obama-know-about-bubble-sort/answers/2113736
Because John McCain was asked the same question by then Google CEO Eric Schmidt earlier in the year (May 2007), when he was invited to Google.
,
President Obama's aides noticed that and prepped him for it. President Obama could have gone prepared with a better answer but Dr. Eric Schmidt coulda followed up with a harder question, which is common in interviews for software development or engineering positions. So, he decided to use humor as a response.
Candidates@Google: John McCain
,
ぐらいの、期待を込めてググってみたのにこんな理由が。
アメリカ大統領選の討論やら、インタビューの力の入れようを見ると当然問答集やリハーサルを重ねて
のぞんだんだろうなあ と感心する一方、ちょっと残念な結果に。
wasじゃなくてisってこと？
中学生のころ。アメリカで暮らして。日本に帰ってきたばかり。塾。英語のテスト。"English was XXX in Canada"のXXXを埋めろという問題。正解はspoken。受動態の勉強。そこに"popular"と入れた。×だった。意味的には通じる。実用上も問題ない。ただ、受動態を使うという目的からは外れている。だから×になった。
ところが、母親は納得しなかった。先生に駆け寄った。「なぜ×になったのか」と問い詰めた。うちの息子は海外で暮らしていたのに、ぐらいは言ったかもしれない。頭のよい人だったから、問題の意図を説明されたら、その場は納得したようだった。
家に帰ってから母に言われた。、「貴方は間違っていない。問題が悪い。」同じことを何度か言われた。他の人に言っていた気がする。うちの息子は間違っていないのに、×をつけられたって。
今日、ふと、これを思い出した途端、胸の奥がゾワゾワした。思わずノートに書きだしてみた。心臓がバクバク言い出した。なんだろう。今までずっと、違和感を感じなかった。信じられない。詰まる所「世間は間違っている、正しいのはお前」と母親に言われていたわけ。疑っていなかった。母親に無条件に肯定されていた自分。「貴方が正しい」全く疑っていなかった自分。そういう自分がいた。そのことに気付いた。
訳あって、Windows Server 2008 R2 から IIS をアンインストールして、inetpub フォルダを消して、再度インストール。正常に処理されました、と。しかし IIS は起動しない。WAS というサービスが "ファイルが見つかりません" とエラーになっている。inetpub の中身を確認したところ、AdminScripts と history というフォルダができていない。もう 1 回やってみたけど、こんどは custerr と temp しかできていない。なんだ、この半端なインストール処理は。。念のために最初に保存しておいたinetpubを戻したら、WSA とともに IIS は普通に動き出した。
文科省の専門家会議は、朝鮮学校も基準を満たすとしたが、当時の民主党政権内で異論が出され、「審査中」のまま政権交代に至った。
↓ 日本語をむりやり変換する
文部科学省の専門家委員会が結論した「朝鮮学校は基準をも満たす」。当時の民主党政権内が異論を出した。そして、政権が交代したとき、 彼らは「審査中」を残した。
↓ google翻訳（英日）
The Committee of Experts of the Ministry of Education, Culture, Sports, Science has concluded that "Korean schools also meet the criteria." Democrats in the administration has issued an objection at the time. And when the regime was replaced, they left the "under review."
They insist the excursions, which are endorsed by the Ukrainian Government, are not ghoulish but instead are intended to educate visitors about the human and environmental disaster which occurred on April 26 1986 when reactor 4 exploded of the power plant exploded releasing large quantities of radioactive material into the atmosphere.
Visitors are taken inside the 20-mile exclusion zone are allowed to get to within 300-metres of the reactor itself which is now housed in a concrete sarcophagus and will remain highly radioactive for an estimated 20,000 years.
They also visit the nearby ghost town of Pripyat where most of the power station’s workers were housed at the time of the accident.
The entire 50,000 population was evacuated in the aftermath of the disaster leaving schools, shops and homes locked in a time warp of more than quarter of a century ago.
A bus then takes visitors through the so-called Red Forest, which was virtually completely destroyed after being exposed to massive levels of radiation.
The publication in France of our book Impostures Intellectuelles [1] appears to have created a small storm in certain intellectual circles. According to Jon Henley in The Guardian, we have shown that ``modern French philosophy is a load of old tosh.''[2] According to Robert Maggiori in Libération, we are humourless scientistic pedants who correct grammatical errors in love letters.[3] We shall try to explain here why neither is the case.
Some commentators go farther, attacking not our arguments but our alleged motivations for writing the book. Julia Kristeva, writing in Le Nouvel Observateur, accuses us of spreading ``disinformation'' as part of an anti-French politico-economic campaign[4]; she was even quoted (we hope misquoted) by the Italian daily Corriere della Sera as saying that we should undergo psychiatric treatment.[5] Vincent Fleury and Yun Sun Limet, again in Libération, accuse us of seeking to divert research funds from the social to the natural sciences.[6] These defences are curious: for even if our motivations were indeed as ascribed (and they most certainly aren't), how would that affect the validity or invalidity of our arguments? We have the modest hope that calmer heads will soon prevail among both our supporters and our critics, so that the debate can focus on the substantive content of our book.
Which is what? The book grew out of the now-famous hoax in which one of us published, in the American cultural-studies journal Social Text, a parody article chock-full of nonsensical, but unfortunately authentic, quotes about physics and mathematics by prominent French and American intellectuals.[7] However, only a small fraction of the ``dossier'' discovered during Sokal's library research could be included in the parody. After showing this larger dossier to scientist and non-scientist friends, we became (slowly) convinced that it might be worth making it available to a wider audience. We wanted to explain, in non-technical terms, why the quotes are absurd or, in many cases, simply meaningless; and we wanted also to discuss the cultural circumstances that enabled these discourses to achieve such prominence and to remain, thus far, unexposed. Hence our book, the noise and the furore.
河野談話についての豪政府の発表が物議を呼んでいるので原文見てみた。
原文を読むと何かを再検討にすることについて触れたことを推測できるものだった。
しかし、政府発表の文章であるにも関わらず文章を飛ばしたり不明瞭との書き込みで重要な単語はごまかされているようだ。
このことから一度は公式発現したものの、その部分はあとからハッキリさせたくないとの横槍が入ったことが想像できる。
[Audio skips] Australia as we look forward to our [Audio skips]
[オーディオをスキップ]我々オーストラリアは[オーディオをスキップ]を期待している
of any differences between them, and the issue of the Kono Statement of 1993.
注：それら(them)はオーディオをスキップから引き継がれていると思われる。
We’ve acknowledged that that statement was an acknowledgement of an episode
that is one of the darkest in modern history
and we [indistinct] that the acknowledgement be revisited.
http://foreignminister.gov.au/transcripts/2013/bc_tr_130113_press_conference.html
http://www.wired.com/dangerroom/2012/12/nork-problems/
“North American Aerospace Defense Command officials acknowledged today that U.S. missile warning systems detected and tracked the launch of a North Korean missile at 7:49 p.m. EST,” noted the statement. “The missile was tracked on a southerly azimuth. Initial indications are that the first stage fell into the Yellow Sea. The second stage was assessed to fall into the Philippine Sea. Initial indications are that the missile deployed an object that appeared to achieve orbit. At no time was the missile or the resultant debris a threat to North America.”
まったく使ってないわけじゃないみたいよ。
I'm a great supporter of your.
The teacher's lessons.
From the second grade has learned much ever.
Are there good friends and kind teacher.
Counseling teacher.
Would be very welcome.
The doctor of the hospital.
Teacher of the Department of Psychiatry, after all in good judgment.
And accurate prescription and accurate story.
But very gentle.
"Waiting for sorry. "And the kind words.
But for some reason, school teacher is less reliable.
Is a particular teacher.
Is it funny not exaggeration.
But as three people is good for the school.
But today I was absent from school, go school tomorrow.
英文で書いたー
http://www.dailytitan.com/2011/04/the-inevitable-decline-of-cds/より転載：
Almost 11 years ago, stores like Tower Records and Wherehouse Music were mobbed with over 2.4 million people waiting to purchase N'Sync's No Strings Attached album.
Today, music stores like those are almost non-existent, and those that are still in business do not receive much foot traffic in the CD aisles.
The sales of compact disc albums have seen a significant decline since that record week in 2000. Nielsen Sound Scan reported that over 730 million units sold in 2000. In 2010, album sales hit an all-time low of 326 million units sold, including digitally downloaded albums.
"Nobody wants to go through the trouble of going to a music store, finding and buying a CD, opening the package, etc. Now we just click a button on the Internet and instantly have music," said Keegan Gogerty, 22, a singer/songwriter and radio-TV-film student.
Digitally downloading music has played a major role in the decline of CD sales, but the biggest factor is the illegal digital downloading of music.
Pirating music has been on the rise since Napster launched its peer-to-peer file-sharing software in 1999. Napster was known for allowing users to share and trade their MP3 files with one another over the Internet for free.
Napster was later shut down after multiple lawsuits, but more peer-to-peer outlets surfaced, such as Kazaa, Morpheus and LimeWire.
Peer-to-peer sharing has grown from MP3 sharing to multiple-file sharing and torrent sharing.
"I don't blame people for not wanting to purchase music. If I want to support a band, I will attend their concerts or buy a T-shirt. That is where they receive the most royalties anyway," said Charlie Hatano, an advertising graduate student.
"We live in a generation of simple living, the digital age," Gogerty said.
Online music stores such as iTunes and Napster give consumers the option to purchase music at the click of a button.
However, Ashley Sutton, 24, a psychology major, still buys compact discs.
"Nothing beats getting a new CD, reading the booklet and reading the lyrics," said Sutton. "I agree Internet downloading is more convenient, but I find owning a physical CD collection rewarding, rather than clogging up my computer with music I download."
The music industry has tried to crack down on the peer-to-peer file-sharing software programs, but people are still using different forms of illegally downloading or sharing music.
"I'll admit that I have had friends burn an album for me or copy them into my computer for my iPod," Sutton said. Making copies of CDs, illegally downloading the album and sharing, it is all the same.
In an interview with USAToday.com, the Recording Industry Association of America's (RIAA) CEO said illegal music sharing has been "contained."
"I remember people downloading one song at a time with Napster. More recently I have seen people download 10 albums at the same speed they could download one song in 1999," Hatano said.
謙遜語がある文化が少ないんじゃない？ 自分を下にするってなかなか無い文化だと思うよ。
相手を上に上げるための文化はいろいろな国にあるとしても （Mr Sir みたいな。）
自分を下に置くための言葉がある文化は少ないんじゃない。 外国語だと名詞が変化したり接頭語がついたり 変化の風習自体は色いろあると思うけど
ちょろっと見てきたけど、正式な（古典的な）一人称は 手前 かな。
あとは、方言や 謙譲語 その他の言い方からの転用の慣習化のような気がする。 私 は私物 公共物などの ム の文字を使ってるけど どちらも 役務財産などの概念から来ていて
そこから、自分自身という意味に転じているっぽい。 私事ではございますが ＞ 私のことでございますが みたいな 流れだと思われる。
あえて 英語なら I think というか My Idea was というか 言い回しはあると思われる。
ひらくと、英語で下記のような内容であった。
「私はこれで月に$4000稼いでいるよ。
初期投資はたったの$3。
あなたもすぐ初めたほうがいいよ。」
(2)本当にこのような金融商品があると本気で信じているので薦めている
＄3の投資で月＄4000ということは利回りは1600000%ですね。。
(4000*12)/3*100=1600000
5円投資すれば1年で800万円ということか。
客観的にみれば、こんな人は拒否して忘れればいいと思う。
でも、この一週間ずっと落ち込んでいる。
なぜこんなに落ち込んでいるんだろうかと考えた。
彼女は日本にいる友人たちにはこのようなことはしていないのだろう。
メールのtoに入っているのは、彼女にとってあまり会わなそうなひとばかりだったから。
(彼女は同じ大学の先輩で、留学先の語学学校が同じだった。toには語学学校の海外の友人が入っていた)
たしかに語学学校の友人は、世界中にいて、もう会わないかもしれない。
でも、その関係を金にしようすることはどうなのだろうか。
好きだった人にとって自分は、
大したつながりもないし、金になればいいかなって程度であることが分かってしまったからだろう。
傷ついたしムカつくから大学の人たちに言いふらしてやりたいと思うけど、
かわいそうだし、カッコ悪いので自分にはできない。
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向こうの国では、他人からは我慢＝言い訳程度の価値しか認められない場合があるらしい。
自分にとっては忍耐は必要だが、それは自分のためにやるのであって、
「こんなに我慢してるのに」と訴えても通じないのだね。
というわけでこういうのを我慢するとストレスになるのでやめよう、という記事。
・周りにあわせる
・ネガティブ思考
・不健康な関係
・嘘や不誠実を強いられた時
・散らかってたり、準備が整ってなかったり、うまく組織できてない習慣
・行動しないこと、怠惰
・用事を終わらせないまま途中で放置すること
・過去の過ちや後悔について何度も取り出してあーでもないこーでもないと考え続けること
・自分にとっていう必要があることをためらうこと
Everyone has this little watchdog inside their head. It’s always there watching you. It was born and raised by your family, friends, coworkers and society at large, and its sole purpose is to watch you and make sure you stay in line. And once you become accustomed to the watchdog’s presence, you begin to think it’s opinion of what’s acceptable and unacceptable are absolute truths. But they’re not truths; they’re just other people’s opinions. Remember, the watchdog is just a watchdog, he just watches. He can’t actually control you. He can’t do anything about it if you decide to rise up and go against the grain. No, you shouldn’t start shouting obscenities and acting like a fool. But you must say what you need to say, when you need to say it. It may be your only chance to do so. Don’t censor yourself. Speak the truth – your truth – always.
It had been a little situation of one's before one of the many high-end camera makers learned the particular Live life Access manner with a DIGITAL SLR requested a good online video media picture after which you can created a way to help you listing the item. Olympus seemed to be hinting at the capability in Present cards 2006, as soon as E-330 (the very first video camera by means of survive viewing) is released. Nonetheless Nikon was towards the blog post while using the D90 along with Cannon is definitely soon after along with the just-announced Canon EOD 5D Mark II Battery.
Typically the 12. 3-megapixel D90 carries LARGE DEFINITION online video from a conclusion with 1280 back button 720 pixels at 27 frames/second using the understanding and also depth-of-field restrain which usually simply a DIGITAL SLR offer. Naturally, Nikon isn't going to space an expensive precedence about this skill (and not undertake most people, finding the software when alot more of the adjunct you'll take advantage of once in a while, than only a main objective just for obtaining that D90). But, because this can be a 'world first', Photography Analyze is going to tackle the application ahead of moving on that will alternative further important qualities.
Virtually no owner guide book was initially supplied with a analysis camera still (after some hassles) most of us made it possible to down load an important PDF FILE type from Nikon European union ?nternet site. Surprisingly, this manually operated exclusively devotes one-and-a-half of 270 pages of content for you to video clip producing tasks and approximately a couple thirds of the site to help you videos playback. Less a page can be specified up to a show frame proportions in addition to appear possible choices : the 120 websites following on from the primary arguments belonging to the video clip manner.
Picture Abilities
Training video in any DIGITAL CAMERA is really a important loan -- primarily for the Nikon D90 Battery cost. Beforehand, any time you required a fabulous video camera by using compatible contact lenses, which you were taking a look at round $7000 for just a unit which will would not quite possibly track record high-definition, widescreen picture. However the D90 presents way more for just a cheaper package price by providing visitors while using same sorts of manipulate in excess of centering, subjection and additionally depth-of-field like they have having a DIGITAL CAMERA digicam, combined internet site snap by using almost any Nikkor website.
But, the actual D90's online video media model is absolutely not fantastic. As movie can certainly sole often be captured throughout Are located Perspective application, you are jammed aided by the prohibitions this means that (see below). The actual noise is normally taped monaurally and then the video recording formatting is certainly AVI which will, even though it truly is best with a large number of updating functions, uses so much ram (roughly 400MB for minute). Within assessments, some 24-second cut saved for 1280 times 720 LARGE DEFINITION method for 176 kbps appeared to be 40. 7MB dimensions.
Amazingly, this high-end camera works iwth using the premier random access memory playing cards. SOME SORT OF 32GB SDHC should help you track record as much as sixty units for training video, even though a different reduction is definitely which will video plans will be available to personal training minutes for HARLEY-DAVIDSON function and 20 short minutes with typical quality.
Saddest of can be the possibility that any autofocusing procedure :Nikon D90 Charger as well as some other primary adjustments - are not to be implemented if you find yourself photographing online video media. You can actually place emphasis quickly well before taking any preview not to mention make use of the manual place emphasis wedding ring within the contact lens even while photographing. Although if the content steps near as well as from everyone as long as you're taking, blurring might be unavoidable.
Different works that need to be placed well before taking a good movie involve getting exposed compensation, vivid white stability in addition to tact surroundings. For anyone utilizing aperture-priority AE, you can actually transformation a aperture functions even though tracking your movie and as well lens quality in and additionally available - nevertheless it will be hazardous seeing that sticking to center is usually hard.
Well before beginning online video grab you have to find the wished-for audio mode from Dvd movie Controls sub-menu while in the firing navigation. 3 selections are offered: 1280 back button 720 (16: 9), 640 back button 424 (3: 2) not to mention 320 x 216 (3: 2). You too can change this reasonable producing at as well as out (the default setting up might be ON).
Most of online video media photographing pattern goes as follows:
1. Arranged this high-end camera to have Perspective way by simply hitting a LV tab.
step 2. Target about them just by half-pressing a shutter mouse if you are throughout autofocus form; also concentrate personally.
3. Marketing a O . K . key in the center from the arrow topper to get started producing.
check out. Prevent the theme presented plus centred throughout the taking progression.Nikon Coolpix S3100 Charger for anyone within information option, you can actually switch totally focus by hand while you step on the way to and / or clear of this issue. Cautious mainly vigilant while blasting close-ups when smallish differences within the place emphasis position can display simply because blurring on the content. (To confuse issues, you'll find it tough to ascertain if the appearance within the LCD is definitely pin-sharp through bright normal light while you can not use a viewfinder on Take up residence Check out manner. )
5. To cure documenting, advertising OKAY all over again.
Taking part in lower back taped video tutorials is simple. Mass media all the LV control key the next time for you to disengage Live life Watch consequently touch typically the review button in the software. Make use of the arrow mattress pad to pick out your snap you need to have fun with not to mention press RIGHT to begin the process preventing this video clip playback.
Digital cameras are made in a wide range of sizes, prices and capabilities. The majority are camera phones, operated as a mobile application through the cellphone menu. Professional photographers and many amateurs use larger, more expensive digital single-lens reflex cameras (DSLR) for their greater versatility. Between these extremes lie digital compact cameras and bridge digital cameras that "bridge" the gap between amateur and professional cameras. Specialized cameras including multispectral imaging equipment and astrographs continue to serve the scientific, military, medical and other special purposes for which digital photography was invented.
Subcompact with lens assembly retracted
Compact cameras are designed to be tiny and portable and are particularly suitable for casual and "snapshot" uses. Hence, they are also called point-and-shoot cameras. The smallest, generally less than 20 mm thick, are described as subcompacts or "ultra-compacts" and some are nearly credit card size.[2]
Most, apart from ruggedized or water-resistant models, incorporate a retractable lens assembly allowing a thin camera to have a moderately long focal length and thus fully exploit an image sensor larger than that on a camera phone, and a mechanized lens cap to cover the lens when retracted. The retracted and capped lens is protected from keys, coins and other hard objects, thus making it a thin, pocketable package. Subcompacts commonly have one lug and a short wrist strap which aids extraction from a pocket, while thicker compacts may have two lugs for attaching a neck strap.
Compact cameras are usually designed to be easy to use, sacrificing advanced features and picture quality for compactness and simplicity; images can usually only be stored using lossy compression (JPEG). Most have a built-in flash usually of low power, sufficient for nearby subjects. Live preview is almost always used to frame the photo. Most have limited motion picture capability. Compacts often have macro capability and zoom lenses but the zoom range is usually less than for bridge and DSLR cameras. Generally a contrast-detect autofocus system, using the image data from the live preview feed of the main imager, focuses the lens.
Typically, these cameras incorporate a nearly silent leaf shutter into their lenses.
For lower cost and smaller size, these cameras typically use image sensors with a diagonal of approximately 6 mm, corresponding to a crop factor around 6. This gives them weaker low-light performance, greater depth of field, generally closer focusing ability, and smaller components than cameras using larger sensors.
Starting in 2011, some compact digital cameras can take 3D still photos. These 3D compact stereo cameras can capture 3D panoramic photos for play back on a 3D TV.[3] Some of these are rugged and waterproof, and some have GPS, compass, barometer and altimeter. [4]
Main article: Bridge camera
Bridge are higher-end digital cameras that physically and ergonomically resemble DSLRs and share with them some advanced features, but share with compacts the use of a fixed lens and a small sensor. Like compacts, most use live preview to frame the image. Their autofocus uses the same contrast-detect mechanism, but many bridge cameras have a manual focus mode, in some cases using a separate focus ring, for greater control. They originally "bridged" the gap between affordable point-and-shoot cameras and the then unaffordable earlier digital SLRs.
Due to the combination of big physical size but a small sensor, many of these cameras have very highly specified lenses with large zoom range and fast aperture, partially compensating for the inability to change lenses. On some, the lens qualifies as superzoom. To compensate for the lesser sensitivity of their small sensors, these cameras almost always include an image stabilization system to enable longer handheld exposures.
These cameras are sometimes marketed as and confused with digital SLR cameras since the appearance is similar. Bridge cameras lack the reflex viewing system of DSLRs, are usually fitted with fixed (non-interchangeable) lenses (although some have a lens thread to attach accessory wide-angle or telephoto converters), and can usually take movies with sound. The scene is composed by viewing either the liquid crystal display or the electronic viewfinder (EVF). Most have a longer shutter lag than a true dSLR, but they are capable of good image quality (with sufficient light) while being more compact and lighter than DSLRs. High-end models of this type have comparable resolutions to low and mid-range DSLRs. Many of these cameras can store images in a Raw image format, or processed and JPEG compressed, or both. The majority have a built-in flash similar to those found in DSLRs.
In bright sun, the quality difference between a good compact camera and a digital SLR is minimal but bridgecams are more portable, cost less and have a similar zoom ability to dSLR. Thus a Bridge camera may better suit outdoor daytime activities, except when seeking professional-quality photos.[5]
In low light conditions and/or at ISO equivalents above 800, most bridge cameras (or megazooms) lack in image quality when compared to even entry level DSLRs. However, they do have one major advantage: their much larger depth of field due to the small sensor as compared to a DSLR, allowing larger apertures with shorter exposure times.
A 3D Photo Mode was introduced in 2011, whereby the camera automatically takes a second image from a slightly different perspective and provides a standard .MPO file for stereo display. [6]
[edit]Mirrorless interchangeable-lens camera
Main article: Mirrorless interchangeable-lens camera
In late 2008, a new type of camera emerged, combining the larger sensors and interchangeable lenses of DSLRs with the live-preview viewing system of compact cameras, either through an electronic viewfinder or on the rear LCD. These are simpler and more compact than DSLRs due to the removal of the mirror box, and typically emulate the handling and ergonomics of either DSLRs or compacts. The system is used by Micro Four Thirds, borrowing components from the Four Thirds DSLR system.
[edit]Digital single lens reflex cameras
Cutaway of an Olympus E-30 DSLR
Main article: Digital single-lens reflex camera
Digital single-lens reflex cameras (DSLRs) are digital cameras based on film single-lens reflex cameras (SLRs). They take their name from their unique viewing system, in which a mirror reflects light from the lens through a separate optical viewfinder. At the moment of exposure the mirror flips out of the way, making a distinctive "clack" sound and allowing light to fall on the imager.
Since no light reaches the imager during framing, autofocus is accomplished using specialized sensors in the mirror box itself. Most 21st century DSLRs also have a "live view" mode that emulates the live preview system of compact cameras, when selected.
These cameras have much larger sensors than the other types, typically 18 mm to 36 mm on the diagonal (crop factor 2, 1.6, or 1). This gives them superior low-light performance, less depth of field at a given aperture, and a larger size.
They make use of interchangeable lenses; each major DSLR manufacturer also sells a line of lenses specifically intended to be used on their cameras. This allows the user to select a lens designed for the application at hand: wide-angle, telephoto, low-light, etc. So each lens does not require its own shutter, DSLRs use a focal-plane shutter in front of the imager, behind the mirror.
Main article: Rangefinder camera#Digital rangefinder
A rangefinder is a user-operated optical mechanism to measure subject distance once widely used on film cameras. Most digital cameras measure subject distance automatically using electro-optical techniques, but it is not customary to say that they have a rangefinder.
[edit]Line-scan camera systems
A line-scan camera is a camera device containing a line-scan image sensor chip, and a focusing mechanism. These cameras are almost solely used in industrial settings to capture an image of a constant stream of moving material. Unlike video cameras, line-scan cameras use a single row of pixel sensors, instead of a matrix of them. Data coming from the line-scan camera has a frequency, where the camera scans a line, waits, and repeats. The data coming from the line-scan camera is commonly processed by a computer, to collect the one-dimensional line data and to create a two-dimensional image. The collected two-dimensional image data is then processed by image-processing methods for industrial purposes.
Further information: Rotating line camera
Many devices include digital cameras built into or integrated into them. For example, mobile phones often include digital cameras; those that do are known as camera phones. Other small electronic devices (especially those used for communication) such as PDAs, laptops and BlackBerry devices often contain an integral digital camera, and most 21st century camcorders can also make still pictures.
Due to the limited storage capacity and general emphasis on convenience rather than image quality, almost all these integrated or converged devices store images in the lossy but compact JPEG file format.
Mobile phones incorporating digital cameras were introduced in Japan in 2001 by J-Phone. In 2003 camera phones outsold stand-alone digital cameras, and in 2006 they outsold all film-based cameras and digital cameras combined. These camera phones reached a billion devices sold in only five years, and by 2007 more than half of the installed base of all mobile phones were camera phones. Sales of separate cameras peaked in 2008. [7]
Integrated cameras tend to be at the very lowest end of the scale of digital cameras in technical specifications, such as resolution, optical quality, and ability to use accessories. With rapid development, however, the gap between mainstream compact digital cameras and camera phones is closing, and high-end camera phones are competitive with low-end stand-alone digital cameras of the same generation.
A Canon WP-1 waterproof 35 mm film camera
Waterproof digital cameras are digital cameras that can make pictures underwater. Waterproof housings have long been made but they cost almost as the cameras. Many waterproof digital cameras are shockproof and resistant to low temperatures; one of them is Canon PowerShot D10, one of the first underwater digital cameras.
These cameras become very popular during the holiday season, because many people want to save the best moments from their holidays at the seaside. Waterproof watches and mobile phones were produced earlier. Most makers of digital cameras also produce waterproof ones and every year they launch at least one new model, for example Sony, Olympus, Canon, Fuji.
Healthways Mako Shark, an early waterproof camera,[8] was launched in 1958 and cost around 25 dollars. It was a huge camera and pictures were black and white.
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Mステは原語表示の下に日本語訳がつく。CD付属のとほぼ同じ内容。
日本とかJAPANとか出てくるのは、その番組では言い替えて歌ったから。
| スマスマ | 紅白 | Mステ |
|---|---|---|
| あなたが彼を愛そうと、キリストを愛そうと関係ない | ||
| みんなで手を挙げて | ||
| それがあなたの生まれ持った宿命なんだもの | ||
| 小さい頃 よくママが言ってた | My Mama told me when I was young 私が若い頃 ママが言ってた |
|
| 人はみな 生まれたときはスーパースター | We are all born superstars 「みんな生まれたときからスーパースターよ」 |
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| 化粧台の鏡の前 | She rolled my hair and put my lipstick on 髪をまくり上げて 口紅を塗ってくれた |
|
| 私の髪をカールし 口紅をつけながら | In the glass of her boudoir ガラス張りのブードワで |
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| 自分を愛するのはいいこと | "There's nothing wrong with lovin' who you are" 「ありのままの自分を愛せばいい」ママが言ったわ |
|
| 神はあなたをパーフェクトにつくったの | She said, "Cause he made you perfect, babe." 「そのままで完璧なあなたを 神は創ったの」 |
|
| くよくよしないでいれば きっと成功する | "So hold your head up girl and you'll go far, 「だから顔を上げていれば 遠くまで行けるわ" |
|
| 私の言葉を 信じなさい | Listen to me when I say" これから言うこと よく聞いて」 |
|
| 私には自分なりの美しさがある だって神様に間違いはないから | I'm beautiful in my way Cause God makes no mistakes 自分らしいままで美しい だって神には一寸のブレもない |
|
| 私は正しい道を進んでいる こうなるように生まれてきたの | I'm on the right track baby I was born this way このまま進めばいいのよ ベイビー 私はこの運命のもとに生まれてきた |
|
| 後悔の殻に閉じこもらないで 自分を愛せば うまくいく | Don't hide yourself in regret Just love yourself and you're set 悔いに身を隠さないで ただ自分を愛せばそれでO.K. |
|
| 私は正しい道を進んでいる 私はこう生まれてきた | I'm on the right track baby I was born this way このまま進めばいいのよ ベイビー 私はこの運命のもとに生まれてきた |
|
| ほかの生き方なんてない | Ooo there ain't no other way Ooo そのほかの道なんてない |
|
| こうなるように生まれてきたの | Baby I was born this way ベイビー 私はこの運命のもとに生まれてきた |
|
| ほかの道はない こうして生まれてきたんだから | Ooo there ain't no other way Ooo そのほかの道なんてない |
|
| Baby I was born this way ベイビー 私はこの運命のもとに生まれてきた |
||
| 私は正しい道を進んでいる 私はこう生まれてきたから | I'm on the right track baby I was born this way このまま進めばいいのよ ベイビー 私はこの運命のもとに生まれてきた |
|
| Don't be a drag, just be a queen ドラッグ・クイーンじゃなくて クイーンになればいい |
||
| Don't be! なればいい！ |
||
| 分別をわきまえて、友を愛しなさい | Give yourself prudence And love your friends 自分の体を尊重して 友だちを愛するの |
|
| 日本のみんな、真実を喜びなさい | Subway kid, rejoice your truth 「サブウェイ・キッズ、真実を祝え」 |
|
| 自信が持てない者達の信仰のために | In the religion of the insecure I must be myself, respect my youth 弱者のための宗教では 自分らしくいて 若さに敬意をしめす |
|
| 私は自分を見失わず、若さを大事にする | ||
| 誰を愛しても、それは罪ではない | A different lover is not a sin Believe capital H-I-M (hey hey hey) 恋人が“ヘン”だからって罪にならないわ 信じて大文字の“H-I-M”（神）を |
|
| 主なるイエスを信じなさい | ||
| 私は自分の人生を愛しているし、この曲も愛している | I love my life I love this record and Mi amore vole fe yah (love needs faith) この人生もこのレコードも愛してる（愛には信じる心が不可欠） |
|
| 愛することは確信することよ | ||
| 私は私のままで美しい | I'm beautiful in my way Cause God makes no mistakes 自分らしいままで美しい だって神には一寸のブレもない |
|
| だって神様は間違えたりしないから | ||
| 私の生き方は間違っていない、これが私の生まれ持った宿命 | I'm on the right track baby I was born this way このまま進めばいいのよ ベイビー 私はこの運命のもとに生まれてきた |
|
| 悲嘆に本当の自分を隠さないで | Don't hide yourself in regret Just love yourself and you're set 悔いに身を隠さないで ただ自分を愛せばそれでO.K. |
|
| 自分自身を愛せば大丈夫 | I'm on the right track baby I was born this way このまま進めばいいのよ ベイビー 私はこの運命のもとに生まれてきた |
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| 私の生き方は間違っていない、これが私の生まれ持った宿命 | Ooo there ain't no other way Ooo そのほかの道なんてない |
|
| Baby I was born this way ベイビー 私はこの運命のもとに生まれてきた |
||
| 他の生き方なんてできない | Ooo there ain't no other way Ooo そのほかの道なんてない |
|
| これが私の生まれ持った宿命 | Baby I was born this way ベイビー 私はこの運命のもとに生まれてきた |
|
| 私の生き方は間違っていない、これが私の生まれ持った宿命 | I'm on the right track baby I was born this way このまま進めばいいのよ ベイビー 私はこの運命のもとに生まれてきた |
|
| 野暮なこと言わず、女王でいればいいのよ | ぼやいてないで いっそ女王になろう | Don't be a drag, just be a queen ドラッグ・クイーンじゃなくて クイーンになればいい |
| あなたが貧乏でも、お金持ちでも | 貧富の差も 肌の色も 国籍も関係ない | Whether you're broke or evergreen あなたが貧乏でも 恵まれていても |
| 黒人でも、白人でも、ベージュ肌でも、ラテン系でも | You're black, white, beige chola descent 黒人でも 白人でも ベージュ肌でも インディオ系でも |
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| レバノン生まれでも、東洋系でも | You're Lebanese, You're Orient あなたがレバノン生まれでも 東洋系でも |
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| 障害を負って、仲間外れにされて、イジメられたり、からかわれても | 人生で困難があっても いじめられ からかわれても | Whether life's disabilities Left you outcast, bullied or teased 人生で障害を負って 仲間外れにされて イジメられて からかわれても |
| 自分を讃え、愛してあげなさい | 自分を信じ 愛してあげよう | Rejoice and love yourself today 今日いる自分を愛して そしてお祝いして |
| だってそれがあなたの生まれ持った宿命だから | それがあなたの人生だから | Cause baby you we're born this way だってベイビー あなたはこの運命のもとに生まれてきた |
| たとえゲイでも、ストレートでも、バイでも | 性的好みなんてどうでもいい | No matter gay, straight, or bi Lesbian, transgendered life たとえゲイでもストレートでもバイでも レズビアンでもトランス・ジェンダーでも |
| レズビアンでも、性同一性障害であっても、関係ないわ | ||
| 私の生き方は間違ってない、ベイビー | 私は正しい道を進んでいる どんな困難も乗り越える | I'm on the right track baby I was born to survive まちがってなんかいないよ ベイビー 生きるため産まれてきた |
| 私は生き抜くために 生まれてきたの | ||
| 黒人でも、白人でも、ベージュ肌でも、ラテン系でも、東洋系でも | 肌の色や国籍なんて関係ない | No matter black, white or beige Chola or Orient made 黒人でも 白人でも ベージュ肌でも ラテン系でも 東洋系でも |
| I'm on the right track baby I was born to be brave このまま進めばいい ベイビー 勇敢になるために産まれてきた |
||
| そう 歌おうJAPAN！ | ||
| 私はこのままで美しい | 私には自分なりの美しさがある だって神様に間違いはないから | I'm beautiful in my way Cause God makes no mistakes 自分らしいままで美しい だって神には一寸のブレもない |
| だって神様は間違えたりしないから | ||
| 私の生き方は間違っていない、これが私の生まれ持った宿命 | 私は正しい道を進んでいる 私らしく生きている | I'm on the right track baby I was born this way このまま進めばいいのよ ベイビー 私はこの運命のもとに生まれてきた |
| 自分自身を愛せば大丈夫 | 後悔の殻に閉じこもらないで 自分を素直に愛せばそれでいい | Don't hide yourself in regret Just love yourself and you're set 悔いに身を隠さないで ただ自分を愛せばそれでO.K. |
| 私の生き方は間違っていない、これが私の生まれ持った宿命 | 私は正しい道を進んでいる 私はこう生まれてきたから | I'm on the right track baby I was born this way このまま進めばいいのよ ベイビー 私はこの運命のもとに生まれてきた |
| 他の生き方なんてできない | ほかの道はない | Ooo there ain't no other way Ooo そのほかの道なんてない |
| これが私の生まれ持った宿命 | こうして生まれてきたんだから | Baby I was born this way ベイビー 私はこの運命のもとに生まれてきた |
| ほかの道はない | Ooo there ain't no other way Ooo そのほかの道なんてない |
|
| こうして生まれてきたんだから | Baby I was born this way ベイビー 私はこの運命のもとに生まれてきた |
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| I was born this way hey! 私はこの運命のもとに生まれてきた |
||
| 私の生き方は間違っていない、これが私の生まれ持った宿命 | 私は正しい道を進んでいる こう生まれてきたから | I'm on the right track baby I was born this way このまま進めばいい ベイビー 私はこの運命のもとに生まれてきた |
| これが私の生まれ持った宿命 | 私はこう生まれてきたから | I was born this way hey! 私はこの運命のもとに生まれてきた |
| 私の生き方は間違っていない、これが私の生まれ持った宿命 | 私は正しい道を進んでいる こう生まれてきたから | I'm on the right track baby I was born this way hey! このまま進めばいい ベイビー 私はこの運命のもとに生まれてきた |
| 同じ遺伝子 |
February With the world going mobile and billions of new devices requiring electrical storage, battery technology is almost certainly due for a renaissance in the near future and recent developments suggest MIT will play a role in the next significant battery technology. Less than a week ago, we reported on work being done by MIT's Laboratory for Electromagnetic and Electronic Systems (LEES) that could become the first technologically significant and economically viable alternative to conventional batteries in 200 years. Now a second new and highly promising battery technology is emerging from MIT - a new type of lithium battery that could become a cheaper alternative to the batteries that now power hybrid electric cars.
Until now, lithium batteries have not had the rapid charging capability or safety level needed for use in cars. Hybrid cars now run on nickel metal hydride batteries, which power an electric motor and can rapidly recharge while the car is decelerating or standing still.
But lithium nickel manganese oxide, described in a paper to be published in Science on Feb. 17, could revolutionize the hybrid car industry -- a sector that has "enormous growth potential," says Gerbrand Ceder, MIT professor of materials science and engineering, who led the project.
"The writing is on the wall. It's clearly happening," said Ceder, who said that a couple of companies are already interested in licensing the new lithium battery technology.
The new material is more stable (and thus safer) than lithium cobalt oxide batteries, which are used to power small electronic devices like cell phones, laptop computers, rechargeable personal digital assistants (PDAs) and such medical devices as pacemakers.
The small safety risk posed by lithium cobalt oxide is manageable in small devices but makes the material not viable for the larger batteries needed to run hybrid cars, Ceder said. Cobalt is also fairly expensive, he said.
The MIT team's new lithium battery contains manganese and nickel, which are cheaper than cobalt.
Scientists already knew that lithium nickel manganese oxide could store a lot of energy, but the material took too long to charge to be commercially useful. The MIT researchers set out to modify the material's structure to make it capable of charging and discharging more quickly.
Lithium nickel manganese oxide consists of layers of metal (nickel and manganese) separated from lithium layers by oxygen. The major problem with the compound was that the crystalline structure was too "disordered," meaning that the nickel and lithium were drawn to each other, interfering with the flow of lithium ions and slowing down the charging rate.
Lithium ions carry the battery's charge, so to maximize the speed at which the battery can charge and discharge, the researchers designed and synthesized a material with a very ordered crystalline structure, allowing lithium ions to freely flow between the metal layers.
A battery made from the new material can charge or discharge in about 10 minutes -- about 10 times faster than the unmodified lithium nickel manganese oxide. That brings it much closer to the timeframe needed for hybrid car batteries, Ceder said.
Before the material can be used commercially, the manufacturing process needs to be made less expensive, and a few other modifications will likely be necessary, Ceder said.
Other potential applications for the new lithium battery include power tools, electric bikes, and power backup for renewable energy sources.
The lead author on the research paper is Kisuk Kang, a graduate student in Ceder's lab. Ying Shirley Meng, a postdoctoral associate in materials science and engineering at MIT, and Julien Breger and Clare P. Grey of the State University of New York at Stony Brook are also authors on the paper.
The research was funded by the National Science Foundation and the U.S. Department of Energy.
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"The Artist"? "The Descendants"? "Hugo"? There was no critical consensus following a day of intense voting yesterday when a gaggle of critics groups voted their top honors. These included the Los Angeles Film Critics Association (LAFCA), the Boston Society of Film Critics (BSFC), and the New York Film Critics Online (NYFCO), as well as critics in San Francisco, Detroit and Indiana. The American Film Institute also announced its annual top 10, typically taking no risks.
Best Picture: "The Descendants" got a strong push with a win at the LAFCA, but "The Artist" took the top prize at the BSFC and the NYFCO. Both titles will make the final Academy shortlist. Fortified by nominations for their respective directors Martin Scorsese and Terrence Malick, "Hugo" and "The Tree of Life" should get nominations. The critics groups didn't get "The Help," any more than "The Blind Side," but the Civic Rights-era drama did make the American Film Institute top ten this year, so don't discount it yet.
Best Actor: Michael Fassbender is coming up fast with an LAFCA win. Why should we care about that group in particular? They're on a six-year roll predicting the Oscar winner for Best Actor. Brad Pitt's also a contender for "Moneyball," getting an art-house bump from "The Tree of Life," with Gary Oldman coming up on the outside thanks to the critical and box-office success of "Tinker, Tailor, Soldier, Spy" and a nod from the San Francisco Film Critics. How about George Clooney for "The Descendants"? He's still in the race, but not at the forefront. Like going for long shots? Then bet Michael Shannon for "Take Shelter," which won NYFCO. And if there's a sweep for "The Artist," add in Jean Dujardin.
Best Actress: Michelle Williams of "My Week With Marilyn," solidifies her spot with a win at the Boston Film Critics Association. Los Angeles went way out for Yung-Jun Hee in "Poetry" (what?) in their 'we're cool and uncorrupted by the Oscar race' vote. NYFCO went classic with Meryl Streep for "The Iron Lady." She's the Streep, but neither she nor Williams will be helped by an apparent lack of enthusiasm for their moves as a whole. Ditto Viola Davis ("The Help"), who will nonetheless make the top five Oscar nominees. Either SF winner Tilda Swinton ("We Need to Talk About Kevin") or multiple-runner-up Kirsten Dunst ("Melancholia") may slip in or come in sixth or seventh. Keep an eye out for Charlize Theron ("Young Adult"), Elizabeth Olsen ("Martha Marcy May Marlene") and Felicity Jones ("Like Crazy) as wild-card entries.
Best Supporting Actor: This is a two-man race between octogenarian Christopher Plummer and Albert Brooks playing against type as a cold-blooded hands-on killer. On the fringes: Patton Oswalt ("Young Adult"), Kenneth Branagh ("My Week with Marilyn") and Andy Serkis ("Rise of the Planet of the Apes").
Best Supporting Actress: Coming up on the inside is Melissa McCarthy for "Bridesmaids." Hurray for comedy! Bolstered by a best ensemble award from the LAFCA, this may push McCarthy into the five Oscar nominees. The LAFCA got behind Jessica Chastain, the NYFCO Breakthrough Performer, who was in every movie from "The Tree of Life" to "The Help," where she'll be competing against her popular co-star Octavia Spencer. The San Francisco critics supported Vanessa Redgrave for "Coriolanus," and Janet McTeer ("Albert Nobbs") was an LAFCA runner up in the category.
Who's out of the running in these five major categories? The Girl With the Dragon Tattoo, War Horse, J. Edgar and Midnight in Paris all underwhelmed. The X-Factor remains Scott Rudin's buzzy "Extremely Loud and Incredibly Close," which has not been screened widely after the New Yorker's David Denby flagrantly broke embargo on Rudin's other major film, "The Girl with the Dragon Tattoo." Pack the Kleenex box for this one.
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