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はてなキーワード: Wasとは
The publication in France of our book Impostures Intellectuelles [1] appears to have created a small storm in certain intellectual circles. According to Jon Henley in The Guardian, we have shown that ``modern French philosophy is a load of old tosh.''[2] According to Robert Maggiori in Libération, we are humourless scientistic pedants who correct grammatical errors in love letters.[3] We shall try to explain here why neither is the case.
Some commentators go farther, attacking not our arguments but our alleged motivations for writing the book. Julia Kristeva, writing in Le Nouvel Observateur, accuses us of spreading ``disinformation'' as part of an anti-French politico-economic campaign[4]; she was even quoted (we hope misquoted) by the Italian daily Corriere della Sera as saying that we should undergo psychiatric treatment.[5] Vincent Fleury and Yun Sun Limet, again in Libération, accuse us of seeking to divert research funds from the social to the natural sciences.[6] These defences are curious: for even if our motivations were indeed as ascribed (and they most certainly aren't), how would that affect the validity or invalidity of our arguments? We have the modest hope that calmer heads will soon prevail among both our supporters and our critics, so that the debate can focus on the substantive content of our book.
Which is what? The book grew out of the now-famous hoax in which one of us published, in the American cultural-studies journal Social Text, a parody article chock-full of nonsensical, but unfortunately authentic, quotes about physics and mathematics by prominent French and American intellectuals.[7] However, only a small fraction of the ``dossier'' discovered during Sokal's library research could be included in the parody. After showing this larger dossier to scientist and non-scientist friends, we became (slowly) convinced that it might be worth making it available to a wider audience. We wanted to explain, in non-technical terms, why the quotes are absurd or, in many cases, simply meaningless; and we wanted also to discuss the cultural circumstances that enabled these discourses to achieve such prominence and to remain, thus far, unexposed. Hence our book, the noise and the furore.
河野談話についての豪政府の発表が物議を呼んでいるので原文見てみた。
原文を読むと何かを再検討にすることについて触れたことを推測できるものだった。
しかし、政府発表の文章であるにも関わらず文章を飛ばしたり不明瞭との書き込みで重要な単語はごまかされているようだ。
このことから一度は公式発現したものの、その部分はあとからハッキリさせたくないとの横槍が入ったことが想像できる。
[Audio skips] Australia as we look forward to our [Audio skips]
[オーディオをスキップ]我々オーストラリアは[オーディオをスキップ]を期待している
of any differences between them, and the issue of the Kono Statement of 1993.
注：それら(them)はオーディオをスキップから引き継がれていると思われる。
We’ve acknowledged that that statement was an acknowledgement of an episode
that is one of the darkest in modern history
and we [indistinct] that the acknowledgement be revisited.
http://foreignminister.gov.au/transcripts/2013/bc_tr_130113_press_conference.html
http://www.wired.com/dangerroom/2012/12/nork-problems/
“North American Aerospace Defense Command officials acknowledged today that U.S. missile warning systems detected and tracked the launch of a North Korean missile at 7:49 p.m. EST,” noted the statement. “The missile was tracked on a southerly azimuth. Initial indications are that the first stage fell into the Yellow Sea. The second stage was assessed to fall into the Philippine Sea. Initial indications are that the missile deployed an object that appeared to achieve orbit. At no time was the missile or the resultant debris a threat to North America.”
まったく使ってないわけじゃないみたいよ。
I'm a great supporter of your.
The teacher's lessons.
From the second grade has learned much ever.
Are there good friends and kind teacher.
Counseling teacher.
Would be very welcome.
The doctor of the hospital.
Teacher of the Department of Psychiatry, after all in good judgment.
And accurate prescription and accurate story.
But very gentle.
"Waiting for sorry. "And the kind words.
But for some reason, school teacher is less reliable.
Is a particular teacher.
Is it funny not exaggeration.
But as three people is good for the school.
But today I was absent from school, go school tomorrow.
英文で書いたー
http://www.dailytitan.com/2011/04/the-inevitable-decline-of-cds/より転載：
Almost 11 years ago, stores like Tower Records and Wherehouse Music were mobbed with over 2.4 million people waiting to purchase N'Sync's No Strings Attached album.
Today, music stores like those are almost non-existent, and those that are still in business do not receive much foot traffic in the CD aisles.
The sales of compact disc albums have seen a significant decline since that record week in 2000. Nielsen Sound Scan reported that over 730 million units sold in 2000. In 2010, album sales hit an all-time low of 326 million units sold, including digitally downloaded albums.
"Nobody wants to go through the trouble of going to a music store, finding and buying a CD, opening the package, etc. Now we just click a button on the Internet and instantly have music," said Keegan Gogerty, 22, a singer/songwriter and radio-TV-film student.
Digitally downloading music has played a major role in the decline of CD sales, but the biggest factor is the illegal digital downloading of music.
Pirating music has been on the rise since Napster launched its peer-to-peer file-sharing software in 1999. Napster was known for allowing users to share and trade their MP3 files with one another over the Internet for free.
Napster was later shut down after multiple lawsuits, but more peer-to-peer outlets surfaced, such as Kazaa, Morpheus and LimeWire.
Peer-to-peer sharing has grown from MP3 sharing to multiple-file sharing and torrent sharing.
"I don't blame people for not wanting to purchase music. If I want to support a band, I will attend their concerts or buy a T-shirt. That is where they receive the most royalties anyway," said Charlie Hatano, an advertising graduate student.
"We live in a generation of simple living, the digital age," Gogerty said.
Online music stores such as iTunes and Napster give consumers the option to purchase music at the click of a button.
However, Ashley Sutton, 24, a psychology major, still buys compact discs.
"Nothing beats getting a new CD, reading the booklet and reading the lyrics," said Sutton. "I agree Internet downloading is more convenient, but I find owning a physical CD collection rewarding, rather than clogging up my computer with music I download."
The music industry has tried to crack down on the peer-to-peer file-sharing software programs, but people are still using different forms of illegally downloading or sharing music.
"I'll admit that I have had friends burn an album for me or copy them into my computer for my iPod," Sutton said. Making copies of CDs, illegally downloading the album and sharing, it is all the same.
In an interview with USAToday.com, the Recording Industry Association of America's (RIAA) CEO said illegal music sharing has been "contained."
"I remember people downloading one song at a time with Napster. More recently I have seen people download 10 albums at the same speed they could download one song in 1999," Hatano said.
謙遜語がある文化が少ないんじゃない？ 自分を下にするってなかなか無い文化だと思うよ。
相手を上に上げるための文化はいろいろな国にあるとしても （Mr Sir みたいな。）
自分を下に置くための言葉がある文化は少ないんじゃない。 外国語だと名詞が変化したり接頭語がついたり 変化の風習自体は色いろあると思うけど
ちょろっと見てきたけど、正式な（古典的な）一人称は 手前 かな。
あとは、方言や 謙譲語 その他の言い方からの転用の慣習化のような気がする。 私 は私物 公共物などの ム の文字を使ってるけど どちらも 役務財産などの概念から来ていて
そこから、自分自身という意味に転じているっぽい。 私事ではございますが ＞ 私のことでございますが みたいな 流れだと思われる。
あえて 英語なら I think というか My Idea was というか 言い回しはあると思われる。
方言を含めた日本語を、日本語というのなら 英語圏でジュテームっつっても通じるぐらいな感覚じゃないかな。向こうだと。
ひらくと、英語で下記のような内容であった。
「私はこれで月に$4000稼いでいるよ。
初期投資はたったの$3。
あなたもすぐ初めたほうがいいよ。」
(2)本当にこのような金融商品があると本気で信じているので薦めている
＄3の投資で月＄4000ということは利回りは1600000%ですね。。
(4000*12)/3*100=1600000
5円投資すれば1年で800万円ということか。
客観的にみれば、こんな人は拒否して忘れればいいと思う。
でも、この一週間ずっと落ち込んでいる。
なぜこんなに落ち込んでいるんだろうかと考えた。
彼女は日本にいる友人たちにはこのようなことはしていないのだろう。
メールのtoに入っているのは、彼女にとってあまり会わなそうなひとばかりだったから。
(彼女は同じ大学の先輩で、留学先の語学学校が同じだった。toには語学学校の海外の友人が入っていた)
たしかに語学学校の友人は、世界中にいて、もう会わないかもしれない。
でも、その関係を金にしようすることはどうなのだろうか。
好きだった人にとって自分は、
大したつながりもないし、金になればいいかなって程度であることが分かってしまったからだろう。
傷ついたしムカつくから大学の人たちに言いふらしてやりたいと思うけど、
かわいそうだし、カッコ悪いので自分にはできない。
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Picture Abilities
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Digital cameras are made in a wide range of sizes, prices and capabilities. The majority are camera phones, operated as a mobile application through the cellphone menu. Professional photographers and many amateurs use larger, more expensive digital single-lens reflex cameras (DSLR) for their greater versatility. Between these extremes lie digital compact cameras and bridge digital cameras that "bridge" the gap between amateur and professional cameras. Specialized cameras including multispectral imaging equipment and astrographs continue to serve the scientific, military, medical and other special purposes for which digital photography was invented.
Subcompact with lens assembly retracted
Compact cameras are designed to be tiny and portable and are particularly suitable for casual and "snapshot" uses. Hence, they are also called point-and-shoot cameras. The smallest, generally less than 20 mm thick, are described as subcompacts or "ultra-compacts" and some are nearly credit card size.[2]
Most, apart from ruggedized or water-resistant models, incorporate a retractable lens assembly allowing a thin camera to have a moderately long focal length and thus fully exploit an image sensor larger than that on a camera phone, and a mechanized lens cap to cover the lens when retracted. The retracted and capped lens is protected from keys, coins and other hard objects, thus making it a thin, pocketable package. Subcompacts commonly have one lug and a short wrist strap which aids extraction from a pocket, while thicker compacts may have two lugs for attaching a neck strap.
Compact cameras are usually designed to be easy to use, sacrificing advanced features and picture quality for compactness and simplicity; images can usually only be stored using lossy compression (JPEG). Most have a built-in flash usually of low power, sufficient for nearby subjects. Live preview is almost always used to frame the photo. Most have limited motion picture capability. Compacts often have macro capability and zoom lenses but the zoom range is usually less than for bridge and DSLR cameras. Generally a contrast-detect autofocus system, using the image data from the live preview feed of the main imager, focuses the lens.
Typically, these cameras incorporate a nearly silent leaf shutter into their lenses.
For lower cost and smaller size, these cameras typically use image sensors with a diagonal of approximately 6 mm, corresponding to a crop factor around 6. This gives them weaker low-light performance, greater depth of field, generally closer focusing ability, and smaller components than cameras using larger sensors.
Starting in 2011, some compact digital cameras can take 3D still photos. These 3D compact stereo cameras can capture 3D panoramic photos for play back on a 3D TV.[3] Some of these are rugged and waterproof, and some have GPS, compass, barometer and altimeter. [4]
Main article: Bridge camera
Bridge are higher-end digital cameras that physically and ergonomically resemble DSLRs and share with them some advanced features, but share with compacts the use of a fixed lens and a small sensor. Like compacts, most use live preview to frame the image. Their autofocus uses the same contrast-detect mechanism, but many bridge cameras have a manual focus mode, in some cases using a separate focus ring, for greater control. They originally "bridged" the gap between affordable point-and-shoot cameras and the then unaffordable earlier digital SLRs.
Due to the combination of big physical size but a small sensor, many of these cameras have very highly specified lenses with large zoom range and fast aperture, partially compensating for the inability to change lenses. On some, the lens qualifies as superzoom. To compensate for the lesser sensitivity of their small sensors, these cameras almost always include an image stabilization system to enable longer handheld exposures.
These cameras are sometimes marketed as and confused with digital SLR cameras since the appearance is similar. Bridge cameras lack the reflex viewing system of DSLRs, are usually fitted with fixed (non-interchangeable) lenses (although some have a lens thread to attach accessory wide-angle or telephoto converters), and can usually take movies with sound. The scene is composed by viewing either the liquid crystal display or the electronic viewfinder (EVF). Most have a longer shutter lag than a true dSLR, but they are capable of good image quality (with sufficient light) while being more compact and lighter than DSLRs. High-end models of this type have comparable resolutions to low and mid-range DSLRs. Many of these cameras can store images in a Raw image format, or processed and JPEG compressed, or both. The majority have a built-in flash similar to those found in DSLRs.
In bright sun, the quality difference between a good compact camera and a digital SLR is minimal but bridgecams are more portable, cost less and have a similar zoom ability to dSLR. Thus a Bridge camera may better suit outdoor daytime activities, except when seeking professional-quality photos.[5]
In low light conditions and/or at ISO equivalents above 800, most bridge cameras (or megazooms) lack in image quality when compared to even entry level DSLRs. However, they do have one major advantage: their much larger depth of field due to the small sensor as compared to a DSLR, allowing larger apertures with shorter exposure times.
A 3D Photo Mode was introduced in 2011, whereby the camera automatically takes a second image from a slightly different perspective and provides a standard .MPO file for stereo display. [6]
[edit]Mirrorless interchangeable-lens camera
Main article: Mirrorless interchangeable-lens camera
In late 2008, a new type of camera emerged, combining the larger sensors and interchangeable lenses of DSLRs with the live-preview viewing system of compact cameras, either through an electronic viewfinder or on the rear LCD. These are simpler and more compact than DSLRs due to the removal of the mirror box, and typically emulate the handling and ergonomics of either DSLRs or compacts. The system is used by Micro Four Thirds, borrowing components from the Four Thirds DSLR system.
[edit]Digital single lens reflex cameras
Cutaway of an Olympus E-30 DSLR
Main article: Digital single-lens reflex camera
Digital single-lens reflex cameras (DSLRs) are digital cameras based on film single-lens reflex cameras (SLRs). They take their name from their unique viewing system, in which a mirror reflects light from the lens through a separate optical viewfinder. At the moment of exposure the mirror flips out of the way, making a distinctive "clack" sound and allowing light to fall on the imager.
Since no light reaches the imager during framing, autofocus is accomplished using specialized sensors in the mirror box itself. Most 21st century DSLRs also have a "live view" mode that emulates the live preview system of compact cameras, when selected.
These cameras have much larger sensors than the other types, typically 18 mm to 36 mm on the diagonal (crop factor 2, 1.6, or 1). This gives them superior low-light performance, less depth of field at a given aperture, and a larger size.
They make use of interchangeable lenses; each major DSLR manufacturer also sells a line of lenses specifically intended to be used on their cameras. This allows the user to select a lens designed for the application at hand: wide-angle, telephoto, low-light, etc. So each lens does not require its own shutter, DSLRs use a focal-plane shutter in front of the imager, behind the mirror.
Main article: Rangefinder camera#Digital rangefinder
A rangefinder is a user-operated optical mechanism to measure subject distance once widely used on film cameras. Most digital cameras measure subject distance automatically using electro-optical techniques, but it is not customary to say that they have a rangefinder.
[edit]Line-scan camera systems
A line-scan camera is a camera device containing a line-scan image sensor chip, and a focusing mechanism. These cameras are almost solely used in industrial settings to capture an image of a constant stream of moving material. Unlike video cameras, line-scan cameras use a single row of pixel sensors, instead of a matrix of them. Data coming from the line-scan camera has a frequency, where the camera scans a line, waits, and repeats. The data coming from the line-scan camera is commonly processed by a computer, to collect the one-dimensional line data and to create a two-dimensional image. The collected two-dimensional image data is then processed by image-processing methods for industrial purposes.
Further information: Rotating line camera
Many devices include digital cameras built into or integrated into them. For example, mobile phones often include digital cameras; those that do are known as camera phones. Other small electronic devices (especially those used for communication) such as PDAs, laptops and BlackBerry devices often contain an integral digital camera, and most 21st century camcorders can also make still pictures.
Due to the limited storage capacity and general emphasis on convenience rather than image quality, almost all these integrated or converged devices store images in the lossy but compact JPEG file format.
Mobile phones incorporating digital cameras were introduced in Japan in 2001 by J-Phone. In 2003 camera phones outsold stand-alone digital cameras, and in 2006 they outsold all film-based cameras and digital cameras combined. These camera phones reached a billion devices sold in only five years, and by 2007 more than half of the installed base of all mobile phones were camera phones. Sales of separate cameras peaked in 2008. [7]
Integrated cameras tend to be at the very lowest end of the scale of digital cameras in technical specifications, such as resolution, optical quality, and ability to use accessories. With rapid development, however, the gap between mainstream compact digital cameras and camera phones is closing, and high-end camera phones are competitive with low-end stand-alone digital cameras of the same generation.
A Canon WP-1 waterproof 35 mm film camera
Waterproof digital cameras are digital cameras that can make pictures underwater. Waterproof housings have long been made but they cost almost as the cameras. Many waterproof digital cameras are shockproof and resistant to low temperatures; one of them is Canon PowerShot D10, one of the first underwater digital cameras.
These cameras become very popular during the holiday season, because many people want to save the best moments from their holidays at the seaside. Waterproof watches and mobile phones were produced earlier. Most makers of digital cameras also produce waterproof ones and every year they launch at least one new model, for example Sony, Olympus, Canon, Fuji.
Healthways Mako Shark, an early waterproof camera,[8] was launched in 1958 and cost around 25 dollars. It was a huge camera and pictures were black and white.
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Mステは原語表示の下に日本語訳がつく。CD付属のとほぼ同じ内容。
日本とかJAPANとか出てくるのは、その番組では言い替えて歌ったから。
| スマスマ | 紅白 | Mステ |
|---|---|---|
| あなたが彼を愛そうと、キリストを愛そうと関係ない | ||
| みんなで手を挙げて | ||
| それがあなたの生まれ持った宿命なんだもの | ||
| 小さい頃 よくママが言ってた | My Mama told me when I was young 私が若い頃 ママが言ってた | |
| 人はみな 生まれたときはスーパースター | We are all born superstars 「みんな生まれたときからスーパースターよ」 | |
| 化粧台の鏡の前 | She rolled my hair and put my lipstick on 髪をまくり上げて 口紅を塗ってくれた | |
| 私の髪をカールし 口紅をつけながら | In the glass of her boudoir ガラス張りのブードワで | |
| 自分を愛するのはいいこと | "There's nothing wrong with lovin' who you are" 「ありのままの自分を愛せばいい」ママが言ったわ | |
| 神はあなたをパーフェクトにつくったの | She said, "Cause he made you perfect, babe." 「そのままで完璧なあなたを 神は創ったの」 | |
| くよくよしないでいれば きっと成功する | "So hold your head up girl and you'll go far, 「だから顔を上げていれば 遠くまで行けるわ" | |
| 私の言葉を 信じなさい | Listen to me when I say" これから言うこと よく聞いて」 | |
| 私には自分なりの美しさがある だって神様に間違いはないから | I'm beautiful in my way Cause God makes no mistakes 自分らしいままで美しい だって神には一寸のブレもない | |
| 私は正しい道を進んでいる こうなるように生まれてきたの | I'm on the right track baby I was born this way このまま進めばいいのよ ベイビー 私はこの運命のもとに生まれてきた | |
| 後悔の殻に閉じこもらないで 自分を愛せば うまくいく | Don't hide yourself in regret Just love yourself and you're set 悔いに身を隠さないで ただ自分を愛せばそれでO.K. | |
| 私は正しい道を進んでいる 私はこう生まれてきた | I'm on the right track baby I was born this way このまま進めばいいのよ ベイビー 私はこの運命のもとに生まれてきた | |
| ほかの生き方なんてない | Ooo there ain't no other way Ooo そのほかの道なんてない | |
| こうなるように生まれてきたの | Baby I was born this way ベイビー 私はこの運命のもとに生まれてきた | |
| ほかの道はない こうして生まれてきたんだから | Ooo there ain't no other way Ooo そのほかの道なんてない | |
| Baby I was born this way ベイビー 私はこの運命のもとに生まれてきた | ||
| 私は正しい道を進んでいる 私はこう生まれてきたから | I'm on the right track baby I was born this way このまま進めばいいのよ ベイビー 私はこの運命のもとに生まれてきた | |
| Don't be a drag, just be a queen ドラッグ・クイーンじゃなくて クイーンになればいい | ||
| Don't be! なればいい！ | ||
| 分別をわきまえて、友を愛しなさい | Give yourself prudence And love your friends 自分の体を尊重して 友だちを愛するの | |
| 日本のみんな、真実を喜びなさい | Subway kid, rejoice your truth 「サブウェイ・キッズ、真実を祝え」 | |
| 自信が持てない者達の信仰のために | In the religion of the insecure I must be myself, respect my youth 弱者のための宗教では 自分らしくいて 若さに敬意をしめす | |
| 私は自分を見失わず、若さを大事にする | ||
| 誰を愛しても、それは罪ではない | A different lover is not a sin Believe capital H-I-M (hey hey hey) 恋人が“ヘン”だからって罪にならないわ 信じて大文字の“H-I-M”（神）を | |
| 主なるイエスを信じなさい | ||
| 私は自分の人生を愛しているし、この曲も愛している | I love my life I love this record and Mi amore vole fe yah (love needs faith) この人生もこのレコードも愛してる（愛には信じる心が不可欠） | |
| 愛することは確信することよ | ||
| 私は私のままで美しい | I'm beautiful in my way Cause God makes no mistakes 自分らしいままで美しい だって神には一寸のブレもない | |
| だって神様は間違えたりしないから | ||
| 私の生き方は間違っていない、これが私の生まれ持った宿命 | I'm on the right track baby I was born this way このまま進めばいいのよ ベイビー 私はこの運命のもとに生まれてきた | |
| 悲嘆に本当の自分を隠さないで | Don't hide yourself in regret Just love yourself and you're set 悔いに身を隠さないで ただ自分を愛せばそれでO.K. | |
| 自分自身を愛せば大丈夫 | I'm on the right track baby I was born this way このまま進めばいいのよ ベイビー 私はこの運命のもとに生まれてきた | |
| 私の生き方は間違っていない、これが私の生まれ持った宿命 | Ooo there ain't no other way Ooo そのほかの道なんてない | |
| Baby I was born this way ベイビー 私はこの運命のもとに生まれてきた | ||
| 他の生き方なんてできない | Ooo there ain't no other way Ooo そのほかの道なんてない | |
| これが私の生まれ持った宿命 | Baby I was born this way ベイビー 私はこの運命のもとに生まれてきた | |
| 私の生き方は間違っていない、これが私の生まれ持った宿命 | I'm on the right track baby I was born this way このまま進めばいいのよ ベイビー 私はこの運命のもとに生まれてきた | |
| 野暮なこと言わず、女王でいればいいのよ | ぼやいてないで いっそ女王になろう | Don't be a drag, just be a queen ドラッグ・クイーンじゃなくて クイーンになればいい |
| あなたが貧乏でも、お金持ちでも | 貧富の差も 肌の色も 国籍も関係ない | Whether you're broke or evergreen あなたが貧乏でも 恵まれていても |
| 黒人でも、白人でも、ベージュ肌でも、ラテン系でも | You're black, white, beige chola descent 黒人でも 白人でも ベージュ肌でも インディオ系でも | |
| レバノン生まれでも、東洋系でも | You're Lebanese, You're Orient あなたがレバノン生まれでも 東洋系でも | |
| 障害を負って、仲間外れにされて、イジメられたり、からかわれても | 人生で困難があっても いじめられ からかわれても | Whether life's disabilities Left you outcast, bullied or teased 人生で障害を負って 仲間外れにされて イジメられて からかわれても |
| 自分を讃え、愛してあげなさい | 自分を信じ 愛してあげよう | Rejoice and love yourself today 今日いる自分を愛して そしてお祝いして |
| だってそれがあなたの生まれ持った宿命だから | それがあなたの人生だから | Cause baby you we're born this way だってベイビー あなたはこの運命のもとに生まれてきた |
| たとえゲイでも、ストレートでも、バイでも | 性的好みなんてどうでもいい | No matter gay, straight, or bi Lesbian, transgendered life たとえゲイでもストレートでもバイでも レズビアンでもトランス・ジェンダーでも |
| レズビアンでも、性同一性障害であっても、関係ないわ | ||
| 私の生き方は間違ってない、ベイビー | 私は正しい道を進んでいる どんな困難も乗り越える | I'm on the right track baby I was born to survive まちがってなんかいないよ ベイビー 生きるため産まれてきた |
| 私は生き抜くために 生まれてきたの | ||
| 黒人でも、白人でも、ベージュ肌でも、ラテン系でも、東洋系でも | 肌の色や国籍なんて関係ない | No matter black, white or beige Chola or Orient made 黒人でも 白人でも ベージュ肌でも ラテン系でも 東洋系でも |
| I'm on the right track baby I was born to be brave このまま進めばいい ベイビー 勇敢になるために産まれてきた | ||
| そう 歌おうJAPAN！ | ||
| 私はこのままで美しい | 私には自分なりの美しさがある だって神様に間違いはないから | I'm beautiful in my way Cause God makes no mistakes 自分らしいままで美しい だって神には一寸のブレもない |
| だって神様は間違えたりしないから | ||
| 私の生き方は間違っていない、これが私の生まれ持った宿命 | 私は正しい道を進んでいる 私らしく生きている | I'm on the right track baby I was born this way このまま進めばいいのよ ベイビー 私はこの運命のもとに生まれてきた |
| 自分自身を愛せば大丈夫 | 後悔の殻に閉じこもらないで 自分を素直に愛せばそれでいい | Don't hide yourself in regret Just love yourself and you're set 悔いに身を隠さないで ただ自分を愛せばそれでO.K. |
| 私の生き方は間違っていない、これが私の生まれ持った宿命 | 私は正しい道を進んでいる 私はこう生まれてきたから | I'm on the right track baby I was born this way このまま進めばいいのよ ベイビー 私はこの運命のもとに生まれてきた |
| 他の生き方なんてできない | ほかの道はない | Ooo there ain't no other way Ooo そのほかの道なんてない |
| これが私の生まれ持った宿命 | こうして生まれてきたんだから | Baby I was born this way ベイビー 私はこの運命のもとに生まれてきた |
| ほかの道はない | Ooo there ain't no other way Ooo そのほかの道なんてない | |
| こうして生まれてきたんだから | Baby I was born this way ベイビー 私はこの運命のもとに生まれてきた | |
| I was born this way hey! 私はこの運命のもとに生まれてきた | ||
| 私の生き方は間違っていない、これが私の生まれ持った宿命 | 私は正しい道を進んでいる こう生まれてきたから | I'm on the right track baby I was born this way このまま進めばいい ベイビー 私はこの運命のもとに生まれてきた |
| これが私の生まれ持った宿命 | 私はこう生まれてきたから | I was born this way hey! 私はこの運命のもとに生まれてきた |
| 私の生き方は間違っていない、これが私の生まれ持った宿命 | 私は正しい道を進んでいる こう生まれてきたから | I'm on the right track baby I was born this way hey! このまま進めばいい ベイビー 私はこの運命のもとに生まれてきた |
| 同じ遺伝子 |
February With the world going mobile and billions of new devices requiring electrical storage, battery technology is almost certainly due for a renaissance in the near future and recent developments suggest MIT will play a role in the next significant battery technology. Less than a week ago, we reported on work being done by MIT's Laboratory for Electromagnetic and Electronic Systems (LEES) that could become the first technologically significant and economically viable alternative to conventional batteries in 200 years. Now a second new and highly promising battery technology is emerging from MIT - a new type of lithium battery that could become a cheaper alternative to the batteries that now power hybrid electric cars.
Until now, lithium batteries have not had the rapid charging capability or safety level needed for use in cars. Hybrid cars now run on nickel metal hydride batteries, which power an electric motor and can rapidly recharge while the car is decelerating or standing still.
But lithium nickel manganese oxide, described in a paper to be published in Science on Feb. 17, could revolutionize the hybrid car industry -- a sector that has "enormous growth potential," says Gerbrand Ceder, MIT professor of materials science and engineering, who led the project.
"The writing is on the wall. It's clearly happening," said Ceder, who said that a couple of companies are already interested in licensing the new lithium battery technology.
The new material is more stable (and thus safer) than lithium cobalt oxide batteries, which are used to power small electronic devices like cell phones, laptop computers, rechargeable personal digital assistants (PDAs) and such medical devices as pacemakers.
The small safety risk posed by lithium cobalt oxide is manageable in small devices but makes the material not viable for the larger batteries needed to run hybrid cars, Ceder said. Cobalt is also fairly expensive, he said.
The MIT team's new lithium battery contains manganese and nickel, which are cheaper than cobalt.
Scientists already knew that lithium nickel manganese oxide could store a lot of energy, but the material took too long to charge to be commercially useful. The MIT researchers set out to modify the material's structure to make it capable of charging and discharging more quickly.
Lithium nickel manganese oxide consists of layers of metal (nickel and manganese) separated from lithium layers by oxygen. The major problem with the compound was that the crystalline structure was too "disordered," meaning that the nickel and lithium were drawn to each other, interfering with the flow of lithium ions and slowing down the charging rate.
Lithium ions carry the battery's charge, so to maximize the speed at which the battery can charge and discharge, the researchers designed and synthesized a material with a very ordered crystalline structure, allowing lithium ions to freely flow between the metal layers.
A battery made from the new material can charge or discharge in about 10 minutes -- about 10 times faster than the unmodified lithium nickel manganese oxide. That brings it much closer to the timeframe needed for hybrid car batteries, Ceder said.
Before the material can be used commercially, the manufacturing process needs to be made less expensive, and a few other modifications will likely be necessary, Ceder said.
Other potential applications for the new lithium battery include power tools, electric bikes, and power backup for renewable energy sources.
The lead author on the research paper is Kisuk Kang, a graduate student in Ceder's lab. Ying Shirley Meng, a postdoctoral associate in materials science and engineering at MIT, and Julien Breger and Clare P. Grey of the State University of New York at Stony Brook are also authors on the paper.
The research was funded by the National Science Foundation and the U.S. Department of Energy.
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"The Artist"? "The Descendants"? "Hugo"? There was no critical consensus following a day of intense voting yesterday when a gaggle of critics groups voted their top honors. These included the Los Angeles Film Critics Association (LAFCA), the Boston Society of Film Critics (BSFC), and the New York Film Critics Online (NYFCO), as well as critics in San Francisco, Detroit and Indiana. The American Film Institute also announced its annual top 10, typically taking no risks.
Best Picture: "The Descendants" got a strong push with a win at the LAFCA, but "The Artist" took the top prize at the BSFC and the NYFCO. Both titles will make the final Academy shortlist. Fortified by nominations for their respective directors Martin Scorsese and Terrence Malick, "Hugo" and "The Tree of Life" should get nominations. The critics groups didn't get "The Help," any more than "The Blind Side," but the Civic Rights-era drama did make the American Film Institute top ten this year, so don't discount it yet.
Best Actor: Michael Fassbender is coming up fast with an LAFCA win. Why should we care about that group in particular? They're on a six-year roll predicting the Oscar winner for Best Actor. Brad Pitt's also a contender for "Moneyball," getting an art-house bump from "The Tree of Life," with Gary Oldman coming up on the outside thanks to the critical and box-office success of "Tinker, Tailor, Soldier, Spy" and a nod from the San Francisco Film Critics. How about George Clooney for "The Descendants"? He's still in the race, but not at the forefront. Like going for long shots? Then bet Michael Shannon for "Take Shelter," which won NYFCO. And if there's a sweep for "The Artist," add in Jean Dujardin.
Best Actress: Michelle Williams of "My Week With Marilyn," solidifies her spot with a win at the Boston Film Critics Association. Los Angeles went way out for Yung-Jun Hee in "Poetry" (what?) in their 'we're cool and uncorrupted by the Oscar race' vote. NYFCO went classic with Meryl Streep for "The Iron Lady." She's the Streep, but neither she nor Williams will be helped by an apparent lack of enthusiasm for their moves as a whole. Ditto Viola Davis ("The Help"), who will nonetheless make the top five Oscar nominees. Either SF winner Tilda Swinton ("We Need to Talk About Kevin") or multiple-runner-up Kirsten Dunst ("Melancholia") may slip in or come in sixth or seventh. Keep an eye out for Charlize Theron ("Young Adult"), Elizabeth Olsen ("Martha Marcy May Marlene") and Felicity Jones ("Like Crazy) as wild-card entries.
Best Supporting Actor: This is a two-man race between octogenarian Christopher Plummer and Albert Brooks playing against type as a cold-blooded hands-on killer. On the fringes: Patton Oswalt ("Young Adult"), Kenneth Branagh ("My Week with Marilyn") and Andy Serkis ("Rise of the Planet of the Apes").
Best Supporting Actress: Coming up on the inside is Melissa McCarthy for "Bridesmaids." Hurray for comedy! Bolstered by a best ensemble award from the LAFCA, this may push McCarthy into the five Oscar nominees. The LAFCA got behind Jessica Chastain, the NYFCO Breakthrough Performer, who was in every movie from "The Tree of Life" to "The Help," where she'll be competing against her popular co-star Octavia Spencer. The San Francisco critics supported Vanessa Redgrave for "Coriolanus," and Janet McTeer ("Albert Nobbs") was an LAFCA runner up in the category.
Who's out of the running in these five major categories? The Girl With the Dragon Tattoo, War Horse, J. Edgar and Midnight in Paris all underwhelmed. The X-Factor remains Scott Rudin's buzzy "Extremely Loud and Incredibly Close," which has not been screened widely after the New Yorker's David Denby flagrantly broke embargo on Rudin's other major film, "The Girl with the Dragon Tattoo." Pack the Kleenex box for this one.
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"The Artist"? "The Descendants"? "Hugo"? There was no critical consensus following a day of intense voting yesterday when a gaggle of critics groups voted their top honors. These included the Los Angeles Film Critics Association (LAFCA), the Boston Society of Film Critics (BSFC), and the New York Film Critics Online (NYFCO), as well as critics in San Francisco, Detroit and Indiana. The American Film Institute also announced its annual top 10, typically taking no risks.
Best Picture: "The Descendants" got a strong push with a win at the LAFCA, but "The Artist" took the top prize at the BSFC and the NYFCO. Both titles will make the final Academy shortlist. Fortified by nominations for their respective directors Martin Scorsese and Terrence Malick, "Hugo" and "The Tree of Life" should get nominations. The critics groups didn't get "The Help," any more than "The Blind Side," but the Civic Rights-era drama did make the American Film Institute top ten this year, so don't discount it yet.
Best Actor: Michael Fassbender is coming up fast with an LAFCA win. Why should we care about that group in particular? They're on a six-year roll predicting the Oscar winner for Best Actor. Brad Pitt's also a contender for "Moneyball," getting an art-house bump from "The Tree of Life," with Gary Oldman coming up on the outside thanks to the critical and box-office success of "Tinker, Tailor, Soldier, Spy" and a nod from the San Francisco Film Critics. How about George Clooney for "The Descendants"? He's still in the race, but not at the forefront. Like going for long shots? Then bet Michael Shannon for "Take Shelter," which won NYFCO. And if there's a sweep for "The Artist," add in Jean Dujardin.
Best Actress: Michelle Williams of "My Week With Marilyn," solidifies her spot with a win at the Boston Film Critics Association. Los Angeles went way out for Yung-Jun Hee in "Poetry" (what?) in their 'we're cool and uncorrupted by the Oscar race' vote. NYFCO went classic with Meryl Streep for "The Iron Lady." She's the Streep, but neither she nor Williams will be helped by an apparent lack of enthusiasm for their moves as a whole. Ditto Viola Davis ("The Help"), who will nonetheless make the top five Oscar nominees. Either SF winner Tilda Swinton ("We Need to Talk About Kevin") or multiple-runner-up Kirsten Dunst ("Melancholia") may slip in or come in sixth or seventh. Keep an eye out for Charlize Theron ("Young Adult"), Elizabeth Olsen ("Martha Marcy May Marlene") and Felicity Jones ("Like Crazy) as wild-card entries.
Best Supporting Actor: This is a two-man race between octogenarian Christopher Plummer and Albert Brooks playing against type as a cold-blooded hands-on killer. On the fringes: Patton Oswalt ("Young Adult"), Kenneth Branagh ("My Week with Marilyn") and Andy Serkis ("Rise of the Planet of the Apes").
Best Supporting Actress: Coming up on the inside is Melissa McCarthy for "Bridesmaids." Hurray for comedy! Bolstered by a best ensemble award from the LAFCA, this may push McCarthy into the five Oscar nominees. The LAFCA got behind Jessica Chastain, the NYFCO Breakthrough Performer, who was in every movie from "The Tree of Life" to "The Help," where she'll be competing against her popular co-star Octavia Spencer. The San Francisco critics supported Vanessa Redgrave for "Coriolanus," and Janet McTeer ("Albert Nobbs") was an LAFCA runner up in the category.
Who's out of the running in these five major categories? The Girl With the Dragon Tattoo, War Horse, J. Edgar and Midnight in Paris all underwhelmed. The X-Factor remains Scott Rudin's buzzy "Extremely Loud and Incredibly Close," which has not been screened widely after the New Yorker's David Denby flagrantly broke embargo on Rudin's other major film, "The Girl with the Dragon Tattoo." Pack the Kleenex box for this one.
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Early winter sky, like the patient's face the overcast, day to sink. Anxiety emotions such as this pervading the mist, tightly in my mind, catch my breath. This noon, the sun finally broke through the cloud and mist, show smiling face. The golden sunshine, the clear as on snow, warm warm silver fai in the flow. My heart like this in the window sunshine, suddenly lit up. On the vast expanse of the forms.it, bathed in the warm sunshine, the in the mind unspeakable joy, really want to in the sparkling on snow run, to release under pressure in the life, the one anxious heart, make it in the warm Yang blowing quiet quiet stretch open, as Snow White pure it gently the each place, leave a light the tranquil, calm in heart ripples.
The winter warm Yang heartily of vent to their hot, sprinkle with golden way way, the snow on glaring multicoloured halo, like in a split up around me gorgeous flowers. And as a series of colorful picture, in my sight of dreaming floating, I stand still didn't dare move, very afraid that move will put it like running scared. The sun be warm in my body, face and hands gently touched, a thick warm meaning in my heart rise, and then a puzzling to love is full whole body. Oh! I see, the soft touch, it's like my lover it. As the sun jade-like stone son bright smile, as if appear in the shadows. And when she left the same way, or that naughty smile, two small dimples with the face. She bantered said "to chase me! After a good deal for you win." I'm excited, but at a loss, just gazing at the light faded away in her in in the distance, RenXue the ground I do the footprints of the lonely, in lightly sigh.
Sunshine slowly breeze snow, the BaiXueShan quietly accept this trust god's touch. Like the girl like falling in love with lover's arms in school, doing the colorful dream. I was the true meaning of the snow moved and also enjoy stealthily warm winter sun kissing. The light sad like the like melted, had been in my memory, such as the white as forms.it of, did not leave traces. My heart immersed in the warmth of sunshine, and in the winter it forms.it quietly in fell asleep.
The winter warming Yang, don't abandon not to leave, waiting at my side, as my mother was waiting for the I, with all my heart, have no complaint. It let me understand, life not only it is the exhaustion of body and mind, worried restlessness. There is a kind of beautiful scenery, on our side. In fact they have been waiting for us, as long as pay attention side a flower, a leaf, a wisp of spring breeze, a rain, a snow, a blue sky, and so on. Like I say to this winter warm sample, calm down to, fine fine ground to observe, and deeply to taste, will get unexpected harvest.
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おもしろかった。
「訳注：この辺訳怪しい」と言ってるところは確かに怪しいので直すとこんな感じかになるかと思う。
Facebook gets it. That's what really worries me. That's what got me off my lazy butt to write this thing. I hate blogging. I hate... plussing, or whatever it's called when you do a massive rant in Google+ even though it's a terrible venue for it but you do it anyway because in the end you really do want Google to be successful. And I do! I mean, Facebook wants me there, and it'd be pretty easy to just go. But Google is home, so I'm insisting that we have this little family intervention, uncomfortable as it might be.
(https://plus.google.com/112678702228711889851/posts/eVeouesvaVX)
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ぐうたらな僕をここまでして書かせた理由はそれだ。
僕は元来ブログするのも、プラスする（って言うのかどうか知らないけど）のも嫌いだ。
そもそもGoogle+はぶっちゃけ話をするのにはひどい場所だけど、とにかくやらなきゃならない。
で、僕は成功して欲しい！
まあ要は Facebook が僕を呼んでいるし、きっとそっちでやるほうがずっと楽なんだろうけど、
Start with a Platform, and Then Use it for Everything.
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これはわりとどうでもいいところけどせっかくなので。
It's not even super clear whose mom he was talking about, and doesn't really matter, because nobody's mom can use the goddamn website.
誰のママのことを言ったのかははっきりしないし、そんなことは問題じゃ無い。問題は、ママじゃ無きゃそのウンコサイトを使えるんだってことだ。
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じっさい誰のママのことを言ったのかははっきりしないけど、そんなことは問題じゃ無い。
それ、心当たりがある？それだよ、それ。
どういう内容・事情かはともかく、バンバン打ったんじゃないの？
これは、復活のお知らせメールみたいなんだけど、赤版て書いてあるの？
１文目にある"was suspended"を垢BANと解釈したけど、ちょっと言い過ぎかもしれないかな。
とりあえず、垢止めはされた。で、最後に今後の使い方次第では垢BANするから気をつけろよ、と書いてある。
以下テキトー対訳。
-----------------------------
うぃーっす
This account was suspended for sending multiple unsolicited messages using the @reply and/or mention feature.
このアカントは凍結しました。(This account was suspended)
なぜなら(for)、迷惑な(unsolicited)メッセージを、@reply機能やmention機能を使って、たくさん送ったからです。
These features are intended to make communication between people on Twitter easier.
これらの機能(These features)は、Twitterを使って人々がカンタンにコミュニケーションするための機能です。
Twitter monitors the use of these features to make sure they are used as intended and not for abuse.
Twitter(の管理者)は、これらの機能の使用状況を監視しています。(Twitter monitors the use of these features )
その目的は、たしかに我々の意図した使われ方をしていて(are used as intended)、
不正利用されていないか(not for abuse)を確認するためです。
Using either feature to post messages to a bunch of users in an unsolicited or egregious manner is considered an abuse of its use, which results in account suspension.
これら(@reply, mention)のメッセージ送信機能が、沢山の人々(a bunch of users)に向かって、迷惑(unsolicited)やひどい(egregious)使われ方をしていると見なされた場合、
結果としてアカントを凍結することになります。(, which results in account suspension.)
For more information about these features, please visit our @Replies and Mentions help page:
これらの機能(@reply, mention)に関する情報をもって知りたいなら、以下のヘルプページを参照してください。
私は今、あなたのアカウントを凍結から解除(un-suspended)しています。
Please note that it may take an hour or so for your follower and following numbers to return to normal.
参考までに(Please note that)、その作業には小一時間かかること、あなたのフォロワーやフォローしている人の状況は元通りになることをお知らせします。
Be sure to review the Twitter Rules, as repeat violations may result in permanent suspension:
暴力的な行為を繰り返した場合(as repeat violations)、永久BAN(permanent suspension)にすることもあるぞ。
Thank you,
TheCaptain
以上よろしく。
酋長より。
This account was suspended for sending multiple unsolicited messages using the @reply and/or mention feature. These features are intended to make communication between people on Twitter easier. Twitter monitors the use of these features to make sure they are used as intended and not for abuse. Using either feature to post messages to a bunch of users in an unsolicited or egregious manner is considered an abuse of its use, which results in account suspension.
For more information about these features, please visit our @Replies and Mentions help page:
http://support.twitter.com/articles/14023
I have now un-suspended your account. Please note that it may take an hour or so for your follower and following numbers to return to normal.
Be sure to review the Twitter Rules, as repeat violations may result in permanent suspension:
Thank you,
TheCaptain
マイアミに巨大カタツムリが大量発生、さらにカタツムリ教団まで登場
http://gigazine.net/news/20110920_miami_invaded_by_snails/
すっかり垢抜けない中堅オタニュースサイトになった感のあるGIGAZINEだけど、
久々に見てみたら相変わらずひどい。上の記事のなかに
また、直近の大発生を受けて、新興宗教「カタツムリ教団」が小規模ながら登場しており、アフリカマイマイを治癒力を高める存在としてあがめていると言います。
A more recent introduction several years ago was traced to small religious sects in Miami, where the snails are believed to harbor healing properties.
単にどこかの新興宗教がカタツムリを治療薬として利用したらしい例もある、程度の意味だろ。
これをどう訳せば ”新興宗教「カタツムリ教団」が小規模ながら登場” になるの？
わざとやってるなら東スポ以下のセンスだし、誤訳だとすればアホすぎる。。。
（記事タイトルにまで入れてるんだから、誤訳なんだろうな。。。）
ロケットニュース、ガジェット通信がオタ層を拾いつつ、適度に一般受けするネタを広く扱ってるのに対して、
GIGAZINEはいまだにあの強固な自社サーバー（笑）でこんな個人ブログ以下みたいなことやってるのかと思うとなんとも胸熱。
何がいやって、すべての面においてセンスがなさすぎるんだよ。。。。
Translated from http://anond.hatelabo.jp/20110907020451
For a long time, I am in a dark box.
According to someone's comment I heard outside of the box, a tiny bottle containing deadly poison is located in this box. Although the bottle is completely sealed, a hammer is positioned in the vicinity of the bottle. And they said the hammer would fall down at a certain time.
When is "the certain time"? I don't know. In this very moment? Or distant future? Possibly, it already has come (I don't want to think about it). No one can affect the hammer. As an independent event, it will fall down with probability 50%. The probability is exactly 50%. Possibly, the bottle may be broken, or may not. About myself, dead, or, alive.
I must say, how terrible the situation is.
It is impossible for me to avoid having a furious indignation. My life, the most important issue for me, is completely away from me, and is solely dependent on the simple figure, FIFTY PERCENT! Too much terrible.
Additionally, and I think it is completely unreasonable, I am shackled in many ways to keep the probability at exactly 50%.
Visual perception. The box is completely shielded from any light. It's for avoiding me from finding and destroying the bottle and apparatus. Complete darkness. I am in the total darkness. Thus, now I can’t see even the outline of myself. Possibly it sounds strange, the darkness makes me have a doubt about the existence of my body itself.
Acoustic perception. Maybe, from the reason I mentioned above, a perfect sound insulation is used. I can’t hear even the voice of my own. I don't know the mechanism. In the first place, as I can’t see anything, how can I investigate it? So, this is only a speculation, possibly, my drum membranes were damaged before enclosure in this box, or, some special material is used for the wall of the box.
Anyway, in a dark box too much good at shielding light and sound, my visual and acoustic perception is dead just as the term indicates.
As if further confirmation are needed, a huge fatigue weighing heavily upon me is another shackle for me. It seems that they gave me some kind of muscle relaxant to avoid me from struggling. As I can’t change from the same posture, my tactile perception is almost paralyzed.
No light. No sound. Smell and taste are unreliable. Tactile perception is in malfunction. I am like a puppet. All the five senses are out of control of mine. Too much cruel. Perfect shackles. I wish if they had given a sleeping medicine. I feel I am in agony without any external injury. My life, my existence itself, is completely ignored. Such a humiliation keeps my sanity. Only such a humiliation can.
The right to control the life and death of myself is completely deprived. I hate such situation. The core determinant of the continuity of my life is completely dependent upon, solely upon, a pure probability. Completely away from anyone's will. I hate it, again, I hate it!
Why do I have to be enclosed in such a box? In such a ridiculous box, why do I have to be in fear of life and death with such perfect shackles?
I am lonely. Am I feeling empty and flat? Difficult to avoid sobbing? No. My loneliness is much deeper. I am in a sea of void. I am alone. Completely alone. As an orphan, I was thrown into this endless darkness. I am quivering in the absolute zero.
There is no perspective in this box. Only the darkness is here. I can’t feel the bottle and the hammer. I can’t feel the wall, the bottom, and the ceiling neither. They should be there. But all the five senses of mine are deprived. I feel like there is nothing. While those things have some meanings.
Speaking honestly, I am not so sure I am in a box. I am sure that what I am exists. I am thinking. I am fantasizing. It is the evidence showing the uniqueness of mine, which is called the ego or the consciousness or the mind, is solid. But, is the uniqueness is truly enclosed in the box? Is it possible that it is floating in another space? I can’t eliminate such doubts.
Possibly, what I am here is floating in the end of the universe, or is lying down at the bottom of the Mariana Trench. Or going down from a vent of the Kilauea volcano, maybe.
I don't have any method to know how the box (enclosing me) is. All the senses of mine are dead. It is impossible for me to determine whether here is inside of a box or not.
In addition to that, I am not so sure that I am truly alive. I don't have any way to confirm such a simple thing. Possibly, the 50% probability has already passed beyond me. Maybe I am already dead. I am still alive, maybe. Injected with muscle relaxant, shallow breathes, weak heartbeats. Or, cessation of all of them, simply leaving meat bolus.
I am deprived of any capability of controlling my own body. Who can say that my mind resides in the body continuing vital activities? The five senses have been poisoned with the total darkness. They can’t function as sensory organs. I don't have any chance to know the truth. Possibly, any supposition is fabricated by myself. The situation surrounding me and the uniqueness of myself are components of programmed role-play, possibly.
About the existence of mine, I can’t determine the behavior. I hate to admit it, but I am in the middle of fluctuation.
I wish someone could find me. I wish someone could open the box and observe how I am, and determine what I am. There is not enough power inside me to do so. All I can do is to continue to quiver in the loneliness.
If I were the Almighty, I could say "Let there be light". I know it is impossible. But I can‘t help feeling how nice it would be if I could say so.
My own free will! It could fix every fluctuation surrounding myself!
At the same time, longing produces shadow. If the box is opened, I will be found and observed. As a result, what I am will be determined. To tell the truth, I can’t look away from the fact I am anxious about being determined.
Although I am unable to determine whether I am alive or dead by myself, I am afraid of the death. I am afraid that I am determined as a dead. I can’t accept. Still I can’t feel, I can’t imagine the death as a specific phenomenon. Probably, that is why I am afraid of death.
No, it should not be restricted to me. King of virtue. Deadly murderer. Regular folks. All the same. Maybe, the elder people or patients of bad disease could have some imagination sufficiently close to the true death. But, even so, it is impossible to know the specific experience of death.
In the end, death is the final destination with overwhelming significance. The time and the consciousness have an absolute irreversibility. Death also has the absoluteness which can’t be changed. Even if it is a ritual pass point or an outstanding impressive event.
Myself, the mind of mine here is, will be vanished at the moment at which how I am is determined. If they deprive the lukewarm water, in which I can’t feel the temperature, it is impossible for me to avoid exposing myself to the air.
I am afraid of such an irreversible change. It is not limited to the determination of death. Also I am so anxious that I am determined being alive.
The current existence of myself is like a tiny, tiny illusion standing on an endless point. Not larger than that. Not smaller than that. Not longer than that. Not shorter than that. No expansion. No shrinkage. Standing upon a unique single point. It is mathematically correct. I am something like a ghost staying upon such a point, having confusion about identity of myself.
The point exists at every position on a plane of coordinates, at the same time, not existing at a certain position. If a certain event occurs, on that moment, it will converge me to a single point among all the space-times, in which the event has occurred, as if having me step off a bus. Without any concern. Even if the point and I have been a one. The illusion, which has stayed in such a point, has possibilities of being real and being vanished like a mist, to an equal degree.
Now, I am existing in every time-space, I have every nature. At the same time, I am suffering from the loneliness that I am away from every nature. I wish someone can find me. At the same time, I am so anxious that where I will be, and that how I will be at that moment.
I have been released from the law of cause and effect. I am undetermined ever, for ever.
http://www.bbc.co.uk/news/education-14644613
The proportion of 18 to 24-year-olds in England not in employment, education or training (Neet) has risen to 18.4%, official figures suggest.
The figure from the Department for Education is the highest for the second quarter since 2006, and is up from 16.3% last year.
Nearly a million (979,000) 16 to 24-year-olds were Neet between April and June this year, the figures show.
印象的なのは、
A government spokesman said the number of young people not in education, employment or training "has been too high for too long".
また、
However, shadow education secretary Andy Burnham said the figures showed the government was "being far too complacent" and risked "leaving the next generation behind".
"For the first time there is a risk that the next generation will do worse than the last," he added.
専門領域でも研究しているわけでもないけど、この記事から読むことで日本と違うかなーと思ったのは、英国ではこうしたニートたる(になっていくであろう)若者たちを教育なり就業訓練なりにとどまるよう励ましているとのこと。
もちろん先の暴動しかり危機感の違いはあるのかもしれないが、日本においては、新卒を限定とした採用の習慣が職業機会を狭めているなかで、構造的にニートたちに職業訓練にむかわせるのは無理があるようなきがする。(もちろん西側ヨーロッパでは基本的に日本よりあからさまに学歴社会であることを忘れてはならないが)
人はいつでも失敗しうるし、考えを変えるし、それが当然だと、つまり「言わずもがな」人々に共有された感覚として成立しないかぎり、若い人たちが生きることに充実した感覚を根本的にもてるようにはならないように思う。
