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はてなキーワード: EVFとは
自分は、俗に言われるキヤノン信者だけど、この記事を読んで思ったことは、レフ機（一眼レフ）を「買ってはいけない」ということはないということ。
個人的にSONYのミラーレスとキャノンの一眼レフ、両方使うけれども、未だに、レフ機は手放せない。
最近はミラーレスも進化してて、AFもレフ機に負けないどころかレフ機より早いものもある。
いずれミラーレスがレフ機に取って代わる日は近いと感じている。
それでも、少なくとも、長時間カメラを据えて待つときはもちろんバッテリー消費の関係で液晶に電気を流し続ける必要のないレフ機のほうが優位だし、動態撮影でも未だにEVFでは少しきついなと思うことがある。
問題ないという人もいるかもしれないが、本当にほんの僅かの遅れが気になってカメラを振ったときに気持ち悪い感じがある。
なので、個人的には撮りたいものによってはレフ機をおすすめするのが正しいと思う。もちろん、自分が人に勧めるときはレフ機だけども。
「絶対に買ってはいけない」なんてことはないし、こんなことを書いてるのは、言ってしまえばミラーレス信者だよね。
きっとこの先ミラーレスがレフ機に取って代わることになるけど、自分は最後までレフ機を使い続ける。
人の目で見えないような真っ暗闇でだって液晶ではっきり見ながら写真を撮ることができるし、撮れる画をみながら撮影できるメリットはとても大きい。
でも、ファインダーを覗いたときの感動が、ミラーレスではなかった。
特に、初めてキットレンズからちょっと高いレンズを頑張って買って付き変えてファインダーを覗いたときは、本当に衝撃を受けた。
光学ファインダー越しにみる、とてもキレイな世界は、写真を見た人には伝わることはない。写真を見た人に見えるのは、センサー越しのものだから。
ミラーレスでも、ファインダーを覗いたって見てるのはセンサーで拾った画をディスプレイでうつしてるのだから、同じこと。
レンズとカメラを通してみる世界の美しさは、カメラマンだけの特権だとおもう。
ハッシュタグでファインダー越しの私の世界とかつぶやいてる人がいるけど、ほんとうの意味での「ファインダー越しの私の世界」は誰にも共有できない、カメラを除いてその先を見た人にだけの特権。
Digital cameras are made in a wide range of sizes, prices and capabilities. The majority are camera phones, operated as a mobile application through the cellphone menu. Professional photographers and many amateurs use larger, more expensive digital single-lens reflex cameras (DSLR) for their greater versatility. Between these extremes lie digital compact cameras and bridge digital cameras that "bridge" the gap between amateur and professional cameras. Specialized cameras including multispectral imaging equipment and astrographs continue to serve the scientific, military, medical and other special purposes for which digital photography was invented.
Subcompact with lens assembly retracted
Compact cameras are designed to be tiny and portable and are particularly suitable for casual and "snapshot" uses. Hence, they are also called point-and-shoot cameras. The smallest, generally less than 20 mm thick, are described as subcompacts or "ultra-compacts" and some are nearly credit card size.[2]
Most, apart from ruggedized or water-resistant models, incorporate a retractable lens assembly allowing a thin camera to have a moderately long focal length and thus fully exploit an image sensor larger than that on a camera phone, and a mechanized lens cap to cover the lens when retracted. The retracted and capped lens is protected from keys, coins and other hard objects, thus making it a thin, pocketable package. Subcompacts commonly have one lug and a short wrist strap which aids extraction from a pocket, while thicker compacts may have two lugs for attaching a neck strap.
Compact cameras are usually designed to be easy to use, sacrificing advanced features and picture quality for compactness and simplicity; images can usually only be stored using lossy compression (JPEG). Most have a built-in flash usually of low power, sufficient for nearby subjects. Live preview is almost always used to frame the photo. Most have limited motion picture capability. Compacts often have macro capability and zoom lenses but the zoom range is usually less than for bridge and DSLR cameras. Generally a contrast-detect autofocus system, using the image data from the live preview feed of the main imager, focuses the lens.
Typically, these cameras incorporate a nearly silent leaf shutter into their lenses.
For lower cost and smaller size, these cameras typically use image sensors with a diagonal of approximately 6 mm, corresponding to a crop factor around 6. This gives them weaker low-light performance, greater depth of field, generally closer focusing ability, and smaller components than cameras using larger sensors.
Starting in 2011, some compact digital cameras can take 3D still photos. These 3D compact stereo cameras can capture 3D panoramic photos for play back on a 3D TV.[3] Some of these are rugged and waterproof, and some have GPS, compass, barometer and altimeter. [4]
Main article: Bridge camera
Bridge are higher-end digital cameras that physically and ergonomically resemble DSLRs and share with them some advanced features, but share with compacts the use of a fixed lens and a small sensor. Like compacts, most use live preview to frame the image. Their autofocus uses the same contrast-detect mechanism, but many bridge cameras have a manual focus mode, in some cases using a separate focus ring, for greater control. They originally "bridged" the gap between affordable point-and-shoot cameras and the then unaffordable earlier digital SLRs.
Due to the combination of big physical size but a small sensor, many of these cameras have very highly specified lenses with large zoom range and fast aperture, partially compensating for the inability to change lenses. On some, the lens qualifies as superzoom. To compensate for the lesser sensitivity of their small sensors, these cameras almost always include an image stabilization system to enable longer handheld exposures.
These cameras are sometimes marketed as and confused with digital SLR cameras since the appearance is similar. Bridge cameras lack the reflex viewing system of DSLRs, are usually fitted with fixed (non-interchangeable) lenses (although some have a lens thread to attach accessory wide-angle or telephoto converters), and can usually take movies with sound. The scene is composed by viewing either the liquid crystal display or the electronic viewfinder (EVF). Most have a longer shutter lag than a true dSLR, but they are capable of good image quality (with sufficient light) while being more compact and lighter than DSLRs. High-end models of this type have comparable resolutions to low and mid-range DSLRs. Many of these cameras can store images in a Raw image format, or processed and JPEG compressed, or both. The majority have a built-in flash similar to those found in DSLRs.
In bright sun, the quality difference between a good compact camera and a digital SLR is minimal but bridgecams are more portable, cost less and have a similar zoom ability to dSLR. Thus a Bridge camera may better suit outdoor daytime activities, except when seeking professional-quality photos.[5]
In low light conditions and/or at ISO equivalents above 800, most bridge cameras (or megazooms) lack in image quality when compared to even entry level DSLRs. However, they do have one major advantage: their much larger depth of field due to the small sensor as compared to a DSLR, allowing larger apertures with shorter exposure times.
A 3D Photo Mode was introduced in 2011, whereby the camera automatically takes a second image from a slightly different perspective and provides a standard .MPO file for stereo display. [6]
[edit]Mirrorless interchangeable-lens camera
Main article: Mirrorless interchangeable-lens camera
In late 2008, a new type of camera emerged, combining the larger sensors and interchangeable lenses of DSLRs with the live-preview viewing system of compact cameras, either through an electronic viewfinder or on the rear LCD. These are simpler and more compact than DSLRs due to the removal of the mirror box, and typically emulate the handling and ergonomics of either DSLRs or compacts. The system is used by Micro Four Thirds, borrowing components from the Four Thirds DSLR system.
[edit]Digital single lens reflex cameras
Cutaway of an Olympus E-30 DSLR
Main article: Digital single-lens reflex camera
Digital single-lens reflex cameras (DSLRs) are digital cameras based on film single-lens reflex cameras (SLRs). They take their name from their unique viewing system, in which a mirror reflects light from the lens through a separate optical viewfinder. At the moment of exposure the mirror flips out of the way, making a distinctive "clack" sound and allowing light to fall on the imager.
Since no light reaches the imager during framing, autofocus is accomplished using specialized sensors in the mirror box itself. Most 21st century DSLRs also have a "live view" mode that emulates the live preview system of compact cameras, when selected.
These cameras have much larger sensors than the other types, typically 18 mm to 36 mm on the diagonal (crop factor 2, 1.6, or 1). This gives them superior low-light performance, less depth of field at a given aperture, and a larger size.
They make use of interchangeable lenses; each major DSLR manufacturer also sells a line of lenses specifically intended to be used on their cameras. This allows the user to select a lens designed for the application at hand: wide-angle, telephoto, low-light, etc. So each lens does not require its own shutter, DSLRs use a focal-plane shutter in front of the imager, behind the mirror.
Main article: Rangefinder camera#Digital rangefinder
A rangefinder is a user-operated optical mechanism to measure subject distance once widely used on film cameras. Most digital cameras measure subject distance automatically using electro-optical techniques, but it is not customary to say that they have a rangefinder.
[edit]Line-scan camera systems
A line-scan camera is a camera device containing a line-scan image sensor chip, and a focusing mechanism. These cameras are almost solely used in industrial settings to capture an image of a constant stream of moving material. Unlike video cameras, line-scan cameras use a single row of pixel sensors, instead of a matrix of them. Data coming from the line-scan camera has a frequency, where the camera scans a line, waits, and repeats. The data coming from the line-scan camera is commonly processed by a computer, to collect the one-dimensional line data and to create a two-dimensional image. The collected two-dimensional image data is then processed by image-processing methods for industrial purposes.
Further information: Rotating line camera
Many devices include digital cameras built into or integrated into them. For example, mobile phones often include digital cameras; those that do are known as camera phones. Other small electronic devices (especially those used for communication) such as PDAs, laptops and BlackBerry devices often contain an integral digital camera, and most 21st century camcorders can also make still pictures.
Due to the limited storage capacity and general emphasis on convenience rather than image quality, almost all these integrated or converged devices store images in the lossy but compact JPEG file format.
Mobile phones incorporating digital cameras were introduced in Japan in 2001 by J-Phone. In 2003 camera phones outsold stand-alone digital cameras, and in 2006 they outsold all film-based cameras and digital cameras combined. These camera phones reached a billion devices sold in only five years, and by 2007 more than half of the installed base of all mobile phones were camera phones. Sales of separate cameras peaked in 2008. [7]
Integrated cameras tend to be at the very lowest end of the scale of digital cameras in technical specifications, such as resolution, optical quality, and ability to use accessories. With rapid development, however, the gap between mainstream compact digital cameras and camera phones is closing, and high-end camera phones are competitive with low-end stand-alone digital cameras of the same generation.
A Canon WP-1 waterproof 35 mm film camera
Waterproof digital cameras are digital cameras that can make pictures underwater. Waterproof housings have long been made but they cost almost as the cameras. Many waterproof digital cameras are shockproof and resistant to low temperatures; one of them is Canon PowerShot D10, one of the first underwater digital cameras.
These cameras become very popular during the holiday season, because many people want to save the best moments from their holidays at the seaside. Waterproof watches and mobile phones were produced earlier. Most makers of digital cameras also produce waterproof ones and every year they launch at least one new model, for example Sony, Olympus, Canon, Fuji.
Healthways Mako Shark, an early waterproof camera,[8] was launched in 1958 and cost around 25 dollars. It was a huge camera and pictures were black and white.
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