「cold」を含む日記 RSS

はてなキーワード: coldとは

2011-12-28

Brain distant a person

Nights, downward the actual curtain on the darkish. Rather busy day time people hurried towards home, along with the family unit. Daily belonging to the noisy town also proceeds towards the an old days or weeks all the tranquility. You bent LengYue has quietly hung in the shrubs, conceal behind the cloud towards relaxation daily belonging to the famous actors equally slowly awaken, start that rudiments associated with eyes, for the pulsating complete too stunning light.

I'm keen on private, to be a person at dusk the actual quiet not to mention delightful roadway for any go around. Additionally helpful to wander by themselves from this peaceful tiny most people about the roadways of skip anyone far away. While, WE need to know your location, also need to know in case you have consider me personally, however Actually, i know that right now, AS I genuinely wish to, beneficial presume a person......

If a wind power blowing into my personal heart, a center on instantly from the thoughts from films for hills. Because a vibrant moonlight on when in front of me personally, AS I view the moon has your own shadow. After the very first planet that's delightful some blasting music artist presently of the nighttime sky, WE apparently read the your wish and your ideal. In the event the moment meteor throughout from prior to me, as i similar my personal eyes, their hands collapsed for the shooting take the leading role developed a small amount, that is certainly, I allow meteor is actually my would like most people not to mention lose for you, and even inform you about, Now i am that quiet night, not a soul, great issue around far-away place of a person......

Winter weather event really black, extended, moreover very cold, AS I nevertheless wandering in this particular lengthy long occasion, for the reason that event WE surround, allow ice cold blowing wind blowing such as me, WHEN I is not aware. My center will be as if from most people glow thinkings from the terminate, getting rid of, this steamy the actual fire. The continue within boiling, the brain within rolling, the sensing stuffed, I adore floating within......

Guess what happens? So i'm scared on the dark, though adore within the night. So i'm scared on the cold, just who dropped fond of snow. I adore one, not saying you. WHEN I forget a person, though cannot explain. Since you also contain your own dream, you could have ones own goal, you could have your task, you could have much more the position and responsibilities. Well, i find it difficult to trouble you, find it difficult to supply you with difficulty, alot more cannot help you for WE distractions. Although I'm sure your own with the mind even wish to everybody, however I am able to only place you with the spirit. Silence from the heart belonging to the range to pass-up most people...

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2011-12-19

Tonight, the star are obsessed heart

【 1 】 searching. Summer mood

Warm sunshine in the body and melted the remaining the sorrow, but increase some warm meaning. Half a narrowed her eyes, look long rear its head, the suspension of the golden ball still smiled at me. The window, have always liked position, whether in the coffee shop or the teahouse or is a fast-food restaurant, as long as is the place all to sit down for the habitual by a window. So, I can clearly see the outside world, see clearly in the outside walk every one.

I am a fear of stay in that vague world people, can now, are steps into the relationship that vague. Once the countless times told himself, the person to work to clear and plainly, clean, neat. But, now of oneself, not only drag, ya, indecision is at sixes and sevens, blurred.

Summer, is a hot season, also is a easily lose season. Each people all have everyone's temper, and summer, let everyone's temper to acme. Stimulate each other's sensory nerve, little the release of anger. They have with anger, with anger passing, also have with anger of fighting the performance...

All kinds of people are full of all kinds of release methods, and I still slowly, don't worry about being by your side. Pay attention to you every day the fickle mood, ponder your mood every day of good and bad. Sometimes think, time is like a medicine, and like a poison. It makes us forget the pain before, but start the next paragraph sad. It let we abandon our past and desolate, but to a desolate.

【 2 】 summer. Away from grief

Spring as the fallen petal go, wearing a suit LuYeEr of summer in the jump in the warm wind coming, I like winning, jubilant welcome the arrival of the summer. I like summer, like the warm sunshine. Like the sunrise, also like the sunset. Like the golden sun, also like the warmth of sunshine.

Where there is sun, and I feel that my world will not too cold.

Where there is sun, and I feel that my life not too dark.

Where there is sun, and I think the world is full of hope.

Had the sunlight, I have confidence has been waiting for you.

The recent weather and began to change is full of sunshine in the morning, and at noon, will see the sun's trail, the change is the roaring winds, bully touching each corner, don't allow a little resistance. Recently is always looking for a variety of ways, to ease his trouble and sorrow. No longer let oneself and sad hook, no longer let yourself with tears become attached to, so, no longer let their sorrow.

Recently, always looking for all kinds of things to do, like have do not like, just like it or not, will be serious to do. So it won't have too much time to think some the mess of things, so that it doesn't always have my insignificant problem into the inside and you weep alone.

[3] night. sensational

With only a sunshine gradually exit out of the window, the moonlight slowly emerging, tight with all kinds of the stars also slowly appeared in the sky. The earth is a light moonlight and the stars into romantic ornament night. Little stars sings like pearl inlaid in under the canopy, ShanShanDe with a light, and the next you said nothing, as if to see this wonderful night.

Into that familiar with the place, the habitual open air conditioning, open the curtains, the outside world is still so wonderful, the stars and not because night and receding, but more glow. At the moment, finally understand, why do so many people like stars in the night, the night the crush.

Tonight's you, different from ordinary, striking a little can't believe. Don't know is his vision, or a real feelings, whether true or not true world. All like tonight's you, suddenly a few days before the fall of all scores brought. Perhaps that is part of your charm.

Night, still as black, so quiet. Just, tonight's night, less afraid.

I and, as usual, quiet looking at the sleeping you, the mouth cape raise filar silk smile and this is that light taste happiness?

__________________________________________________________________

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2011-12-16

Along the way, thank you

Do all the way, the dream all the way, and read all the way, the injury all the way, the youth of this shore, I eyebrow XinWei cu, listening to the wind tells the years of the past; Go all the way, appreciate all the way, listen to all the way, drunk all the way, time of the other side, you gently walk, bring me for my whole life the oath. Smile, as a jade, just like the cold winter la month of a warming Yang; Words, amiable and gentle, like stroke and a wisp of spring breeze; The heart, clear as bright, filled with tolerance and forthright.

In the boundless huge crowd, you I meet by chance, and then silence who know each other, as world all the fate, we own the roaming in, repeated a story of others. Looking at today's you and me, read the yesterday's he and she, original all is so similar to the ends of the earth, the same scene, every moment thousands of deduction. The different stage, the same script, different actors, the same lines, perhaps, that is what the world had said the world of mortals.

Life, seems to be a little spring and fall streams, no waves without wind, go light, so of the day, that you and I, is I have dreamed of. But he is always thinking of, perhaps our stories will be something different, always feel, I want life probably shouldn't so, always think, and the story you and I should deducing other wonderful. Perhaps this is the so-called is not satisfied with it.

Not content with me, occasionally also play a song in life all much ado about nothing. The occasional upset, the occasional sentimentality, occasionally sad sorrow bosom, such me, sometimes not even willing to tolerance, but you will always smiled and said it doesn't matter. A that's ok, covers the you to my tolerance. Thank you, thank you willing to listen to me, thank you willing to understand me, thank you for your concern and care of understanding.

Along the way, just behind the one season blossom has collected, have already in the years flows through place vanished, lift. Magging issues.it, those flowers, then no longer in those days Ming yan; Walk off, those figure, also do not know when from my life disappear; For a around, those familiar with smile, and those who agreed upon oath, and has set up a file in the baptism of the mood swept away. Looking back, QiFengChuYu also only you have been, from beginning to end with reckless abandon.

I know, you are always on, maybe not at nearby, but has lived in my heart. You are in my heart, so, I count the mirror in flower, and cicadas in the eyes of the tender you smile and looked at on the water, and know that you SiQi born rich, and son ChengYue vow.

You know, more than any other, I in the character of the much a slightly thin cool. Those who love, I do not say, and not understand; Those good, I don't talk, and not unknown; Those who warm, those carefully, I pretended that I don't know, but one can see in the eye, and talks to heart. I'm not good at expressing, doesn't mean I don't have felt in the heart, on the contrary, a warm action, a concern of look in the eyes, a warm words, of all things, I kept away, and put it in my heart.

Since always, all don't understand you in my life to a role play, from that year to now, you and I walked all the way from strangers, to close right now, our story is in what the beat is a? Perhaps the story is finalizing a play, also or two hearts were there, but I thank you have in this warm attitude in my MingTu.

Thank you for the lonely in my time took me by the hand, and thank you for making me again believe a fairy tale of aestheticism, thank you for your face my unreasonable never give up, thank you for your tender feelings with the whole life the warmth of my I thin cool, thank you to accompany me along the way. To you, please make I say thank you, thank you let me in such years can also ease dream, let me be able to a insignificant posture face a window to listen.

The dream flowers, quietly away, and in a hurry fell, some people, quietly, and silently walk, that time, like water flowing silence, from refused to make a little I stopped, and our story? Our story will end in where? Tomorrow's you I is near at hand, or the apart?

_______________

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2011-12-15

Critical Thinking: Film Critics Across the Country Name Their Top Movies and Actors

"The Artist"? "The Descendants"? "Hugo"? There was no critical consensus following a day of intense voting yesterday when a gaggle of critics groups voted their top honors. These included the Los Angeles Film Critics Association (LAFCA), the Boston Society of Film Critics (BSFC), and the New York Film Critics Online (NYFCO), as well as critics in San Francisco, Detroit and Indiana. The American Film Institute also announced its annual top 10, typically taking no risks.

Best Picture: "The Descendants" got a strong push with a win at the LAFCA, but "The Artist" took the top prize at the BSFC and the NYFCO. Both titles will make the final Academy shortlist. Fortified by nominations for their respective directors Martin Scorsese and Terrence Malick, "Hugo" and "The Tree of Life" should get nominations. The critics groups didn't get "The Help," any more than "The Blind Side," but the Civic Rights-era drama did make the American Film Institute top ten this year, so don't discount it yet.

Best Actor: Michael Fassbender is coming up fast with an LAFCA win. Why should we care about that group in particular? They're on a six-year roll predicting the Oscar winner for Best Actor. Brad Pitt's also a contender for "Moneyball," getting an art-house bump from "The Tree of Life," with Gary Oldman coming up on the outside thanks to the critical and box-office success of "Tinker, Tailor, Soldier, Spy" and a nod from the San Francisco Film Critics. How about George Clooney for "The Descendants"? He's still in the race, but not at the forefront. Like going for long shots? Then bet Michael Shannon for "Take Shelter," which won NYFCO. And if there's a sweep for "The Artist," add in Jean Dujardin.

Best Actress: Michelle Williams of "My Week With Marilyn," solidifies her spot with a win at the Boston Film Critics Association. Los Angeles went way out for Yung-Jun Hee in "Poetry" (what?) in their 'we're cool and uncorrupted by the Oscar race' vote. NYFCO went classic with Meryl Streep for "The Iron Lady." She's the Streep, but neither she nor Williams will be helped by an apparent lack of enthusiasm for their moves as a whole. Ditto Viola Davis ("The Help"), who will nonetheless make the top five Oscar nominees. Either SF winner Tilda Swinton ("We Need to Talk About Kevin") or multiple-runner-up Kirsten Dunst ("Melancholia") may slip in or come in sixth or seventh. Keep an eye out for Charlize Theron ("Young Adult"), Elizabeth Olsen ("Martha Marcy May Marlene") and Felicity Jones ("Like Crazy) as wild-card entries.

Best Supporting Actor: This is a two-man race between octogenarian Christopher Plummer and Albert Brooks playing against type as a cold-blooded hands-on killer. On the fringes: Patton Oswalt ("Young Adult"), Kenneth Branagh ("My Week with Marilyn") and Andy Serkis ("Rise of the Planet of the Apes").

Best Supporting Actress: Coming up on the inside is Melissa McCarthy for "Bridesmaids." Hurray for comedy! Bolstered by a best ensemble award from the LAFCA, this may push McCarthy into the five Oscar nominees. The LAFCA got behind Jessica Chastain, the NYFCO Breakthrough Performer, who was in every movie from "The Tree of Life" to "The Help," where she'll be competing against her popular co-star Octavia Spencer. The San Francisco critics supported Vanessa Redgrave for "Coriolanus," and Janet McTeer ("Albert Nobbs") was an LAFCA runner up in the category.

Who's out of the running in these five major categories? The Girl With the Dragon Tattoo, War Horse, J. Edgar and Midnight in Paris all underwhelmed. The X-Factor remains Scott Rudin's buzzy "Extremely Loud and Incredibly Close," which has not been screened widely after the New Yorker's David Denby flagrantly broke embargo on Rudin's other major film, "The Girl with the Dragon Tattoo." Pack the Kleenex box for this one.

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Critical Thinking: Film Critics Across the Country Name Their Top Movies and Actors

"The Artist"? "The Descendants"? "Hugo"? There was no critical consensus following a day of intense voting yesterday when a gaggle of critics groups voted their top honors. These included the Los Angeles Film Critics Association (LAFCA), the Boston Society of Film Critics (BSFC), and the New York Film Critics Online (NYFCO), as well as critics in San Francisco, Detroit and Indiana. The American Film Institute also announced its annual top 10, typically taking no risks.

Best Picture: "The Descendants" got a strong push with a win at the LAFCA, but "The Artist" took the top prize at the BSFC and the NYFCO. Both titles will make the final Academy shortlist. Fortified by nominations for their respective directors Martin Scorsese and Terrence Malick, "Hugo" and "The Tree of Life" should get nominations. The critics groups didn't get "The Help," any more than "The Blind Side," but the Civic Rights-era drama did make the American Film Institute top ten this year, so don't discount it yet.

Best Actor: Michael Fassbender is coming up fast with an LAFCA win. Why should we care about that group in particular? They're on a six-year roll predicting the Oscar winner for Best Actor. Brad Pitt's also a contender for "Moneyball," getting an art-house bump from "The Tree of Life," with Gary Oldman coming up on the outside thanks to the critical and box-office success of "Tinker, Tailor, Soldier, Spy" and a nod from the San Francisco Film Critics. How about George Clooney for "The Descendants"? He's still in the race, but not at the forefront. Like going for long shots? Then bet Michael Shannon for "Take Shelter," which won NYFCO. And if there's a sweep for "The Artist," add in Jean Dujardin.

Best Actress: Michelle Williams of "My Week With Marilyn," solidifies her spot with a win at the Boston Film Critics Association. Los Angeles went way out for Yung-Jun Hee in "Poetry" (what?) in their 'we're cool and uncorrupted by the Oscar race' vote. NYFCO went classic with Meryl Streep for "The Iron Lady." She's the Streep, but neither she nor Williams will be helped by an apparent lack of enthusiasm for their moves as a whole. Ditto Viola Davis ("The Help"), who will nonetheless make the top five Oscar nominees. Either SF winner Tilda Swinton ("We Need to Talk About Kevin") or multiple-runner-up Kirsten Dunst ("Melancholia") may slip in or come in sixth or seventh. Keep an eye out for Charlize Theron ("Young Adult"), Elizabeth Olsen ("Martha Marcy May Marlene") and Felicity Jones ("Like Crazy) as wild-card entries.

Best Supporting Actor: This is a two-man race between octogenarian Christopher Plummer and Albert Brooks playing against type as a cold-blooded hands-on killer. On the fringes: Patton Oswalt ("Young Adult"), Kenneth Branagh ("My Week with Marilyn") and Andy Serkis ("Rise of the Planet of the Apes").

Best Supporting Actress: Coming up on the inside is Melissa McCarthy for "Bridesmaids." Hurray for comedy! Bolstered by a best ensemble award from the LAFCA, this may push McCarthy into the five Oscar nominees. The LAFCA got behind Jessica Chastain, the NYFCO Breakthrough Performer, who was in every movie from "The Tree of Life" to "The Help," where she'll be competing against her popular co-star Octavia Spencer. The San Francisco critics supported Vanessa Redgrave for "Coriolanus," and Janet McTeer ("Albert Nobbs") was an LAFCA runner up in the category.

Who's out of the running in these five major categories? The Girl With the Dragon Tattoo, War Horse, J. Edgar and Midnight in Paris all underwhelmed. The X-Factor remains Scott Rudin's buzzy "Extremely Loud and Incredibly Close," which has not been screened widely after the New Yorker's David Denby flagrantly broke embargo on Rudin's other major film, "The Girl with the Dragon Tattoo." Pack the Kleenex box for this one.

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2011-04-15

斉藤和義と懐疑心と

ただただし氏が数十年後、「自然エネルギーに騙された」と言わないために - ただのにっき(2011-04-08)科学的懐疑心の重要性をとき、本旨の導入として斉藤和義の「ずっと嘘だった」とその態度への批判をしている。

ただ氏の批判を抜粋する。

断っておくけど、おれは別に原発推進派でもなければ反対派でもない、強いていえば消極的容認派だけれど、だからといって今さら「絶対安全って言ってたのに! 騙してたなんてひどい!」なんて騒がないよ。世の中に「絶対」なんてものがありえないって知ってるし。悪いけど、「絶対安全です」なんて言われて信じるほうがおかしい

こんな歌、十代の子供なら許されるかも知れないけど、斉藤和義はもう44歳、おれと同世代じゃないか。この歳になったら言っていいのは「(自分より若い世代に対して)無知でごめんなさい、騙されててごめんなさい、黙っててごめんなさい」だろうよ。いい大人がイノセンスぶって責任回避かよ、情けねぇ。

40代にもなって「騙された!」と騒ぐような情けない大人にならないためには、きちんとした科学教育が必要だ。

さて、ただ氏の言うように斉藤は今回の事故をキッカケに、これまでの「絶対安全」が嘘だったことに気づき、「ずっと嘘だった」を歌った情けない大人なのだろうか。

「ずっと嘘だった」の歌詞には「原発が54基」「ほうれん草食いてえな」というフレーズがある。

これは忌野清志郎1988年に発売したカバーズに収録された曲「ラヴ・ミー・テンダー」と「サマータイム・ブルース」を意識していることは明白だ。

松永英明氏がキヨシロー「Love me tender」のアンサーソングとしての斉藤和義「ずっとウソだった」の無力感[絵文録ことのは]2011/04/08でその対応関係を指摘している。

キヨシローの「放射能はいらねえ、牛乳を飲みてぇ」を受けて、斉藤は「風に舞う放射能はもう止められない」「ほうれん草食いてえな」と歌った。違うのは、放射能放射性物質)はすでに放出されていることだ。

そもそも、タイトルやサビ自体がキヨシローへのアンサーである斉藤の「俺たちを騙して、言い訳は「想定外」」「ずっとウソだったんだぜ やっぱ、ばれてしまったな」という歌詞が、キヨシローの「たくみ言葉で一般庶民をだまそうとしても ほんの少しバレてる、その黒い腹」という歌詞を受けているのは明白だ。23年前はほんの少しバレてる程度だったが、今や安全神話崩壊した

キヨシローさん、あんたの歌ったとおりだったよ」というのがこの曲のメッセージとして伝わってくる。

なお、「サマータイムブルース」の歌詞との対比を追記しておくと、「37個も建っている原発がまた増える」は斉藤の「原発が54基」、「それでもTVは言っている「原発は安全です」」は斉藤の「教科書CMも言ってたよ、安全です」に受け継がれている。

これを見るだけでも斉藤が「騙された!」とは違った文脈で「ずっと嘘だった」を歌ったことが伺える。

何しろ斉藤東海村JCO臨界事故の翌年2000年に発売したCOLD TUBEに収録した「青い光」で原発批判をすでにしているのだから

青い光を見たんだ

とてもきれいな青だった

ガスマスクの男たちが僕を人から遠ざけた

青い光を見たんだ

とてもきれいな青だった

ヘリコプターがハエのように・・・うまく思い出せない・・・

青い光を見たんだ

いつも通りにやったんだ

今日も髪がたくさん抜けた

斉藤原発に対して、関心があり、懐疑心を持ち、曲を書き歌うことで反原発を訴えていた。

以上をふまえて本旨にツッコミを入れていこう。

どんな技術にもメリットデメリットがある。メリットばかりを吹聴されて、それを盲信しないためには、科学的な懐疑心が欠かせない。われわれ日本人は、えてして道徳的な立場から人を疑うのはよくないことだと教えられるが、正しい判断をするために、いや「生きるために」、科学的懐疑心は必要なスキルだ。あらゆる意見は「仮説」として受け止め、反証できないか考える。検証されない仮説は採用しない。訓練は必要だが、なにも難しいことはない。人を疑うのではなく仮説を疑うのだから道徳的にはなんの問題もない。

いやいや、あんたは斉藤和義が騙されて喚いてるって検証もしないで決めつけてるだろwしかも人を疑ってるしw「訓練は必要だが、なにも難しいことはない(キリッ」ってw面白すぎるw自分ができてないww

40代にもなって「騙された!」と騒ぐような情けない大人にならないためには、きちんとした科学教育が必要だ。それも、教科書を丸暗記すれば試験合格するようなエセ科学教育じゃなくて、正当な懐疑心を養い、仮説検証を経ない理論採用しないといった「科学の心」を持つための科学教育が。ちゃんと人を育てるところから始めないと、また数十年後におかしな責任転嫁を聴かされることになるよ。

科学の心」を持つと科学以外のことに対する懐疑心は無くなっちゃうの?ただ氏が数年後におかしな責任転嫁を歌うことを楽しみにしてるよw

おまけ

数十年後、「自然エネルギーに騙された」と言わないために - ただのにっき(2011-04-08)ブコメ

id:songe 清志郎へのアンサーソングなのに清志郎の歌を知らないもんだからこんなエントリーなっちゃった 2011/04/09

ただ氏

id:sho 「アンサーソングと知らないのか」ってコメが複数あって笑った。年代的に知ってて当然だという反証を思い浮かべもせずにお気に入りの結論に飛びついちゃうあたりが、ダメな大人の典型だねぇ。 2011/04/10

俺の追記

id:songe 清志郎へのアンサーソングなのに清志郎の歌を知らないもんだからこんなエントリーなっちゃった/知っててこのエントリーなら日本の言論的リテラシー教育重要性が問われるな 2011/04/09

もちろん、知ってて当然だという反証は思い浮かべてました。そして、知ってたらこんなエントリーは書かないだろうとも思ったので確認の為にコメントしてみました

「懐疑心を持つことが大切だ」というテーマエントリーの導入部でいきなり決めつけから入っていたので。こんなことググれば十数分でわかることですし。

2010-01-15

google voice search で英語レベルが分かる

このアプリ凄い。

ためしに日本語で「コンフィデンシャル」といってみる

言語設定がJapaneseだと、そのまま「コンフィデンシャル」と検索ボックスに出てくる!感動!

ためしに英語発音で「confidential」繰り返すと「感染症」とでた笑

言語設定をEnglish(US)にして英語発音でconfidentialというと、今度はしっかり認識

さらにそのまま日本語発音で「コンフィデンシャル」というと、「confidence edit」や「cold is it」と出てきた

すげーーーーこの凄さって、まだあまり世間に認知されてないのか?

てか俺気付くの遅すぎか笑

2009-11-25

Being a gypsy

I finally understood something. A cliche, but something that is important to me.

I've seen nine counselors and four psychiatrists since I was eighteen. I've been sexually and verbally abused by my family, had eating problems, both anorexia and bulimia, and have also been abused by two of the therapists. I'm also a returnee, as the Japanese label me, so I've been bullied at school, and never really felt like I fit in anywhere, including my family. Yes, I had a whole lot of problems.

I always though about killing myself, and it was a ritual to think about whether to die and how to live at the top of a building on my birthday night. The air was always cold and clear, and stars just seem so near. Up there, rationality just seemed to blur, and wrong or right became so dull with all the pain. As a person who believes Christ, or perhaps in any other religion, suicide is a sin, but it literally felt like living in hell.

Nevertheless, now I finally understand. It was the sense of isolation and hunger of being accepted, that had been eating me after all. It's such a cliche, but I guess it's true. It irritates me because not one of the therapists were capable of handling a bilingual, abused and wounded person, and I myself never realized how much trouble I had when the other person was only capable of handling Japanese, although I am as good as a native after living here twenty years. Some of the therapists were trained and licensed in U.S. and spoke English, but I also didn't notice the huge difference of them and myself -- I can't give an explicit example, but I guess being a returnee and a natural interpreter gives people a different sense. Now, I clearly see the difference is not ignorable. And, it's almost unbelievable that it took me so long to come to this point.

I hate myself. I hate myself for not realizing all these years, for all the money I spent on therapy, for being abused, for being abused again by a therapist, for not being able to communicate my feelings and for even ignoring my own senses just to be accepted by my therapists themselves.

Perhaps being bilingual to me is much more troublesome than others say. Hopefully I can now be more comfortable by accepting that I'm like a gypsy. I've always been an outlaw, anyway. And I hope I can be able to connect with people and have real relationships. All the things I wanted from a therapist are the same things I wanted from normal other human beings. I know there are things that need to be covered by professionals, but now that I realize even professionals can't help, and I can't be really accepted by any professional, as long the relationship is kept "professional."

I hope I can sometime make a real relationship, accept and be accepted, by another person, maybe another gypsy.

2009-03-03

村上春樹講演英文と和訳まとめ(仮) 付録III

参照元

英文

(共同通信47News=K)http://www.47news.jp/47topics/e/93880.php

(毎日新聞=Mの後半) http://mdn.mainichi.jp/mdnnews/national/news/20090303p2g00m0dm005000c.html

和訳

(K和訳)http://www.47news.jp/47topics/e/93925.php

(M後半和訳I)http://mainichi.jp/enta/art/news/20090303dde018040076000c.html

(M後半和訳II)http://mainichi.jp/enta/art/news/20090303dde018040076000c2.html

KとMの違い(承前 http://anond.hatelabo.jp/20090302222413)

23

(K)a unique, irreplaceable soul enclosed in a fragile shell.

(M)a unique, irreplaceable soul that is enclosed in a fragile shell.

24

(K)and then it begins to kill us and cause us to kill others--coldly, efficiently, systematically.

(M)and it begins to kill us and cause us to kill others--coldly, efficiently, and systematically.

25

(K)to bring the dignity of the individual soul to the surface and shine a light upon it.

(M)to bring the dignity of the individual soul to the surface, and shine a light upon it.

26

(K)I truly believe it is the novelist’s job

(M)I truly believe that it is the novelist’s job

27

(K)stories that make people cry and quake with fear and shake with laughter.

(M)stories that make people cry , quake with fear and shake with laughter.

28

(K)I asked him why he did this, and he told me he was praying for the people who had died in the battlefield.

(M)I asked him why he did this. He told me he was praying for the people who had died on the battlefield.

29

(K)He was praying for all the people who died, he said,

(M)He was praying for all the people, he said, who died,

30

(K)and one of the most important.

(M)andone of the most important.

31

(K)transcending nationality and race and religion, and we are all fragile eggs faced with a solid wall called The System.

(M)transcending nationality, race and religion, and we are all eggs, we are all fragile eggs faced with a solid wall called ''The System''.

32

(K)The wall is too high, too strong—and too cold.

(M)The wall is too high, too strong and too cold.

33

(K)The System did not make us: we made the System.

(M)The System didn’t make us: we made the System.

34

(K)in many parts of the world. And I would like to express my gratitude

(M)in many parts of the world, and I would like to express my gratitude

2009-02-17

村上春樹エルサレム講演と「ペスト

http://d.hatena.ne.jp/sho_ta/20090216/1234786976 の"unique divinity of the individual"に着想を得ました。

英文の引用は http://www.jpost.com/servlet/Satellite?cid=1233304788868&pagename=JPost%2FJPArticle%2FShowFull

和訳の引用は http://anond.hatelabo.jp/20090217011603


上段:村上氏の発言(訳されたもの)

中断:村上氏の発言(JPostより引用

下段:アルベール・カミュ作「ペスト新潮文庫、第67刷、2006年刊)」


固く高い壁があり、卵が壁に打ち壊されるなら、壁がどんなに正しく卵がどんなに誤っていても私は卵の側に立ちます。

If there is a hard, high wall

and an egg that breaks against it,

no matter how right the wall or how wrong the egg,

I will stand on the side of the egg.

「この地上には天災犠牲者というものがあるということ、そうして、できうるかぎり天災に与することを拒否しなければならぬということだ」 (P377)

「あの大物のペスト患者たち~略~もまたその場合の立派な理由があるわけだし、もし僕が小物のペスト患者たちのもちだす不可抗力という理由と、必要性ということを容認するとしたら、大物どものそれも否認することができなくなる」 (P373, 374)

「僕はこう考えた。 ~略~ このいまわしい虐殺にそれこそたった一つの ~略~ 根拠でも与えるようなことは絶対に拒否しようと」 (P374)


どうしてなのか?私たちそれぞれは卵であり、壊れやすい卵にくるまれた唯一無二の存在だからです。私たちそれぞれは高い壁を前にしています。高い壁とはシステムです。それは通常では個人として受け入れがたいものを私たちに強います。

Why? Because each of us is an egg, a unique soul enclosed in a fragile egg.

Each of us is confronting a high wall.

The high wall is the system which forces us to do the things

we would not ordinarily see fit to do as individuals.

「僕の問題というのは、つまりあの胸にあいた穴だったのだ」 (P374)

「われわれはみんなペストの中にいるのだ」 (P375)


私が小説を書く理由はただ一つです。すなわち個人が持つ唯一無二の神聖さを描く事です。唯一無二なるものを満足させる事です。システムが私たちをめちゃくちゃにするのを防ぐ事です。だから私は生と愛について物語を書きます。人々を笑わせ、泣かせます。

I have only one purpose in writing novels,

that is to draw out the unique divinity of the individual.

To gratify uniqueness.

To keep the system from tangling us.

So - I write stories of life, love.

Make people laugh and cry.

「これはあなたのような人には理解できることではないかと思うのですがね、~略~ おそらく神にとって、人々が自分を信じてくれないほうがいいかもしれないんです。そうしてあらんかぎりの力で死と戦ったほうがいいんです、神が黙している天上の世界に目を向けたりしないで」 (P188)


私たちは皆人間であり、個人であり、壊れやすい卵です。壁を前にして、望みは失われます。高く、暗く、冷たすぎるのです。暖かみと力のために、私たちの存在を一つにして壁と戦わなくてはなりません。システムが私たちをコントロールするのを許してはいけません。私たちが何者であるか、決めさせてはいけません。システムを作り上げたのはは私たちですから。

We are all human beings, individuals, fragile eggs.

We have no hope against the wall:

it's too high, too dark, too cold.

To fight the wall, we must join our souls together for warmth, strength.

We must not let the system control us - create who we are.

It is we who created the system.

「このペストがあなたにとって果たしてどういうものになるか」「際限なく続く敗北です」 (P188)

「そして心の平和に到達するためにとるべき道について~略~何かはっきりした考えはあるか、と尋ねた。『あるね。共感ということだ』」 (P379)

「われわれは一緒に働いているんです。冒涜や祈祷を超えてわれわれを結びつける何者かのために。それだけが重要な点です」 (P373)


イスラエルの皆さん、私の本を読んでくれて感謝します。意義ある何かを共有できればと願う次第です。あなたが私がここにいる最大の理由なのです。

I am grateful to you, Israelis, for reading my books.

I hope we are sharing something meaningful.

You are the biggest reason why I am here.

「神さえも、今ではわれわれを引き離す事はできないんです」 (P324)

2009-01-08

otsuneさんブクマbotを作った


みんな大好きb:id:otsuneさんのブクマbotを作った

http://b.hatena.ne.jp/otsnue/

概要

otsuneさんっぽくコメントを付けるbotを目指して年末年始返上で制作

相手をdisり「頭が気の毒です」で締めるotsuneさんの個性をうまく表現できたと思う

bot技術解説

botの仕組みを説明しておく

  • ブラウザを開いてdisりたい相手を探す
  • dis
  • 文末は「頭が気の毒です」で締める
  • 保存

Plagger+自然言語処理を噛ませたbotも作ったのだけど鯖でCold Fusionしてしまったので断念

手動でコメント書くのが一番手っ取り早かった

使い方

ニヤニヤしてください

もしこのbotが迷惑でしたら対応(削除)しますのでブクマ等で言ってください

2008-05-17

Kiss Me Girl>歌詞メモ

Kiss me, girl, your old one.

Till you're near, it is years till you're near.

Sounds of the dead will she know ?

She wants all told, now retained,

for, cold caves know the moon's seeing the mad and dead.

私にキスしておくれ、少女よ、このおばあちゃんに。

おまえがそばに来てくれるまで、何年もかかったよ、そばに来てくれるまで。

死者たちの声を知ってくれるのかい。

すべてが語られ、今、心にとどめておくことを望んでくれるんだね。

だって、そうだよね。冷たい洞窟は知っているんだからね。

お月さまは、気がふれて死んでいった者たちのことをずっと見てるってことを。

君が代空耳らしいです。

2008-01-21

Hello, babies

Hello, babies, Welcome to Earth. It's hot in the summer and cold in the winter. It's round and wet and crowded. At the outside, babies, you've got about a hundred years here. There's only one rule that I know of, babies--:

"'God damn it, you've got to be kind.'"

2007-12-12

Pixies 変遷の歴史

…または、あるイケメン没落(ルックス的な意味で)の歴史

Youtubeでよい素材をみつけたので、バンド界きっての才能溢れるDEVである

Frank BlackことBlack Francisについていろいろならべたててみる。

1986

Pixies - I've Been Tired - 1986
http://jp.youtube.com/watch?v=_Qfk_d6EQ1U
Pixies - Broken Face - 1986
http://jp.youtube.com/watch?v=ONCD3f9Ckjk
Pixies - Caribou- 1986
http://jp.youtube.com/watch?v=JejUwWaXhh0
Pixies - Holiday Song - 1986
http://jp.youtube.com/watch?v=40Mglkn0Qfc

The Pixies結成時。ボーカルがBlack Francisなんだが、男前すぎてやばい。あとのDEVを知ってる人はこれを見たら愕然とする。

細い。なによりも細すぎる。もしかしたら腹割れてるんじゃね?ぐらいのレベル

この細身からいつもの声が出てることに恐怖すら覚えるほど。

Kim Dealも美しすぎる。ベースの音も含め、あこがれる。なんだこのイケメンバンドギターのJoeyも男前すぐる。

実際、David Bowieも彼らの曲をカバーしてるほどモテモテだった。ルックスで、じゃないけど。

David Bowie - Cactus (Live)
http://jp.youtube.com/watch?v=YLlL8zIpHfA

1988 - 1989

Pixies - Debaser PV
http://jp.youtube.com/watch?v=LUd48jRKzBo

超有名曲。ここらへんからバンドとしては神がかってくる。ポップ分とキレキレ感が増す。

でも、すげー曲の増加と共にルックスは悲しいぐらい一気に覚醒。

Pixies - Where Is My Mind
http://jp.youtube.com/watch?v=4BQ8RY8ADn8
Pixies - Gigantic
http://jp.youtube.com/watch?v=LK0CJqMK6f0
Pixies - Caribou
http://jp.youtube.com/watch?v=rQgIOUwVZ1w

ロビン(細)がロビン(太)になってしまったような感さえある。

スクリュードライバーをゲットしてるのはいいが、小剣技より体術ばっか覚えて行くようなかんじ。おっぱいとか。

まじで名曲揃いなんだがな。Debaserとか。Where is my mindとか。Giganticとか。No.13 babyとか。

地味に左でギター弾いてるJoey Santiagoはいつもかっこいい。キレキレ。

アルバムDoolittleが出たころで、とてもとても元気があったころ。

イギリスBBCセッションにも出演。その模様が以下。

YouTube - Pixies Dead, I bleed, Snub TV BBC session 1989
http://jp.youtube.com/watch?v=s0bxPbWicgc

『Dead』や『I Bleed』とかといった名曲をやったようだ。

曲のクオリティもさながらに、途中、人間ではないような叫びをあげるBlack Francisがかっこよすぎる。

高解像度で見れる。

ちなみに、Black Francisのメインギターはたしか中古の最安スクワイヤー。

昨今の猫も杓子も高いギターを持つような流れは自重すべきだと思います。

下手したら高校生ライブハウスデビューんときからギブソンUSAとかフェンダーUSAとかもってやがる。

俺にもくれ。

1990-1991

ここらへんからすこしづつ減速しだす。メンバー内に軋轢が出てきたようだ。

wikipediaによると、ピクシーズ最大のヒット曲、Dig for Fireが出たころらしい。

Pixies - Dig for Fire
http://jp.youtube.com/watch?v=KizhSRp85W4

客席もちょお満杯。叫ぶBlack Francis。かっこいい。

Pixies - Tame (live)
http://jp.youtube.com/watch?v=gcn0f5s-aas

Late show with Lettermanにも出演。

若干ドラムのラブリングさんが所在無げ。

Pixies on Letterman '92
http://jp.youtube.com/watch?v=YzuoXDC9ESw

キムは、このころからBreedersってバンドを妹と一緒にやりはじめる。

とりあえず、妹もめちゃ美人

The Breeders - CannonBall
http://www.youtube.com/watch?v=7AsId-qVIb4

あ、なんかBreeders貼ったら満足した。

とりあえず、そんなこんなで、解散。

その後

  • Black Francis (Vo.)

Flank Blackと改名とともに覚醒して、更に質感を増量。

いや何の質かってもちろん曲のクオリティだよ、何と勘違いしてんのもー

frank black, cold heart of stone
http://jp.youtube.com/watch?v=Ff6UsanP5E4

個人的にはWig in a Boxってコンピに入ってるヘドウィグのSugar Daddyのカバーが神。

ちなみにこのアルバムSpoonやSleater-Kinney, Ben Kweller, Ben Folds, Ben Lee, さらにJonathan Richmanという

超神揃いのコンピなので、ゲットしといて損はない。シンディローパーやオノヨーコもいるよ。

すこし視聴可能→http://www.offrecords.com/wig.html

  • Kim Deal (Ba.)

The BreedersやThe Ampsと、普通にもくもくとバンドをしてる。

かっこいいのが多数あるし、Pixies時代の曲もやってくれたりする。

The Breeders - Gigantic (live 03-07-03)
http://jp.youtube.com/watch?v=NUJisn5Sus0
  • Joey Santiago (Gt.)

マルティーニス、ってバンドやってたようだ。

聞いたことないけど、よさそう。

  • David Lovering (Dr.)

サイエンティフィックフェノメナリストであるところのマジシャンになったようだ。

http://www.davidlovering.com/

ギャラリーが切ないけど、本人は楽しそう。ちょお笑顔

再結成以後

フジロックとかいろいろでてた。そこらへんは適当にぐぐってくれ。

とりあえず特筆すべき点は、全員ハゲになってたことぐらい。

Pixies - Caribou - Rock en Seine Festival 2005
http://jp.youtube.com/watch?v=Oow1ExS_7kc&feature=related
Pixies - Bone Machine(live T in the park 2004)
http://jp.youtube.com/watch?v=NJfCIQHwQT8

とりあえず、かっこいいと思ったやつはアルバム買ってみろ。

アルバムのほうがかっこいいし、絶対損はしねぇから。

2007-10-05

http://anond.hatelabo.jp/20071005122713

それはこの辺だろ

コールド・リーディング】、【ショットガンニング】

コールド・リーディングCold reading)とは話術の一つ。外観を観察したり何気ない会話を交わしたりするだけで相手のことを言い当て、相手に「わたしはあなたよりもあなたのことをよく知っている」と信じさせる話術である。

ショットガンニング(Shotgunning)も超能力者や霊能者を自称する者が用いる技術である。彼らは実演する相手に大量の情報を話すが、そのうちのいくつかは当たるため、相手の反応を見計らいながらその反応に合わせて最初の主張を修正し、全てが当たったように見せかける。

http://ja.wikipedia.org/wiki/コールド・リーディング


バーナム効果

バーナム効果(バーナムこうか、Barnum effect)とは、誰にでも該当するような曖昧で一般的な性格をあらわす記述を、自分だけに当てはまる正確なものだと捉えてしまう心理学の現象。

http://ja.wikipedia.org/wiki/バーナム効果

2007-03-10

Desperado, why don't you come to your senses

ならず者さん いい加減気付けよ

You've been out ridin' fences,

ずいぶん長い事、塀の見回りだね

for so long - now.

Ohh you're a hard one.

手強い奴だよ

I know that you've got your reasons.

色々わけは、あるんだろうけど

These things that are pleasin'you

お前が、好きでやっていることが、

Can hurt you somehow.

自分の首しめることもあるんだよ

Don't you draw the queen of diamonds boy

ダイアのクイーンをひくのはやめな

She'll beat you if she's able.

お金は、結局お前をダメにする

You know the queen of hearts is always your best bet

頼れるのは、いつだってハートクイーン(愛情)だよ

Now it seems to me, some fine things

オレが見た限り、いいカード

Have been laid upon your table.

君のテーブルにだって、のっかってたんだよ

But you only want the ones

なのに、いつだって君は

That you can't get.

高望み

Desperado,

ならず者さん

Ohhhh you aint getting no younger.

人間、歳はとっていくしかないんだよ

Your pain and your hunger,

その痛みや、満たされない心を抱いて

They're driving you home.

たどり着くのが自分の居場所

And freedom, ohh freedom.

そして、自由、そう自由って奴

Well that's just some people talking.

良く人は口にするけれど

Your prison is walking through this world all alone.

独りこの世界を生きて行くってことが、君の牢屋なのさ

Don't your feet get cold in the winter time?

冬になれば足だって冷たいだろ

The sky won't snow and the sun won't shine.

空から雪も降らないが、太陽も輝かない

It's hard to tell the night time from the day.

夜だか昼だかもよくわからない

And you're losing all your highs and lows

良い思いも、悪い思いもわからなくなる

aint it funny how the feeling goes

変な気分だろ 感情が消えて行くって

away...

Desperado,

ならず者さん

Why don't you come to your senses?

いい加減気付けよ

Come down from your fences, open the gate.

塀から下りて、心のゲートを開けな。

It may be rainin', but there's a rainbow above you.

雨が降っているかもしれないけど。上には、ちゃんと虹が出てるぜ

You better let somebody love you.

誰かに愛されようとしな

(let sombody love you)

(愛されるように)

You better let somebody love you...ohhh..hooo

愛されるように,してみろよ

before it's too..oooo.. late.

手遅れになる前に

2007-02-14

An old man going a lone highway

Came at the evening, cold and gray,

To a chasm vast and wide and steep,

With waters rolling cold and deep.

The old man crossed in the twilight dim,

The sullen stream had no fears for him;

But he turned when safe on the other side,

And built a bridge to span the tide.

"Old man," said a fellow pilgrim near,

"You are wasting your strength with building here.

Your journey will end with the ending day,

You never again will pass this way.

You've crossed the chasm, deep and wide,

Why build you this bridge at eventide?"

"Good friend, in the path I have come," he said,

"There followeth after me today

A youth whose feet must pass this way.

The chasm that was as naught to me

To that fair-haired youth may a pitfall be;

He, too, must cross in the twilight dim -

Good friend, I am building this bridge for him."

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