はてなキーワード: circleとは
I’m not sure what I just watched.
「え、俺いま何見たの?」って感じですよ
Our new music video is totally yabai (“yavay”).
Yabai?
ヤバいって?
Japanese slang for cool, dope, sick, ill. Fast, intense. What moves you. Yabai is yabai. There’s no other word to describe it.
日本語で、クールとかラリってるとか、病気とか、悪いって意味で……なんなんだろう。とにかく「ヤバいはヤバい」としか言えないんですよ
Sort of like kawaii?
cawaiiというのとは、違うの?
No no, kawaii is only for “cute” things. Yabai is for awesome things. Bite into piping-hot pizza, it tastes yabai. Once a good DJ takes the
stage, the club gets yabai. Funky Kota is totally yabai.
違う違う。cawaiiは「可愛い」もののことで、yabayは「凄い」もののこと。例えば、凄い熱いピザをガブっと食べたりすると、味が「ヤバい」。良いDJがプレイ
したりすると、そのクラブが「ヤバい」。そしてFunky Kotaは、全体的に「ヤバい」
Funky Kota is a new style of rave and house music from Indonesia. Over there they call it Dangdut, but it’s also contracted as Funkot. The beats
are hyper fast, usually around 180 to 200 BPM, like happy hardcore except with more vocal samples. “Are you ready!” “Hey DJ!” That kind of
stuff. Except to Japanese ears, it sounds like “TICCCKKEE!” It doesn’t mean anything but it gets you pumped up.
「Funky Kota」は、インドネシアから来た新しいダンスミュージックで、現地では「Dangdut」ってよばれてるんですけど、同じ様に縮めて「Funkot」とも呼ばれ
てるんです。テンポが凄く速くて、BPMが、大体180から200くらい。ボイスサンプルをもっと使いまくるハッピーハードコアって感じで“Are you ready!” “Hey
DJ!”とかそういうのなんだけど、日本人の耳には「ティッケー!」って聞こえて、全然意味はわかんないんだけど、凄くアガるんですよ。
What’s the Funky Kota scene like in Japan?
日本の Funky Kotaシーンって、どんな感じ?
Mandokoro Takano, AKA DJ Jet Baron pioneered the craze back in 2009 on a radio talk show with the rapper Utamaru from Rhymester. He layered Funky
Kota bass lines and samples over J-pop, folk tunes and old super hero theme songs. Now he’s remixing our stuff. Very yabai.
高野政所さん(DJ Jet Baron)が、2009年にラッパーのライムスター宇多丸さんのラジオから流行らせました。Funky KotaのベースラインにJ-POPとかフォークソ
ングや昔の特撮番組の主題歌のサンプリングを重ねたんです。その高野政所さんが、いまうちらの曲をリミックスしてくれてるんですけど、凄く「ヤバい」です
。
So this is a new direction for the group? Your older songs are conservative as far as idol music go.
これは、グループにとって新しい試みなんじゃない? これまでの君たちの曲って、正統派のアイドルソングって感じだよね?
We were in before AKB48, playing free shows in Akihabara and making a name for ourselves. The current idol culture didn’t exist back in 2006.
AKB48’s rise to fame set the standard for all other acts to follow. They made idols yabai. Now you need to have a hook to stand out from the
うちらはAKB48より以前から、秋葉原で無料でライブをやって名前を売ってきたんです。でもいまみたいなアイドル文化は、2006年より以前には無かった。AKB48
が売れて、それがスタンダードになったんです。彼女たちはアイドルの「ヤバい」を作った。でもいまみんなが求めてるのは、そういうのを抜け出す何かだと思
う。
And you’re carving out a nice niche with Funkot. You’ve played over 600 shows but are still underground. What’s the goal of the unit?
そして君たちは、Funkotでニッチな鉱脈を掘り当てた。これまで600回以上もライブをやって、それでも地下アイドルのままだった君たちにとって、これはゴール
と言って良いのかな?
If AKB are the heroines of the idol world, then we’re the heels. We belong just outside the mainstream. Anything too popular loses its edge.
Being on a prime-time variety show like other Top 40 groups would rob us of our essence. But we’d thrive on a late night comedy program!
AKBがヒロインなら、うちらは悪役。メインストリームからは外れてます。あんまり有名になりすぎると、エッヂがなくなっちゃうじゃないですか。他のTop 40の
グループみたいにゴールデンのバラエティに出ても、うちらの味は出せない。でも深夜のお笑い番組だったら、うちらヤリますよ。
Those shows like to put their guests in bikinis. Funkot club dancers tend to be dressed very sexy – maybe you could play on that angle?
そういう番組って、ゲストにビキニを着せたりするよね。Funkotのダンサーも、かなりセクシーな衣装を着てるけどーー君たちも、そういうの、着る?
No, unlike some other groups we don’t do the bathing suit thing anymore! We want to keep our act more pure, more genuine.
いや、他のグループとは違って、うちらは水着とか着ませんから! うちらはうちらのやることを、純粋に突き詰めてくだけです。
Have you changed over the years?
ずっとやってきて、変わってきたことってある?
We’re more hyper than ever! If anything, we’ve learned how to be humble. We used to expect to be pampered. I mean, that’s one of the perks of
being an idol, right? But now we aim to emulate the humble shrimp – head down, waist bowed in respect.
何かあるとしたら、謙虚になることですね。最初はうちら、もっとちやほやされると思ってて、それがアイドルの特権だと思ってたんだけど、いまはもう、エビ
みたいに謙虚になるのが目標ですからーーエビみたく頭を下げて、腰を折ってお辞儀しますから。
What makes Hyper Yoyo hyper?
Non-stop adrenaline! If we’re not having a blast on stage, then how can the audience enjoy themselves?
止まらないアドレナリン! うちらがステージで爆発しなかったら、お客さんも盛り上がれないでしょ?
With the advent of live streaming sites such as Nico Nico Live, more people are content to stay at home rather than venture out to events.
ニコ生みたいなサイトの出現で、ライブに来るより、家で満足しちゃう人の方が多くなっちゃったんじゃない?
Funky Kota isn’t something you listen to, it’s something you experience! The sound reverberates through your body. Watching through the
computer screen dulls the impact. The monitor stands between you and the party.
Funky Kotaは、聞くものじゃなくて体験するものです! 音が身体で反響するんですよ。この衝撃は、パソコンのモニターで見てたんじゃわからないですから。モニターは邪魔。
Even with that buffer, your new music video is pretty intense!
そんな邪魔があっても、君たちの新しいPVは、かなり激しかったよ!
Oh yeah, that’s a perfect example of what our concerts are like! It was filmed inside Robot Restaurant, the most yabai place in Japan. 10
billion yen to build, all of it going into colored light bulbs and makeup for the robots.
おおぅ。あれって、うちらのギグそのものなんですよ! ロボットレストランで撮影したんです。日本で一番ヤバいスポット。あのロボットや照明を作るのに100億円かけたって話です。
It’s been all over the news since it opened last summer.
それって、去年の夏にオープンしてから、かなり話題になってるよ
Seriously? We hope the video shows people how yabai Japan is. See, the Japanese take on Funkot is different from Indonesia, so the originators
are starting to reverse-import it. Even the way we dance isn’t authentic. It’s half cobbled together from YouTube clips, half improv.
本当に? あのPVを見て、日本がいかにヤバいところか知ってほしいですね。日本のFunkotは、インドネシアのとは違ってると思うんだけど、最近は本家のそっちの方に、逆輸入され始めてるそうなんです。うちらはダンスも本場とは違ってるんだけど、あれって急いでyoutubeのクリップから作ったのと改良したのが半々なんです。
It’s as if we’re going full circle, with DJs in Indonesia remixing copies of their original tracks…
それって円になってるみたいだね。インドネシアのDJが、彼らの曲のコピーを更にリミックスするという……
Next step, Jakarta! We want to party with the local club kids and experience the scene firsthand. Get the authentic experience.
Imagine, our first Asian tour. How yabai would that be!?
次の目標はジャカルタ! 現地のクラブキッズとパーティーして、現地のシーンを直に体験したい。本物を体験したい。想像してくださいよ。うちらの最初のアジアツアーですから。相当、ヤバいですよ!?
わたしが出かけた少しの間にいきをひきとりました。
側にいた家族が気がつかないほど安らかな最後だったようです。。。
The Next Place
By Warren Hanson
Will be as peaceful and familiar
And a sweet, untroubled mind.
And yet . . .
It won't be anything like any place I've ever been. . .
Or seen. . . or even dreamed of
In the place I leave behind.
I won't know where I'm going,
And I won't know where I've been
As I tumble through the always
And look back toward the when.
I'll glide beyond the rainbows.
I'll drift above the sky.
I'll fly into the wonder, without ever wondering why.
I won't remember getting there.
Somehow I'll just arrive.
But I'll know that I belong there
Than I have ever felt before.
I will be absolutely free of the things that I held onto
That were holding onto me.
Will be so quiet and so still
That the whispered song of sweet belonging will rise up to fill
The listening sky with joyful silence,
And with unheard harmonies
Of music made by no one playing,
There will be no room for darkness in that place of living light,
Where an ever-dawning morning pushes back the dying night.
The very air will fill with brilliance, as the brightly shining sun
And the moon and half a million stars are married into one.
The next place that I go Won't really be a place at all.
There won't be any seasons --
Winter, summer, spring or fall --
And the seconds will be standing still. . .
While hours hurry by.
I will not be a boy or girl,
A woman or man.
I'll simply be just, simply, me.
No worse or better than.
My skin will not be dark or light.
The body I once lived in
I will be without a flaw.
I will never make one more mistake,
Or break the smallest law.
And the me that was impatient,
Or was angry, or unkind,
Will simply be a memory.
The me I left behind.
There is not a single thing
I have collected in my life
That I would ever want to bring Except. . .
The love of those who loved me,
And the warmth of those who cared.
And magic that we shared.
Though I will know the joy of solitude. . .
I'll never be alone. I'll be embraced
By all the family and friends I've ever known.
Although I might not see their faces,
All our hearts will beat as one,
Will shine brighter than the sun.
I will cherish all the friendship I was fortunate to find,
All love and all the laughter in the place I leave behind.
All these good things will go with me.
They will make my spirit glow.
And that light will shine forever In the next place that I go.
結局概要表示機能追加した。unsafeWindow使いまくり。大丈夫かいな。
// ==UserScript== // @name Hatena Bookmark Tree Expander // @namespace http://anond.hatelabo.jp/ // @include http://b.hatena.ne.jp/entry/* // ==/UserScript== // <div class="info"> // <ul id="similar_entries" class="bookmarklist"> // <li></li> // </ul> // </div> // <div class="info"> // <ul id="referred_entries" class="bookmarklist"> // <li id="referred-entry-\d+"></li> // </ul> // </div> // <div class="info"> // <ul id="relation_diary" class="bookmarklist"> // <li id="diary-{id}-\d+"></li> // </ul> // </div> (function() { function main() { loadBookmarkCommentViewer(); similar.prototype.rootAppend(); referred.prototype.rootAppend(); } function HBTM(target) { this.target = target; this.targetXPath = "//ul[@id='"+target+"']/li"; this.targetRegExp = new RegExp('<ul id="'+target+'"(.|\\s)*?</ul>'); } HBTM.prototype = { openIcon: '<img width="15" height="15" class="icon" style="opacity: 0.6" src="http://anond.hatelabo.jp/images/common/open.gif"/>', closeIcon: '<img width="15" height="15" class="icon" style="opacity: 0.6" src="http://anond.hatelabo.jp/images/common/close.gif"/>', loadingIcon: '<img width="13" height="13" class="icon" src="http://anond.hatelabo.jp/images/common/loading.gif"/>', commentIcon: function(url) { return '<img class="hatena-bcomment-view-icon" src="http://r.hatena.ne.jp/images/popup.gif" onclick="iconImageClickHandler(this, \''+url+'\', event);">' }, create: function() { this.comment = document.createElement("span"); this.comment.innerHTML = this.commentIcon($X("string(descendant::a/@href)", this.node).value()); this.open = document.createElement("a"); this.open.href = "javascript:void(0)"; this.open.innerHTML = this.openIcon; this.close = document.createElement("a"); this.close.href = "javascript:void(0)"; this.close.innerHTML = this.closeIcon; this.close.style.display = "none"; this.loading = document.createElement("span"); this.loading.innerHTML = this.loadingIcon; this.loading.style.display = "none"; this.node.appendChild(this.comment); this.node.appendChild(document.createTextNode(" ")); this.node.appendChild(this.open); this.node.appendChild(this.close); this.node.appendChild(this.loading); this.open.addEventListener("click", bind(this.openAct, this), false); this.close.addEventListener("click", bind(this.closeAct, this), false); }, openAct: function() { this.open.style.display = "none"; if (this.tree) { this.tree.style.display = "block"; this.close.style.display = "inline"; } else { this.loading.style.display = "inline"; this.load(); } }, closeAct: function() { if (this.tree) { this.tree.style.display = "none"; this.close.style.display = "none"; this.open.style.display = "inline"; } }, load: function() { var url = $X("string(descendant::a[starts-with(@href, '/entry/')]/@href)", this.node).value(); GM_xmlhttpRequest({ method: "GET", url: "http://b.hatena.ne.jp"+url, onload: bind(this.loadCallback, this) }); }, loadCallback: function(result) { var match = result.responseText.match(this.targetRegExp); if (match) { var sandbox = document.createElement("div"); sandbox.innerHTML = match[0].replace(this.target,""); this.tree = sandbox.firstChild; } else { this.tree = document.createElement("ul"); } this.append(); this.loading.style.display = "none"; this.close.style.display = "inline"; }, append: function() { this.tree.style.backgroundColor = "transparent"; this.tree.style.listStyleType = "circle"; this.node.appendChild(this.tree); $X("li", this.tree).each(function(n) { var a = $X("a",n).node(); var c = $X("count(//li/a[@href='"+a.href+"'])").value(); if (c > 1) n.parentNode.removeChild(n); }); $X("li", this.tree).each(bind(function(node){new this.constructor(node)}, this)); }, rootAppend: function() { $X(this.targetXPath).each(bind(function(node){new this.constructor(node)}, this)); } }; function similar(node) { this.node = node; this.create(); } similar.prototype = new HBTM("similar_entries"); similar.prototype.constructor = similar; function referred(node) { this.node = node; this.create(); } referred.prototype = new HBTM("referred_entries"); referred.prototype.constructor = referred; function loadBookmarkCommentViewer() { var head = document.getElementsByTagName("head")[0]; var script = document.createElement("script"); script.type = "text/javascript"; script.src = "http://b.hatena.ne.jp/js/BookmarkCommentViewerAllInOne.1.2.js"; head.appendChild(script); var css = document.createElement("link"); css.rel="stylesheet"; css.href="http://d.hatena.ne.jp/css/base.css"; css.type="text/css"; css.media="all"; head.insertBefore(css, head.firstChild); window.addEventListener("load",function(){ var BCV = unsafeWindow.BookmarkCommentViewer; BCV.options['screenshot'] = true; var asyncCommnetView = BCV.asyncCommnetView; BCV.asyncCommnetView = function(url, onCompleteCallback) { var div = asyncCommnetView(url, function(){ onCompleteCallback.apply(this, arguments); new unsafeWindow.Ten.XHR("http://b.hatena.ne.jp/entry/rss/"+url, {}, function(result) { if (! result.responseText.match(/<description>(.*?)<\/description>/)) return; if (! RegExp.$1) return; // var desc = document.createTextNode("desc: "+RegExp.$1); var desc = document.createElement("li"); desc.appendChild(document.createTextNode("desc: "+RegExp.$1)); div.lastChild.insertBefore(desc,div.lastChild.getElementsByTagName("li")[0]); }); }); return div; }; BCV.asyncCommnetView.origin = asyncCommnetView; }, false); } function bind(f,o) {return function() {return f.apply(o, arguments)}} function $X(xpath, context) { if (!(this instanceof $X)) return new $X(xpath, context); this.xpath = xpath; this.context = context || document; } $X.prototype = { evaluate: function() { var result = document.evaluate(this.xpath, this.context, null, this.type, null); switch (result.resultType) { case XPathResult.STRING_TYPE : return result.stringValue; case XPathResult.NUMBER_TYPE : return result.numberValue; case XPathResult.BOOLEAN_TYPE: return result.booleanValue; case XPathResult.FIRST_ORDERED_NODE_TYPE: return result.singleNodeValue; } return result; }, node: function() { this.type = XPathResult.FIRST_ORDERED_NODE_TYPE; return this.evaluate(); }, value: function() { this.type = XPathResult.ANY_TYPE; return this.evaluate(); }, each: function(func) { this.type = XPathResult.ORDERED_NODE_SNAPSHOT_TYPE; var result = this.evaluate(); for (var i=0; i<result.snapshotLength; i++) func(result.snapshotItem(i)); } }; main(); })();