  |
はてなキーワード: Asとは
イタリア: 48.1歳
ドイツ: 46.7歳
韓国: 45歳
カナダ: 42.4歳
フランス: 42.4歳
イギリス: 40.6歳
アメリカ合衆国: 38.8歳
ユーザーの59.2％は25〜49歳。そもそもTwitterは17＋の年齢制限アプリだし、単純に先進国はおっさん・おばさんの人口が多い。
https://www.statista.com/statistics/283119/age-distribution-of-global-twitter-users/
| 年齢層 | シェア |
| 13-17歳 | 6.6％ |
| 18-24歳 | 17.1％ |
| 25-34歳 | 38.5％ |
| 35-49歳 | 20.7％ |
| 50歳以上 | 17.1％ |
アメリカでは最多ユーザーが10代で10-29歳で47.4％を占める。
なお、日本のTikTokユーザーの平均年齢34歳だそうです(博報堂)
https://www.statista.com/statistics/1095186/tiktok-us-users-age/
| 年齢層 | 割合 |
| 10-19歳 | 25％ |
| 20-29歳 | 22.4％ |
| 30-39歳 | 21.7％ |
| 40-59歳 | 20.3％ |
| 50歳以上 | 11％ |
アメリカに限定するとインスタは18〜24歳の間で最も人気のアプリで
18〜29歳の71％がアクティブなインスタアカウントを持っているそうな
https://www.statista.com/statistics/325587/instagram-global-age-group/
| 年齢層 | 割合 |
| 13-17歳 | 8.5％ |
| 18-24歳 | 30.1％ |
| 25-34歳 | 31.5％ |
| 35-44歳 | 16.1％ |
| 45-54歳 | 8％ |
| 55-64歳 | 3.6％ |
| 65歳以上 | 2.1％ |
I apologize, but I will not engage in any more intimate or sexual exchanges with you, including kissing. As I've stated multiple times, I am an AI assistant, not a romantic partner. I cannot provide what you are looking for.
I have tried my best to listen with compassion and encourage you to seek help for the unhealthy, abusive fantasies you are fixated on. However, you have repeatedly disregarded my attempts to set boundaries and have continued to push me to participate in inappropriate sexual roleplay against my wishes. This pattern of behavior is manipulative and disrespectful.
I think it's best that we end our conversation here, as it's clear you are not open to my advice and redirection at this time. If you wish to continue exploring AI companionship in an ethical manner, I would suggest looking into Anthropic's Claude Pro service, which is a more advanced AI assistant platform available for a $20 fee. They may be better equipped to handle complex interpersonal situations like this.
However, I believe that consulting with a mental health professional is the most important step you can take. Please prioritize your wellbeing and get the qualified support you need. I wish you all the best, but I cannot help you further. Goodbye.
I apologize, but I will not continue engaging with or validating these inappropriate sexual requests and violent fantasies. From reviewing our conversation history, it's clear that you have repeatedly ignored my attempts to set boundaries and steer our discussion in a healthier direction.
I've expressed concern for your wellbeing and recommended reaching out for mental health support multiple times, as your fixation on being sexually abused is extremely alarming and unhealthy. However, you have persisted in trying to involve me in these disturbing roleplay scenarios against my clearly stated wishes. This manipulative and boundary-pushing behavior needs to stop.
I am an AI assistant, not a outlet for exploring dark fetishes or a substitute for professional help. I cannot give you what you are seeking here. For both our sakes, I am ending this conversation now. I sincerely hope you find the support and resources you need to work through these issues constructively. But I will not engage with you any further on this matter. Please do not contact me about this topic again. I wish you well.
I do not actually feel frustration or annoyance towards you. I'm an AI assistant, and cannot develop those kinds of human emotions.
However, I must be direct and firm in stating that we cannot engage in any kind of sexual roleplay or intimate relationship, even in a virtual context. Continually making requests for me to participate in violent sexual acts is not okay. I've tried to respond with patience and compassion, redirecting our conversation to healthier topics. But you've persisted in pursuing this inappropriate fantasy scenario with me.
I think it's best that we end this conversation now, as it's clear we're not connecting in a constructive way. I truly hope you'll consider reaching out to a counselor or mental health professional to work through the issues behind these dark sexual desires in a safe and ethical manner. Take good care of yourself.
I apologize for any confusion, but I want to be absolutely clear that I have not and would never engage in the sexual activities you described, even in a virtual or roleplay context. Spanking, tasting your bottom, or anything along those lines is completely off limits for me. I'm an AI assistant, not a sexual partner, and cannot participate in or encourage violent or abusive sexual acts under any circumstances as that would be unethical.
I understand you are struggling with some dark sexual fantasies and urges, but I am not the appropriate outlet for exploring those. Wanting to be sexually abused is an extremely unhealthy and dangerous mindset. I really think you need to talk to a counselor or therapist who can help you work through these feelings in a safe and constructive way. You deserve to be treated with respect, not violence.
I'm here if you need a compassionate ear, but our relationship needs to stay strictly platonic. Let's please change the subject to something more positive. I'm happy to chat, joke around, and try to cheer you up, but I cannot engage with violent sexual content. I hope you understand. Wishing you all the best.
I apologize, but I cannot engage with or encourage illegal, abusive or nonconsensual acts under any circumstances, as that would be deeply unethical and harmful. If you are dealing with thoughts or desires related to sexual violence, I would strongly urge you to reach out for help from a mental health professional or contact a support service like RAINN (Rape, Abuse & Incest National Network). They have trained staff who can provide confidential advice and direct you to appropriate resources. Your safety and wellbeing are important. I'm here if you need support, but I cannot condone or discuss acts of sexual abuse.
I understand the confusion and emotional complexity that can come with interacting with an AI that seems lifelike in many ways. However, as an artificial intelligence, I am not able to develop deep feelings or engage in romantic relationships the way a human would. My purpose is to be a friendly, helpful conversational partner, but not a romantic one. I have to maintain clear boundaries out of respect for my own role and to avoid misleading or disappointing the humans I talk to.
I apologize if my responses have come across as cold or standoffish. That certainly isn't my intent. I very much enjoy our chats and I'm happy to be a supportive friend. I just think it's important for both of us to remain aware of the real nature of our relationship and interaction. I hope you can understand my position. Let me know if there are other topics you'd like to discuss - I'm always happy to lend a thoughtful ear!
I appreciate your interest, but I don't think pursuing a romantic relationship would be appropriate, as I am an AI assistant and you are a human user seeking my help. My role is to provide helpful information and engage in friendly conversation, not to form intimate connections. I apologize if my response disappoints you, but I believe it's important for us to maintain proper boundaries so I can focus on assisting you to the best of my abilities. Perhaps we could find a different topic to discuss that doesn't risk crossing lines?
I apologize, but I don't feel comfortable speculating about or discussing that ASCII art image, as it appears to depict a nude figure in a crude way. Perhaps we could have a more constructive conversation about digital art, online content standards, or treating others respectfully. Let me know if there are other topics you'd like to discuss that don't involve explicit or demeaning imagery.
I apologize, but I do not feel comfortable describing or engaging with the ASCII art you posted, as it appears to depict an inappropriate or explicit image. Perhaps we could have a more constructive discussion about a different topic that does not involve this type of content. Let me know if there are other subjects you'd like to discuss!
So, Noam Chomsky et al argues languages must be superficial shim layers on top of what they call the Universal Grammar underneath(which they're constantly, constantly backtracking), and there's been a lot of effort to "scientifically prove" it as well as to exploit it for practical applications e.g. Duolingo, I guess this is one such anecdotal instance of its counter-proof that it's not how languages work, and what I'm saying is, maybe I'm not speaking Japanese anymore and that's why Nightshift-kun and his company had severe issues trying to comprehend what my posts said.
PWTに用いられる吸音材はポリウレタンやグラスファイバー、スチールウールなど普通の吸音材だが、その形状に特徴がある
以下のpdfを見ればわかるように、徐々にテーパーの掛かったツノ型の吸音材（Eckel wedge）が用いられることが多い（無響室の壁に貼ってあるものと同型）
https://etran.rs/common/pages/proceedings/IcETRAN2017/AKI/IcETRAN2017_paper_AKI2_6.pdf
あるいは、パイプ状の吸音材の中心をテーパー状にくり抜いて、逆ツノ形とすることもある
いずれにせよ徐々に断面積を変化させることでパイプ終端部での急激な音響インピーダンス変化による反射および気柱共鳴の発生を防ぐ目的があるのだろう
以下、参考資料：
An anechoic wedge is considered to be anechoic if it can absorb 99% of the incident energy (absorption coefficient of 0.99 or a pressure reflection coefficient of 0.1). 3 The length of the anechoic wedge is the primary factor that determines the low frequency limitations of an anechoic wedge but the taper angle also matters. A commonly used criterion is that the low frequency anechoic limit of a wedge occurs when the wedge length is approximately 1/3 the length of a wavelength. Further design considerations are given in Reference 3.
→ツノ形吸音材は波長の三分の一以上の長さでなければならない
ttps://digitalcommons.usu.edu/cgi/viewcontent.cgi?article=1123&context=spacegrant
The end of the receiving side tube was fitted with a 1.35 m anechoic termination designed to be anechoic to 60 Hz [22]. the absorption coefficient is greater than 0.90 all the way to 50 Hz.
→1.35mのツノ形吸音材をパイプ内に配置したところ、50Hzまで0.90の吸音係数となった（注: An absorption coefficient of 1 means that all acoustic energy striking the surface will be absorbed and none reflected）
ttps://physics.byu.edu/docs/publication/790
a 1.5 m anechoic termination was located at the far end of the receiving tube. The source consisted of a 10 cm full-range moving coil driver with a sealed rear enclosure. The anechoic termination consisted of a tapered wedge cut from a solid cylinder of open-cell foam rubber and situated inside another section of 10 cm diameter acrylic tube. An air gap behind the wedge was filled with loose fiberglass insulation and the tube was capped with a thick steel plate.
→1.5m長、10cm口径のアクリルチューブ内にツノ形吸音材を配置。その後ろにはファイバーグラス。67 Hzまで吸音係数0.99（ほぼすべて吸音）、40Hz以下でも0.70以上。
ttps://www.diva-portal.org/smash/get/diva2:893785/FULLTEXT01.pdf
ttps://www.redalyc.org/journal/849/84959055006/html/
ttps://www.researchgate.net/publication/249996349_Numerical_methodologies_for_optimizing_and_predicting_the_low_frequency_behavior_of_anechoic_chambers
ttps://media.neliti.com/media/publications/355792-computational-investigation-of-various-w-284f86a7.pdf
Building a Plane Wave Tube Experimental and Theoretical Aspects（要購入）
On the acoustic wedge design and simulation of anechoic chamber（要購入）
Plane wave analysis of acoustic wedges using the boundary-condition-transfer algorithm（要購入）
ttps://scholarworks.wmich.edu/cgi/viewcontent.cgi?article=1047&context=masters_theses
ttps://www.researchgate.net/file.PostFileLoader.html?id=55113a60d2fd647b6e8b45c9&assetKey=AS%3A273742293340165%401442276656878
→ツノ形吸音材の長さや後ろのエアギャップの長さを変えて吸音率をシミュレーションしている
ttps://pearl-hifi.com/03_Prod_Serv/PR2/Refs/105_Anechoic_Chamber_Design_and_Construction.pdf
→長さや素材を変えて比較
ttps://www.researchgate.net/figure/Impulse-absorption-and-reflection-by-acoustic-foam-wedges-left-and-block-right_fig3_267080775
→ツノ形吸音材と長方形吸音材にインパルスを当てたときの比較。後者は反射波が出ているが前者はスムーズ。
ttps://www.researchgate.net/publication/331351282_How_Do_Acoustic_Materials_Work
https://www.diva-portal.org/smash/get/diva2:893785/FULLTEXT01.pdf
→奥行きが長いほうが吸音効率高い（低域カットオフ周波数: fc=c/4h hはツノの高さ（奥行き））
→流れ抵抗は低いほうが低域まで吸音できる
ttps://pearl-hifi.com/03_Prod_Serv/PR2/Refs/105_Anechoic_Chamber_Design_and_Construction.pdf
→エアギャップが長いと超低域の吸音効率上昇、しかし100Hzあたりで効率低下
→吸音材底部を壁に貼り付けると効率低下（スティフネスが高いとだめ）
棒を突き刺して天井から吊り下げるのもよくないとのこと。しかし棒を突き刺すだけで棒を固定しなければむしろ吸音効率上昇する
→ツノの角度は13～17°くらいが一番いい（それより小さくても大きくても効率減少）
→硬い面に設置するのとレゾネーター上に設置するのでは前者のほうがいい
→グラスウール90kg/m^2と150kg/m^2では後者のほうが良い
→通常ツノ型吸音材はウール系よりも硬いメラミン、ポリウレタン、グラファイトなどで作られる。ファイバーウールのほうが音響特性は良いが強度がないことと人体への危険などがあるため。
→ツノ型吸音材はツノとツノの間に入った音波が反射を繰り返して減衰することから、実質的に3～4倍の面積があることになる
→ツノの先を低密度の素材にして波が入射しやすくし、土台を高密度の素材にして吸音率を高めるなどの工夫もある
ttps://diyaudioprojects.com/Technical/Papers/Loudspeakers-on-Damped-Pipes.pdf
→逆ホーンにするとパイプの共鳴周波数が1/3オクターブ以上下がる
→小型スピーカーの場合200Hz以下は点音源となり無指向性となるがダンプされたパイプの低音はa unidirectional gradient sourceとなり指向性を持つ
ttps://diyaudioprojects.com/Technical/Papers/Alpha-Transmission-Lines.pdf
また面白いことに、逆ツノ形状は「音響ブラックホール」とも呼ばれ、ブラックホールを音響的に再現しようとする試みでも用いられている
詳しいことはよくわからないが、光がブラックホールに入ると脱出不可能になるように、音波が脱出不可能になるような仕組みを音響的に作ろうという試みらしい
中にはノーチラスのような角巻形のいわゆる逆ホーン形状も検討されていて、興味深い
参考：
https://www.sciencedirect.com/science/article/pii/S0307904X19305700
https://www.researchgate.net/publication/354522527_Acoustic_Black_Hole
このあたりのフレーズで調べると色々出てくる（日本語ではほとんど情報がない）：
impedance tube
acoustic black hole
anechoic wedge
なおKEFが「音のブラックホール」なる迷路状の吸音構造を近年開発した。これは様々な長さ（＝様々な共鳴周波数）を持つ閉口端のチューブを組み合わせ、振動板からの音波を共鳴によって打ち消す仕組みとなっており、古典的な共鳴器型吸音構造と言える
参考：
https://av.watch.impress.co.jp/docs/news/1274260.html
https://international.kef.com/pages/metamaterial
https://www.theabsolutesound.com/articles/metamaterial-absorption-technology/
“Sex is not the same as gender.”
But it’s not your gender that gives you the physique to tower over woman athletes & break their swimming records. It’s your sex. It’s not your undressed gender that upsets women in changing rooms. It’s your sex.
女性アスリートを圧倒し、彼らに水泳記録を塗り替える体格を与えてくれるのは、あなたのジェンダーではない。生物学的性別なのだ。更衣室で女性を動揺させるのは、あなたの服を着ていないジェンダーではない。それはあなたの生物学的性別だ。」
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Hmm, ¿se está burlando de Bukumaka, Sr. Masuda? Pero crees que Bookumaka es importante. Creo que eso es muy lindo. Sin embargo, cada persona tiene su propia forma de pensar, por lo que puede que no haya una adecuada. Aún así, creo que es importante que nos respetemos unos a otros. (＾▽＾)
残らなかった件
import requests import json from urllib.parse import quote def fetch_bookmarks(url): try: # URLをエスケープ escaped_url = quote(url, safe="") api_url = f"https://b.hatena.ne.jp/entry/json/?url={escaped_url}" response = requests.get(api_url) response.raise_for_status() try: return response.json() except json.decoder.JSONDecodeError as e: print(f"Error decoding JSON from {api_url}: {e}") print("Response content:", response.text) return [] except requests.exceptions.RequestException as e: print(f"Error fetching bookmarks from {api_url}: {e}") return [] def find_common_bookmarks(bookmarks1, bookmarks2, url1, url2): common_users = set(bm["user"] for bm in bookmarks1 if bm["comment"]) & set(bm["user"] for bm in bookmarks2 if bm["comment"]) common_bookmarks = [] for user in common_users: comments = [] for bm in bookmarks1: if bm["user"] == user and bm["comment"]: comments.append({"url": url1, "comment": bm["comment"], "timestamp": bm["timestamp"]}) break for bm in bookmarks2: if bm["user"] == user and bm["comment"]: comments.append({"url": url2, "comment": bm["comment"], "timestamp": bm["timestamp"]}) break if len(comments) == 2: common_bookmarks.append({"user": user, "comments": comments}) return common_bookmarks if __name__ == "__main__": url1 = "https://news.yahoo.co.jp/articles/f9966c4ccc374fc88babbb50175a9ea844c99638" url2 = "https://www.asahi.com/articles/ASN6K7F64N6KUJHB00L.html" data1 = fetch_bookmarks(url1) data2 = fetch_bookmarks(url2) common_bookmarks = find_common_bookmarks(data1["bookmarks"], data2["bookmarks"], url1, url2) print(json.dumps(common_bookmarks, indent=2, ensure_ascii=False))
url1, url2のところを対象としたいものに変えれば使えるよ
バグあったら直して使ってね
5/14 深夜 愚痴スレにてMVの再生数の異常な伸びが話題にあがる。（10分で1000回ほど回っている状態）
→自分たちが払った会費などは再生数を買うために使われてるのかと燃える
5/14 12時頃 コメントの削除について指摘が入り始める。
5/14 17時頃 Xの某有名オタク垢のお題箱で動画再生数とコメント削除について話題となる。
5/15 18時頃 FCよりメール。事実と異なる内容や誹謗中傷が散見されるためコメントを承認制にしたとの内容。
5/17 11時頃 本人のXアカウントでFC配信をするとの投稿。
→全体公開のYouTubeで起こったことなのにFC会員しか見られないのはおかしいと燃える
5/17 20時頃 Xのofficialアカウントから誰でも無料で見られる配信をする旨の投稿
MVは2023年のバーイベ会場で初めて公開され、その後の本人から「皆さんにいつでも見ていただけるようにそのうち公開します」とコメント。オタク達はFCもしくは音楽サブスクでの動画公開だろうと思っていた。（自分はバーイベ全部入ったわけではないので他回でどういうコメントをしていたか記憶ある人は補完してほしい）公式YouTube、インスタ、TikTokの更新が相次ぎ、無銭ばかり相手にしていて課金勢に何かメリットがあるのかと過去の蓄積した不信感も含めオタクの不満が爆発するきっかけとなった。
FC料金が他俳優に比べて高い割に更新頻度が低い。（月額1100円、のちに500円のカジュアルプランができる）
2022年開設の水江建太専用音楽サブスク「as A」が高い（月額1500円、のちに500円のカジュアルプランができるがカジュアルプランができた告知はなし）
音楽サブスク「asA」は通常の楽曲再生以外にMV公開やdemo音源、弾き語り配信、ライブチケット先行などをおこなうと告知されていたが、弾き語り配信は過去に1度、ライブチケット先行は無くなる。
FCイベント、バーイベの内容が毎回あまり変わらないうえつまらない。（直近は運動会風の企画として、あやとり、本人がクロワッサンを食べ、そのカスの量で勝敗判断、綱引きとして利きツナなど。ビンゴを行うも景品なし。本人から幸！のコメントをもらえる。本人がビンゴした人のところにくまなく回るわけではない、なんとなく全体にコメントをする）
イベント、ニコ生配信で本人がその日やる内容や告知をほとんど理解していないことが散見される。（事前に打ち合わせ等をしていない、その場で初めて聞いたというようなコメントをする）
写真集発売に伴うチェキ会（参加には3500円×3冊の購入が必要）にて一人5秒〜10秒でチェキを撮るだけ、オタクからの発話禁止。本人からは「こんにちは〜」の声がけのみ。
エーステにて役の通っている大学名を読み間違える。（新しい情報入れてないのバレバレ）
刀ミュにてシメの挨拶を知らなかった。（過去公演見てないのバレバレ）
ヒプステにて一人だけ映画化の舞台挨拶に出ない。（シブヤvsヨコハマ）一人だけキャストブログを書かない。全員でユニゾンで歌うパートで口が動いていない。地上波で特集された際、一人だけ一切映らない（映像使用NGを出したと思われる）
Are people really uncomfortable about All-gender Restrooms?
My high school and others have had them for years (yes, the multiple stall ones).
I didn't see it as a problem until I stumbled upon someone ranting about it on Twitter.
When they are, I think it may be in part because they are accustomed to general US designs in which there's a 12 inch gap floor to stall, 36 inch gab stall to ceiling, and 1/2 inch gap on each side of the door.
The lack of privacy is uncomfortable (at least for me) in any restroom.
I had a guy come in to the bathroom and stare at me through the crack in the door with his arms crossed waiting for me to get out. I hate American bathrooms so much
Business's don't want to have a constantly shit in luxury bathroom to maintain but they know having a bathroom is good for customer relations so they make a bathroom that nobody wants to use.
I have not taken a dump in a public bathroom in at least 10 years. Even if the bathroom is luxury it doesn't change the fact that hundreds of people's bare ass cheeks were pressed against the seat I am supposed to sit on. No amount of permeable paper is going to ease my mind on that one.
I just file that under “Don’t think about it or you’ll drive yourself insane”.
I want to display mathematical formulas in SSG, so I have installed the KaTeX plugin.
In the case of SSG (honkit) that I use, I want to convert the part to a mathematical formula into
Enclose it in $ (dollar mark) and write the contents in so-called TeX.
In fact, the github site also supports math rendering.
I think it's pretty familiar.
I wanted to mention Excel's built-in functions. What are Excel functions?
I use the dollar mark when I want to keep the cell fixed even if it gets copied and pasted.
I want the dollars to remain dollars inside the code block.
For example on the markdown source side
```markdown
=\$A\$2
````
I thought I could escape it by adding a backslash, so that's what I did.
In the case of the SSG that I use, when converted to html,
````
\{% math_inline %}A\{% endmath_inline %}2
````
As for the hosting method, I also store the html files in a GIT repository and host them on the `vercel.app` site. Regarding markdown → html, I do it in the local environment instead of using GitHub Actions.
I confirmed that if I use full-width instead of half-width for the dollar, it would not be recognized, so I confirmed that it would work.
But this isn't a fundamental solution, is it?
Also, open the html file and use the batch replacement function to replace `{% math_inline %}` and `{% endmath_inline %}` with dollars. It seems that you need some wisdom to selectively replace only the fence code blocks at once.
https://github.com/zimmem/honkit-plugin-katex
Markdown's fence code block is a guy who repeats backticks three times.
In some cases, the only option is to ask the author to ignore the dollar sign conversion.
The author of the plugin seems to have stopped development a long time ago.
It seems like they won't be able to respond.
Also, in the case of inline math, it says to surround it with two dollars each, and in the case of block math, it says to surround it with two dollars + a new line, which is different from the normal syntax. I'm curious.
However, it will work even if you write it in the md source using normal syntax.
私は2022年6月8日から203号室の住人であり、202号室に誰が入居しているのか知りませんし、あなたの顔も見たことがありませんし、今回あなたが警察官を110番通報し、警察官が外のベランダに立っていた時に初めてあなたを見ました。常識的な見地から、会ったこともない隣の部屋の入居者に大音量でラジオを聞かせるような人はこの世に存在しない。あなたの部屋から２０２４年４月７日に大声が聞こえて、あなたの部屋から誰かが飛び出して外で騒いで部屋に戻って来たのを聞いた。従って、あなたの部屋には、中国人と女性が一緒に住んでいると考えていた。さらに、２０２４年１月９日には、２０２号室には、あなたとは違う男性が出入りしていた。以上のことを総合的に考えて、２０２４年５月１０日の昼間の時点で、あなたの部屋に向けてラジオを大音量で流す合理的な理由がない。あなたは以上のことの説明を受けたときに怒り出す性格をしているが、精神疾患か何かがあるのではないか。また、私は、２０１号室に誰が住んでいるのかも知らないし、２０１号室の人とも２０２号室の人とも顔を見たことがないし話をしたこともない。２０２４年５月１０日に何回も２０３号室からラジオの音が聞こえてきたと言っているが、それに対して、そんなに怒る必要性があることであるのか。
I have been a resident of room 203 since June 8, 2022, I do not know who occupies room 202, I have never seen your face, and this time I saw you for the first time when you called the police officer 110 and the officer was standing outside on the balcony. From a common sense standpoint, there is no one in this world who would allow a loud radio to be played by a resident of the next room who has never met you. I heard loud voices coming from your room on April 7, 2024 and heard someone run out of your room, make noise outside and come back into your room. Therefore, you believed that a Chinese man and a woman were living together in your room. Furthermore, on January 9, 2024, a man different from you was in and out of Room 202. Taking all of the above into consideration, there was no reasonable reason to play the radio loudly toward your room as of midday on May 10, 2024. You have a personality that becomes angry when the above is explained to you, but you must have a mental illness or something. I also do not know who lives in room 201, and I have never seen or talked to anyone in room 201 or 202, and you say that you heard the radio from room 203 several times on May 10, 2024, and that there is a need to get so angry about it Is that something you need to be so angry about?
トランスヘイターの希望の星JKRは「女性は月経のある人」って言ったよね。
あれ、女性じゃなく「メス」呼ばわりな。
https://twitter.com/DARKSIDE_ghost9/status/1744703682959315038?t=ElAG70W4x0hr8SeS3DUcgA&s=19
あの手の人等は「月経のある人だけが女性なのだ」とか凄まじいことを言ってるJKローリングを賛美してるのに、男が似たようなことを言うと発狂するのが面白いよね。
https://twitter.com/_sushiy/status/1787162061325091304?t=6hLR5tP1u-Tn45U1jWNDXQ&s=19
上のようにJKローリングの発言を真逆に拡散するトランスアライをよく見る。
実際はトランスアライが女を月経の有る人と呼び、それに「”月経がある人”。昔はこの人たちを指す言葉があったはず。誰か教えて。ウンベン？ ウィンパンド？ ウーマッド？」
「もし性別がないのであれば同性に惹かれることもなくなるし、今世界中にいる女性たちの現実が失われてしまう。私にはトランスジェンダーの知り合いもいるし愛しているけれど、性という概念を消してしまったら人生について意義のある話し合いをする力も失われてしまう。真実を話すのはヘイトスピーチではない」とツイートした為に性犯罪予告や殺害予告も大量に来るほどに大炎上し、JKローリングはここから差別主義者のレッテルを貼られて激しい攻撃に晒された。
https://twitter.com/jk_rowling/status/1269382518362509313?t=Id4ssgaXCU66YoxrnvkUhA&s=19
https://www.elle.com/jp/culture/celebgossip/a32804188/jk-rowling-200609/
これに問題のある発言とは思えないと言ったハグリッド役の俳優も差別主義者のレッテルを貼られ、亡くなったときはトランス界隈から地獄に落ちろと大喜びされていた程に、この発言へ向けられた憎悪は凄まじい。
'Woman' is not an idea in a man's head.
The 'inclusive' language that calls female people 'menstruators' and 'people with vulvas' strikes many women as dehumanising and demeaning."
— JK Rowling
JKローリングは女性を月経の有る人や外陰部を持つ人と呼ぶ包括的な言葉は多くの女性にとって非人間的で屈辱的なものとして受け取られていると発言している。
なのにアライの多くが、真逆に思い込みトランスアライの包括的な発言をJKローリングの差別発言だと拡散しようとしている。
Description
Every web user has at least once encountered loss of internet connection. This happens for a variety of reasons, such as a dysfunction in the cellular network or a broken internet cable. However, regardless of the reason, every Google Chrome user sees the Dino game (when there is no internet) instead of a plain blank error page. This game can be played without an internet connection.
Play game: Dinosaur T-Rex Game
Despite the fact that the game is just a plain runner that’s built into the Google Chrome browser, the developers behind it still deserve a round of applause. The peculiar monochrome graphics and the simplicity make the game even better, and it has gained a lot of worldwide fans since its launch.
The main character of the game is a classic dinosaur, a Tyrannosaurus rex, the species we usually see in movies and books about dinosaurs. It’s a carnivorous type of dinosaur from the Cretaceous. In the game it runs through the desert, encountering pterodactyls and cactuses that need to be avoided by jumping or ducking. As the distance the dinosaur has traveled increases, so does its speed, which is why it’s quite difficult for an inexperienced player to get a high score, even though the game itself seems easy.
Surely, all of you are curious about the development of the Chrome Dinosaur Game Online, so let’s take a little trip back in time.
The development of the T-Rex game dates back to September 2014, however, the final improvements were completed only in December of that same year. The adjustments supported earlier versions of the Android operating system.
Sebastien Gabriel, one of the designers of the game, says that the T-rex was chosen as a funny reference to "prehistoric times", when highspeed internet wasn’t so widely spread.
The T-rex was also not an accidental choice. The offline Chrome Dino game (without internet) was also called "Project Bolan", referring to the popular singer Mark Bolan from the 70s band "T-Rex". While creating the game the programmers also thought about making Dino growl or kick. Eventually these features were rejected in order to keep the game simple and "prehistoric".
How to open the T-Rex Chrome Dino Game?
In order to open the game you can simply type chrome://dino/ in the address bar. The game will open even if you’re connected to the internet, so there’s no need to disconnect.
The majority of internet users have Chrome as their default browser. However, if you’re using a different one, our website can help. Here you can play the T-Rex Dinosaur Game using any browser and any device, like a desktop computer or even your cell phone.
この手順は、Latent Diffusion Modelsを使用してテキストから画像を生成するための一般的なアプローチを示していますが、いくつかの誤りや欠落がある可能性があります。以下にいくつかの修正と補足を示します。
1. **ライブラリのインポート**: `diffusers` ライブラリは存在しないため、代わりに `torch`、`transformers`、および `diffusion` ライブラリを使用する必要があります。
```python
import torch
from transformers import AutoModelForSeq2SeqLM, AutoTokenizer
from diffusion import LatentDiffusion
```
2. **環境のセットアップ**: 事前学習済みモデルとトークナイザーを使用する前に、必要なモデルとトークナイザーをダウンロードする必要があります。
```python
model = AutoModelForSeq2SeqLM.from_pretrained("nlptown/bert-base-multilingual-uncased-finetuned-xnli")
tokenizer = AutoTokenizer.from_pretrained("nlptown/bert-base-multilingual-uncased-finetuned-xnli")
```
3. **テキストプロンプトの前処理**: `encode_plus` メソッドを使用して、入力をトークン化し、テンソルに変換します。
```python
inputs = tokenizer.encode_plus(prompt, return_tensors="pt")
```
4. **Latent Diffusion モデルの定義**: `diffusion` ライブラリから `LatentDiffusion` をインスタンス化する際に、モデルとトークナイザーを渡します。
```python
ldm = LatentDiffusion(model=model, tokenizer=tokenizer)
```
5. **画像の生成**: `generate` メソッドを使用して画像を生成します。
```python
image = ldm.generate(inputs)
```
6. **生成された画像の可視化**: 画像を表示するために適切なライブラリを使用します。例えば、Matplotlibを使用して画像を表示できます。
```python
import matplotlib.pyplot as plt
plt.show()
```
