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はてなキーワード: Alwaysとは
In a discussion about the case, someone raised an objection to "someone who was not a party to the incident, who was not from Nagasaki, and who was not from Hiroshima, complaining about it. Seeing that opinion made me aware of my position, so I will say what I must say.
I was born in Nagasaki and am a third-generation A-bomb survivor.
I say this because I grew up hearing the stories of the A-bomb damage directly from those who suffered from the atomic bombings.
I feel that it is unacceptable for someone like me to speak about the A-bomb damage.
However, there are few A-bomb survivors left, so I will speak up.
In Nagasaki, children grow up hearing stories about the atomic bombing. We were made to sit in the gymnasium of an elementary school in the middle of summer, where there was not even an air conditioner or a fan, and for nearly an hour we were made to listen to stories about the atomic bombing. It was hard for me anyway.
I think it was even more painful for the elderly people who told the stories. But I don't think an elementary school kid could have imagined that. I, too, have forgotten most of the stories I was told. I can only remember one or two at most.
Another thing is that at this time of year, pictures of the victims of the atomic bombing are pasted up in the hallways.
In other parts of the country, these are grotesque images that would cause a fuss from the parents who are always nagging about them.
Recently, even the A-bomb museum has become more gentle in its exhibits, and most of the radical and horrifying exhibits that would have traumatized visitors have been removed.
I don't know how elementary schools now teach about the A-bomb damage. But when I was in elementary school, there were photos on display.
There was one photo that I just couldn't face as an elementary school student. It was a picture of Taniguchi Sumiteru(谷口稜曄). If you search for it, you can find it. It is a shocking picture, but I would still like you to see it.
I couldn't pass through the hallway where the photo was displayed, so I always took the long way around to another floor to avoid seeing the photo.
My grandfather was under the bomb and went to the burnt ruins of the bomb to look for his sister. I can understand now that he couldn't turn away or go another way.
There would have been a mountain of people still alive and moaning in the ruins of the burnt ruins. There would have been many more who would have died out in agony.
My grandfather walked for miles and miles, towing a rear wheelchair, through the narrow streets of rubble-strewn Nagasaki in search of his sister.
My grandfather was not a child then. But of course there were elementary school children who did the same thing he did. I am not speculating that there were. There were. I heard the story from him, and I still remember it.
A young brother and sister found their father's corpse in the ruins of the fire and burned it themselves. They didn't have enough wood to burn him alive, and when they saw his brain spilling out, they ran away, and that was the last time they ever saw him again.
I can never forget that story I heard when I was a kid, and even now it's painful and painful, my hands are shaking and I'm crying.
I keep wondering how that old man who ran away from his father's brain was able to expose to the public the unimaginably horrible trauma, the scar that will never heal, even after all these years.
Now I think I understand a little.
Why I can't help but talk about my grandfather and the old man now, even as I remember my own trauma.
Because this level of suffering is nothing compared to their words being forgotten.
It's nothing compared to the tremendous suffering that once existed that will be forgotten, like my hands shaking, my heart palpitating, my nose running with vertigo, and so on.
My grandfather, who went through an unimaginable hell, lived to see his grandchildren born, and met his sister's death in the ruins of the fire.
In other words, my grandfather was one of the happiest people in the ruins of the fire.
My grandfather and that old man were, after all, just people wading in the depths of hell.
I think that the suffering that even people who had experienced unimaginable pain could not imagine was lying like pebbles on the ground in Nagasaki 78 years ago, and no one paid any attention to it.
Their suffering, which I can't even imagine, is nothing compared to the countless, unimaginable suffering they witnessed, which they pretend never happened.
Memories fade inexorably with each passing human mouth. The memories that those people could never allow to be forgotten are almost forgotten.
The tremendous suffering of 78 years ago is mostly gone, never to be recounted.
Those who suffered the most from the atomic bombing died rotting in the ruins of the fire without being able to tell anyone about it.
Many of those who saw it with their own eyes kept their mouths shut and took it with them to their graves. Most of those who spoke a few words are still in their graves.
Compared to the words of the old men, my own words are so light. I would rather keep my mouth shut than speak in such light words.
But still, someone has to take over. I realize that even my words, which are so light, are only the top of the voices that are left in this world to carry on the story of the atomic bombing.
I know how it feels to think that I am the only one. Still, I hope that you will not shut your mouth. I know that I have closed my mouth because I thought I shouldn't talk about it, and that is the result.
Sometimes I almost choose to stop imagining the unimaginable suffering and live my life consuming other people's suffering for fun.
I am writing this while I still have some imagination of the suffering of the old people whose voices, faces, and even words I can no longer recall.
すまん。勝手に翻訳した。拡散はどうするかな。redditとかに投稿するのがいいのか?
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I have seen some posts asking if they should talk about "the case" even though they were not involved in it and were not born in Nagasaki or Hiroshima, and I am a bit aware of it, so I have to say what I have to say. I say this because I was born in Nagasaki, am a third generation atomic bomb survivor, and grew up hearing the stories of those who experienced the atomic bombing firsthand. I know it's a little bit too much for me, but I'm going to say this because there are very few survivors left.
In Nagasaki, children grow up hearing stories about the atomic bombing. They were stuffed into sushi for nearly an hour in the gymnasium of an elementary school in the middle of summer, with no air conditioner or fan, and told stories about the atomic bombing. That was a hard time for me. I think it must have been even harder for the old people who told the stories, but there was no way an elementary school kid could imagine such a thing, and I had forgotten most of the stories I had been told for a long time. I have forgotten most of the stories I was told. I can only remember one or two at most. There is one more hard thing. Every year around this time, a row of grotesque images that would drive the PTA crazy in other areas are prominently displayed in the hallways. These days, I hear that the atomic bomb museum has been bleached out and many of the radical and horrifying exhibits that traumatized visitors have been taken down. I don't know if they are still there, but they were there when I was in elementary school.
There was one photo that I just couldn't face when I was in elementary school. It is a picture of Sumiteru Taniguchi. If you search for it, you can find it. It is a shocking picture, but I would like you to take a look at it. I couldn't pass through the hallway where the photo was posted, so I always took the long way around to another floor of the school building to avoid seeing the photo.
Now I'm thinking that my grandfather, who headed into the burnt ruins to look for his sister, couldn't have turned away or taken a different path. There would have been a mountain of people still alive and moaning, not just pictures, and a mountain more who would have given up at the end of their suffering. He walked for miles and miles, towing his handcart through the narrow streets of rubble-strewn Nagasaki in search of his sister. My grandfather was not a child at the time, but of course there were children who did similar things. Not that there wouldn't have been. There were. I heard the story from him, and I still remember it. A young brother and sister found their father's body in the ruins of a fire and they burned it. They didn't have enough wood to burn his body, and when they saw the raw brain that spilled out, they ran away and that was the last time they ever saw him anymore.
I can never forget the story I heard when I was a kid, and even now it is painful and painful, my hands are shaking and I am crying. I keep wondering how the old man who escaped from that father's brain could have been able to unravel the most horrible trauma imaginable and expose it to the public with scars that will never heal.
Now I think I can understand a little.
The reason I can't help but talk about my grandfather and that old man, even if I have to rehash my own trauma, is that this level of suffering is nothing compared to the fact that their words will be forgotten. My hands shaking, my heart palpitating and dizzy, my nose running with tears, it's nothing compared to the tremendous suffering that was once there and will be forgotten.
My grandfather, who went through an unimaginable hell, lived to see his grandchildren born, and met his sister's death in the ruins of the fire. In other words, my grandfather was one of the happiest people in the ruins of the fire. My grandfather and that old man were, after all, just people wading in the depths of hell. I think that the suffering that even people who had experienced unimaginable pain could not imagine was lying like pebbles in Nagasaki 78 years ago, and no one paid any attention to it. Their suffering, which I can't even imagine, is nothing compared to the countless, tremendous suffering they witnessed, which they pretend never happened.
Memories fade inexorably every time people talk about them. The memories that those people could not allow to be forgotten are now largely forgotten; the tremendous suffering of 78 years ago is mostly gone, never to be recounted again. Those who suffered the most from the atomic bombing died rotting in the ruins of the fire, unable to tell anyone about it. Many of those who saw it with their own eyes kept their mouths shut and took it with them to their graves. Most of those who spoke a few words are now under the grave.
Compared to the words of the old men, my own words are so light. I would rather keep my mouth shut than speak in such light words. But still, someone has to take over. I realize that even my words, which are so light, are only the top of the voices that are left in this world to carry on the story of the atomic bombing. I know how it feels to wonder if someone like myself is allowed to speak about this. Still, I hope that you will not shut your mouth. This is the result of our silence.
Sometimes I almost choose to stop imagining the unimaginable suffering and live my life consuming other people's suffering for the fun of it. I am writing this while I still have some imagination of the suffering of the old people whose voices, faces, and even words I can no longer recall.
Translator's note: The original post in Japanese is a response to a post by a Japanese contributor who wondered if he was qualified to speak out on the subject of the A-bomb when he was not from Hiroshima and Nagasaki, but still spoke out about Barbie and the A-bomb. I translated it here because I think it deserves to be read by the world.
I must talk about various things regarding the Barbie incident.
I saw a post about it from someone who is neither directly involved nor from Nagasaki or Hiroshima, and it made me realize that there are things I must say.
I was born in Nagasaki and grew up listening to stories from the survivors, being a third-generation survivor myself. Most survivors are no longer with us, so I feel compelled to speak up.
In Nagasaki, kids grow up hearing about the atomic bomb. We were packed like sushi in a gymnasium without air conditioning or even fans during the scorching summer, and we listened to stories about the bomb. It was incredibly tough for me.
I imagine it was even harder for the elderly who spoke about their experiences. As a child, I couldn't fully comprehend their pain, and now, I can hardly remember most of the stories I heard. I can only recall one or two.
Every year during this time, gruesome images that would make PTA elsewhere go crazy were displayed in the hallways. I heard that many of the horrifying exhibits that used to traumatize visitors at the Atomic Bomb Museum have been removed, and the museum has been considerably sanitized. I'm not sure about the current situation, but that's how it was when I was there.
There was one photograph that I could never bear to look at as a child – a picture of Tadashi Taniguchi. You can find it if you search, but it's a shocking image with a viewer discretion warning. Still, I want people to see it.
I couldn't walk down the hallway where that photo was displayed, and I always took a different route, avoiding it so I wouldn't have to see it.
Now, I think of my grandpa who went to the ruins to search for my sister. He couldn't look away or take a different path. The pain must have been unimaginable.
Besides photographs, there were many living people moaning in pain back then, and there must have been even more who succumbed to suffering.
My grandpa walked for miles, pulling a handcart through the debris-laden streets of Nagasaki, searching for my sister.
Even though my grandpa was not a child, I'm sure there were elementary school kids who did similar things. I don't just think they might have been there; they were there. I heard the stories from the people themselves, and I still remember them.
I can't forget the stories I heard as a child, such as the young siblings finding their father's burnt corpse in the ruins and cremating him. They didn't have enough firewood, and their father ended up half-burnt. They ran away after seeing the brain tissue oozing out, and that became their final farewell.
I can never forget those stories I heard as a child, and even now, they still bring pain and suffering, making my hands tremble and tears flow.
I wonder how my grandpa, who ran away from that father's brain tissue, could expose his unimaginable trauma and everlasting scars to the world.
Now, I feel like I understand a little.
Even someone like me, who experienced such unimaginable trauma, has gone through pain that I can't even imagine being compared to being discarded, forgotten, and ignored. Compared to what those people experienced, my suffering means nothing.
My trembling hands and the palpitations and dizziness I experienced are nothing compared to the tremendous pain that many others went through.
Memories fade irreversibly every time they pass through people's lips. The memories that I couldn't bear to be forgotten are almost forgotten now.
The unimaginable pain that existed 78 years ago has mostly disappeared, and we can no longer pass it on.
The people who suffered the most from the atomic bomb perished in the ruins, rotting away without being able to convey it to anyone.
Even those who saw it with their own eyes mostly took the memories with them to their graves. Most of them are now under the tombstones.
Compared to the words of the elderly, my words seem so light. I think that speaking with such light words would be better than keeping silent, as silence has led to this result.
I feel like I might occasionally choose to stop imagining the unimaginable pain and consume the suffering of others in an amusing way to live on.
Before I forget the pain and suffering of those elderly people, whose faces and voices I can no longer recall, I will leave this here.
原文
Japan review it's been a year since I
moved to Japan and I thought it made
sense to finally rate Japan I will talk
about things I like and the things I
don't like which seems to be the only
two options available if you have
so sugoi or did you know Japan is
actually really bad it's got a lot of
survival issues okay I will list one
good thing and bad thing and I will not
hold back there's no trash bins
I have to put in my pocket
oh
there's always these generic things that
you hear or yes when we you visit it's
kind of weird but then you realize it's
not a big deal anyway let's start off
with number one reason I like Japan
it feels like a giant playground no I
don't mean in the Logan Paul kind of
sense of doing whatever the hell you
want
but rather there's a infinite things all
right lazy feels like to explore and
experience and I've been here a year now
and I don't think I'm gonna get bored
anytime soon although I am having a
child so I don't know how much more I
but it really feels like a whole new
world and if you visited you can
probably relate to it and I'm glad that
even a year in it still feels incredibly
fresh and I even would say that you
realize that the best part of Japan
aren't the touristy places kind of
obviously but there are so many areas
that I found that I really enjoy
visiting and this is probably more
specific to me but you know Tokyo is
very busy and so many times I just catch
myself surrounded by what feels like
hundreds of people and they have no idea
everyone is just doing their own thing
now once it was staring at me no one's
following me no one's being weird you
guys are weird and I'm just kidding I
just love the feeling of being able to
exist in public and uh not worrying
about what everyone else is doing like
I've said this before but I genuinely
enjoy talking to fans or when people
approach me it always makes me happy but
it can be kind of frustrating to always
wanting to just do your own thing and
always be
you know so yeah let's move on to the
bad things of Japan number one reason
Japan is bad it's kind of a heavy
subject and I haven't seen anyone else
really talk about it it's not brought up
very often at least and that is cones
there's too many cones in Japan once you
see it you cannot unsee it they're
everywhere they say oh Japan has so many
vending machines there's like five per
there's more cones than people why are
there so many cones I need to know we
got the tall ones we got the small ones
we got the funny ones the cute ones the
sexy ones I do like those I just don't
understand that whoever plays these
cones think I'm just gonna barge through
oh thank God there's cones here
otherwise I had no idea what I was gonna
and I realized the cone history of Japan
stretches centuries okay if you played
Animal Crossing sometimes it's a
Japanese game so sometimes you get these
items right you're like oh that's kind
of weird I don't know exactly what that
is but it's probably something Japanese
and then you get the bamboo thing and
you're like what the hell is that what
am I even gonna do with that and then
you see it in real life here in Japan
you're like holy [ __ ] it's a cone that's
I feel like they are following me
I'm glad I was able to talk about this
I'm for one and willing to call out
Japan knock it off man no more cones
there's enough cones let me tell you
something even better than cones you may
have noticed new merch finally it's been
forever my mom came over she had
unofficial merge because I literally
have no other merch I've hadn't hadn't
merch I'm sorry Mom so we spruced up the
logo got a cool back design the team
that worked on it really truly
understand how my brand and I think they
did such a good job these pieces look
amazing and I think you guys are gonna
really like them as well these are
available for limited time only so make
sure you order now so excited to finally
have this merch available thanks to
amaze for making this happen we are
gonna have one piece that will stay on
the store so my mom will not buy the
wrong merch but for a limited time that
piece will be available in this color
off-white kind of color it looks really
nice and then after that you can still
get it but not in this color that's
you want this one yeah I get it
so yeah check that out if you're
interested I'm so happy about these
designs and I hope you guys would like
them as well all right reason number two
I like Japan yay when we first announced
that we were gonna move to Japan there
was so many people just saying how bad
Japan is actually did you know Japan is
really bad did you know this I have to
list all these reasons now because
everyone is like thing and then thing
Japan ah so I have to tell them and I
it's actually but one thing in
particular that people said was that old
people really don't like foreigners they
hate them so when I was gonna stop by to
say hi to our neighbors who was a little
older at least some of them I was
terrifying I heard all these stories you
know like what are they gonna do to us
so I had my guard up ready for the worst
and I was met with nothing but kindness
and welcoming and I felt like a total
dick for having this preconceived ideas
and just a side comment like yes there
are definitely probably people that
don't like foreigners and all that stuff
but I realized I should let my own
experience is dictate how I feel about
certain things maybe that's just
ignoring a problem I don't know it just
feels like it's a bad way to approach
life if you always have a negative
expectation you know it's smiling people
smiled back
thank you sometimes they don't and
that's okay you know anyway my point
being Japanese people are very in my own
experience
are very nice and friendly the majority
at least and yes even to foreigners I
feel like they are especially nice to
foreigners because they think we're like
a kid lost at Disneyland or something
I just asked for directions I didn't
need you to walk me for half an hour to
this specific place I was going but
thank you I appreciate it a lot of times
I go bouldering alone and there's always
other groups of people being supportive
and yelling like I'm about there like go
you can do it I love it I think it's
great you know or if you're small
talking with people people generally
want to communicate with you and I love
having those moments but of course
there's times where people are like oh
you're a foreigner I don't feel like
even trying
which again it's fine speaking of which
reason I don't like Japan number two
their language
I have lived here for a year and I'm not
fluent in Japanese
I am dumb I am very dumb I remember the
moment we moved here I had studied some
Let's test out this knowledge that I
have acquired let's go I'm just gonna
come in it's gonna be dangerous and you
enter a store for the first time and
they're like
what
what oh
what the classic the most common
experiences that you have aren't
necessarily what you're taught in the
textbook yay I know I think that's the
same for anyone learning a language for
the first time but don't even get me
started on the kanji main what the [ __ ]
is this I feel like Japanese is such a
hard language obviously but I don't
think people realize how hard it is at
least me personally because the more you
learn the more you realize you don't
know [ __ ]
for English speakers Japanese is
considered one of the most difficult
languages and because it's just so
different I listed it as bad because
that was my first kind of experience
with it coming here but the more I
interact with people the more it feels
like I'm unlocking new skills you know
oh I made a phone call for the first
time oh I could ask someone over the
phone I know big deal but it's like oh I
can actually do that or even just having
a small tiny yes shittiest conversation
with a stranger it's still something and
it feels good you start to all of a
sudden understand you know a movie if
you're watching oh I understand actually
what's going on here or I can play games
and kind of get what this they're saying
I have to look up words obviously but to
me all those new experiences that it
unlocks to me is very rewarding even
though it's such a challenge I would
actually now say it's a good thing I
played it on its head it was a good
thing all along but I obviously have a
and it just I don't think it will damage
time reason number three I like Japan
this is nothing to do with Japan to say
it's more related to me taking a more
relaxed approach to YouTube for my
entire 20s I did nothing but YouTube
that was my life and that's okay but I
also think it was a little toxic
probably you know if I wasn't making
videos I sure as hell was thinking about
making videos I uploaded videos during
and it feels really good to finally be
free from it you know and I can discover
other things in life there are other
things in life
a new hobbies and interest that I've
always wanted to do I can do and have so
much fun with it surfing I know I would
love for the longest time and I finally
get to do it and it's so [ __ ] amazing
I love learning new things anything that
isn't necessarily connected to all of
this on the internet and that is
something I'm very very grateful that I
discovered so yeah it's not really Japan
I could have done that anywhere but it's
largely why I enjoyed so much here
reason I don't like Japan number three
this is probably the most trickiest one
and it's the rules what are the rules
Japan has so many rules and it's a bit
conflicting for me to complain about
because a lot of the best stuff about
Japan not the best stuff but a lot of
the reasons why Japan works so well is
because of the rules you know the trains
are always on time things just work in
general it's hard to explain the streets
are clean people aren't loud in public
and so on and these are sort of societal
rules that make it happen more or less
but sometimes There are rules that just
don't make any sense and I have no
problem following rules as long as I
understand the reason for it you know
don't talk on the phone on the train
because it's generally annoying when
other people do that to you A lot of it
is just be thoughtful of other people
it's not just about you and that just
makes it more pleasant for everyone but
one rule is especially which I talked
about before is the fact that because of
kovid I'm not allowed to be in the
delivery room for our baby for more than
two hours that's because of covered
rules it just doesn't make sense to me
and I tell people about this like uh
family and friends and they're always
like well why don't you just ask them or
like why don't you talk to them I'm sure
you can there's got to be somewhere and
it's like no it's Japan okay there are
rules and people follow the rules for
better or worse you know so the more I
テーマ。
「リーゼントというのは前頭部の髪型（ポンパドール）ではなく後頭部の髪型（ダックテイル）のことだ」って本当なの？
だいたいの前回のまとめ。
さて、今回の記事の主眼は、前回の記事でも書いた「ポール・グラウス」という人物は何者か、というところにあるのだが、そのまえに増田英吉が戦前から「リーゼント」を施術していたという証拠を提示しておきたい。というのも国立国会図書館デジタルコレクションで検索したところ1936年の広告を見つけたのである。
スタア 4(21)(82) - 国立国会図書館デジタルコレクション
「ゲーブル」というのは俳優のクラーク・ゲーブルのことだろう。
などがこれでわかる。
なおインターネット上で「リーゼントの命名者」とされるもう一人に尾道の理容師・小田原俊幸がいるが、彼が「リーゼント」を発表したのは昭和24年＝1949年だというので遅すぎる。おそらくは既にあったリーゼントを独自にアレンジしたとかそういう話なのだろう。
さて、では増田英吉や小田原俊幸とは違って、ググっても検索結果に引っかかりすらしない「ポール・グラウス」とは何者なのか。あらためて調べてみると、1931年にイギリスで刊行された『The Art And Craft Of Hairdressing』という書籍にその名が掲載されていることがわかった。
7ページ（16 of 700）より。
PAUL GLAUS, Past President, Academy of Gentlemen’s Hairdressing (London), a former Chief Examiner in Gentlemen’s Hairdressing, City and Guilds of London Institute.
ポール・グラウスは、ロンドンの「Academy of Gentlemen’s Hairdressing」の前会長であり、かつては「City and Guilds of London Institute」の紳士向け理髪の主任試験官でした。
同姓同名同職の別人の可能性もなくはないが、おそらくはこの人が「ポール・グラウス」なのだろう。ただし、この書籍の著者はGilbert Foanという人物で、ポール・グラウスは「Special Contributor」としていくつかの記事を寄稿しているだけである。
そして驚くべきことに、この『The Art And Craft Of Hairdressing』では「リーゼント（Regent）」についても解説されているのである。「リーゼント」は和製英語であると思われていたが、やはり由来はイギリスにあったのだ。
118ページ（146 of 700）より。
One of the most artistic and distinguished of haircuts, the Regent has been worn by elderly society gentlemen for many years. Then it was always associated with long hair, in most instances nice natural wavy white or grey hair. Since the present writer first decided to cut this style shorter, but in exactly the same shape, the style has been in great demand.
リーゼントは、最も芸術的で格調高いヘアスタイルのひとつで、長年にわたり、年配の社交界の紳士たちに愛されてきました。当時、リーゼントは長い髪、それも自然なウェーブのかかった白髪や白髪の髪によく似合う髪型でした。筆者がこのスタイルをより短く、しかし全く同じ形にカットすることに決めて以来、このスタイルには大きな需要があります。
Rub the fixative well into the hair, spreading it evenly, but do not make the mistake of using so much that it runs on to the face and neck. Then, when the hair is saturated, draw the parting and comb the hair in the position required, sideways, going towards the back of the ears.
整髪料を髪によく揉み込んで均一に広げます。顔や首に流れるほど使いすぎないよう注意してください。髪に馴染んだら、分け目を作り、耳の後ろに向かって横向きに髪をとかします。
「リーゼント」の解説を読むかぎり、そしてイラストを見るかぎり、その前髪には分け目があり、側面の髪を横向きに撫でつけて、襟足はバリカンでV字に刈り上げていたようだ。どうやら前髪を膨らませるわけではなさそうである。また、この書き方だと、もともと「髪の長いリーゼント」が存在しており、それから「筆者」によって「髪の短いリーゼント」が生み出されたらしくはある。具体的なところは不明だが。
追記。鮮明な画像を見つけたのでリンクを張る。ダックテイルのように左右の髪を流して後頭部で合わせているのがはっきりとわかる。
https://www.pinterest.jp/pin/59672763786345196/
ちなみに、この書籍の281ページ（316 of 700）では「Duck-Tailed Pompadour」という髪型も紹介されている。おおっ、と思ったがこれは女性向けの髪型で、いわゆる「エルビス・プレスリーの髪型」とは異なるように見える。しかし、後頭部をアヒルのお尻に見立てる発想や、それとポンパドールを組み合わせる発想は、まず女性向けに存在していて、それが1950年代にアレンジされて男性にも適用されるようになった、ということなのかもしれない。
ややこしいことに、このスキャンされた『The Art And Craft Of Hairdressing』は1958年に発行された第四版なので、どこまでが改訂の際に追加された内容かわからない。1936年にポール・グラウスが日本でリーゼントを紹介した、という話があるからには、少なくともリーゼントは1931年から存在していたと思うのだが…。
追記。Google Booksにあった1931年版に「The Regent Haircut」が記載されていることを確認した。
『The Art And Craft Of Hairdressing』はイギリスで30年以上にわたって改訂されつつ出版されていた名著らしいので、当時のイギリスの理容師のあいだでは「リーゼント」はそれなりに広まっていたのではないかと思うのだが、現在では「リーゼント」という言い方はぜんぜん残っていないようだし、それどころか英語圏でさえ「リーゼント」は和製英語だと書かれていたりするのも謎ではある。
ともあれ推測するに、まず1930年代以前にイギリスで「リーゼント」という髪型が生まれ、1936年ごろにイギリス人のポール・グラウスが日本に「リーゼント」を紹介し、その「リーゼント」を見た増田英吉が日本人に合うように「前髪を膨らませるかたち」にアレンジして広告を打った、という流れなのではないかと思われる。
というわけで大枠の結論としては前回の記事と変わらないが、いくつかのディテールが明らかになったことで状況の理解度は上がったと思う。こちらからは以上です。
The Sacrament—and the Sacrifice
Of the Quorum of the Twelve Apostles
I pray for your faith and prayers that my utterances will be received and understood “by the Spirit of truth” and that my expressions will be given “by the Spirit of truth” so that we might all be “edified and rejoice together.” (See D&C 50:21–22.)
As I stand here today—a well man—words of gratitude and acknowledgment of divine intervention are so very inadequate in expressing the feelings in my soul.
Six months ago at the April general conference, I was excused from speaking as I was convalescing from a serious operation. My life has been spared, and I now have the pleasant opportunity of acknowledging the blessings, comfort, and ready aid of my Brethren in the First Presidency and Quorum of the Twelve, and other wonderful associates and friends to whom I owe so much and who surrounded my dear wife, Ruby, and my family with their time, attention, and prayers. For the inspired doctors and thoughtful nurses I express my deepest gratitude, and for the thoughtful letters and messages of faith and hope received from many places in the world, many expressing, “You have been in our prayers” or “We have been asking our Heavenly Father to spare your life.” Your prayers and mine, thankfully, have been answered.
One unusual card caused me to ponder upon the majesty of it all. It is an original painting by Arta Romney Ballif of the heavens at night with its myriad golden stars. Her caption, taken from Psalms, reads:
“He healeth the broken in heart, and bindeth up their wounds.
“He telleth the number of the stars; he calleth them all by their names.
“… His understanding is infinite.” (Ps. 147:1, 3–5.)
As I lay in the hospital bed, I meditated on all that had happened to me and studied the contemplative painting by President Marion G. Romney’s sister and the lines from Psalms: “He telleth the number of the stars; he calleth them all by their names.” I was then—and continue to be—awed by the goodness and majesty of the Creator, who knows not only the names of the stars but knows your name and my name—each of us as His sons and daughters.
“When I consider thy heavens, the work of thy fingers, the moon and the stars, which thou hast ordained;
“What is man, that thou art mindful of him? …
“For thou hast made him a little lower than the angels, and hast crowned him with glory and honour.” (Ps. 8:3–5.)
To be remembered is a wonderful thing.
The evening of my health crisis, I knew something very serious had happened to me. Events happened so swiftly—the pain striking with such intensity, my dear Ruby phoning the doctor and our family, and I on my knees leaning over the bathtub for support and some comfort and hoped relief from the pain. I was pleading to my Heavenly Father to spare my life a while longer to give me a little more time to do His work, if it was His will.
While still praying, I began to lose consciousness. The siren of the paramedic truck was the last that I remembered before unconsciousness overtook me, which would last for the next several days.
The terrible pain and commotion of people ceased. I was now in a calm, peaceful setting; all was serene and quiet. I was conscious of two persons in the distance on a hillside, one standing on a higher level than the other. Detailed features were not discernible. The person on the higher level was pointing to something I could not see.
I heard no voices but was conscious of being in a holy presence and atmosphere. During the hours and days that followed, there was impressed again and again upon my mind the eternal mission and exalted position of the Son of Man. I witness to you that He is Jesus the Christ, the Son of God, Savior to all, Redeemer of all mankind, Bestower of infinite love, mercy, and forgiveness, the Light and Life of the world. I knew this truth before—I had never doubted nor wondered. But now I knew, because of the impressions of the Spirit upon my heart and soul, these divine truths in a most unusual way.
I was shown a panoramic view of His earthly ministry: His baptism, His teaching, His healing the sick and lame, the mock trial, His crucifixion, His resurrection and ascension. There followed scenes of His earthly ministry to my mind in impressive detail, confirming scriptural eyewitness accounts. I was being taught, and the eyes of my understanding were opened by the Holy Spirit of God so as to behold many things.
The first scene was of the Savior and His Apostles in the upper chamber on the eve of His betrayal. Following the Passover supper, He instructed and prepared the sacrament of the Lord’s Supper for His dearest friends as a remembrance of His coming sacrifice. It was so impressively portrayed to me—the overwhelming love of the Savior for each. I witnessed His thoughtful concern for significant details—the washing of the dusty feet of each Apostle, His breaking and blessing of the loaf of dark bread and blessing of the wine, then His dreadful disclosure that one would betray Him.
He explained Judas’s departure and told the others of the events soon to take place.
Then followed the Savior’s solemn discourse when He said to the Eleven: “These things I have spoken unto you, that in me ye might have peace. In the world ye shall have tribulation: but be of good cheer; I have overcome the world.” (John 16:33.)
Our Savior prayed to His Father and acknowledged the Father as the source of His authority and power—even to the extending of eternal life to all who are worthy.
He prayed, “And this is life eternal, that they might know thee the only true God, and Jesus Christ, whom thou hast sent.”
Jesus then reverently added:
“I have glorified thee on the earth: I have finished the work which thou gavest me to do.
“And now, O Father, glorify thou me with thine own self with the glory which I had with thee before the world was.” (John 17:3–5.)
He pled not only for the disciples called out from the world who had been true to their testimony of Him, “but for them also which shall believe on me through their word.” (John 17:20.)
When they had sung a hymn, Jesus and the Eleven went out to the Mount of Olives. There, in the garden, in some manner beyond our comprehension, the Savior took upon Himself the burden of the sins of mankind from Adam to the end of the world. His agony in the garden, Luke tells us, was so intense “his sweat was as … great drops of blood falling … to the ground.” (Luke 22:44.) He suffered an agony and a burden the like of which no human person would be able to bear. In that hour of anguish our Savior overcame all the power of Satan.
The glorified Lord revealed to Joseph Smith this admonition to all mankind:
“Therefore I command you to repent …
“For … I, God, … suffered … for all, that they might not suffer if they would repent; …
“Which suffering caused myself, even God, the greatest of all, to tremble because of pain, and to bleed at every pore, …
“Wherefore, I command you again to repent, lest I humble you with my almighty power; and that you confess your sins, lest you suffer these punishments.” (D&C 19:15–16, 18, 20.)
During those days of unconsciousness I was given, by the gift and power of the Holy Ghost, a more perfect knowledge of His mission. I was also given a more complete understanding of what it means to exercise, in His name, the authority to unlock the mysteries of the kingdom of heaven for the salvation of all who are faithful. My soul was taught over and over again the events of the betrayal, the mock trial, the scourging of the flesh of even one of the Godhead. I witnessed His struggling up the hill in His weakened condition carrying the cross and His being stretched upon it as it lay on the ground, that the crude spikes could be driven with a mallet into His hands and wrists and feet to secure His body as it hung on the cross for public display.
Crucifixion—the horrible and painful death which He suffered—was chosen from the beginning. By that excruciating death, He descended below all things, as is recorded, that through His resurrection He would ascend above all things. (See D&C 88:6.)
Jesus Christ died in the literal sense in which we will all die. His body lay in the tomb. The immortal spirit of Jesus, chosen as the Savior of mankind, went to those myriads of spirits who had departed mortal life with varying degrees of righteousness to God’s laws. He taught them the “glorious tidings of redemption from the bondage of death, and of possible salvation, … [which was] part of [our] Savior’s foreappointed and unique service to the human family.” (James E. Talmage, Jesus the Christ, Salt Lake City: Deseret Book Co., 1977, p. 671.)
I cannot begin to convey to you the deep impact that these scenes have confirmed upon my soul. I sense their eternal meaning and realize that “nothing in the entire plan of salvation compares in any way in importance with that most transcendent of all events, the atoning sacrifice of our Lord. It is the most important single thing that has ever occurred in the entire history of created things; it is the rock foundation upon which the gospel and all other things rest,” as has been declared. (Bruce R. McConkie, Mormon Doctrine, Salt Lake City: Bookcraft, 1966, p. 60.)
Father Lehi taught his son Jacob and us today:
“Wherefore, redemption cometh in and through the Holy Messiah; for he is full of grace and truth.
“Behold, he offereth himself a sacrifice for sin, to answer the ends of the law, unto all those who have a broken heart and a contrite spirit; and unto none else can the ends of the law be answered.
“Wherefore, how great the importance to make these things known unto the inhabitants of the earth, that they may know that there is no flesh that can dwell in the presence of God, save it be through the merits, and mercy, and grace of the Holy Messiah, who layeth down his life according to the flesh, and taketh it again by the power of the Spirit, that he may bring to pass the resurrection of the dead, being the first that should rise.
“Wherefore, he is the firstfruits unto God, inasmuch as he shall make intercession for all the children of men; and they that believe in him shall be saved.” (2 Ne. 2:6–9.)
Our most valuable worship experience in the sacrament meeting is the sacred ordinance of the sacrament, for it provides the opportunity to focus our minds and hearts upon the Savior and His sacrifice.
The Apostle Paul warned the early Saints against eating this bread and drinking this cup of the Lord unworthily. (See 1 Cor. 11:27–30.)
Our Savior Himself instructed the Nephites, “Whoso eateth and drinketh my flesh and blood unworthily [brings] damnation to his soul.” (3 Ne. 18:29.)
Worthy partakers of the sacrament are in harmony with the Lord and put themselves under covenant with Him to always remember His sacrifice for the sins of the world, to take upon them the name of Christ and to always remember Him, and to keep His commandments. The Savior covenants that we who do so shall have His spirit to be with us and that, if faithful to the end, we may inherit eternal life.
Our Lord revealed to Joseph Smith that “there is no gift greater than the gift of salvation,” which plan includes the ordinance of the sacrament as a continuous reminder of the Savior’s atoning sacrifice. He gave instructions that “it is expedient that the church meet together often to partake of bread and wine in the remembrance of the Lord Jesus.” (D&C 6:13; D&C 20:75.)
Immortality comes to us all as a free gift by the grace of God alone, without works of righteousness. Eternal life, however, is the reward for obedience to the laws and ordinances of His gospel.
I testify to all of you that our Heavenly Father does answer our righteous pleadings. The added knowledge which has come to me has made a great impact upon my life. The gift of the Holy Ghost is a priceless possession and opens the door to our ongoing knowledge of God and eternal joy. Of this I bear witness, in the holy name of Jesus Christ, amen.
スタートレックは今もいくつもシリーズが同時並行で進んでいて、そのうちスタートレックピカードは初めのシーズンからオールドTNGファン向けってのが明らかだったんだけどなんかもうここにきていよいよいろんなことがきつい
データは最初のシーズンで死んだんだけどまたシンスとして幾つもの人格を統合して（ロアとかドクタースンとか）シンスと人体の融合体だかなんだかで甦らそうとしている
ピカードはクラッシャーとの間に息子がいるとか言い出してその息子が俺のロイヤリティと驚くべきほどの賢さはアンタからだとか抜かしている
そのわけのわからん息子のためにピカードは銀河を敵に回し完全にクレイジーオールドマンと化している
ピカードはそんなことしねえー！！！！ピカードは何回も自分の人生や愛を犠牲にして銀河の秩序と任務を大事にしてきた男だろ（シーズン1の we’ll always have Parisが一番好きなエピソードです）カークとは違うんだよ前頭葉縮んじまったのかよー！！
昔のクルーは大集合するが息子だの娘だのへの愛を独白しまくり（知らねぇ〜お前は知っててもお前の息子がどうとか興味ねぇ〜）やっぱ家族だよね〜みたいなことを抜かしている
あのさあ知りたい息子がいるとしたらウォーフの息子くらいなんだよ後のやつは知らんしどうでもいい 家族総出で参加する昭和の会社のバーベキュー大会かなんかなのこれ
たぶん見てるファンの層が年代的に家族を持って子供を持って共感できる話題=家族愛だ！て思ってんのかも知らんけどそう言うの求めてないんだよサイエンスフィクションを見せろよ
しかも極め付けでライカーがトロイを人質にされてやんの（相変わらずおっぱいをボロンボロン出している）また家族愛ですかーーーそうですかーーー
TNGの死体をむりやりテグスで吊るしての解釈違いのマリオネットもうやめてくれーーーー
なお以上は夫がワクワク楽しんでるのを横からチラ見しつつゲームしながら見てただけなのでなんか全然間違ってたらすいません
私は大学4年の女。卒業記念に、今まで父親にされた不愉快なことを書いていく。
私は昔から芸能人やスポーツなどマスメディアでよく取り上げられるものに興味がなかった。一方父親はこういうのが大好きなタイプだ。
そんななか、2019年は平成天皇生前退位や新元号発表があったが、皇室など特に興味がなかった。
そんなことより私はデレステにはまっていた。
つまらない1日だったので、自室で本田未央ちゃんのコスプレをして、彼女が歌う「ミツボシ☆☆★」「ステップ!」や「恋が咲く季節」などを踊りながら歌っていた。
もちろん、家族や他人に迷惑をかけないよう音量などには十分注意を払っている。
ところが、偶然父親に見られてしまい「日本人としてあり得ない」と言われてしまった。
父親は皇室を妄信しているというか、むしろそうしようとしない人をバカにするような言動をよくする人だが、いくら何でもひどいと思った。
なぜ一緒になって新天皇即位や新元号制定を祝わないといけないのだろうか。そもそも「日本人として(の常識)」って何よ。
ちなみに、私は未央ちゃんのことが大好きだ。できるなら妹にして一緒にお風呂に入ったり同じベッドで寝てみたいし、抱きしめたい。
案の定父親はオリンピック中継、とりわけ日本代表に熱狂していた。
こちらが興味ない上授業中にも関わらずリビングに呼び出し無理矢理それを見せられた。
父親は「選手の頑張りを見ろ」だとか「感動するだろ」と言ってきたが全くそんなことはない。
むしろ選手たちの「感動を届けたい」という趣旨の発言に対し「自己満足の何が感動だ」と嫌悪感も抱いた。
私がデレステをやっているのを見て、「女の絵が踊っているのが好きなのか」「年甲斐もない恰好のババア(ライブに出演する声優のこと)見て楽しんでいるのか」と言われキレそうになった。
それからというもの、父親はデレステのグッズや私がイベントに行くのを見たとき、さらにはデレステの話題が少し出た時ですら私をバカにしてくるようになった。
正確にはデレステではなくその前作だが、10周年記念ライブツアー最終公演がベルーナドームであり、私は2日通して参加した。
最終曲・alwaysでは「私を選んでくれてありがとう」「私を見つけてくれてありがとう」「私を愛してくれてありがとう」と未央ちゃんに言われ、思わす泣いてしまった。
ライブが終わり帰宅したところ、父親に怒鳴られた。「いい年して何してるんだ」と言われ、つい言い返してしまった。そのまま大喧嘩になってしまった。
「誰にも迷惑をかけてないでしょ。なのにどうして私の趣味を否定するの？」とか言った気がする。
なんでアイマスのプロデューサーってだけでここまで否定されるんだろう。誰にも迷惑かけてないのに。
まぁ、教育実習に行ったとき、アイマスの話をすると生徒は喜んでくれ、少し気分が和らいだが。
天皇だとか日本代表の信者になるという日本人の常識を押し付けられるくらいなら、日本人辞めたい。
まぁ、この気持ちを胸に英語の勉強をしたら、運のいいことに大学のネイティブスピーカーと難なく英会話ができるようになったが。
タランティーノをオタク呼ばわりするなんて！って普通にcriticsの常識だし巨匠だからタランティーノはオタクなんて呼べないなんて言ってるやつ相当の無知では
本人がオタクって自称してても、オタクなんて失礼だから言っちゃダメ！て言ってんの？
"every time I hear that name it touches my heart, what can I say, I've always been an anime otaku", (Japanese slang for a person that is a fan of anime, manga, and Japanese video games and culture) this is a reference to the classic anime film "Akira".
毎年ニコニコ動画で開催されているアイマス楽曲大賞、投票者層がニコニコユーザーに限られるため非参加者からは偶に色々言われる企画なのですが、私はファンメイドな企画が大好きなのと折角やるなら参加者数を増やしたほうが投票結果も面白くなる！ってことで例年は積極参加して広告にブログで宣伝を書いたりしていました。
ですが……今年は忙しかったというのも確かにあるのですが、適当に投票するに留めて参加を呼びかける記事も書かず、本日投稿された結果動画もスキップして結果だけ見る始末。アイドルマスターが、辛いのです。
シャイニーカラーズはサービス開始当初からプレイしており、グレード7に達したり、1stライブから現地参加してリリースイベントにも参加するぐらいにはのめり込んでいました。
しかし2021年12月に新たな月額課金コンテンツが実装され月額3000円の寄付をせねばグレードフェスへの参加の敷居が大いにあがるようになり、更には2022年4月から始まったヤケクソガチャ、トワイライツコレクションの実装によりその月額課金特典のアイテムすら無駄にしてくる始末。プロデュースモードで強力なアイドルを生み出しフェスに参加するというゲームの根本デザインが崩壊しかけ、グレードフェスが楽しめないならと実装された新たなフェス、フェスツアーズとマッチフェスは完全な虚無。
なんだろう……楽しくない……凄くゲームが楽しくないです。ゲームなんかどうでも良いだろ、シナリオ読んで音楽聞いてイラスト見ろって言えばそれまでなんですが。
そして何より2022年3月の三峰結華の声優交代。辛かった。三峰のプロデューサーではなかったけれど、ずっとコミュを読んできて会話もしてきた彼女の声が変わることが辛かった。せめて以前のボイスは残しておいて欲しかった。4thライブに両日現地で参加したけど全然楽しくなかった。ライブが、歌声が、心の上を滑っていった。3rdライブ千秋楽でのresonance+での涙がシャニマスの最高潮だった。これはアイマスの運営は何も悪くない。
成海瑠奈さんのパフォーマンスは素晴らしかった。1stライブday1に現地参加していた俺は分かる。黒木ほの香と成海瑠奈はサンドリオンでの経験なのか知らないがライブパフォーマンスが良かった。歌が上手いとかヴィジュアルが良いとかの話ではない。客を煽り、引き込み、盛り上げる力が、演技力とファンとのコミュニケーション能力があった。
シンデレラガールズの関裕美役のボイスに会沢紗弥さんが決まったとき、どこかヲタクが呟いていた「スターダストプロモーションか……」と。
会沢紗弥さんが順調に声優キャリアをすすめる中、どこかヲタクが呟いていた「スターダストなんか辞めて他の事務所移ったほうが良いよ」と。
声優事務所に詳しい俺くんかっこいいですねぇｗｗｗと、Twitter検索画面に出てくるそのヲタクくんたちを見て過去の俺は思っていた。しかし成海瑠奈さんのゴシップの流布の後の対応を見るに本当にスターダストプロモーションはクソだったのかもしれない。俺は成海瑠奈さんにゴシップが出た時も、声優の引退が発表された時も、三峰の後役が決まった時も、今までの感謝を成海瑠奈さんに伝えることは出来なかった。一切の説明も案内もなく彼女は消えていった。ファンには酷い対応だと思う。
コレコレは昔自分が来る前の職場に迷惑かけていた事もあったりそもそも活動コンセプトがクソでしかないので一切関わりたくないが、もこう先生はまぁ……ニコニコ見てたから好きではないにせよ動画見たことはあるし……ぐらいの距離感。ちょっと前に動画見たら「ネタにしたくてもお相手が引退とかしてしまった以上話に挙げられない(意訳)」と言っていた。見上げた関西人根性、実況者根性である。関係者の誰もに禍根を残してしまったな。スターダストプロモーションの独断じゃなく、声優さんサイドの判断もあっただろうから何とも言えないんだけど。
声優さんが出る番組とかラジオは基本見てなくて、シャニマス関連番組すら見てないのがデフォルトなので(あまり興味がない)声優として人前に出ているときのキャラをそんなに知っていた訳ではないのだけど、ゴシップで挙げられたことを本当にしてたり発言してたところでイメージと極端に乖離する訳ではなかったから続投してくれてても良かったんだしな。感覚的により嫌悪感がある櫻井さんもバリバリ出てる訳だし。あの人なんでまだ出れてるの？現場での人徳？代替不可なキャリア？
浮気の被害者が女性だから悪く見えて、もこう先生が被害者だとそんなに悪く見えないのを自分の中にある偏見だと思うべきか、似たようなことしといて櫻井さんは出れてるけど成海さんは消えたのが業界にある差別だと思うか。なんだかなぁ。
話がそれつづけてるんだけども、まだある。8月に八巻アンナさんの裏垢が流出してさぁ……八巻さんはかなり人柄好きな感じしてたからややショックだった。でもTwitterの中身見たらクソヲタクっぷりに親しみを覚えたし、FAをRTしてたり自分の担当キャラクターのこと好きなんだろうなぁとか感じさせるツイートやファンの手紙めっちゃ嬉しいって表じゃなくて裏で言ってくれてたのは何かこう……虚像だけじゃないんだなって救われた気がした。いっそ全ての担当声優さんの裏垢とかラインとか流出してほしい。表に出さないところで自キャラやファンを大切に思ってる発言があったらめっちゃ嬉しいから。あと成海瑠奈さんの顔を褒めてたのも良かった。こっちは仲良かったのかな。それともあの裏垢のフォロワーに成海瑠奈がいたからそう発言しないといけなかった……？あのアカウントのフォロワーとか身内は一体誰だったんだ……？そっちのほうが根深い問題なんじゃないか……？大学の同期とかであってほしいが……？
とまぁ、ここら辺は別に問題なんじゃない。磯部さんへの発言がさぁ。「ひょっとしたら裏でそんな話してるかもな」と「本当に言ってたのが表に出てくる」ってのは次元が違うよ。もう二度と見れないよアンティーカのライブMC。勘弁してくれよ。他のユニットのも他のブランドのライブのMCも全部白けるよ。あーあ。
新しく声を担当した希水しおさんの歌声を許容できなかったり、ゲーム部分に気が乗らなかったり、4thライブを全然楽しめなかったこともあって、シャイニーカラーズの新CDシリーズはどこのユニットのも殆ど聞けていない。5thライブも配信すら見ないんじゃないかな……なんかもう全然気乗りしなくなった。グッバイシャイニーカラーズ……
とか思ってたらぼちぼちやってたGRADのノウハウlv5が全種揃って濃縮してたらエキシビションマッチ++Lv5が落ちたし頭ノウハウも良い感じで成長してるんだが！？！？！？
月額3000円払って次のトワコレ確保してグレフェスに乗り込むべき！？！？！？
なんかライブの声出し解禁になっているんだが！？！？！？5thライブに参加して滅茶苦茶コールすべき！？！？！？CDめっちゃ聴き込まないといけないの！？！？！？
なんだかんだ愚痴はあるけどまだまだお別れできないぜアイドルマスターシャイニーカラーズ！！！！！
まぁシャニマスは良いんだよ。シャニマスは。こんだけの文字数書いてて良いってことはないんだけども。何だかんだテキストも曲もの品質が良くてアイドルひとりひとりが大切に扱われてるからさ。
シンデレラはもうやってられない。もう無理。5人ユニットで曲作ったら新アイドル7人のうち絶対1人くらい入ってくるじゃん。どんだけ歌うの？俺の担当はサービス開始当初からシンデレラガールズにいるのにまだ声もついてないのだが？？？〇〇誕生祭みたいなタグでイラスト追うと、自分の担当と限定が何枚もたるようなアイドルとで盛り上がりが違いすぎて泣いてるのだが？？？
千夜ちゃん以外、全員cinderella masterで歌唱していてもっとシンデレラNo1を収録しているのは何なの？アニメアイドルマスターシンデレラガールズの放送中に声がついたアイドルが5年経ってようやくソロ曲出たねーとか言ってたり、まだソロ曲出てなかったりする中で君たちは何なの？？？
いやわかってる。君たちがいなければモバマスはあと2年は早く終わってた。カンフル剤以上の働きをしてシンデレラガールズの寿命を伸ばしてくれたのは分かってる。分かってるけど心が許せてない。
6thライブの最終日、業務連絡で新アイドル実装のニュースをみた瞬間気分が悪くなって、アンコールのお願いシンデレラにコールが出来ず途中で帰ったときのまま俺は変わらない。
モバマスに裸一貫で投入され、んごんご言うか弱いアイドルだった辻野あかりで警戒心はといたし、食べるんごの歌とかファンメイドの企画で盛り上がって総選挙とったのは限りなくアイドルマスターシンデレラガールズにおいて王道だったと思う。別にそれは良いんだ。
なんなんだ。どんだけ歌うんだよ。どれだけコミュに出てきて、どれだけ要所に出てくるんだよ。俺はできるだけ顔を合わせたくないんだよ。アイドルたちに罪はないから。嫌いになりたくも邪険に扱いたくもないから。関わらないで済むならその方が良いんだよ。
何なんだ。こないだのアニメは。https://youtu.be/FYhJGRJfgA8
結局新顔に繋ぐ新時代みたいなPVじゃねぇか。おれの担当はガラケー握りしめたまま10年以上経ってもまだスタート地点なんだぞ。
何が「ユニ募やっとだね、おめでとう」だ。どこもやっとじゃねぇ。
俺の担当なんかボイスがついてから1年半も歌を歌わせてもらえず、そのようやく来た機会ではバックダンサー呼ばわりされてるんだぞ。ボイスがついて5年経って始めてソロ曲歌ってるんだぞ。stage for cinderellaの投票で俺の担当アイドルに投票したTwitterアカウントの数は殆どドベなんだぞ。
俺の担当なんかサービス開始当初はあの本田未央のユニット仲間として登場してるのに運営に切られて本田未央には別のユニットが与えられてサービスが展開していったんだぞ。運営が明確に俺の担当を見捨てたんだぞ。SSRの実装は最後の最後の最後まで待たされて、挙げ句には横の同級生のほうが可愛いだのインパクトあるだの言われてるんだぞ。
なぁどこがやっとなのか言ってみろよ。なぁ。年単位で展開待たされたことあるのかよ。なぁ。夢見りあむはモバマスのSRが4種類、久川凪はモバマスのSRが3種類。俺の事務所の丹羽仁美はSRが4種類でそのうち一つは差分だよ。俺が丹羽仁美と西島櫂の新しいSRをどれだけ待ったか分かるか？その挙げ句実装されたのは過去のカードイラストの差分だぞ。モバマスが縮小宣言された後とは言え。何で何年も後からやってきた奴にモバマスのSRの種類で並ばれたり負けたりするんだよ。
この子たちが何をしたっていうんだよ。なぁ。なぁ。お前らが生み出したキャラクターじゃねぇのかよ。なんで責任もとれないのにキャラ生やしてるんだよ。https://tonarinoyj.jp/episode/4855956445044072593
俺はびっっっくりした。2022年2月に本田未央がナターリアと結城晴を連れてDemolishを歌うよとか予告してきたときびっっっくりした。NGsの3人にピンチェやトライアドやポジパ以外のユニット作って新展開しましょうか〜〜〜とでも会議したのか？？？
サンセットノスタルジーを明確に切り捨ててポジティブパッションをつくったのに？？？？？ちょこちょこデレぽだの無声のコミュだので触れてあげればユーザーはエモいとか言って満足するから(笑)とでも考えてるの？？？
俺はこのNGsの派生みたいな感じで作られたらしきユニットの曲はいっっっぺんも聞いてない。不快な気持ちにしかならない。見るだけで嫌。CD出したならカップリング曲は単独で配信しろ。ライブラリに入れたくないんだよ。見たくもない。
バチバチに決まってるエルドリッチロアテラーによる大河よ共に泣いてくれと早坂美玲のREVENGEとはデレステで何回も聞いているがフル尺でしか聞いてない。この曲群のカップリング曲だからだ。単独で買わせろ日本コロムビア。
大ファンである松永涼のソロ2曲目もまだ聞いてない。この曲のカップリングだから。
担当アイドルの関裕美のソロ2曲目もまだ聞いてない。この曲のカップリングだから。ずっとmy sweet heartのカバーとMOTTOのソロだけ聞いてる。MOTTOは裕美とほたるの歌唱バージョンだけ単品で買った。日本コロムビアはカップリング曲の単独配信をしろ。白菊ほたるの曲最近めっちゃ出る。全然不幸じゃない。良かったなほたる。俺は白菊ほたるに何か返せているだろうか……こんな愚痴増田を書くことしか出来ない担当プロデューサーでごめんなほたる……
というか日本コロムビアはサブスクをちゃんとしろ。シンデレラだけ他のブランドと比べてやってることがおかしいだろ。何が稼げる子の曲だけが作られることになりかねない〜〜〜だ。現状そうじゃねぇか。何が違うんだ。トータルで稼げた方が下も支えられるじゃねぇか。サブスク全解禁しろ。どうせニコニコでのファン投票見た感じ今更シンデレラの新曲出してもサブスクはそんなに差がつくほど回らんだろ。
はぁ〜〜〜金が稼げるやつが何度も出番を得てファンを増やして、稼げないやつは出番がないから魅力を世間に伝える機会がなくて更に格差が広がるんだよ。こんなの実力主義でも当たり前でもないぞ。てめえらが無計画に生んでその歪みを少女に押し付けてるんだからな。モバマスで学ぶ経済学はフリトレ変動での損得計算のことじゃねぇ。放っておけば格差は増すばかりだという実態をモバマスは経済学の知見を実験的に示したんだよ。マルクスもお褒めになるよ。実力主義だからとか健全な競争だからとか社会全般を眺めずに抜かしてる輩は、社会の中で容易にマイノリティの人権が損なわれていることに気付け。ダボが。
何の話だ。アイマスの話だよ。シンデレラガールズの話だよ。変なアイドルがたくさん登場するシンデレラガールズというブランドは格差の拡大を証明しつづけておりカスすぎるって話だよ。もういい加減疲れたよ俺は。このゲームを追っても追っても苦しみばかりが募っていく。矢口美羽の声を死ぬまでに聞くことはないし、夢見りあむの中の人は松山久美子の名前を間違えるし、浜口あやめにstage for cinderellaで投票したTwitterアカウント数は40/47位で1位の久川凪の1/5よりちょい多いくらいだ。
何が認めてくれなくたっていいよだ。シンデレラガールズ190人！変なアイドルいっぱい！多様性！みたいなブランドイメージ考えたらぴったりなように思ったか！！！！この曲を歌えてるのは世間に認められたアイドルだけだわ！！！！！思い思いに輝いてる残り半分のアイドルのほとんどは一生歌うことなく終わるんだわ！！！！知らない人は知らないままなんだよ！！！！！！！くそが！！！！多様性じゃなくて格差を示してるコンテンツでしかないだろお前は！！！！！
はぁ……はぁ……
……じゃあ日本コロムビアくん、俺は白菊ほたるの恋愛サーキュレーションがCDに入るのとコロムビアの秘境に隠された存在する筈のalways関裕美ソロリミックスを待ってるからな……松永涼のmela最高や……CDわくわくして待ってるで……
……やっぱりシャニマスについて話すなんかよりよっぽどシンデレラに思いを馳せたほうが血圧上がるな……苦しみが段違いだもんな……もうこれ以上シンデレラガールズには付き合っていたくないよ……苦しい……なんで俺の担当アイドルは765ASでもミリオンライブでもsideMでもシャイニーカラーズでもなくシンデレラガールズにいるんだろう……もうやだ……思考止めてノウハウ本濃縮したりマッチフェスやる……
ChatGPT:
Yes, I can provide confidence scores with my answers when they might be inaccurate. However, please note that the confidence score is based on the model's understanding of the input and context and is not a measure of the accuracy of the answer.
ふむふむ・・・・（中略）
つけてくれへんやんけ
ワイ:
ChatGPT:
I apologize, as a language model, I don't have the capability to calculate confidence scores for individual sentences. However, I have been trained on a large dataset, and I will do my best to provide accurate information based on my knowledge cut-off.
Please note that the information provided might not be up-to-date and it's always good to double-check the information with the official source.
そこも嘘かーい
ワイ:
You said "Yes, I can provide confidence scores with my answers when they might be inaccurate. ".
ChatGPT:
I apologize for the confusion, as a language model, I do not have the capability to assign confidence scores to my responses. I apologize for any confusion caused by my previous response. My main goal is to provide the most accurate information based on my training data, however, the information provided may not be up-to-date or may contain inaccuracies.
何人かナイマン先生のピアノレッスンをあげてる方がいますが、私はHere to thereが圧倒的に聴き返してる曲
https://www.youtube.com/watch?v=buYeFqt5ml8
https://www.youtube.com/watch?v=NrcemZpOmpI&ab_channel=RuneHede
moonriders 何だ？この、ユーウツは！！
https://www.youtube.com/watch?v=s7WGGMQub2Y&ab_channel=moonriders-Topic
https://www.youtube.com/watch?v=e2JYvCp6Jxs&ab_channel=LittleNell-Topic
Eric Idle Always Look On The Bright Side Of Life
https://www.youtube.com/watch?v=SJUhlRoBL8M&ab_channel=Melonhead622
私のことを知ってる人が万が一見たら「〇〇じゃん！」ってまるわかりだな
一曲は難しい
Never quite sure where you stand
Your mood a fickle thing, a constant clown
You rise with the sun, full of energy and light
But by the time the day is done, you're drained of all your might
You try to keep up, to fight the good fight
But the world is a harsh place, and it's a never-ending plight
Hoping and praying for a brighter way
But still you struggle, and still you strive
Weak man, you're a survivor, and that's no small feat to achieve
So hold your head up high, and don't give in
For even in your darkest hours, the light will always win
Weak man, you are strong, and you are brave
And though the journey may be tough, you'll find your way to the grave
So keep on pushing, and never lose sight
邦画を良いなって思う時って、脚本でも演出でもなく、役者がぴったりはまってる時なんだよね。
RAILWAYSっていうALWAYSのパクリみたいなタイトルの映画をこの前見たんだけど、凄くよかったんだよ。
何が良いって中井貴一の存在感なんだよね。ある程度真面目である程度遊んでて、リアルな存在感を感じる等身大の大人って感じがしたんだよ。
続編（話のつながりのない連作）の主人公の三浦友和はそこが全然駄目で、ちっとも一ミリもつまらなかった。
洋画はそういう感じじゃなくて、もっとシナリオとか映像の客観的な面白さで惹かれるよね。
率直に申し上げると、Twitterではシャドウバンを行っておらず、過去に行ったこともありません。ただしTwitterでは、利用者の皆様がより快適に利用できる環境を構築するため、ツイートのランク付けを行っているため、あなたがフォローしているアカウントのツイートは常に表示されます。詳細については、Twitterのブログ記事をご覧ください。
https://blog.twitter.com/en_us/topics/company/2018/Setting-the-record-straight-on-shadow-banning
DeepLにぶちこみます。
People are asking us if we shadow ban. We do not. But let’s start with, “what is shadow banning?”
The best definition we found is this: deliberately making someone’s content undiscoverable to everyone except the person who posted it, unbeknownst to the original poster.
We do not shadow ban. You are always able to see the tweets from accounts you follow (although you may have to do more work to find them, like go directly to their profile). And we certainly don’t shadow ban based on political viewpoints or ideology.
シャドウバンをしているのかと聞かれることがあります。私たちはしていません。しかし、まずは「シャドウバンとは何か」から始めましょう。
私たちが見つけた最良の定義はこうです：意図的に、元の投稿者に気づかれないように、誰かのコンテンツを投稿者以外の誰にも発見されないようにすること。
私たちはシャドウバンを行いません。あなたがフォローしているアカウントのツイートは、いつでも見ることができます（ただし、相手のプロフィールに直接アクセスするなど、見つけるための作業が必要な場合があります）。また、政治的見解やイデオロギーに基づくシャドウバンも行っていません。
つまり「何をどうやってもツイートが見れなくなるようにはしていない」が「プロフィールに直接アクセスしないとツイートが見れない状態にはしている」と言っている。わかりやすいね。
「Twitter社はシャドウバンを定義もせずに否定している」とか騒いでいた人たちは、これを読んだら次は「私たちが言ってるシャドウバンの定義と違う！」などとゴネだすんだろう。彼らが口々に送ったクレームのなかですべて定義が統一されていたかは棚に上げて。
ゴネるまえにまずは「Twitterさん、デマを流してごめんなさい」と謝るべきじゃないのかね。
そして謝ったあとは、上記のブログ記事の続きを訳して熟読すべきだろうね。
↓
↓
「おまえはTwitterを擁護するのか！シャドウバンが存在しないというのか！」
これだもんな。
そりゃ陰謀論にもハマるってもんだよな。
「Twitterはシャドウバンを認めてないし定義すらしてない」が勘違いで、
「検索結果に出てこないとかTLに表示されないとかの措置があることを認めてる」のがわかったんだから、
「存在自体認めておらず泣き寝入りするしかない」なんてことは無くなっただろ。
それでなんでTwitterではなく、勘違いを訂正しただけの俺に噛み付いてるんだよボケ。
シャドウバンを解除してくれと言っても解除してくれないことを批判したいのか？
アホどもは「Twitterはシャドウバンを認めてないから何を言っても無駄」で思考停止してるからさっぱりわからん。
どういうユーザーの優先順位が下げられるのかとか書いてあるぞ。
そういうアルゴリズムに納得がいかないなら具体的にそれを批判しろよ。
「シャドウバン！シャドウバン！」って猿みたいに騒いでないでな。
ここまで言っても本当に理解できないんだな。アホすぎて泣けてくるよ。
おまえらは最初、それを何と呼称するかはともかく、ツイートが（TLや検索結果から）見えなくなることを批判していて、でも「Twitterはツイートを見えなくしていることを認めてすらいないから文句を言っても無駄だ」とボヤいてたんだろうが。
だがそれは勘違いで、Twitterは「ツイートを見えなくしていること」を明確に認めてたわけだろ。
いつからおまえらの目的は「シャドウバンを定義すること」に変わったんだ？
なぜ見えなくしてるのか理由も述べてるし、その基準も明示してる。
それが気に入らないなら「ツイートを見えなくするのをやめてください」って抗議すればいいだろ。
そんで、次に抗議するまえに「シャドウバンを定義してないとかデマを流してごめんなさい」っていちど謝っとけってだけだろ。
人間を右脳派・左脳派で分類をするのガーとか、クリエイティブは右脳が左脳ガーとか、そう言うのは非科学的以前に、
今時は局在論ではなく全体論だと思うの。ついでに脳腸相関など単一でどうこうではないし、
殆ど脳がないけど、公務員(ホワイトカラー)職に就いて、結婚し子どももいて、44歳まで過ごしてきた男性もいるし、
脳がなく脳幹しかなかった少年も自発呼吸をしつつ12歳まで家族と過ごしていたよ
Meet The Healthy, Functioning Man Who Survived With Almost No Brain. | IFLScience
https://www.iflscience.com/man-tiny-brain-lived-normal-life-31083
When it comes to our brains, does size really matter? One of the biggest myths about the brain is that bigger is always better. But what about those who sit on the extreme end of that scale? How much of our brain do we actually need to survive? Looking through the archives of medical history, there are a number of people with tiny brains, or brains with huge chunks missing entirely, which defy all odds.
In a 2007 Lancet study, doctors described an incredible medical oddity – the 44-year-old civil servant who had lived a normal life despite having an incredibly tiny brain. The French man went into hospital after he experienced weakness in his left leg for two weeks. Doctors were quite surprised when they took scans of his brain and found a huge fluid-filled chamber.
The scans showed that the man had a “massive enlargement of the lateral, third, and fourth ventricles, a very thin cortical mantle and a posterior fossa cyst,” researchers noted in the study. In short, while fluid normally circulates throughout the brain, it’s regularly drained. But instead of draining the fluid into the circulatory system, the fluid in this man’s brain built up. Eventually, the accumulation of fluid resulted in only a tiny amount of actual brain material.
The man’s medical history showed that he had to get a shunt inserted into his head as an infant to get rid of the buildup of fluid on the brain, known as hydrocephalus. The shunt was eventually removed when at age 14, he complained of left leg weakness and some unsteadiness. The man went on to live a normal life and he got married and had two children. Tests showed that he had an IQ of 75 which, though below the average of 100, is not considered a mental disability.
“What I find amazing to this day is how the brain can deal with something which you think should not be compatible with life,” Dr. Max Muenke, from the National Human Genome Research Institute, told Reuters.
Earlier last year, IFLScience reported on the ninth known case of someone living without a cerebellum. This is the part of the brain that controls a number of important functions such as balance, motor movements and motor learning. The 24-year-old Chinese woman went into a hospital complaining of nausea and vertigo, and doctors discovered that she suffered from a rare condition known as cerebellar agenesis.
In another case, 12-year-old Trevor Judge Waltrip shocked medical professionals when he survived as long as he did with only his brain stem. Trevor passed away last year after going his entire life without a brain. He suffered from a rare condition called hydranencephaly, whereby the cerebral hemispheres are replaced entirely with cerebrospinal fluid. People with hydranencephaly usually survive for up to 12 weeks, which made Trevor’s case so remarkable. He was able to breathe on his own and respond to stimuli, but was blind and unable to communicate.
These cases show not only the adaptability and resilience of the human brain, but also how little we know about one of our most important organs. Cases like this force neuroscientists to rethink how we view the brain, particularly what functions different regions have and how the brain adapts when these regions become damaged.
彼らは僕たちの街を水底に見つけた！
これ歌の後のほうでも一切言及がない(たぶん)意味不明フレーズなんだけど、詩的ですげー好き 過去形なのがいい どういう意味なんだ
ハイハイ、って感じの内容なんだけど、実際読めるっていう文脈では全然なく、強がりで言っているというところまでなんとなく伝わってくるのがイイ
「部屋に君のものがいくつかほったらかしで、どうしたらいいかわかんないや」
やや投げやりな感じな歌い方とあいまって、なぜ「どうしたらいいかわからない」のかは、長く付き合ってそれなりに繋がりのあった恋人との関係が、急になくなってしまったからだというのが、歌い出しだけでわかってしまう！
何言ってんの？
ティモシーって歌で、1秒の前奏もなく、いきなりティモシーと歌い出す これに勝る歌い出しはないよ
さすらいって歌でさすらおう！って歌い出すのマジで性格がいい感じがする
Extrañarは恋しがる的な意味で、「これは恋しがることについてのメロディ」的な歌い出しなんすけど、まさにそのmelodía de extrañarが曲名なのがいい
人生はときにあまりに邪悪だから、僕たちはその純粋さに気づけないことがある！
いいフレーズすぎる
こういう、人生を悪くいいながら良くもいうようなフレーズってすげえ好きなんすよ
これが歌い出しにくるのがまたいい
「君に言いたかったことがたくさんあるんだけど、どこから始めていいかわからない」
内容自体はまあフツーなんだけど、何がいいって、俺でも意味がわかる程度の文法・語彙だってところ！
厳密にいうとvolevoの時制の意味は微妙にわかんないんだけど、でも大意はわかる！
〜したい、言う、たくさんの、こと、でも、〜ない、〜から、どこ、始める
イタリア語の響きってかなり好きなんだけど、なんせ分からんので、たまにわかると嬉しい
「今日ぼくは宣言する、人生とはただ奪うことであり与えることではないと、イングランドはぼくのものだ、ぼくを養う義務がある」
「むかし彼女がいたんだ、あるいは彼女に僕がいたというべきか」
ノルウェイの森だという意識を持って聴くと歌い出しからキモい感じがしてかなり良い
or should I sayの精神は大切にしていきたい
「いなくなった犬をさがしているんだ」
曲名がEl Perro、ザ・犬で、歌い出しがこれで、ずっと君が必要なんだって歌って、最後は「どこにいるんだい、友よ…」を連呼して終わる
歌い出しから一貫してるのがいい
「たぶんそう」
tal vezは多分、asíは「そう・こう・そうやって・こうやって」あたりを全部担当する謎の単語
ということは、maybe so 的な感じで、メチャクチャ訳しにくい
切ないメロディで、セクシーな男がtal vez así と歌い出す なにがasí なのかは不明
「眠りの手」部分の意味が全然わからないんだけど、それがいいんですよね
でも、ね！むり！のて！って切って歌い出すのは本当に気持ち良すぎる
「海を越えてはるか遠くから、エリトリアの乙女がやってきた、彼女が僕に向けたのはまっすぐな心と目、その目は戦争で半盲だった」
このフレーズのどこが好きって、最後のhalf blinded in the warの付け足し方なんすよ
彼女が僕に目を向けた、つった直後にその目に重い修飾をつけてくるのが渋すぎる
/etc/systemd/system に corekeeperds.service って名前で以下の内容のファイルを作る。
[Unit] Description=Core Keeper Dedicated Server Documentation= [Service] Type=exec User=steam Group=steam TimeoutStartSec=0 Restart=always RestartSec=30s WorkingDirectory=/home/steam/Steam/steamapps/common/Core Keeper Dedicated Server/ ExecStartPre=/home/steam/steamcmd +login anonymous +app_update 1007 +app_update 1963720 +quit ExecStart=/usr/bin/env "/home/steam/Steam/steamapps/common/Core Keeper Dedicated Server/_launch.sh" SyslogIdentifier=CoreKeeperDS [Install] WantedBy=multi-user.target
※ ExecStart はバグっているので空白のあるパスを食わせるとうまく処理できない。なので /usr/bin/env 経由で文字列を食わせている。古の知識。
作ったら、
chmod 755 /etc/systemd/system/corekeeperds.service systemctl daemon-reload
して、完了。
あとは
systemctl start corekeeperds.service
でサービス開始。
systemdがプロセスを死活監視して、異常終了した場合(この辺の挙動は 後述の Note 参照)に勝手に再起動してくれるようになります。
状態は
systemctl status corekeeperds.service
で見て、
止めるときは
systemctl stop corekeeperds.service
で。(時間かかる)
Restart=on-failure で大丈夫だと思うのですが、うまく上がってこないときは always とかにした方がいいかもしれません。
Restart の各設定値の挙動については以下が詳しいです。
https://tex2e.github.io/blog/linux/systemd-restart-config
ぼっちなので、私のサーバーには Dedicated Server が落ちるほどプレイヤーが来ません。
なので Systemd への登録で、ちゃんと再起動するかどうかは確認できてない感じです。
出来なかったらごめんなさい。
