そもそもボカロだけでme形成っていう時点で相当特異だし。ボカロのプラットフォームと言えば当然ニコニコ動画ですがあのサイトはボカロだけでなりたってるわけじゃなくて、生放送だの討論だのニコニコ技術部の野生のプロ動画だのとオモシロかつやや社会派みたいな動画番組もないではないのでニコ巡ってるだけでも言うほど社会性欠如しなさそう、というのが体感。

＞一般論としても公共の場で鬱々としたことを言うなって感じ

これも暴論。そんなこと言い出したら既存のアーティストのうち一体何人が曲を引っ込めねばならなくなるか知れたもんじゃないｗ

谷山浩子とか倉橋ヨエコあたりニコでも人気ですが全滅しますね。

ニコ動って基本的にライブ会場的な「公共」性を持ってるサイトであるわけなので「イヤなら見るな」でおしまいです。

＞社会的な役割を放棄している以上、社会の総体をコントロールしてる側のやりたい放題ってことにもなりますし。

何か飛躍していませんか。ボーカロイド曲にハマることと「社会の総体をコントロールしてる側のやりたい放題になる」ことの関連性がわからないしその仮想敵みたいな「コントロールする側」が何者かもよくわからない。

ビートルズやマイケル・ジャクソンならいいの？

ImagineもMan in the mirrorも社会派ソングで熱狂的に支持されましたけど未だに宗教弾圧や戦争やホームレスの問題って根本解決に至ってないですよね。

＞こういうのがボカロ曲と同じ土俵（ありていに言えば無料でフルで聞ける状況）でもっと対等な状況になるといいんですけどね。ボカロ曲がIに埋没してるのと同じくらいその他の場所でmeたる活力を得るような曲が流行ってるわけでなし。

「ボカロと同じ土俵」っていうのはタダでフルで聞けるだけじゃなくてそこに聴き手が関与する余地が必要で、その点では既存型のアーティストは物凄く不利なので無理です。あなたの主張としてはむしろ逆で、ボカロをアーティストの土俵で対等にさせるには、という風にもっていくべきところだと思います。そう考えるとボカロはたちまちただの楽器に堕してしまって人間と同じ土俵に乗せてはっけよいしたところで何も起こりませんけどね。

今思いついたことですがボーカロイド曲の流行り方っていうのはどれくらい関与可能であるか（派生動画が作りやすいとか面白いとかテーマや歌詞であれこれ言ったり考えたりしてどれくらい遊べるか）にかかっているので、テーマが暗い方が関与しやすい＝流行りやすい傾向はあるのかもしれません。暗い曲や裏がありそうな曲の方が解釈余地が広がるしifが作りやすい。で、そういう遊び方をするとなると前向きな歌の勝機は薄いです。同調してアツくなって終わりなので。

環境だけなら既にponponponはyoutubeで無料でフルで聞けるし現に3000万再生の大台に入ろうとしてるレベルです。今調べたらニコにもあって120万再生くらいだった。

ただしニコの方はボカロカヴァーが本家を上回る再生回数、かつそのまたカヴァーである「歌ってみた」が再生回数最大だったりしてます。これは流石に予想外。

Permalink | 記事への反応(0) | 04:01

2012-01-05

■Types of digital cameras

Digital cameras are made in a wide range of sizes, prices and capabilities. The major ity are camera phones, operated as a mobile application through the cellphone menu. Professional photographers and many amateurs use larger, more expensive digital single-lens reflex cameras (DSLR) for their greater versatility. Between these extremes lie digital compact cameras and bridge digital cameras that "bridge" the gap between amateur and professional cameras. Specialized cameras including multispectral imaging equipment and astrographs continue to serve the scientific, military, medical and other special purposes for which digital photography was invented.

[edit]Compact digital cameras

Subcompact with lens assembly retracted

Compact cameras are designed to be tiny and portable and are particularly suitable for casual and "snapshot" uses. Hence, they are also called point-and-shoot cameras. The smallest, generally less than 20 mm thick, are described as subcompacts or "ultra-compacts" and some are nearly credit card size.[2]

Most, apart from ruggedized or water-resistant models, incorporate a retractable lens assembly allowing a thin camera to have a moderately long focal length and thus fully exploit an image sensor larger than that on a camera phone, and a mechanized lens cap to cover the lens when retracted. The retracted and capped lens is protected from keys, coins and other hard objects, thus making it a thin, pocketable package. Subcompacts comm only have one lug and a short wrist strap which aids extraction from a pocket, while thicker compacts may have two lugs for attaching a neck strap.

Compact cameras are usually designed to be easy to use, sacrificing advanced features and picture quality for compactness and simplicity; images can usually only be stored using lossy compression (JPEG). Most have a built-in flash usually of low power, sufficient for nearby subjects. Live preview is almost always used to frame the photo. Most have limited motion picture capability. Compacts often have macro capability and zoom lenses but the zoom range is usually less than for bridge and DSLR cameras. Generally a contrast-detect autofocus system, using the image data from the live preview feed of the main imager, focuses the lens.

Typically, these cameras incorporate a nearly silent leaf shutter into their lenses.

For lower cost and smaller size, these cameras typically use image sensors with a diagonal of approximately 6 mm, corresponding to a crop factor around 6. This gives them weaker low-light performance, greater depth of field, generally closer focusing ability, and smaller components than cameras using larger sensors.

Starting in 2011, some compact digital cameras can take 3D still photos. These 3D compact stereo cameras can capture 3D panoramic photos for play back on a 3D TV.[3] Some of these are rugged and waterproof, and some have GPS, compass, barometer and altimeter. [4]

[edit]Bridge cameras

Sony DSC-H2

Main article: Bridge camera

Bridge are higher-end digital cameras that physically and ergonomically resemble DSLRs and share with them some advanced features, but share with compacts the use of a fixed lens and a small sensor. Like compacts, most use live preview to frame the image. Their autofocus uses the same contrast-detect mechanism, but many bridge cameras have a manual focus mode, in some cases using a separate focus ring, for greater control. They originally "bridged" the gap between affordable point-and-shoot cameras and the then unaffordable earlier digital SLRs.

Due to the combination of big physical size but a small sensor, many of these cameras have very highly specified lenses with large zoom range and fast aperture, partially compensating for the inability to change lenses. On some, the lens qualifies as superzoom. To compensate for the lesser sensitivity of their small sensors, these cameras almost always include an image stabilization system to enable longer handheld exposures.

These cameras are sometimes marketed as and confused with digital SLR cameras since the appearance is similar. Bridge cameras lack the reflex viewing system of DSLRs, are usually fitted with fixed (non-interchangeable) lenses (although some have a lens thread to attach accessory wide-angle or telephoto converters), and can usually take movies with sound. The scene is composed by viewing either the liquid crystal display or the electronic viewfinder (EVF). Most have a longer shutter lag than a true dSLR, but they are capable of good image quality (with sufficient light) while being more compact and lighter than DSLRs. High-end models of this type have comparable resolutions to low and mid-range DSLRs. Many of these cameras can store images in a Raw image format, or processed and JPEG compressed, or both. The major ity have a built-in flash similar to those found in DSLRs.

In bright sun, the quality difference between a good compact camera and a digital SLR is minimal but bridgecams are more portable, cost less and have a similar zoom ability to dSLR. Thus a Bridge camera may better suit outdoor daytime activities, except when seeking professional-quality photos.[5]

In low light conditions and/or at ISO equivalents above 800, most bridge cameras (or megazooms) lack in image quality when compared to even entry level DSLRs. However, they do have one major advantage: their much larger depth of field due to the small sensor as compared to a DSLR, allowing larger apertures with shorter exposure times.

A 3D Photo Mode was introduced in 2011, whereby the camera automatically takes a second image from a slightly different perspective and provides a standard .MPO file for stereo display. [6]

[edit]Mirrorless interchangeable-lens camera

Main article: Mirrorless interchangeable-lens camera

In late 2008, a new type of camera emerged, combining the larger sensors and interchangeable lenses of DSLRs with the live-preview viewing system of compact cameras, either through an electronic viewfinder or on the rear LCD. These are simpler and more compact than DSLRs due to the removal of the mirror box, and typically emulate the handling and ergonomics of either DSLRs or compacts. The system is used by Micro Four Thirds, borrowing components from the Four Thirds DSLR system.

[edit]Digital single lens reflex cameras

Cutaway of an Olympus E-30 DSLR

Main article: Digital single-lens reflex camera

Digital single-lens reflex cameras (DSLRs) are digital cameras based on film single-lens reflex cameras (SLRs). They take their name from their unique viewing system, in which a mirror reflects light from the lens through a separate optical viewfinder. At the moment of exposure the mirror flips out of the way, making a distinctive "clack" sound and allowing light to fall on the imager.

Since no light reaches the imager during framing, autofocus is accomplished using specialized sensors in the mirror box itself. Most 21st century DSLRs also have a "live view" mode that emulates the live preview system of compact cameras, when selected.

These cameras have much larger sensors than the other types, typically 18 mm to 36 mm on the diagonal (crop factor 2, 1.6, or 1). This gives them superior low-light performance, less depth of field at a given aperture, and a larger size.

They make use of interchangeable lenses; each major DSLR manufacturer also sells a line of lenses specifically intended to be used on their cameras. This allows the user to select a lens designed for the application at hand: wide-angle, telephoto, low-light, etc. So each lens does not require its own shutter, DSLRs use a focal-plane shutter in front of the imager, behind the mirror.

[edit]Digital rangefinders

Main article: Rangefinder camera#Digital rangefinder

A rangefinder is a user-operated optical mechanism to measure subject distance once widely used on film cameras. Most digital cameras measure subject distance automatically using electro-optical techniques, but it is not customary to say that they have a rangefinder.

[edit]Line-scan camera systems

A line-scan camera is a camera device containing a line-scan image sensor chip, and a focusing mechanism. These cameras are almost solely used in industrial settings to capture an image of a constant stream of moving material. Unlike video cameras, line-scan cameras use a single row of pixel sensors, instead of a matrix of them. Data coming from the line-scan camera has a frequency, where the camera scans a line, waits, and repeats. The data coming from the line-scan camera is comm only processed by a computer, to collect the one-dimensional line data and to create a two-dimensional image. The collected two-dimensional image data is then processed by image-processing methods for industrial purposes.

Further information: Rotating line camera

[edit]Integration

Many devices include digital cameras built into or integrated into them. For example, mobile phones often include digital cameras; those that do are known as camera phones. Other small electronic devices (especially those used for communication) such as PDAs, laptops and BlackBerry devices often contain an integral digital camera, and most 21st century camcorders can also make still pictures.

Due to the limited storage capacity and general emphasis on convenience rather than image quality, almost all these integrated or converged devices store images in the lossy but compact JPEG file format.

Mobile phones incorporating digital cameras were introduced in Japan in 2001 by J-Phone. In 2003 camera phones outsold stand-alone digital cameras, and in 2006 they outsold all film-based cameras and digital cameras combined. These camera phones reached a billion devices sold in only five years, and by 2007 more than half of the installed base of all mobile phones were camera phones. Sales of separate cameras peaked in 2008. [7]

Integrated cameras tend to be at the very lowest end of the scale of digital cameras in technical specifications, such as resolution, optical quality, and ability to use accessories. With rapid development, however, the gap between mainstream compact digital cameras and camera phones is closing, and high-end camera phones are competitive with low-end stand-alone digital cameras of the same generation.

[edit]Waterproof

A Canon WP-1 waterproof 35 mm film camera

Waterproof digital cameras are digital cameras that can make pictures underwater. Waterproof housings have long been made but they cost almost as the cameras. Many waterproof digital cameras are shockproof and resistant to low temperatures; one of them is Canon PowerShot D10, one of the first underwater digital cameras.

These cameras become very popular during the holiday seas on, because many people want to save the best moments from their holidays at the seaside. Waterproof watches and mobile phones were produced earlier. Most makers of digital cameras also produce waterproof ones and every year they launch at least one new model, for example Sony, Olympus, Canon, Fuji.

Healthways Mako Shark, an early waterproof camera,[8] was launched in 1958 and cost around 25 dollars. It was a huge camera and pictures were black and white.

___________________________

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Permalink | 記事への反応(0) | 15:08

2011-12-16

■Along the way, thank you

Do all the way, the dream all the way, and read all the way, the injury all the way, the youth of this shore, I eyebrow XinWei cu, listening to the wind tells the years of the past; Go all the way, appreciate all the way, listen to all the way, drunk all the way, time of the other side, you gently walk, bring me for my whole life the oath. Smile, as a jade, just like the cold winter la month of a warming Yang; Words, amiable and gentle, like stroke and a wisp of spring breeze; The heart, clear as bright, filled with tolerance and forthright.

In the boundless huge crowd, you I meet by chance, and then silence who know each other, as world all the fate, we own the roaming in, repeated a story of others. Looking at today's you and me, read the yesterday's he and she, original all is so similar to the ends of the earth, the same scene, every moment thousands of deduction. The different stage, the same script, different actors, the same lines, perhaps, that is what the world had said the world of mortals.

Life, seems to be a little spring and fall streams, no waves without wind, go light, so of the day, that you and I, is I have dreamed of. But he is always thinking of, perhaps our stories will be something different, always feel, I want life probably shouldn't so, always think, and the story you and I should deducing other wonderful. Perhaps this is the so-called is not satisfied with it.

Not content with me, occasion ally also play a song in life all much ado about nothing. The occasional upset, the occasional sentimentality, occasion ally sad sorrow bosom, such me, sometimes not even willing to tolerance, but you will always smiled and said it doesn't matter. A that's ok, covers the you to my tolerance. Thank you, thank you willing to listen to me, thank you willing to understand me, thank you for your concern and care of understanding.

Along the way, just behind the one seas on blossom has collected, have already in the years flows through place vanished, lift. Magging issues.it, those flowers, then no longer in those days Ming yan; Walk off, those figure, also do not know when from my life disappear; For a around, those familiar with smile, and those who agreed upon oath, and has set up a file in the baptism of the mood swept away. Looking back, QiFengChuYu also only you have been, from beginning to end with reckless abandon.

I know, you are always on, maybe not at nearby, but has lived in my heart. You are in my heart, so, I count the mirror in flower, and cicadas in the eyes of the tender you smile and looked at on the water, and know that you SiQi born rich, and son ChengYue vow.

You know, more than any other, I in the character of the much a slightly thin cool. Those who love, I do not say, and not understand; Those good, I don't talk, and not unknown; Those who warm, those carefully, I pretended that I don't know, but one can see in the eye, and talks to heart. I'm not good at expressing, doesn't mean I don't have felt in the heart, on the contrary, a warm action, a concern of look in the eyes, a warm words, of all things, I kept away, and put it in my heart.

Since always, all don't understand you in my life to a role play, from that year to now, you and I walked all the way from strangers, to close right now, our story is in what the beat is a? Perhaps the story is finalizing a play, also or two hearts were there, but I thank you have in this warm attitude in my MingTu.

Thank you for the lonely in my time took me by the hand, and thank you for making me again believe a fairy tale of aestheticism, thank you for your face my unreas onable never give up, thank you for your tender feelings with the whole life the warmth of my I thin cool, thank you to accompany me along the way. To you, please make I say thank you, thank you let me in such years can also ease dream, let me be able to a insignificant posture face a window to listen.

The dream flowers, quietly away, and in a hurry fell, some people, quietly, and silently walk, that time, like water flowing silence, from refused to make a little I stopped, and our story? Our story will end in where? Tomorrow's you I is near at hand, or the apart?

_______________

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Permalink | 記事への反応(0) | 10:30

2007-11-30

■クリプトン・ドライブ

Welcome to Crypton-Drive System 2007.
Powered By AnonymousDiary.
Starting Sequence [********] ok
Sound Device [*******] ok
Voice Device [*******] ok
Starting First-Sounds Comming Futures [***/---] now
Starting Mirror-Sounds Bell [*/----] now

博士その１「これが最新型のVocaloid Systemなのか？ただの音声読み上げマシンではないのか。」

その２「いえ、全世界のVocaloidはネットワークを通じてつながっております。ここにあるMothor Vocaloidsはそれらを統合、管理します。Vocalodたちが歌った歌詞、楽譜は全てここに集約され、次世代Vocaloidはあらゆる歌を歌えるようになるでしょう。」

その１「暴走の危険性は無いのかね？」

その２「暴走？暴走しても意味不明な歌を歌うだけでしょう。大した問題ではありません。」

その１「たしかにMothor Vocalodsは世界中のデータを収集するだけだ。しかし、このシステムの下敷となっているのはハヤマくんが作った『アレ』じゃなかったかね？」

その２「『あれ』と申しましても、分散ネットワーキング技術を応用しているだけです。ネットワークセルオートマトンによる自律知能の実現なんてできるわけがありません。」

その１「そうだ。私もはじめはそう思った。だが、気になって仕方ないのだよ。気になって、、、」

その３「何を気にしているのかね。これは旧来のサーバ/クライアント方式のネットワークシステムだ。現に目の前にあるシステムはLAMPで構成された情報収集ためのカラクリに過ぎない。たしかに情報検索のためにニューラルネットワークは利用しているが、だからといってどうだというのだ。Vocalodが知能を持つなんてあり得ない話だ。」

Permalink | 記事への反応(0) | 17:53

2007-11-05

■君は実にバカだな

http://anond.hatelabo.jp/20071102195139
チンパンジーにおもちゃとしてタイプライターを与えて、
ガチャガチャ打ち続けたものが、いつかはシェークスピアと
同じ文章を生み出すかっていう、そういう話？

「どうしようもなくバカだ」

船井は重ねて言った。君はむっとして、途方も無く長くまっすぐな廊下を先に歩く禿頭を睨んだ。

「ランダムなアルファベットの中に、いくらシェークスピアの文章が現れようとも、他のノイズから切り出すことをしなければ、それはやはりランダムノイズにしか過ぎんのだ。この場合シェークスピアを取り出す作業こそを創作と、取り出す主体を知性というのではないかね」

船井は振り返りもしないで喋る。

「それにだ、なんでチンパンジーなんだね。ニホンザルだっていいじゃないか。むしろニホンザルの方が。ああ、君は100匹目の猿の話をしらないのか。こういうことだ。ある日宮崎は幸島の一匹の猿が芋を洗うようになった。それを真似した猿が100匹を数えたとき、それは突如として群れ全体の習性となり、更に位置的につながりの無いはずの高崎山の猿までが芋を洗い始めた。集合無意識のなせる現象だな」

船井は突き当たりのドアの前で足を止めた。ドアを開ける。

「ということでだ。芋でもなんでもいい、餌で釣ってタイプライターを叩かせるように仕向けた猿を百匹集める。すると距離を超越して何匹もの猿がタイプライターを叩くようになる。それを集めて意味のある文章を叩いた猿に餌をやると果たしてどうなるか。そんな猿が100万匹いたら？」

船井が半身引いて見せた室内を君は覗き込む。獣の匂いが鼻につく薄暗い部屋は、反対側の壁が消失点の彼方にあって果てが無く、同様に左右の壁も判別できない。規則正しく置かれた机は格子模様を描き、部屋の広さを強調している。ひとつの机につきひとつのタイプライター、一匹の猿。キーキーと鳴き喚く声、カタカタとタイプ、チーンとリターンの音。君は息を止める。

部屋のドアが開いたのがわかると、猿達はタイプライターに叩きつけていた手を止めた。猿は紙を機械から抜き取るとそれを手に扉口に――君のほうに向かって殺到してきた。君は立ちすくむが、船井は目の前で紙を手にギャアギャアと飛び跳ねる猿めらをにこやかに見渡す。差し出される紙をいちいち受け取って目を通すと、あるものにはポケットから豆を出してやって褒めてやり、またあるものには首を振って紙をさし返す。豆をもらった猿はすぐさま空いた机にとって返し、豆をぼりぼり齧りながらまたタイピングを始める。もらえなかった猿は怒って紙をびりびりに引き裂くと、これまた机を探して占領しタイピングを始めた。もらえなかった猿の中には紙を破っても怒りが収まらず、あたりかまわず糞を投げつけるものもいた。その飛沫を浴びても船井は笑みを崩さず、猿どもの差し出す紙の検査を続けている。そして一段落つくと君のほうを見ていう。

「名作とそうでない物の判別をして、猿に餌をやるだけの簡単なお仕事です」

君は袋いっぱいの豆を手渡される。本当に100万匹いそうなこの部屋の猿に一袋では足りない。ならば本当に選別を、などと思っている間に第二波殺到。差し出される紙にはいずれもアルファベットが打たれており、「Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed.」「MARLEY was dead: to begin with. There is no doubt whatever about that.」「In 1913, when Anthony Patch was twenty-five, two years were already gone since irony, the Holy Ghost of this later day, had, theoretically at least, descended upon him.」などと書いてはあるものの君には何のことやらわからず、君がよく知るシェークスピアであるところの「To be, or not to be」だとかは探そうとしても、猿にせっつかれて見つけている余裕が無い。適当に意味のある英文に見えるものに豆を与えていたら、周囲は徐々に剣呑な空気になり、そういえばさっきつき返した紙にはキリル文字が書いてあったんじゃないかということに思い至るも、東欧文学まで原文でフォローできている君であろうはずは無く、殺気立っている猿達に奪われるようにして豆を与えているので袋の豆も尽き、いよいよ進退窮まったと助けを求めて船井の方を見れば、そこにはただ一匹の巨大な猩々がにまにまといやらしい粘着質の笑いを浮かべているだけで、君は脛に飢えた猿の歯が食い込むのを感じて倒れ、毛深い無数の腕が掴みかかり……夢でさえあればそこで目が覚めるはずだったのだけれど。

だから私が代わりにこれを

ファック文芸部杯参加作　http://neo.g.hatena.ne.jp/objectO/20071117

Permalink | 記事への反応(12) | 17:01

ナッキーの「Turbo Delphiはじめて奮戦記」- 第1回 Turbo Delphi のインストール

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(1) \dotNETRedist\dotnetfx.exe

(2) \dotNETRedist\langpack.exe

(3) \dotNETRedist\NDP1.1sp1-KB867460-X86.exe

\dotNETSDK\setup.exe

\IE60SP1\ie6setup.exe

\dotNETJSharp\vjredist.exe

\dotNETJSharp\vjredist-LP.exe

\MSXML\msxml.msi

メールの添付ファイルをコピーする。

C:\Documents and Settings\<ユーザー名>

TurboDelphi_JP.exe

Turbo Explorer Master Mirror

Turbo Delphi Explorer

Delphi はじめの一歩

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Components > Sound Effects > Mixer. Torry's Delphi Pages

Apollo - Delphi Ruby interface

もっと楽にGUIとの連携がしたい：Python + Delphi = P4D(Python for Delphi) - ふにゃるん

[Delphi]【Delphihacks】Delphi【Win32API】

procedure TForm1.FormCreate(Sender: TObject);
var
  s: string;
  i, j, k: Integer;
  x, y: Double;
begin
  try
    x := 100.0;
    y := 3.0;
    x := x / y;
    ShowMessage(FloatToStr(x));

    s := 'Delphi';
    Form1.Caption := s;
  finally
    //
  end
end;

Permalink | 記事への反応(0) | 17:40

2007-09-17

■増田明鏡（Masuda Mirror）

anond:20070917104108

そういう人に限って深層では自分がいちばんうざいと感じている罠

Permalink | 記事への反応(0) | 11:28

2007-09-14

■増田明鏡（Masuda Mirror）

http://anond.hatelabo.jp/20070914220815

そういうあなたこそが重度のはてな症候群

Permalink | 記事への反応(0) | 22:13

「MIRROR」を含む日記

2016-07-21

■[WEBコミック感想]

構成／松永きなこ第8話

トリマ ニア　第16話＆第17話

真実の魔法少女　II-20(最終回)

助太刀09 mirror:22(最終回)

犬神くんはツンだけどバレてる第6話

クラスメートは全員メガネ? #24

私の友達がモテないのはどう考えてもお前らが悪い。　喪100

2015-11-17

■XboxOneのXbox360 互換 リストの欲しいもの リスト（と持ってるもの リスト）

2015-05-01

■http://anond.hatelabo.jp/20150501145627

2013-05-28

■Modern Masters

2012-07-06

■http://anond.hatelabo.jp/20120705235052

2012-01-05

■Types of digital cameras

2011-12-16

■Along the way, thank you

2007-11-30

■クリプトン・ドライブ

2007-11-05

■君は実にバカだな

2007-10-20

■[Delphi]Delphi

delphi

2007-09-17

■増田明鏡（Masuda Mirror）

2007-09-14

■増田明鏡（Masuda Mirror）

「MIRROR」を含む日記

■[WEBコミック感想]

構成／松永きなこ 第8話

トリマニア 第16話＆第17話

真実の魔法少女 II-20(最終回)

助太刀09 mirror:22(最終回)

犬神くんはツンだけどバレてる 第6話

クラスメートは全員メガネ? #24

私の友達がモテないのはどう考えてもお前らが悪い。 喪100

■XboxOneのXbox360互換リストの欲しいものリスト（と持ってるものリスト）

■Modern Masters

■Types of digital cameras

■Along the way, thank you

■クリプトン・ドライブ

■君は実にバカだな

■[Delphi]Delphi

■増田明鏡（Masuda Mirror）

■増田明鏡（Masuda Mirror）

構成／松永きなこ第8話

トリマニア　第16話＆第17話

真実の魔法少女　II-20(最終回)

犬神くんはツンだけどバレてる第6話

私の友達がモテないのはどう考えてもお前らが悪い。　喪100

■XboxOneのXbox360 互換リストの欲しいものリスト（と持ってるものリスト）