Everyone been wonder ing why Yonezu (last name) Kenshi (first name) is wearing the heeled shoes. In one of his interviews he said that once he dreamed a fun eral. Everyone was sad, but suddenly someone in the first line started to whistle loudly, in a way that annoyed the other people. They all started to say that he wasn't respecting the dead person because he wasn't being in silence for him, but Kenshi knew that the man whistling was communicating with the dead one. That was their own unique way to recognize each other. Maybe the others will think you're crazy or something negative, but it won't change the love that the whistling man has for his dead friend. Turns out that Kenshi got inspired by this dream so in the sing he wore heeled shoes, because he wants to let us know that he doesn't care what others say, it's his special way to express himself, because Kenshi was affected by High-function ing Autism which brought him to be smarter than the aver age, but he couldn't handle with social relationships, that's why he never had many friends since a young age and everyone made fun of him because of his character.

米津（姓）ケンシ（名）がなぜヒールの靴を履いているのか、誰もが不思議に思っていることだろう。

彼はあるインタビューで、葬式の夢を見たことがあると言っていた。みんな悲しんでいたのに、突然一列目の誰かが、他の人たちを困らせるような大きな口笛を吹き始めた。

彼らは皆、口笛を吹いているのは死者に敬意を払っていない、死者のために黙っているのではない、と言い始めた。それが彼ら独自の認識方法だったのだ。

もしかしたら、他の人からは頭がおかしいとか否定的な見方をされるかもしれないが、口笛を吹いている男が死んだ友人を愛していることに変わりはない。

というのも、ケンシは高機能自閉症の影響を受けていて、平均よりも頭がいいのだが、社会的な人間関係をうまくこなすことができなかった。

This made Kenshi very sad and from then on he started to hate himself because of his very uncommon name (in Japan there aren't many people that have Yonezu as last name and no one, but Yonezu Kenshi, is called Kenshi or the spell ing is similar, plus it sounds like a stage name as well) he thought he was strange and weird, an uncommon person who shouldn't have existed (in fact in Japan there is a very strong will to follow the mass, which means if the great er part of girls have bangs, then the girls without bangs will try to have them or if they remain what they are, they might be isolated because different from the rest of the population). But Kenshi to make us, his fans, satisfied, he decided to collaborate with many people in the 2017 like the animators for MHA, DAOKO and Suda Masaki.

このことがケンシをとても悲しくさせ、それ以来ケンシは自分の名前の珍しさ（日本では米津を名字に持つ人は少ないし、米津ケンシ以外はケンシと呼ばないし、スペルも似ていない、存在しないはずの珍しい人（実際、日本では大衆に従おうとする意志が非常に強い。つまり、前髪のある女の子が多ければ、前髪のない女の子も前髪を作ろうとするし、前髪のないままだと、他の人とは違うという理由で孤立するかもしれない）。しかし、ケンシは私たちファンを満足させるために、MHAのアニメーターやDAOKO、菅田将暉など、2017年に活躍した多くの人々とのコラボレーションを決めた。

He change d dur ing his musical career, like the time he was still Hachi (ハチ) and he felt somehow lost in all of his fame, so he made this song wearing heeled shoes and then the next song, Flamingo, is very different from Lemon because many people started to listen and to know him after Lemon, but he wanted to know what they would think if Kenshi changed the rhythm and the kind, turns out that many of them were attracted by Lemon and they didn't like Flamingo, but they still subbed to Kenshi's YouTube channel. Thank you for reading all of this, English isn't my mother language so I'm sorry for the mistakes and as always, have a nice day :D

彼は音楽活動の中で変わっていった。例えば、彼がまだハチだった頃、有名になることにどこか迷いを感じて、ヒールのある靴を履いてこの曲を作った、というのも、多くの人がLemonの後にKenshiを聴き始め、知るようになったからだ。しかし、彼はKenshiがリズムや種類を変えたらどう思うかを知りたかった。英語は母国語ではないので、間違いがあってごめんなさい。

Edit: You can find a video summary of Yonezu Kenshi's life and a ll of his interviews, it's in Mandarin tho. I hope you have a good translator to understand what he's saying.

米津建志の人生とインタビューの要約ビデオを見ることができます。彼が何を言っているのか理解するために、良い翻訳者がいることを願う。

Permalink | 記事への反応(0) | 06:44

2024-02-21

■anond:20240221023623

コペカチータ（朝ドラ『ブギウギ』のパフォーマンス）

コペカチータ（笠置シヅ子）

コペカチータ（美空ひばり）

Scandal（Queen）

DRIVE ME CRAZY（lyrical school）

20th Century Boy（Carbellion）

Stay High（Brittanny Howard）

傘がない（井上陽水）

リサイズ（CYNHN）

Cold Hearted（Paula Abdul）

昨日YouTubeで聴いた曲。

Permalink | 記事への反応(0) | 13:25

2024-02-06

■anond:20240122111732

Why tf would any one but u care about this person thats streaming　その人が配信中だなんて情報、お前以外にとってはどうでもいいんだよ

Literally i dont want you talking here　ここで話すなよ

Go back　

-----

3) Slack off（サボる・怠ける）

do not slack on grammar you actually see in texts you are reading 読んでるテキストに出てくる文法はサボっちゃだめ

most times it would be some form of self-im provement, something that we’ve always wanted to achieve, some things that we slacked on that we didn’t accomplish in the prior year.

◎ 今日の会話でウィリーさんは「Slack on」と言いましたが、基本的には「Slack off on」と表現します。

https://hapaeikaiwa.com/blog/2015/12/26/%E7%AC%AC83%E5%9B%9E%E3%80%8C%E3%82%A2%E3%83%A1%E3%83%AA%E3%82%AB%E3%81%AE%E3%81%8A%E6%AD%A3%E6%9C%88%E3%80%8D/

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4) Follow through（最後までやり通す）

You need to follow through with your commitment.（自分で決めたことは最後までやり通さないと。）

I promise I will follow through to the end.（最後までやり通すことを約束します。）

He’s all talk. He never follows through with what he says.（彼は口だけだよ。言ったことを全然最後までやり通さないからね。）

----

too sleepy to function　眠すぎてまともに活動できない

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twitter algorithm is bad but they got more pressing issues at hand　ツイッターのアルゴリズムはダメだけどもっと喫緊の課題があるよ

im getting follow requested by these bot accounts who put their bra sizes in their bio　ブラサイズをプロフに載せてるボットアカウントにフォローされまくってる

e.g. resolve the pressing issues related to ～に関する喫緊問題を解決する

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Sounds like a babbling tard tbh.

Yo, u stupid. U shud get a regular job not 2 make ur mom cry out.

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I'm framing this to the wall, thanks　その言葉を壁に飾っておくよ、ありがとう（褒められたりしたときに）

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美人コンテスト = beauty pageant

they're very upset and very against the idea of this Ukrainian woman Karolina Shino winning the Miss Japan beauty pageant

https://youtu.be/1qN_8jIOxFU?t=165

pageant

〔大仕掛けな〕歴史ショー、時代劇◆可算◆地域の歴史や伝統を題材にしたもので演劇や山車を連ねたパレードの形を取ることが多い。

〔壮麗な〕行列、行進

〔多くの参加者が登場する〕ショー、公演

誇示、見せびらかし

pungent

〔味・匂いなどが鼻や舌を〕強く刺激する

〔食品・香辛料などが〕ヒリヒリする、鼻にツンとくる

〔批評などが〕痛烈な、辛辣な

-----

I find it kind of funny that she's trying to tick every box of adopting Japanese cult ure even the who le cheating part of Japanese cult ure which is very prevalent

不倫に至るまで日本文化に馴染もうとしているのが面白い

tick every box = すべての条件を満たす

-----

The who le reason why this Carolina Ukrainian woman won the beauty contest is because she basically ticks almost all the boxes for being a beautiful Western woman. She's got the small face, the big eyes, the kind of blondish light brown hair, the very pale complexion

complexion 【名】顔色、顔の艶、肌の色、顔貌外観、様子、態度、形勢

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play favorites with

（人）にえこひいきする、（人）に特別扱いする

-----

he-said-she-said argument

〔彼は言った彼女は言ったの〕水掛け論◆引用符を用いて"he said, she said" argumentと表記されることもある。

-----

Apprently "high moral capacity" that they're talking about is bent over backward over unfair "contracts" of a black company.

日本人の言っている「高い道徳能力」っていうのは、「ブラック企業の不公平な契約を守るために必死になる」ってことなんだな

BEND OVER BACKWARDS: informal. to make a special effort, esp in order to please.

cf. bending the knee to corporations

-----

To be a good Japanese worker, that means keeping your mouth shut, head down, and following what your boss says/does to the letter.

to the letter: 文字どおりに、厳密に

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catch strays　悪口を言ったら全く関係ない人に流れ弾が当たること

Aiming to insult someone but insulting someone else in the process aswell even if not involved.

-----

ins and outs of a company

《the ～》会社の一部始終［裏と表］

ins and outs of life

人生の綾、曲折

know ins and outs of

～のことをくまなく知っている

discuss the ins and outs of

～の内外［裏表］について話し合う

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それはお世辞にもよく撮れた写真とは言えない。: The picture is way less than flattering.

----

her haters clearly don't get to her = アンチの攻撃は彼女に全く効いていない

〔出来事・人などが肉体的または精神的に〕こたえる

・If you let her get to you person ally, you won't last a week. : もし彼女の攻撃を個人的に受け止めたら、1週間と持たない。

・Try not let it get to you. : あまりくよくよしないで。／元気を出してください。

・Maybe the heat has gotten to me. : 暑さにやられたかな…。◆【場面】夏ばてなど。

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alright im getting off now　（チャットなどで）落ちるわ

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flip flop　手のひらくるくる

Who gives a shit about selen?? Seriously.

You niggers spend years talking shit

＞lmao purple dragon retarded

＞purple dragon fat

＞apex? Id rat her kms

The second she an heros and drops the crazy truth bomb that enna is in fact a piece of shit you drama niggers flip flop

→The second someone does something you guys flip flop（～が～した途端お前ら手のひらクルクルじゃん）という構文として覚えると良さそう

-----

I dunno how Niji can be any more clear that Selen was given many chances to change her behavior but stubbornly ins isted on flouting the company rules and had to be made an example of. Understandable that people who love Selen will support her even when she's in the wrong though.

頑なに会社の規則に背くことを繰り返し、見せしめにされなければならなかった

ins ist on: to keep doing something, even if it annoys other people, or people think it is not good for you: I don't know why you ins ist on talking about it.

make an example of: 見せしめにする

flout: 〔人・規則・慣習などを〕軽蔑する、ばかにして無視する［従わない］、逆らう

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excising a company that has bad practices and exploits people's interest in the industry will be a long term benefit, even if it makes waves right now

悪しき慣習を持ち、人々の関心を搾取する会社を排除することは、たとえ今波風が吹いたとしても、長期的な利益につながるだろう

excise

1名

消費税、物品税◆【同】excise tax ; excise duty

1他動

〔～に〕消費税［物品税］を課す

2他動

〔文章・文書の一部を〕削除する

《外科》〔身体から～を〕切除［摘出］する

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You know you have to admire the grift. Very public divorce proceedings and cheating accusations on top of that and she still doubles down with the GFE. She’s a lying whore but damn, the commitment to the bit.

she has nothing on taylor swift, 12 dicks in her so far

テイラー・スウィフトには敵わない

have nothing on

（人）の弱みを握っていない、（人）のしっぽをつかんでいない、（人）を有罪にする証拠がない、（人）に不利な情報を得ていない

・They think Tim is the murderer, but the police have nothing on him yet. : ティムが殺人犯だと思っているが、警察はまだしっぽをつかめない。

（人）にかなわない、（人）に太刀打ちできない

何も身に着けていない、裸である

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Whoa, he means business. : うわ、あいつマジ［本気｛ほんき｝モード］だぞ。◇【場面】遊び半分やジョークではなく、真剣になっている。

----

if left to one's own devices

放っておけば、好き勝手にさせれば

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implicated in the scandal

《be ～》不祥事に関与する、醜聞に関係する

The problem is that NijiEN livers are now all implicated in the scandal, due to the malicious idiocy of the 3 Stooges.

the EN branch just implicated itself in a massive PR disaster that may take months if not actual years to recover from.

-----

I'm very confused

But whatever I'm cool go with the flow　流れに任せる

-----

have to have the last word

〔論争などで〕言われたら言い返さないと気が済まない◆【直訳】最後の言葉を持たねばならない ⇒ 自分の言葉で議論を終わらせたい。つまり反論できずに黙ってしまうことを望まず、相手を論破して黙らせたい。

——

Huh, guess I don't dig enough in the community outside /here/ and just skirt across the surface.

ここ以外のコミュニティは表面をなぞっただけでちゃんと掘り下げたことがない

Skirt

〔～の〕周辺を通る、〔～の〕周囲をまわる［巡る］ ・The hills skirt the village. : 小高い山がその村を囲んでいる。

2. 避けて通る、敬遠する ・We skirted a large hole there. : 私たちはそこにある大きな穴を避けて通った。

3. 〔問題などを〕回避する

4. 〔～の〕周辺にある［位置する

——

Permalink | 記事への反応(0) | 23:23

2024-02-01

■狂ってる？それ褒め言葉ね

褒め言葉としての「狂ってる」「頭おかしい」「いかれてる」

アメリカでも褒め言葉として「crazy」「insane」という場合があるから、日本固有の現象ではないようだ

Permalink | 記事への反応(0) | 14:03

2024-01-29

■

Live While We're Young って

「𝕃𝕖𝕥'𝕤 𝕘𝕠 crazy crazy crazy till we see the sun」ってあるから

日本語にしたら

「行こうぜキチガイみたいな朝の光の方へ」

みたいな意味かとずっと思ってたら

全く違う意味だった

Permalink | 記事への反応(1) | 06:53

2024-01-13

■ON STAGE オンステージ Z-PK30(S)

曲目

Google翻訳のアプリを利用して画像から文字を取得したため、曲名、歌手名が正しく表記されていない場合があります。

愛燦燦　美空ひばり

愛人　テレサ·テン

愛の終着駅　八代亜紀

蒼い星くず　加山雄三

青葉城恋唄　さとう宗幸

アカシアの雨がやむとき　西田佐知子

秋田おばこ　秋田県民謡

アケミという名で十八で　千昌夫

あざみの歌　伊藤久男

あじさいの雨　渡哲也

あずさ2号　狩人

あなた　 315 小坂明子

あなたと生きる　1252 石原詢子

あなたならどうする　329 いしだあゆみ

あなたにあげる　1253 西川峰子

あなたのブルース　 208 矢吹健

あなたへ　1254 香西かおり

あの鐘を鳴らすのはあなた　 286 和田アキ子

あばれ太鼓～無法一代入り～1255 坂本冬美

天城越え　16 石川さゆり

雨　1256 三善英史

雨酒場　 313 香西かおり

雨の西麻布　とんねるず

雨の慕情　八代亜紀

雨の御堂筋　欧陽菲菲

雨の連絡船田川寿美 1257

嵐を呼ぶ男石原裕次郎 1258

逢わずに愛して内山田洋とクール・ファイブ 13

あんたの花道天童よしみ 1259

192 山口百惠いい日旅立ち

石原裕次郎 33 粋な別れ

22 小柳ルミ子漁火恋唄

漁火の宿 1260 鏡五郎

346 北原ミレイ石狩挽歌

396 一円玉の旅がらす晴山さおり

449 いちご白書をもう一度バンバン

熊本県民謡 1552 五木の子守唄

射手座の女敏いとうとハッピー&ブルー 232 愛しき日々堀内孝雄 40

命くれない瀬川瑛子 108

命の花大月みやこ 383

今さらジロー 1261 小柳ルミ子

祝い酒坂本冬美 26

455 門脇陸男祝い船

うそ 110 中条きよし

ザ・ピーナッツウナ・セラ・ディ東京 355

裏町酒場 368 美空ひばり

越冬つばめ 216 森昌子

襟裳岬 429 森進一

演歌兄弟北島三郎・鳥羽一郎

演歌はいいね 1263 岩本公水

217 松原のぶえ演歌みち

東京都民謡 1553年お江戸日本橋

大阪しぐれ都はるみ 72

角川博大阪ものがたり 348

大阪ラプソディー海原千里·万里 27

奥飛騨慕情 111 竜鉄也

贈る言葉海援隊 220

小樽運河都はるみ 352

男侠(おとこぎ) 1264 坂本冬美

日時ミミ男と女のお話 1265

男と女の破片 100 前川清

松原のぶえ 461 男なら

493 杉良太郎男の人生

増位山太志郎 29 男の背中

村下孝蔵 23 踊り子

お久しぶりね小柳ルミ子 30

おふくろさん 331 森進一

221 おまえとふたり五木ひろし

日野美歌 332 想い出グラス

おもいで酒小林幸子 195

想い出の渚ザ・ワイルド・ワンズ 199

想いで迷子 116 チョーヨンピル

父親(おやじ) 1266 北島三郎

お嫁においで加山雄三

お嫁にゆけないわたしジジサン 222

俺ら東京さ行ぐだ

鳥羽一郎 1267 おれの人生始発駅

原田悠里 1268 おんな坂

三笠優子 223 女の一生

さくらと一郎 1269 女のきずな

松原のぶえ 305 おんなの出船

宮史郎とぴんからトリオ 309 女のみち

八代亜紀 117 おんな港町

鳥取県民謡 1554年貝まつり

ジジサン 474 海峡

ガロ 454 学生街の喫茶店

ペギー葉山 233 学生時代

堀内孝雄 136 影法師

鹿児島おはら節鹿児島県民謡 1555

ちあきなおみ 31 喝采

悲しい色やね 34 上田正樹

1270 悲しみの恋世界前川清

137 哀しみ本線日本海森昌子

がまん坂 18 北島三郎

川 12 北島三郎

川の流れのように美空ひばり 35

黄色いシャツ浜村美智子 209

木曽路の女原田悠里 87

木曽節 1556年長野県民謡

北へ向かう夜想曲 118 多摩幸子

和田弘とマヒナスターズ

北国の春 320 千昌夫

北酒場 193 細川たかし

北の旅人石原裕次郎 20

北の漁場 41 北島三郎

君 1271 島倉千代子

君こそわが命 205 水原弘

君といつまでも 42 加山雄三

君は心の妻だから 119 鶴岡雅義&東京ロマンチカ

君は薔薇より美しい 1272 布施明

今日でお別れ菅原洋一 314

京都の恋 196 渚ゆう子

きよしのズンドコ節 1273 氷川きよし

霧の摩周湖布施明 120

銀色の道 321 ザ・ピーナッツ

空港テレサ・テン 146

空港ラプソディー 1274 中村美律子

草津節群馬県民謡 1557

くちなしの花 462 渡哲也

147 グッド・ナイト・ベイビーザ・キングトーンズ

黒の舟唄 1275 加藤登紀子

1569年軍艦行進曲軍歌

圭子の夢は夜ひらく

369 藤圭子恋あざみ

431 盛彩業恋唄綴り堀内孝雄

岸洋子 326 恋心

奥村チヨ 353 恋の奴隷

石原裕次郎 457 恋の町札幌

46 五輪真弓恋人よ

403 香西かおり愛のボート

大月みやこ 432 恋ものがたり

塚田三喜夫 434 五月のバラ

富山県民謡 1558年コキリコ節

高山厳 152 心凍らせて

292 藤あや子こころ酒

細川たかし 153 心のこり

343 森山良子この広い野原いっぱい

ペドロ&カプリシャス 154 五番街のマリーへ

284 ロス・インディオスコモエスタ赤坂

ごめんねジロー奥村チヨ 1276

伊東ゆかり 197 小指の思い出

1559年香川県民謡金毘羅舟々

1560年宮城県民謡才太郎祭り

市川由紀乃 1277 さいはて海峡

森若里子嵯峨野の女 235

酒場にて 492 江利チエミ

酒と泪と男と女 285 河島英五

酒よ 36 ジジサン

さざんかの宿大川栄策 88

さそり座の女 294 美川憲一

サチコニック・ニューサー 481

佐渡おけさ新潟県民謡 495

里がえり嶋三喜夫 1278

サバの女王グラシェラ・スサーナ 357

さよならだけの人生に 398 堀内孝雄

サライ 121 加山雄三/谷村新司

三都物語谷村新司 306

四季の歌芹洋子 382

布施明シクラメンのかほり 37

435 河島英五

時代おくれ 311 伍代夏子忍ぶ雨

田端義夫 483 十九の春

北島三郎 123 終着駅は始発駅

シャオ・リンシュウ 342 純子

鳥羽一郎 1279 昭和北前船

菅原洋一 201 知りたくないの

大橋純子 155 シルエット・ロマンス

加藤登紀子 65 知床旅情

島倉千代子 194 人生いろいろ

五木ひろし 241 人生かくれんぼ

ジジサン 90 酔った歌

杉良太郎 47 すきま風

60 谷村新司 1 森田公一とトップギャラン若者小林幸子 1280 雪泣夜(せつないよ) 小柳ルミ子 48 瀬戸の花嫁森進一 1281 セビアの雨ジローズ 7 「戦争を知らない子供たち平和勝次とダークホース 360 宗右衛門町ブルース北海道民謡 1561年ソーラン節内山田洋とクール・ファイブ 2 そして、神戸 49 五木ひろしそして・・・めぐり逢い布施明 50 そっとおやすみにしきのあきら 187 空に太陽がある限り増位山太志郎 283 そんな女のひとりごと増位山太志郎 157 「そんな夕子にほれました上田正樹 301 たかこ真木柚布子 1282 黄昏のルンバ

加山雄三 1283 旅人よ

トワ・エ・モア 480 誰もいない海

三船和子 198 だんな様

石川さゆり 1284 暖流

パープル・シャドウズ 125 小さなスナック

五木ひろし 442 契り

五木ひろし 93 千曲川

津軽海峡・冬景色 39 石川さゆり

津軽恋女 282 新沼謙治

津軽じょんから節 1562年青森県民謡

つぐない 458 テレサ・テン

津和野川 1285 島津悦子

デカンショ節 1563年兵庫県民謡

敵は幾万 1570年軍歌

天使の誘惑 138 黛ジュン

東京やしきたかじん 77

東京砂漠内山田洋とクール・ファイブ 129

どうにもとまらない 426 山本リンダ

都会の子守歌山本譲二 12 86

時には娼婦のように 130 黒沢年男

時の流れに身をまかせテレサ・テン 63

年上の女 206 森進一

和田アキ子 160 どしゃぶりの雨のなかで

445 小林幸子とまり木

370 天童よしみ道頓堀人情

五木ひろし 1287 長崎から船に乗って

内山田洋とクール・ファイブ 191 長崎は今日も雨だった

内山田洋とクール・ファイブ 131 中の島ブルース

五木ひろし 66 長良川艶歌

神野美伽 1288 浪花の春

島津亜矢 1289 波

坂本九 392 涙くんさよならステージ

殿さまキングス 204 なみだの操

三好鉄生 132 涙をふいて

ペギー葉山 202 南国土佐を後にして

岩手県民謡 1564 南部の牛追い

1571 軍歌日本海海戦

1572 軍歌日本海軍

角川博 1290 人情つれづれ

平浩二 162 バスストップ

山形県民謡 1565 花笠踊り

163 島津ゆたか花から花へと

14 村田英雄花と竜

ザ・タイガース 164 花の首飾り

78 金田たつえ花街の母

165 はしだのりひことクライマックス花嫁

167 佳山明生氷の雨

伍代夏子 440 ひとり酒

火の国の女 350 坂本冬美

百万本のバラ加藤登紀子 351

広瀬中佐軍歌(文部省唱歌) 1573

釜山港へ帰れ 67 渥美次郎

二人でお酒を 308 梓みちよ

周白市 459 八代亜紀

冬のリヴィエラ 460 森進一

ブランデーグラス 252 石原裕次郎

ブルー・シャトウ 169 ジャッキー吉川とブルー・コメッツ

ブルーライト・ヨコハマ 189 いしだあゆみ

ベットで煙草を吸わないで 141 沢たまき

ヘッドライト 1291 新沼謙治

望郷酒場 253 千昌夫

望郷じょんから細川たかし 496

王翔旅カラス 12 92 千昌夫

インパチェンス 74 島倉千代子

箱崎晋一郎抱擁 142

星のフラメンコ西郷輝彦 170

171 平尾昌晃星はなんでも知っている

敏いとうとハッピー&ブルー 62

星降る街角 497 北海盆唄

北海道民謡北帰行 365

シャオ・リンシュウ島津ゆたか 172

ホテル 386 チェン・ジュオエ

骨まで愛して大泉逸郎 96 孫

尾崎紀世彦 173 また逢う日まで

美空ひばり 451 真赤な太陽

2391 松平健マツケンサンバⅡ

75 北島三郎まつり

桂銀淑 176 真夜中のシャワー

山形県民謡 1566 真室川音頭

坂本九 83 見上げてごらん夜の星を

サーカス 259 ミスターサマータイム

伍代夏子 441 水なし川

渡哲也 51 みちづれ

山本譲二 52 みちのくひとり旅

軍歌 1574 道は六百八十里

中村美律子 1293 港町情話

シャオ・リンシュウ 419 昔の名前で出ています

香西かおり 260 静けさ

53 尾形大作無錫旅行情報

東八郎 261 娘へのバラード

藤あや子 377 むらさき雨情

1294 中村美律子めおと恋

都はるみ 70 夫婦坂

262 三笠優子夫婦舟

もしもピアノが弾けたなら 71 西田敏行

やっぱすきやねんやしきたかじん 84

山北島三郎 378

ゆうべの秘密小川知子 340

雪国 59 ジジサン

スノーチュン 11 小林幸子

雪の進軍 1575 軍歌

雪の降る街を 268 高英男

夢追い酒 76 渥美次郎

夢芝居 179 梅沢富美男

夢千里 1296 キム・ヨンジャ

夢の夜 181 南こうせつ

Permalink | 記事への反応(0) | 18:36

2024-01-10

■anond:20240110142354

ごめん

アディクテッドトゥホストは宇多田ヒカルの曲名をもじったジョークのつもりで書いた

いわゆる「ホス狂」について、朝日新聞英語版では「Host crazy」と直訳してるようだ。

ホストはそのまま「Host」と訳されている。

＞ She had become a “hos-kyo” (host crazy).

‘Host crazy’ women fall into debt hell through pay-later system
By NOBUAKI TANAKA/ Staff WriterApril 9, 2023 at 07:00 JST
https://www.asahi.com/sp/ajw/articles/15020981

なお「ホストクラブ依存」は「Host Club Addiction」と訳す模様。

ホストクラブ依存の症例報告｜CiNii Research
A case report of Host Club Addiction
https://cir.nii.ac.jp/crid/1521417754718021632

Permalink | 記事への反応(0) | 14:38

2024-01-02

■anond:20240111083927

I'm going in for surgery soon (= I'm having/getting surgery soon)

もうすぐ手術を受ける

go in for

〔富や名誉などを〕手に入れようとする、〔競技などに〕参加する、〔試験などを〕受ける

・I sent a demo CD to go in for the contest. : そのコンテストに参加するためデモ CDを送った。

～を好む、～が好きである、～に凝っている、～に熱中する、～を楽しむ

・Throughout my school years I went in for music and was a member of the chorus. : 私は学校時代を通して音楽が好きで、コーラス部に入っていました。

～に賛成する、～を支持する

・The idea does make sense but I can't go in for it. : その考えは確かに道理にかなっているが賛成はできない。

～を仕事とする、～に従事する

・If you are active, don't go in for a sedate job. : 行動的な性格だったら堅苦しい仕事には就かない方が良い。

～を専攻する、〔講義などを〕取る

・If you are fluent in German, you can go in for an international course of study. : ドイツ語に堪能なら国際コースの課程を取ることができる。

〔競技などで〕（人）の代わりに参加する、代役を務める

・I went in for an injured player. : けがをした選手の代わりに出場しました。

go in for は like doing の古臭い言い方だから使わない方がいいという声も

https://ell.stackexchange.com/questions/118883/to-go-in-for-sport-or-just-to-do-sport/

-----

go (along) with / go for はともに「選ぶ choose」を意味することがあるがニュアンスが違う

go (along) with は妥協感がある一方で go for は積極的にそれを得ようとする感じ

学校の部活などでレギュラーを狙っているときには go out for が使える

https://forum.wordreference.com/threads/go-with-vs-go-for.2864919/

-----

Go in to work 物理的に仕事場にたどり着くという意味

Go to work も同じ意味で使えるが、それとは別に仕事に取り組む（=Get to work）という意味でも使える

https://ell.stackexchange.com/questions/79790/what-is-the-difference-between-go-in-to-work-and-go-to-work

-----

How much that figure set u back?

そのフィギュアいくらしたの？

It was only like 2000 yen.

たった二千円だったよ

Nice, affordable

いいね、お手頃だ

but I did see a couple nicer ones going for like 15k +

でももっといいやつが1500円くらいで売られてた

～の値段で売られて［販売されて］いる

・Manga here goes for $10-13 per volume, and no covers! : こっちでは漫画が一冊10～13ドルもするの。カバーも付いてないし。

scale figures go for crazy amounts sometimes

スケールフィギュアはたまにすごい値段で売られてるよな

-----

I'm going on a trip across Japan this April, and I'm going to have about 3 weeks to myself to just explore and find experiences.

今年の4月に日本縦断の旅に出る予定なんだけど、3週間くらいまるまる使ってひたすら探検したり体験したりするつもりなんだ。

ct. do a trip to poland ポーランドへ旅行する

Is there anything that y'all would recommend I see/experience that's a more out of the way compared to touristy things?

観光名所的なやつよりも穴場的なところでなにかおすすめはある？

I'll put that on my list lol

それ予定に入れとく笑

have ~ to oneself

～を独占［独り占め］する、自分専用の～を持つ、～を自分で好きなように仕切る［使う］

・We had the who le room to ourselves. : 私たちは部屋を独占しました。

-----

that guy was a blubbering mess in the video, and to be honest, i don't blame him

彼は動画の中で泣きじゃくっていたが、正直それは無理もない話だ

he still cannot stop his endless-useless-lame babbling

彼は未だに訳のわからないくだらない話を延々と続けている

babbling　〔訳の分からないことやとりとめのないことを〕ぐちゃぐちゃ［ペチャクチャ］しゃべる◆【同】blit hering ; blat hering ; jabbering ; gabbling

-----

Stop speaking alien words at me

わけわからんことを言うな

why would that ever be the case

そんなわけないだろ

bro really milking this

こいつめっちゃ同じ話擦り続けるやん

man really interpreting everything

こいつ好き放題に解釈しよるやん

i feel like most people can't think past the fa ct that I'm the president

And are scared to talk to me or

ほとんどの人は私が社長だということを気にしてしまって、話すことを怖がってしまう

mf shaming me because I was eating too quick even though he had like 2 spoonfuls more than me left on his plate

スプーン2杯分くらいしか違わなかったのに食べるの速すぎって煽られた

I'm in all reason to believe you did not come here for ___, but rat her to troll.

If you feel like I'm mistaken in my decision, feel free to send us a mail

あなたは～という目的ではなく荒らすためにここに来たとしか思えない

もし間違っていると感じるなら連絡してください

Good thing shows her true colors before u got with her

付き合う前に本性がわかってよかったじゃん

cf. the mask slips/comes off = 化けの皮がはがれる

https://nativecamp.net/heync/question/8679

the guy you had added on facebook

thats what i rememeber him as

ほら、お前がフェースブックに追加したやつだよ

そいつに関してはそのことしか覚えてないわ

-----

ego stroke

《an ～》〈俗〉〔人をいい気分にさせる・人の自尊心を満足させる〕褒め言葉、お世辞◆【参考】stroke someone's ego

The owner is obnoxious just stroke his ego and you're fine

あのオーナーは嫌な奴だよ。とりあえずおだてておけば大丈夫だ

she is just using you to stroke her ego

彼女はただ自分がいい気になりたいがためにあなたを利用してるだけだ

-----

I think going to Japan and fucking with local citizens should have you tried at the Hague for espionage

日本に行って現地の市民にふざけた行為をしたら、スパイ行為としてハーグで裁かれるべきだと思う。（ジョニー・ソマリに対して）

And later sunset definitely beats getting home at 6 and it’s dark

日没は、6時に真っ暗闇の中で帰宅するのに比べれば断然マシだ

it got sunset a long time ago so it's not relevant anymore

それはずっとまえに衰退したから今ではもう存在感がない（影響力がない）

people shit on me all the time

いつもみんなからバカにされる、叩かれる

------

A: but why does uni even cost that much money

でもなんで大学はそんなに金がかかるんだ

B: I mean it's a racket through and through

ボッタクリの極みだからね

racket - 〈俗〉不正な商売［金もうけ］、詐欺、ゆすり、密売買

evil through and through - 《be ～》とことん邪悪［根っからの悪人・正真正銘の悪人］である、〔主語には〕良心のかけらもない

-----

Tycoon! this comes from the japanese word 大君! Head honcho, this comes from the japanese word　班長! Rickshaw, this comes from the japanese word 人力車

-----

friend から"r"を取ると↓

fiend （フィーンド）

悪霊、鬼、悪魔◆可算

＝ archfiend

〔悪魔のように〕残忍な人、意地の悪い人

〈話〉〔麻薬などの〕常習者

〈話〉〔仕事や趣味などの〕凝り屋、マニア

〈話〉〔ある技能や分野の〕熟練者、達人

-----

flustered

〔頭の混乱・過度の緊張などで〕動揺して、うろたえて

flounder

〔体勢を戻そうと〕もがく、じたばたする

〔混乱して〕もがき苦しむ、四苦八苦する、何とか進む◆【注意】スペリングが似ているfounderは「沈没する、破綻する、完全に駄目になる」の意味だが、flounderは「苦労しながらも活動している」を意味する。

・The ship floundered in the storm. : 船は嵐の中をもがき進んだ。

-----

scrawl 走り書き

scribble 子供が描くようなぐちゃぐちゃの落書き

ただし大人の書いた文字について言う場合は両者ともに「走り書き」の意味で使える

He scrawled his signature. (= His signature looked like a squiggle.)

彼はサインを走り書きした（＝彼のサインはグニャグニャだった）

I scribbled my name at the bottom of the page.(= I wrote my name very quickly, so it looked unreadable.)

私はページの下部に自分の名前を走り書きした（＝名前を素早く書いたので、判読不能なものになった）

https://ell.stackexchange.com/questions/122138/how-do-scrawl-and-scribble-differ

-----

shtick 十八番芸、特技

her whole shtick is being ignored by everyone

彼女の得意技はみんなから無視されること

Anonymous's whole shtick is freedom of information

匿名の最大の売りは、情報の自由である。

I tried writing more serious literary novels, but I realized that cheesy thrillers are just my shtick.

もっとシリアスな文学小説を書こうとしたが、安っぽいスリラー小説こそが私の得意技だと気づいた。

Permalink | 記事への反応(1) | 17:57

2023-11-19

■Notice

■ Regarding the free release of the new species previewed and the reason for making the support site the main platform for releasing new species:

While the free release on the Kurobinega website is at my discretion, I'm considering doing so roughly once every three or two paid releases.

The following might not be particularly relevant to English-speaking fans, or in other words, to everyone. The reason I'm focusing on early releases is that I want to limit the exposure of MGE and continue creating content on a smaller scale. First of all, I don't want MGE to be a hugely popular restaurant that anyone can enter, nor do I wish to become an internet celebrity. For me, MGE is akin to a reas onably popular local restaurant where like-minded individuals who share my interests gather. By scaling down, my production speed has increased. The period from Dragonewt to Tai Sui was shorter, and the next species should be released sooner. What matters most to me is creating the MGE I want to craft, drawing pictures, and developing games in the world of MGE. I'm delighted when people who value MGE's themes as I do get to see it. Receiving money on support sites like these, allowing me to spend more time on production, is truly appreciated.

Using the stuffed animal analogy again, it truly makes me happy when someone who genuinely loves and cherishes stuffed animals sees the ones I've created. Yet, I can't see those who say they adore stuffed animals but also tolerate and respect those who take pleasure in mutilating them as people who share the same love for stuffed animals as I do. I don't have the inclination to actively show them the stuffed animals I've made.

I believe English-speaking individuals, when witnessing a stuffed animal's head being torn off or the pleasure derived from it, would straightforwardly label it as "crazy." However, it's different in Japan, especially on social media. Even if they dis like watching the stuffed animals being hurt, they'll say, "Let's respect those who enjoy tearing them." This, despite seeing me, someone desperately protecting my stuffed animals, getting attacked by such individuals. There's a prevailing notion in the otaku community, especially on Japanese SNS (Social Media), that "All fetishes must be respected." Speaking out against this, even as a victim, can result in backlash. Not everyone thinks this way, but it's the dominant mindset. Disheartened by this, I didn't want to show them MGE anymore. When you grow to dis like a place, it's only natural to distance yourself, and that's what I've done.

However, this is a problem in Japan. In English-speaking regions, fans typically call out what they dis like, labeling it as "crazy." I have many English-speaking friends who've genuinely helped me in trying times. The MGEwiki admin is also a dear friend. Depending on the English-speaking fan community's dynamics, I might consider releasing content on MGEwiki a month after the early release.

Permalink | 記事への反応(0) | 03:35

2023-10-21

■

最近ウェブ見てて「の」のフォントだけ変だ

Recently I have found that font for "の" (NO in hiragana) is crazy weird but the others are ok.

I felt it is because Japan was defeated in the war. Once defeated, the respects are lost. Cultures are appropriated.

Permalink | 記事への反応(0) | 12:08

2023-09-20

■

I was born to be crazy

Permalink | 記事への反応(0) | 21:12

2023-09-10

■anond:20230910113222

どっちもCoolでcrazyやで

Permalink | 記事への反応(1) | 11:34

2023-08-01

■anond:20230801140703

すまん。勝手に翻訳した。拡散はどうするかな。redditとかに投稿するのがいいのか?

----

I have seen some posts asking if they should talk about "the case" even though they were not involved in it and were not born in Nagasaki or Hiroshima, and I am a bit aware of it, so I have to say what I have to say. I say this because I was born in Nagasaki, am a third generation atomic bomb survivor, and grew up hearing the stories of those who experienced the atomic bombing firsthand. I know it's a little bit too much for me, but I'm going to say this because there are very few survivors left.

In Nagasaki, children grow up hearing stories about the atomic bombing. They were stuffed into sushi for nearly an hour in the gymnasium of an elementary school in the middle of summer, with no air conditioner or fan, and told stories about the atomic bombing. That was a hard time for me. I think it must have been even harder for the old people who told the stories, but there was no way an elementary school kid could imagine such a thing, and I had forgotten most of the stories I had been told for a long time. I have forgotten most of the stories I was told. I can only remember one or two at most. There is one more hard thing. Every year around this time, a row of grotesque images that would drive the PTA crazy in other areas are prominently displayed in the hallways. These days, I hear that the atomic bomb museum has been bleached out and many of the radical and horrifying exhibits that traumatized vis itors have been taken down. I don't know if they are still there, but they were there when I was in elementary school.

There was one photo that I just couldn't face when I was in elementary school. It is a picture of Sumiteru Taniguchi. If you search for it, you can find it. It is a shocking picture, but I would like you to take a look at it. I couldn't pass through the hallway where the photo was posted, so I always took the long way around to another floor of the school building to avoid seeing the photo.

Now I'm thinking that my grandfather, who headed into the burnt ruins to look for his sister, couldn't have turned away or taken a different path. There would have been a mountain of people still alive and moaning, not just pictures, and a mountain more who would have given up at the end of their suffering. He walked for miles and miles, towing his handcart through the narrow streets of rubble-strewn Nagasaki in search of his sister. My grandfather was not a child at the time, but of course there were children who did similar things. Not that there wouldn't have been. There were. I heard the story from him, and I still remember it. A young brother and sister found their father's body in the ruins of a fire and they burned it. They didn't have enough wood to burn his body, and when they saw the raw brain that spilled out, they ran away and that was the last time they ever saw him any more.

I can never forget the story I heard when I was a kid, and even now it is painful and painful, my hands are shaking and I am crying. I keep wondering how the old man who escaped from that father's brain could have been able to unravel the most horrible trauma imaginable and expose it to the public with scars that will never heal.

Now I think I can understand a little.

The reason I can't help but talk about my grandfather and that old man, even if I have to rehash my own trauma, is that this level of suffering is nothing compared to the fa ct that their words will be forgotten. My hands shaking, my heart palpit ating and dizzy, my nose running with tears, it's nothing compared to the tremendous suffering that was once there and will be forgotten.

So maybe it's the same thing.

My grandfather, who went through an unimaginable hell, lived to see his grandchildren born, and met his sister's death in the ruins of the fire. In other words, my grandfather was one of the happiest people in the ruins of the fire. My grandfather and that old man were, after all, just people wading in the depths of hell. I think that the suffering that even people who had experienced unimaginable pain could not imagine was lying like pebbles in Nagasaki 78 years ago, and no one paid any attention to it. Their suffering, which I can't even imagine, is nothing compared to the countless, tremendous suffering they witnessed, which they pretend never happened.

Memories fade inexorably every time people talk about them. The memories that those people could not allow to be forgotten are now largely forgotten; the tremendous suffering of 78 years ago is mostly gone, never to be recounted again. Those who suffered the most from the atomic bombing died rotting in the ruins of the fire, unable to tell any one about it. Many of those who saw it with their own eyes kept their mouths shut and took it with them to their graves. Most of those who spoke a few words are now under the grave.

Compared to the words of the old men, my own words are so light. I would rather keep my mouth shut than speak in such light words. But still, someone has to take over. I realize that even my words, which are so light, are only the top of the voices that are left in this world to carry on the story of the atomic bombing. I know how it feels to wonder if someone like myself is allowed to speak about this. Still, I hope that you will not shut your mouth. This is the result of our silence.

Sometimes I almost choose to stop imagining the unimaginable suffering and live my life consuming other people's suffering for the fun of it. I am writing this while I still have some imagination of the suffering of the old people whose voices, faces, and even words I can no longer recall.

Translator's note: The original post in Japanese is a response to a post by a Japanese contributor who wondered if he was qualified to speak out on the subject of the A-bomb when he was not from Hiroshima and Nagasaki, but still spoke out about Barbie and the A-bomb. I translated it here because I think it deserves to be read by the world.

Permalink | 記事への反応(2) | 23:26

■anond:20230801140703

ai 翻訳

I must talk about various things regarding the Barbie incident.

I saw a post about it from someone who is neither directly involved nor from Nagasaki or Hiroshima, and it made me realize that there are things I must say.

I was born in Nagasaki and grew up listening to stories from the survivors, being a third-generation survivor myself. Most survivors are no longer with us, so I feel compelled to speak up.

In Nagasaki, kids grow up hearing about the atomic bomb. We were packed like sushi in a gymnasium without air conditioning or even fans during the scorching summer, and we listened to stories about the bomb. It was incredibly tough for me.

I imagine it was even harder for the elderly who spoke about their experiences. As a child, I couldn't fully comprehend their pain, and now, I can hardly remember most of the stories I heard. I can only recall one or two.

Every year during this time, gruesome images that would make PTA elsewhere go crazy were displayed in the hallways. I heard that many of the horrifying exhibits that used to traumatize vis itors at the Atomic Bomb Museum have been removed, and the museum has been considerably sanitized. I'm not sure about the current situation, but that's how it was when I was there.

There was one photograph that I could never bear to look at as a child – a picture of Tadashi Taniguchi. You can find it if you search, but it's a shocking image with a viewer discretion warning. Still, I want people to see it.

I couldn't walk down the hallway where that photo was displayed, and I always took a different route, avoiding it so I wouldn't have to see it.

Now, I think of my grandpa who went to the ruins to search for my sister. He couldn't look away or take a different path. The pain must have been unimaginable.

Besides photographs, there were many living people moaning in pain back then, and there must have been even more who succumbed to suffering.

My grandpa walked for miles, pulling a handcart through the debris-laden streets of Nagasaki, searching for my sister.

Even though my grandpa was not a child, I'm sure there were elementary school kids who did similar things. I don't just think they might have been there; they were there. I heard the stories from the people themselves, and I still remember them.

I can't forget the stories I heard as a child, such as the young siblings finding their father's burnt corpse in the ruins and cremating him. They didn't have enough firewood, and their father ended up half-burnt. They ran away after seeing the brain tissue oozing out, and that became their final farewell.

I can never forget those stories I heard as a child, and even now, they still bring pain and suffering, making my hands tremble and tears flow.

I wonder how my grandpa, who ran away from that father's brain tissue, could expose his unimaginable trauma and everlasting scars to the world.

Now, I feel like I understand a little.

Even someone like me, who experienced such unimaginable trauma, has gone through pain that I can't even imagine being compared to being discarded, forgotten, and ignored. Compared to what those people experienced, my suffering means nothing.

My trembling hands and the palpit ations and dizziness I experienced are nothing compared to the tremendous pain that many others went through.

Memories fade irreversibly every time they pass through people's lips. The memories that I couldn't bear to be forgotten are almost forgotten now.

The unimaginable pain that existed 78 years ago has mostly disappeared, and we can no longer pass it on.

The people who suffered the most from the atomic bomb perished in the ruins, rotting away without being able to convey it to anyone.

Even those who saw it with their own eyes mostly took the memories with them to their graves. Most of them are now under the tombstones.

Compared to the words of the elderly, my words seem so light. I think that speaking with such light words would be better than keeping silent, as silence has led to this result.

I feel like I might occasionally choose to stop imagining the unimaginable pain and consume the suffering of others in an amusing way to live on.

Before I forget the pain and suffering of those elderly people, whose faces and voices I can no longer recall, I will leave this here.

Permalink | 記事への反応(0) | 19:14